"The dance," in the case of Oliver's brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Oliver shows what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas."

    The text also contains 11 complete works such as Oroonoko, Jane Eyre, The Ballad of the Sad Cafe, The Awakening and Caryl Churchill's play, Top Girls.

    Her recovery takes place against a rich tapestry of culture and personality that unfolds before our eyes under the Monkey King's ghostly shadow. For Sally has been living with a terrible family secret, one that has shattered her life. How she pulls together her Chinese and American identities into a cohesive self and rejoins the land of the living is recounted with a wry and refreshing honesty.

    In spite of his preeminent stature, this is the first edition of Po Chü?-i's poetry to appear in the West. It encompasses the full range of his work, from the early poems of social protest to the later recluse poems, whose spiritual depths reflect both his life-long devotion to Taoist and Ch'an (Zen) Buddhist practice. David Hinton's translations of ancient Chinese poetry have earned wide acclaim for creating compelling English texts that have altered our conception of Chinese poetry. Among his books published by New Directions are The Selected Poems of Tu Fu, and The Selected Poems of Li Po. His work has been supported by fellowships from The National Endowment for the Arts and The National Endowment for the Humanities.

    The complete translation, from the Greek of A. O. Prickard's Oxford text, features an introduction by Grube, establishing the historical and critical context of the work, and a biographical index.

    So it is that through the telling of one Chinese peasant woman's life, a vivid vision of Chinese history and culture is illuminated. Over the course of two years, Ida Pruitt—a bicultural social worker, writer, and contributor to Sino-American understanding—visited with Ning Lao T'ai-ta'i, three times a week for breakfast. These meetings, originally intended to elucidate for Pruitt traditional Chinese family customs of which Lao T'ai-t'ai possessed some insight, became the foundation for an enduring friendship.As Lao T'ai-t'ai described the cultural customs of her family, and of the broader community of which they were a part, she invoked episodes from her own personal history to illustrate these customs, until eventually the whole of her life lay open before her new confidante. Pruitt documented this story, casting light not only onto Lao T'ai-t'ai's own biography, but onto the character of life for the common man of China, writ large. The final product is a portrayal of China that is "vividly and humanly revealed."

    These are the untold stories of 1949, the year China was decidedly cut in two.

    A-qing, the adolescent hero, comes from an impoverished family. His father casts him out after learning that his son is gay. A-qing drifts into New Park, a gay hangout in Taipei, and begins his life as a hustler. He meets other boys living on the street, also forsaken by their families: Little Jade, who is constantly searching for his unknown father; Mousey, an orphan and petty thief; and Wu Min, a shy tender kid, who attempts suicide when discarded by a middle-aged man. These four boys become fast friends and are taken under the protection of Chief Yang, a fiftyish gay guru in the Park. The boys begin to build a family of their own. Meanwhile, A-qing meets Dragon Prince, whose passionate and faithful love for Phoenix Boy has become a legend of the Park...The second part of the novel deals with the Cozy Nest, a gay bar run by Chief Yang, where the boys and other homosexual exiles have found refuge. The bar is sponsored by Papa Fu, whose young soldier son had shot himself when his homosexuality was exposed.In Taiwan, the gay community is known as the buoliquan, literally "glass community," while the individuals are called "glass boys" or "Crystal Boys."Crystal Boys was first published in Taiwan and has since appeared in Hong Kong and in mainland China: two editions (Beijing and Harbin) were published in 1987. A film, Outcasts, based on the novel and directed by Yu Kan-Ping (1986) is currently available in the United States on video cassette (subtitled).

    Recognized internationally as one of America's greatest literary critics, Helen Vendler is a frequent reviewer of poetry for The New Yorker and The New York Review of Books. Poems, Poets, Poetry reflects her teaching to thousands of undergraduates in the core poetry course that she has taught at Harvard since 1981.- An innovative approach to reading and writing about poetry. Part One begins with a unique demonstration: Vendler first reads a dozen poems to show how they represent life events, then rereads the same dozen poems to reveal how poets use language to transform those events into memorable art. The author devotes the rest of the text to unfolding poetry's layers: formal, thematic, linguistic, lyric, social, historical, and evaluative. To illustrate this, Vendler examines 65 poems, and provides prompts to help students read 106 others. Two new chapters in Part Two illuminate ways to think and write about both individual works and groups of poems.- An ample and diverse anthology of 268 poems by 128 poets. Spanning eight centuries of English-language poetry, the anthology in Part Three offers a broad choice of canonical and contemporary selections that includes one of the most extensive collections of multicultural American poetry available in an introductory text.

    The Scholars is the first Chinese novel of its scope not to borrow any characters from history or legend and it is the first work of satiric realism to achieve an almost complete disassociation from the religious beliefs of the people. Departing from the impersonal tradition of Chinese fiction, Wu abandons such established narrative formulas as folk songs and poetic verse in favor of autobiographical experiences, descriptive realism, and characters modeled after his friends and relatives — elements that combine to give this critique of the Confucian civil service system an unprecedented immediacy and humor.

    This informative narrative is full of fascinating people: Chinese people, mostly writers, who encounter American writers in various bizarre circumstances in both China and the U.S. There is a toasting scene at a Chinese banquet; a portrait of a bitter, flirtatious diplomat at a dance hall; a formal meeting with Chinese writers; a conversation with an American businessman in a hotel lobby; an evening with long-suffering Chinese intellectuals in their house; a scene in the Beijing foreigners' compound with an excited European journalist; and a scene of unwarranted hilarity at the Beijing Library. In the U.S., there is Allen Ginsberg having a bewildering conversation in Disneyland with a Chinese journalist; there is the lovely and controversial writer Zhang Jie suiting abrupt mood changes to a variety of actions; and there is the fiercely spirited Jiange Zilong singing in a Connecticut dining room, eyes closed. These are real stories told with a warm and lively humor, with a keen eye for paradox, and with fresh insight into the human drama.

    This collection, first published in 1979, utilizes the physical body as a means to explore the human mind and soul. Never hesitant to admit his own frailties, Selzer draws on his experiences as a surgeon with integrity and wit, allowing readers a first-hand glimpse into the medical world.

    Now this complete illustrated collection of the commentaries that have aired on NPR?s Morning Edition presents Black?s latest dose of medicine for animal and human alike. Ranging from a riotous account of two cowboys chasing down a cow in the nude to a very touching piece about a rancher who loses his wife to cancer and finds out the true worth of his friends and neighbors, Cactus Tracks & Cowboy Philosophy brings together Black?s best-known and most adored work.

    Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."

    (#11 Nancy Pelosi, #14 Michelle Obama). His new novel "1988: I want to have a talk with the world" traces his road trip on highway 318, redefines "on the road" novel with his opinions in dialogues between his characters on the road. In Chinese. Distributed by Tsai Fong Books, Inc.