In this dramatic narrative written especially for students and general readers, Sheldon M. Stern, longtime historian at the John F. Kennedy Library, enables the reader to follow the often harrowing twists and turns of the crisis.Based on the author’s authoritative transcriptions of the secretly recorded ExComm meetings, the book conveys the emotional ambiance of the meetings by capturing striking moments of tension and anger as well as occasional humorous intervals. Unlike today's readers, the participants did not have the luxury of knowing how this potentially catastrophic showdown would turn out, and their uncertainty often gives their discussions the nerve-racking quality of a fictional thriller. As President Kennedy told his advisers, “What we are doing is throwing down a card on the table in a game which we don't know the ending of.”Stern documents that JFK and his administration bore a substantial share of the responsibility for the crisis. Covert operations in Cuba, including efforts to kill Fidel Castro, had convinced Nikita Khrushchev that only the deployment of nuclear weapons could protect Cuba from imminent attack. However, President Kennedy, a seasoned Cold Warrior in public, was deeply suspicious of military solutions to political problems and appalled by the prospect of nuclear war. He consistently steered policy makers away from an apocalyptic nuclear conflict, measuring each move and countermove with an eye to averting what he called, with stark eloquence, “the final failure.”

    English is now the world's most popular second language, understood by over 700 million people across the globe. Its use is amazingly broad: not only is it the language of Chaucer and Shakespeare, but also of hip-hop, international business and the internet (over 80% of home pages are in English). So where exactly do English words come from? They come from everywhere. English is a vast, rambling conglomeration of words and phrases from a huge variety of times and places, and every word has its own intriguing history. Balderdash & Piffle is a guidebook—an entertaining look at what falls out of the chaotic family tree of English words when you uproot it and give it a damn good shake. Shaking the tree is writer, humourist and word-sleuth Alex Games. If you've ever wondered who first used 'cuppa' in print, what language gave us 'shampoo', when we started saying 'window', where 'minging' comes from, what Shakespeare had to say about 'geeks' and why 'berk' is really, really rude, you'll find it all (and much more) inside. You'll also have the chance to do your own word-sleuthing, through the BBC Wordhunt appeal. Who knows—if you have written evidence of a 'bouncy castle' from before 1986, you could even re-write history.

    Eliot to be the most important and influential poet of the 20th century, and Four Quartets to be his finest poem and greatest literary achievement. Dove Descending is a journey into the beauties and depths of Eliot's masterpiece written by Thomas Howard, bestselling author, professor and critic. In this line-by-line commentary, Howard unravels the complexities of the sublime poem with such adept adroitness that even its most difficult passages spring to life. During his many years as a professor of English and Literature, Howard taught this poem often, and developed what he calls "a reading" approach to its concepts that render their meaning more lucid for the reader. Dove Descending reunites the brilliant insights of a master teacher whose understanding and love of Eliot's writings are shared here for the great benefit of the reader.Dove Descending is:The first in-depth exposition of Eliot's masterwork ever publishedThe fruit of Howard's many years of teaching Eliot and his unique understanding of the complexities of the great poemA must-have book for fans of T. S Eliot, and anyone who wants to understand his greatest work.

    In "The Da Vinci Deception, " Erwin Lutzer, renowned theologian and pastor of the world-famous Moody Church in Chicago, examines the “facts” behind the best-selling novel, clarifies the issues involved in the deception, and equips readers with the truth. Mass paper edition includes study guide.

    From Arthur Koestler’s take on the universe and Barbara Tuchman’s view on 14th-century life to F. Scott Fitzgerald’s impressions of American morality and Robert Fisk’s analysis of the West’s history of intervention in the Middle East, this engaging account is an idiosyncratic and endlessly interesting tour of the world through literature.

    The pink covers, the flimsy paper, the zillion volumes in the series that kept you reading for your entire adolescence. Spurred by the commercial success of Sweet Valley High and The Babysitters Club, these were not the serious-issue YA novels of the 1970s, nor were they the blockbuster books of the Harry Potter and Twilight ilk. They were cheap, short, and utterly beloved.PAPERBACK CRUSH dives in deep to this golden age with affection, history, and a little bit of snark. Readers will discover (and fondly remember) girl-centric series on everything from correspondence (Pen Pals and Dear Diary) to sports (The Pink Parrots, Cheerleaders, and The Gymnasts) to a newspaper at an all-girls Orthodox Jewish middle school (The B.Y. Times) to a literal teen angel (Teen Angels: Heaven Can Wait, where an enterprising guardian angel named Cisco has to earn her wings “by helping the world’s sexist rock star.”) Some were blatant ripoffs of the successful series (looking at you, Sleepover Friends and The Girls of Canby Hall), some were sick-lit tearjerkers à la Love Story (Abby, My Love) and some were just plain perplexing (Uncle Vampire??) But all of them represent that time gone by of girl-power and endless sessions of sustained silent reading.In six hilarious chapters (Friendship, Love, School, Family, Jobs, Terror, and Tragedy), Bustle Features Editor Gabrielle Moss takes the reader on a nostalgic tour of teen book covers of yore, digging deep into the history of the genre as well as the stories behind the best-known series.

