Now The BLDGBLOG Book distills author Geoff Manaugh's unique vision, offering an enthusiastic, idea-filled guide to the future of architecture, with stunning images and exclusive new content. From underground exploration to the novels of J.G. Ballard, from artificial glaciers in the mountains of Pakistan to weather control in Olympic Beijing, The BLDGBLOG Book is "part conceptual travelogue, part manifesto, part sci-fi novel," according to Joseph Grima, executive director of New York's Storefront for Art and Architecture."BLDGBLOG is something new and substantially different from anything else I have seen," says Errol Morris, Director of Fast, Cheap & Out of Control and the Academy Award-winning documentary Fog of War. "Secretly, I had always hoped it would become a book. Geoff Manaugh has provided the reader with an excursion into a new world—part digital fantasy, part reality at the intersection of art, architecture, landscape design, and pure ideas. Like the blog, the book is personal, idiosyncratic, and, best of all, incredibly interesting."

    Why do well-intentioned plans for improving the human condition go tragically awry?In this wide-ranging and original book, James C. Scott analyzes failed cases of large-scale authoritarian plans in a variety of fields. Centrally managed social plans misfire, Scott argues, when they impose schematic visions that do violence to complex interdependencies that are not—and cannot—be fully understood. Further, the success of designs for social organization depends upon the recognition that local, practical knowledge is as important as formal, epistemic knowledge. The author builds a persuasive case against "development theory" and imperialistic state planning that disregards the values, desires, and objections of its subjects. He identifies and discusses four conditions common to all planning disasters: administrative ordering of nature and society by the state; a "high-modernist ideology" that places confidence in the ability of science to improve every aspect of human life; a willingness to use authoritarian state power to effect large- scale interventions; and a prostrate civil society that cannot effectively resist such plans.

    Earning his PhD in 1966 at the age of 24 and publishing his influential history, How Europe Underdeveloped Africa, at 30, Rodney became a leading force of dissent throughout the Caribbean and a lightning rod of controversy. The 1968 Rodney Riots erupted in Jamaica when he was prevented from returning to his teaching post at the University of the West Indies. In 1980, Rodney was assassinated in Guyana, reportedly at the behest of the government. In the mid-’70s, Rodney taught a course on the Russian Revolution at the Universtiy of Dar es Salaam in Tanzania. A Pan-Africanist and Marxist, Rodney sought to make sense of the reverberations of the October Revolution in a decolonizing world marked by Third World revolutionary movements. He intended to publish a book based on his research and teaching. Now historians Jesse Benjamin, Robin D.G. Kelley, and Vijay Prashad have edited Rodney’s polished chapters and unfinished lecture notes, presenting the book that Rodney had hoped to publish.The Russian Revolution is a signal event in radical publishing, and will inaugurate Verso Books's standard edition of Walter Rodney’s works.

    Two centuries on, he is still revered as a prophet of the modern world, yet he is also blamed for the darkest atrocities of modern times. But no matter in what light he is cast, the short, but broad-shouldered, bearded Marx remains—as a human being—distorted on a Procrustean bed of political “isms,” perceived through the partially distorting lens of his chief disciple, Friedrich Engels, or understood as a figure of twentieth-century totalitarian Marxist regimes.Returning Marx to the Victorian confines of the nineteenth century, Jonathan Sperber, one of the United States’ leading European historians, challenges many of our misconceptions of this political firebrand turned London émigré journalist. In this deeply humanizing portrait, Marx no longer is the Olympian soothsayer, divining the dialectical imperatives of human history, but a scholar-activist whose revolutionary Weltanschauung was closer to Robespierre’s than to those of twentieth-century Marxists.With unlimited access to the MEGA (the Marx-Engels Gesamtausgabe, the total edition of Marx’s and Engels’s writings), only recently available, Sperber juxtaposes the private man, the public agitator, and the philosopher-economist. We first see Marx as a young boy in the city of Trier, influenced by his father, Heinrich, for whom “the French Revolution and its aftermath offered an opportunity to escape the narrowly circumscribed social and political position of Jews in the society.” For Heinrich’s generation, this worldview meant no longer being a member of the so-called Jewish nation, but for his son, the reverberations were infinitely greater—namely a life inspired by the doctrines of the Enlightenment and an implacable belief in human equality.Contextualizing Marx’s personal story—his rambunctious university years, his loving marriage to the devoted Jenny von Westphalen (despite an illegitimate child with the family maid), his children’s tragic deaths, the catastrophic financial problems—within a larger historical stage, Sperber examines Marx’s public actions and theoretical publications against the backdrop of a European continent roiling with political and social unrest. Guided by newly translated notes, drafts, and correspondence, he highlights Marx’s often overlooked work as a journalist; his political activities in Berlin, Paris, and London; and his crucial role in both creating and destroying the International Working Men’s Association. With Napoleon III, Bismarck, Adam Smith, and Charles Darwin, among others, as supporting players, Karl Marx becomes not just a biography of a man but a vibrant portrait of an infinitely complex time.Already hailed by Publishers Weekly as “a major work . . . likely to be the standard biography of Marx for many years,” Karl Marx promises to become the defining portrait of a towering historical figure.

