Now, for the first time, all of the poems in his ten collections–from Sun Out, poems of the 1950s, to Thank You, published in 1962, to A Possible World, published in 2002, the year of the poet’s death–are gathered in one volume.Celebrating the pleasures of friendship, art, and love, the poetry of Kenneth Koch has been dazzling readers for fifty years. Charter member–along with Frank O’Hara, John Ashbery, and James Schuyler–of the New York School of poets, avant-garde playwright and fiction writer, pioneer teacher of writing to children, Koch gave us some of the most exciting and aesthetically daring poems of his generation.These poems take sensuous delight in the life of the mind and the heart, often at the same time: “O what a physical effect it has on me / To dive forever into the light blue sea / Of your acquaintance!” (“In Love with You”).Here is Koch’s early work: love poems like “The Circus” and “To Marina” and such well-remembered comic masterpieces as “Fresh Air,” “Some General Instructions,” and “The Boiling Water” (“A serious moment for the water is when it boils”). And here are the brilliant later poems–“One Train May Hide Another,” the deliciously autobiographical address in New Addresses, and the stately elegy “Bel Canto”–poems that, beneath a surface of lightness and wit, speak with passion, depth, and seriousness to all the most important moments in one’s existence.Charles Simic wrote in The New York Review of Books that, for Koch, poetry “has to be constantly saved from itself. The idea is to do something with language that has never been done before.” In the ten exuberant, hilarious, and heartbreaking books of poems collected here, Kenneth Koch does exactly that.

    . . we learn that self-knowledge can be adequate to knowledge of the world, in all its violence and complexity."—Allen GrossmanTimothy Donnelly's long-awaited second collection is a tour de force, fully invested with an abiding faith in language to illuminate the advances of personal and political contingency.Timothy Donnelly's The Cloud Corporation won the 2011 Kingsley Tufts Award, and was a finalist for the 2011 William Carlos Williams Award. Twenty-seven Props for a Production of Eine Lebenszeit was published by Grove Press in 2003. He is poetry editor for Boston Review and teaches at Columbia University. He lives in Brooklyn with his wife and daughters.

    With sharp wit and relentless questioning, Shapero crafts poems a reader can, if not believe in, then trust--to level with us, to surprise us, and to stay with us long after we put the book down. No Object is a fast ride you will not easily forget.

    Alette, the narrator, finds herself underground, deep beneath the city, where spirits and people ride endlessly on subways, not allowed to live in the world above. Traveling deeper and deeper, she is on a journey of continual transformation, encountering a series of figures and undergoing fragmentations and metamorphoses as she seeks to confront the Tyrant and heal the world. Using a new measure, with rhythmic units indicated by quotation marks, Notley has created a "spoken" text, a rich and mesmerizing work of imagination, mystery, and power.

    Griffin's best-selling series. Millions of readers have been swept away by W.E.B. Griffin's remarkable novels of the Marine Corps, a saga filled with crackling realism and adventure, rich characters, real heroes, and a special flair for the military heart and mind. Here, together for the first time, are books IV,V, and VI of that series: Battleground, Line of Fire, and Close Combat. Together, these three novels present an epic tale of the battle between American and Japanese forces for the Solomon Islands in 1942. A general on a ticklish diplomatic mission finds himself in harm's way A first lieutenant, twenty-one years old but already one of only two pilots remaining from the fighter squadron's original sixteen, must learn what it is like to lead men - and to lose them A dare-devil squad attempts to rescue two Island, under the very noses of the Japanese A young private volunteers for a mission for a mission so secret he cannot be told where it is - or what he'll be doing Sweeping in scope but meticulous in detail, the books bring to life the men of the Corps - generals, colonels, and of an elite fraternity united by a tradition of courage and honor. This is The Corps.

    The 2009 Sawtooth Poetry Prize, selected by Rae Armantrout, is Julie Carr's provocative 100 NOTES ON VIOLENCE. Carr obsessively researches intimate terrorism, looking everywhere from Whitman and Dickinson to lists of phobias and weapon-store catalogs for answers. This book is a dream-document both of light and innocence babies and the urge to protect them and of giving in to a wrenching darkness, where despair lies in the very fact that no single factor is to blame."

    "Jen Bervin has reimagined Shakespeare as our true contemporary. Her little poems sing" Paul Auster. In NETS, poet and artist Jen Bervin strips Shakespeare's sonnets "bare to the nets," chiseling away at the familiar lines to reveal surprising new poems, while pointing obliquely at the unavoidably intertextual ground of writing. Using visual compositional strategies as effectively as verbal ones, Bervin allows the discarded text to remain on the page as a ghostly presence, while she highlights the marginal line-numbers that allude to the sonnets' canonization."

    In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos?

    The Cow is a mother, a lover, and a murdered lump of meat, rendered in the strongest of languages. "I cannot count the altering that happens in the very large rooms that are the guts of her."

