Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Wilfred Owen (1893-1918). Owen is available in Penguin Classics in Three Poets of the First World War: Ivor Gurney, Isaac Rosenberg, Wilfred Owen.

    Inscribed runes spelled out a promise beyond belief. The Key To Paradise. A promise and a quest. Giles Grimsmate, world-wandering survivor of the Trans wars, had won it fairly in a game of chance. The second key - along with a goodly haul of coin - had been stolen from a rich merchant by Keja Tchurak, master thief. And when they set out for the invisible Gates of Paradise, Petia, half-cat, half-woman, tracked them with silent night-skills. Yet to enter Paradise, three keys more were needed: The Flame Key, watched over by a cave-dwelling fire sorceress. The Key of the Skeleton Lord, devil-guarded in a desert place of scorpions and snakes. The Key of Ice and Steel, fast-locked in an underground smithy, protected by a frozen demon-prowled maze. Five keys, scattered throughout a realm of supernatural happenings, strange creatures and otherworldly powers:

    From the author of Fugitive Pieces, this work provides a collection of poems, meditations on how love changes in order to survive and how we move from obsolete science to new perceptions.

    Nature, man and human history are reflected on in the verse of English and American poets and such prose works as the Gettysburg Address and the Declaration of Independence.

    In compiling this landmark anthology, Wayne Miller and Kevin Prufer enlisted twenty-four regional editors to select 270 poets whose writing was first published after 1970. These poets represent every country in Europe, and many of them are published here for the first time in English and in the United States. The resulting anthology collects some of the very best work of a new generation of poets who have come of age since Paul Celan, Anna Akhmatova, Federico García Lorca, Eugenio Montale, and Czeslaw Milosz.The poetry in New European Poets is fiercely intelligent, often irreverent, and engaged with history and politics. The range of styles is exhilarating—from the lyric intimacy of Portuguese poet Rosa Alice Branco to the profane prose poems of Romanian poet Radu Andriescu, from the surrealist bravado of Czech poet SylvaFischerová to the survivor's cry of Russian poet Irina Ratushinskaya. Poetry translated from more than thirty languages is represented, including French, German, Spanish, and Italian, and more regional languages such as Basque, Irish Gaelic, and Sámi.In its scope and ambition, New European Poets is destined to be a seminal anthology, an important vehicle for American readers to discover the extraordinary poetry being written across the Atlantic.

    Gulliver’s Travels is, of course, his world renowned masterpiece in the genre; however, Swift wrote other, shorter works that also offer excellent evidence of his inspired lampoonery. Perhaps the most famous of these is A Modest Proposal, in which he straight-facedly suggests that Ireland could solve its hunger problems by using its children for food. Also included in this collection are The Battle of Books, A Meditation upon a Broomstick, A Discourse Concerning the Mechanical Operations of the Spirit and An Argument Against Abolishing Christianity in England.This inexpensive edition will certainly be welcomed by teachers and students of English literature, but its appeal extends to any reader who delights in watching a master satirist wield words as weapons.

    Many concepts which play a key role throughout the bulk of Pynchon's fiction can be found here in various stages of infancy. For example, the notion of entropy itself is reexamined and more deeply probed in both V. and the Crying of Lot 49. Another example: Saul's wife is "bugged by the idea of computers acting like people:" Pynchon years later probes the boundaries of 'acting like' and 'being' through the development of his theme concerning the Animate vs. the Inanimate in V. In fact, in V. we find robots acting like people and vice versa: Miriam would be "bugged" to no end had she been included in this novel as well. Pynchon's discussion of Noise vs. Signal in terms of communication theory and information transfer strongly carries through to a number of his later works, most importantly The Crying of Lot 49 and Gravity's Rainbow. Sandor Rojas' conditioned behavior when a woman walks into the room is set in motion by certain cues "like a contralto voice or a whiff of Arpege." He is described as salivating like Pavlov's dog: later, in Gravity's Rainbow, Pynchon intimately works with Pavlovian notions and theories concerning conditioned behavior with regard to the major character of Tyrone Slothrop. Music, too, utilized as the general metaphor throughout "Entropy," constantly asserts itself as a recurring motif all the way across the spectrum of Pynchon's work, as does the setting used here in "Entropy:" ridiculously intense parties lasting not hours but days if not weeks and months, as is the case with, among others, Mondaugen's story in V.

    Hari Kunzru has conjured a dark vision of a future in which not just books but remembering itself is banned and a small group of renegade memorialists is all that stands in the face of total oblivion. From the point of view of one of their incarcerated members, Memory Palace takes us through his fragmented memories as he lies trapped in his cell, clinging to the belief that without memory civilization is doomed. An essay by the exhibition's curators, Laurie Britton Newell and Ligaya Salazar, unpicks the intentions and process behind this innovative project, while specially commissioned work by Robert Frank Hunter and drawings from the exhibition's collaborators illustrate the book.

    Criticism is divided into four sections and represents the best criticism and interpretation of Donne s writing: Donne and Metaphysical Poetry includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; Satires, Elegies, and Verse Letters includes seven selections that offer social and literary context for and insights into Donne s frequently overlooked early poems; Songs and Sonnets features six analyses of Donne s love poetry; and Holy Sonnets/Divine Poems explores Donne s struggles as a Christian through four authoritative essays. A Chronology of Donne s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

    Unencumbered by erudition and impervious to logic, Karl ambles down a heuristic path to enlightenment under the edifying influence of Ricky and Steve. His pronouncements on such diverse and contentious topics as population control, simian affairs within human society, the sartorial deliberations of solitary spacemen and how long you can stay alive with your head chopped off, are matched in the vehemence with which they are proposed only by the degree to which they are ill-conceived. Featuring Karl's original illustrations, imaginative scribblings and the best conversations of the world record-breaking Podcasts, The Ricky Gervais Show, this is a unique trip into the world of one of our most innovative thinkers, visionaries and prophets, or as Gervais knows him, "the funniest man I've ever met."

    Her husband, Ted Hughes, brought the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel" and once again shows why readers have fallen in love with her work throughout the generations.

    A hard-drinking wild man of literature and a stubborn outsider to the poetry world, he wrote unflinchingly about booze, work, and women, in raw, street-tough poems whose truth has struck a chord with generations of readers.Edited by John Martin, the legendary publisher of Black Sparrow Press and a close friend of Bukowski's, The Pleasures of the Damned is a selection of the best works from Bukowski's long poetic career, including the last of his never-before-collected poems. Celebrating the full range of the poet's extraordinary and surprising sensibility, and his uncompromising linguistic brilliance, these poems cover a rich lifetime of experiences and speak to Bukowski's “immense intelligence, the caring heart that saw through the sham of our pretenses and had pity on our human condition” (New York Quarterly). The Pleasures of the Damned is an astonishing poetic treasure trove, essential reading for both longtime fans and those just discovering this unique and legendary American voice.

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    It is a revision of Thomas Killigrew's play "Thomaso", or "The Wanderer" (1664), and features multiple plot lines, dealing with the amorous adventures of a group of Englishmen and women in Naples at Carnival time. According to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The play stood for three centuries as "Behn's most popular and most respected play."

    The poems move from the magic of childhood – bostin fittle at Nanny’s, summers before school – into deeper, darker territory: sensual love, enchanted weddings, and the promise of new life.In Berry’s hands, the ordinary is transformed: her characters shift shapes, her eye is unusual, her ear attuned to the sounds of the Black Country, with ‘vowels ferrous as nails, consonants / you could lick the coal from.’ Ablaze with energy and full of the rich dialect of the West Midlands, this is an incandescent debut from a poet of dazzling talent and verve.