    She guides us through the ruins and construction sites of post-communist cities--St. Petersburg, Moscow, Berlin, and Prague--and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstahm, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, Boym unravels the threads of this global epidemic of longing and its antidotes.

    This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.

    Nikita Khrushchev was one of the most complex and important political figures of the twentieth century. Ruler of the Soviet Union during the first decade after Stalin's death, Khrushchev left a contradictory stamp on his country and on the world. His life and career mirror the Soviet experience: revolution, civil war, famine, collectivization, industrialization, terror, world war, cold war, Stalinism, post-Stalinism. Complicit in terrible Stalinist crimes, Khrushchev nevertheless retained his humanity: his daring attempt to reform communism prepared the ground for its eventual collapse; and his awkward efforts to ease the cold war triggered its most dangerous crises.This is the first comprehensive biography of Khrushchev and the first of any Soviet leader to reflect the full range of sources that have become available since the USSR collapsed. Combining a page-turning historical narrative with penetrating political and psychological analysis, this book brims with the life and excitement of a man whose story personified his era.

    This invasion of the world by what Marc Auge calls ‘non-space’ results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Auge uses the concept of ‘supermodernity’ to describe the logic of these late-capitalist phenomena—a logic of excessive information and excessive space. In this fascinating and lucid essay he seeks to establish and intellectual armature for an anthropology of supermodernity. Starting with an attempt to disentangle anthropology from history, Auge goes on to map the distinction between place, encrusted with historical monuments and creative social life, and non-place, to which individuals are connected in a uniform manner and where no organic social life is possible.Unlike Baudelairean modernity, where old and new are interwoven, supermodernity is self-contained: from the motorway or aircraft, local or exotic particularities are presented two-dimensionally as a sort of theme-park spectacle. Auge does not suggest that supermodernity is all-encompassing: place still exist outside non-place and tend to reconstitute themselves inside it. But he argues powerfully that we are in transit through non-place for more and more of our time, as if between immense parentheses, and concludes that this new form of solitude should become the subject of an anthropology of its own.

    The discussion moves systematically through ideas, theories, research and practice of urban design from a wide range of sources. It gradually builds the concepts one upon the other towards a total view of the subject.

    Goldman covers all of the major developments: • The rise and decline of the city’s downtown and ethnic neighborhoods • The impact of racial change and suburbanization• The role and function of the arts in the life of the community• Urban politics, urban design, and city planningWhile describing the changes that so drastically altered the form, function, and character of the city, Goldman, through detailed descriptions of special people and special places, gives a sense of intimacy and immediacy to these otherwise impersonal historical forces. City on the Edge unflinchingly documents and describes how Buffalo has been battered by the tides of history. But it also describes the unique characteristics that have encouraged an innovative cultural climate, including Buffalo’s dynamic survival instinct that continues to lead to a surprisingly and inspiringly high quality of community life. Finally, it offers a road map, which—if followed—could point the way to a new and exciting future for this long-troubled city.