    Spare and intensely-felt, Valentine's poems present experience as only imperfectly graspable. This volume gathers together all of Valentine's published poems and includes a new collection, Door in the Mountain.Valentine's poetry is as recognizable as the slant truth of a dream. She is a brave, unshirking poet who speaks with fire on the great subjects—love, and death, and the soul. Her images—strange, canny visions of the unknown self—clang with the authenticity of real experience. This is an urgent art that wants to heal what it touches, a poetry that wants to tell, intimately, the whole life.

    Middle Eastern studies. Translated from the French by the author. Reprinted with a new foreward by Jalal Toufic. This book, a masterwork of the dislocations and radiant outcries of the Arab world, reaffirms Etel Adnan, who authored the great poem, Jebu, as among the foremost poets of the French Language. THE ARAB APOCALYPSE is an immersion into a rapture of chaos clawing towards destiny, and nullified hope refusing its zero. Is is also the journey of soul through the cartography of a global immediacy rarely registered by maps, replete with signposts like hieroglyphs in a storm of shrapnel and broken glass. And above all it is a book that, though capable of being read in its orderly sequence, has so surrendered to 'being there, ' it can rivet the sensibility to the Middle Eastern condition at any point in the text--so rapid are its mutations, so becoming its becomingness--like a wisdom book or a book of Changes--Jack Hirschman.It has a power and intensity that few poets today can muster--only Allen Ginsberg's Howl comes to mind.--Alice MolloyThe power of Adnan's language and imagery reminds us that she is indeed one of the most significant post-modern poets in contemporary Arab culture.--Kamal BoullattaTHE ARAB APOCALYPSE is, to date, Adnan's most triumphant battle with the exactness of words.--Douglas PowellThe poem invokes a mythic past of Gilgamesh, Tammouz, and Ishtar to presage a present that resists narration, THE ARAB APOCALYPSE contests an uncritical reflection on the immediate historical past.--Barbara Harlow

    Using artifacts from Choi's father, a professional photographer during the Korean and Vietnam wars, she combines memoir, image, and opera to explore her paternal relationship and heritage. Here poetry and geopolitics are inseparable twin sisters, conjoined to the belly of a warring empire.Like fried potato chips—I believe so,utterly so—The hush-hush provingground was utterly proven as history—Hardly=History—I believe so, eerilyso—hush hush—Now watch thisperformance—Bull's-eye—An uncannyhuman understanding on target—Absolute=History—loaded withterrifying meaning—The Air Forcedoesn't say, hence Ugly=Narration— Don Mee Choi is the author of The Morning News Is Exciting (Action Books, 2010), and translator of contemporary Korean women poets. She has received a Whiting Writers Award and the 2012 Lucien Stryk Translation Prize. Her translation of Kim Hyesoon's Sorrowtoothpaste Mirrorcream (Action Books, 2014) was a finalist for the 2015 PEN Poetry in Translation Award. She was born in Seoul and came to the United States via Hong Kong. She now lives in Seattle, Washington.

    "Stephen Strom's photographs lead you to that place," writes Joy Harjo. "The camera eye becomes a space you can move through into the powerful landscapes that he photographs. The horizon may shift and change all around you, but underneath it is the heart with which we move." Harjo's prose poems accompany these images, interpreting each photograph as a story that evokes the spirit of the Earth. Images and words harmonize to evoke the mysteries of what the Navajo call the center of the world.

    . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New YorkerIdentical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare."Lucky in Kansas"Judy Garland: This is always the worst partTin Man: The coming backJudy Garland: Yes, it fucking sucks, it's depressing as shitThe Lion: Well, we're lucky to still be employed at this farmStraw Man: I wouldn't call it luckyThe Lion: We were lucky to get backStraw Man: That's not really lucky either I don't think you know what lucky meansJudy Garland: It's funny what you missTin Man: The runningJudy Garland: The flyingTin Man: The flying monkeysJudy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green worldMichael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.

    Rexroth’s poems of nature and protest are remarkable for their erudition and biting social and political commentary; his love poems justly celebrated for their eroticism and depth of feeling.The cloth edition was one of the most widely reviewed poetry titles in 2003:“Scholars and critics who endeavor to discuss mid-20th century American poetry responsibly ignore Rexroth at their peril.”—Los Angeles Times Book Review, cover feature and selected as a Book of the Year“Rexroth is probably best known as the ‘Father of the Beat Generation.’ These poems reveal that great beauty lies beyond that cliché.”—NPR’s All Things Considered“Rexroth’s prodigious breadth of learning, his hungry attention to the natural world, his contempt for warmongering and his profound, occasionally overlapping love of women are all on flourishing display.”—The San Francisco Chronicle“Rexroth never mistook his poetry for a product, and he could present ideas and images in an urgent, memorable and eloquent way.”—The Nation“Rexroth is one of the most readable and rewarding 20th-century American poets.”—BooklistKenneth Rexroth (1905–1982) was one of the world’s great literary minds. In addition to being a poet, translator, essayist and teacher, he helped found the San Francisco Poetry Center and influenced generations of readers with his Classics Revisited series.