    Ideal for students as well as serious readers.

    In this essay, which was the basis for her speech upon accepting the National Book Foundation's Medal for Distinguished Contribution to American Letters, she ranges among themes including poetry's disparagement as "either immoral or unprofitable," the politics of translation, how poetry enters into extreme situations, different poetries as conversations across place and time. In its openness to many voices, Poetry and Commitment offers a perspective on poetry in an ever more divided and violent world."I hope never to idealize poetry—it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard."

    Derek Attridge argues that such resistance represents not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art.In this lively, original volume, the author:considers the implications of regarding the literary work as an innovative cultural event, both in its time and for later generations; provides a rich new vocabulary for discussions of literature, rethinking such terms as invention, singularity, otherness, alterity, performance and form; returns literature to the realm of ethics, and argues the ethical importance of the literary institution to a culture; demonstrates how a new understanding of the literary might be put to work in a 'responsible, ' creative mode of reading.The Singularity of Literature is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic.

    Simultaneously a political, social and oral history, this book will quickly become the preeminent short history of Russia's recent past. Photos.

    Such interest is set to expand even more in this centenary year of the war's outbreak.In the midst of her studies at Oxford when war broke out across Europe, Vera Brittain left university in 1915 to become a V.A.D (Voluntary Aid Detachment) nurse, treating soldiers in London, Malta and Etaples in France. The events of the First World War were to have an enormous impact on her life. Four of Brittain's closest friends including her fiancé Roland Leighton and her brother Edward Brittain MC were killed in action, sparking a lifelong commitment to pacifism. In 1933 she published Testament of Youth, the first of three books dealing with her experience of war. In equal measures courageous, tragic and deeply fascinating, Testament of Youth is one of the most compelling and important works of war literature ever to have been written by a British woman.Mark Bostridge's Vera Brittain and the First World War, published to coincide with the film of Testament of Youth, explores the effects of the First World War on Vera Brittain, both in terms of her personal life and in terms of its effect on her development as a writer and her eventual decision to become a pacifist. Taking advantage of the interest generated by the film, it will bring her story to a new generation and incorporate the most up-to-date research. It will also include a short essay 'From Book to Film', describing the process of turning Testament of Youth into a major feature film. This will include interviews with the production staff and actors, as well as with members of Vera Brittain's family, including Shirley Williams.The film, which has been scripted by Juliette Towhidi and is being produced by BBC Films and Heyday Films, the makers of Harry Potter, is currently in production. Alicia Vikander (Anna Karenina) stars as Brittain, with Kit Harington (Game of Thrones, Pompeii) playing her fiancé Roland Leighton.

    Michael Ryan's comprehensive textbook on the practice of literary theory demonstrates how the full panoply of theoretical approaches can be used to read the same texts.

    In twenty-three passionate, sparkling dispatches—that range over such crucial writers as Thomas Hardy, Leon Tolstoy, Edmund Wilson, and Mikhail Lermontov—Wood offers a panoramic look at the modern novel. He effortlessly connects his encyclopedic, passionate understanding of the literary canon with an equally in-depth analysis of the most important authors writing today, including Cormac McCarthy, Lydia Davis, Aleksandar Hemon, and Michel Houellebecq. Included in The Fun Stuff are the title essay on Keith Moon and the lost joys of drumming—which was a finalist for last year's National Magazine Awards—as well as Wood's essay on George Orwell, which Christopher Hitchens selected for the Best American Essays 2010. The Fun Stuff is indispensable reading for anyone who cares about contemporary literature.

    “Hiarious ... Rodi’s title is a tribute. He’s angry that the Austen craze has defanged a novelist who’s ‘wicked, arch, and utterly merciless. She skewers the pompous, the pious, and the libidinous with the animal glee of a natural-born sadist’ … Like Rodi, I believe Austen deserves to join the grand pantheon of gadflies: Voltaire and Swift, Twain and Mencken.” - Lev Raphael, The Huffington Post

    In The Imperial Tea Party, Frances Welch draws back the curtain on those fraught encounters, which had far-reaching consequences for 20th-century Europe and beyond.Russia and Britain were never natural bedfellows. But the marriage, in 1894, of Queen Victoria’s favourite granddaughter, Alicky, to the Tsarevich Nicholas marked the beginning of an uneasy Anglo-Russian entente that would last until the Russian Revolution of 1917.The three extraordinary meetings that took place during those years, although generally hailed as successes, were beset by misunderstandings and misfortunes. The Tsar and Tsarina complained bitterly about the weather when staying at Balmoral, while British courtiers later criticised the Russians’ hospitality, from the food to the music to the slow service.In this wonderfully sharp account, Frances Welch presents a vivid snapshot of two dynasties at a time of social unrest. The families could not know, as they waved each other fond goodbyes from their yachts at Cowes in 1909, that they would never meet again.