    Travelling its full length from east to west, against the river’s flow, Nick Thorpe embarks on an inspiring year-long journey that leads to a new perspective on Europe today. Thorpe’s account is personal, conversational, funny, immediate, and uniquely observant—everything a reader expects in the best travel writing. Immersing himself in the Danube’s waters during daily morning swims, Thorpe likewise becomes immersed in the histories of the lands linked by the river. He observes the river’s ecological conditions, some discouraging and others hopeful, and encounters archaeological remains that whisper of human communities sustained by the river over eight millennia. Most fascinating of all are the ordinary and extraordinary people along the way—the ferrymen and fishermen, workers in the fields, shopkeepers, beekeepers, waitresses, smugglers and border policemen, legal and illegal immigrants, and many more. For readers who anticipate their own journeys on the Danube, as well as those who only dream of seeing the great river, this book will be a unique and treasured guide.

    He left carrying the original manuscript of Pasternak’s first and only novel, entrusted to him with these words: “This is Doctor Zhivago. May it make its way around the world.” Pasternak believed his novel was unlikely ever to be published in the Soviet Union, where the authorities regarded it as an irredeemable assault on the 1917 Revolution. But he thought it stood a chance in the West and, indeed, beginning in Italy, Doctor Zhivago was widely published in translation throughout the world. From there the life of this extraordinary book entered the realm of the spy novel. The CIA, which recognized that the Cold War was above all an ideological battle, published a Russian-language edition of Doctor Zhivago and smuggled it into the Soviet Union. Copies were devoured in Moscow and Leningrad, sold on the black market, and passed surreptitiously from friend to friend. Pasternak’s funeral in 1960 was attended by thousands of admirers who defied their government to bid him farewell. The example he set launched the great tradition of the writer-dissident in the Soviet Union.  In The Zhivago Affair, Peter Finn and Petra Couvée bring us intimately close to this charming, passionate, and complex artist. First to obtain CIA files providing concrete proof of the agency’s involvement, the authors give us a literary thriller that takes us back to a fascinating period of the Cold War—to a time when literature had the power to stir the world.(With 8 pages of black-and-white illustrations.)

    Yet in the intervening years —as America and the world’s other leading powers have continued to appease him — Putin has grown not only into a dictator but an international threat. With his vast resources and nuclear arsenal, Putin is at the center of a worldwide assault on political liberty and the modern world order.For Garry Kasparov, none of this is news. He has been a vocal critic of Putin for over a decade, even leading the pro-democracy opposition to him in the farcical 2008 presidential election. Yet years of seeing his Cassandra-like prophecies about Putin’s intentions fulfilled have left Kasparov with a darker truth: Putin’s Russia, like ISIS or Al Qaeda, defines itself in opposition to the free countries of the world.As Putin has grown ever more powerful, the threat he poses has grown from local to regional and finally to global. In this urgent book, Kasparov shows that the collapse of the Soviet Union was not an endpoint — only a change of seasons, as the Cold War melted into a new spring. But now, after years of complacency and poor judgment, winter is once again upon us.Argued with the force of Kasparov’s world-class intelligence, conviction, and hopes for his home country, Winter Is Coming reveals Putin for what he is: an existential danger hiding in plain sight.

    Atlanta has the highest income inequality in the entire country, blighted neighborhoods and hideous highways, suburban sprawl, and racial injustice. While many cities across America suffer similarly, nowhere but Atlanta have they so dangerously collided.The most promising plan for Atlanta's rebirth is the Beltline, a massive ring of defunct railways already being transformed into a series of parks, pathways, and streetcars. Cutting through forty neighborhoods ranging from affluent to impoverished, the Beltline will complete a twenty-two-mile loop encircling downtown: shifting the character of the city toward a more walkable, prosperous, and enlightened future. By embracing its physical limitations, by building infrastructure and public amenities, and by offering citizens a vision to fight for, Atlanta is hoping to redeem its past and save its future. City on the Verge reveals how cities across the country can transform themselves for the better.

    Introducing the science of "proxemics," Hall demonstrates how man's use of space can affect personal business relations, cross-cultural exchanges, architecture, city planning, and urban renewal.