Now considered a classic, this is an eloquent and compellingly told account of the Dalai Lama's exile from Tibet after its conquest by China.

    The mistakes of Mao Zedong's later years have been officially acknowledged, and the infamous Gang of Four publicly tried and sentence for their crimes. But on the cultural front the thaw had no sooner come than gone. A campaign against what is regarded as "spiritual pollution" is being waged to inhibit free expression among creative writers.Thousands of scholars, authors, respected professors and academicians, who as a class were the most persecuted in what some observers called China's "holocaust," are back at their respective stations, bent over the task of modernization. For understandable reasons, few have written candidly about their experiences during the Cultural Revolution. Yang Jiang is an outstanding exception.In this memoir she give a poignant account of the more than two years she and her husband were sent "downunder" to the barren countryside for reeducation through labor. Yang Jiang touches upon any horrendous acts only in passing, or by indirection; mainly she relates in well-tempered tones the everyday incidents at their "cadre school" which add up to a harrowing tale.Patterned after Shen Fu's "Six Chapters of a Floating Life," a minor classic of the Qing dynasty, Six Chapters form My Life 'Downunder' is a testimony of remarkable sophistication, and at the same time a powerful indictment of the madness of ignorant, totalitarian rule.. The author writes in a subtle, almost allegorical style, letting the reader share in her skepticism, disappointment, and frustration with the people, or the system, responsible for what was done to her family and her fellow victims. More in sorrow than in anger, here and there with a touch of wry humor, she records the backwardness and distrust of the peasants who were their "masters"; the utter waste of human resources; the vicious nature of political campaigns and the people involved in them; and, above all, the devotion between husband and wife which kept them going throughout their ordeal. While describing a society in one of its darkest moments, Yang Jiang reaffirms the endurance of humanity.Although Yang Jiang lives in Beijing, Six Chapters from My Life 'Downunder' first appeared in a Hong Kong magazine in April 1981, and was published in book form there in the following month, attracting wide attention. it was published in the People's Republic of China later that year. The edition sold out quickly and no subsequent printings have been available. The present English translation, first published in the journal "Renditions," is issued here in slightly revised form and with the addition of footnotes and background notes.

    It includes selections from the Book of Odes, the oldest anthology of Chinese poetry compiled around the seventh century B.C., and covers the succeeding generations down to the end of the Sung dynasty in A.D. 1279. A general introduction discusses the major characteristics and forms of traditional Chinese poetry, while introductory essays to the individual chapters outline the history of poetic development in China over the centuries

    The emphasis here is on the dynamism of late imperial commerce, the relation of the metropolis to the hinterland, and the corporate institutions of the city, notably its guilds. The second volume, Hankow: Conflict and Community in a Chinese City, 1796-1895, focuses on the people of Hankow.

    Discover ChinaWalk the watchtowers at Badaling, where President Nixon once said, 'this is a great wall.'Knock back a shot of Confucius baijiu firewater in Qufu, hometown of the sage.Find out how a local farmer first uncovered the Army of Terracotta Warriors.Perfect your Monkey Offers Peach strike at Wudang Shan, birthplace of taichi.In This Guide:12 authors and 483 days of in-country researchSpecial coverage of pristine Ming and Qing dynasty villages for the first time in EnglishContent updated daily - visit lonelyplanet.com for up-to-the-minute reviews, updates and traveler insights

    He virtually created this field in China, and most of its current practitioners are his students. The book, which he wrote in English for a Western public and originally intended to publish in the 1940s, provides a rare record and analysis of temples, pagodas, tombs, bridges, and imperial palaces that are China's architectural heritage. It is a record that could not be duplicated today because a number of the structures have since been altered or demolished.With his co-workers, Liang combed the countryside for ancient buildings which he photographed with his Leica camera and recorded in large, detailed architectural drawings of plans, elevations, and cross-sections. These drawings are a text in themselves. Bearing captions in Chinese and English, they teach fundamental lessons about the anatomy of Chinese structures.Liang's account covers the origin of Chinese architecture and its two surviving basic handbooks from the 12th and 18th centuries; architecture of the pre-Buddhist period; cave temples; buildings in wood traced through several periods of stylistic development from c. 850 to 1911; Buddhist pagodas (most of the surviving pagodas are masonry structures) from simple square plans to those that are multi-storied and eaved; and other masonry structures such as tombs, vaulted buildings, bridges; terraces; and gateways.For most of his life, Liang Ssu-ch'eng lived in China, but as a young man he received his architectural training at the University of Pennsylvania. Wilma and John K. Fairbank first met him in China in 1932. During his last visit to the United States, in 1947 as a Visiting Professor at Yale, Mrs. Fairbank agreed to edit his manuscript and to help him find an American publisher. However, a combination of political and personal circumstances, compounded by the loss of the original drawings and photographs (they were only rediscovered in 1980) made publication of this unusual project impossible until now.

    Although other premodern societies developed similar conceptions, in no other major civilization were such ideas so pervasive or powerful.In The Development and Decline of Chinese Cosmology, John Henderson traces the evolution of Chinese thought on cosmic order from the classical era to the nineteenth century. Unlike many standard studies of premodern cosmologies, this book analyzes the origins, development, and rejection of these models, not just their structure. Moreover, while historians often limit their studies of cosmic order to specialized fields like the history of science, Henderson examines how the cosmological ideas formulated in late classical times permeated various facets of Chinese life, from high philosophy to popular culture.In discussing these ideas, the author draws surprising parallels between the history of Chinese and classical Western cosmologies, identifying general patterns in the development of cosmological conceptions in several premodern civilizations. This volume thus appeals not only to students of Chinese intellectual history, but anyone interested in cultural anthropology, ancient and medieval philosophy, and the history of science and medicine as well. An understanding of the development and decline of Chinese cosmology illuminates broad areas of traditional Chinese culture and it provides a new perspective for viewing the history of Chinese thought in a larger comparative context. John B. Henderson earned his Ph.D. at the University of California, Berkeley. He is Professor in the Department of History at Louisiana State University. Professor Henderson's previously published works include Scripture, Canon, and Commentary: A Comparison of Confucian and Western Exegesis and Notions of Time in Chinese Historical Thinking.

    

    The Emperor, the Empress-Dowager, and high-court personalities are followed through the maze of motives and relationships that characterized the power structure in Peking.Of special interest is Kwong's treatment of K'ang-Yu-Wei, often viewed as the Emperor's advisor during this period and a major source of reform policy, a promincence largely derived frm his own writings and those of Liange Ch'i-ch'ao. Those sources are here examined and show to be less than objective, and K'ang's role is assessed as far more peripheral than heretofore believed

    Francesca Bray, working closely with Dr Needham, has produced the most comprehensive study of Chinese agriculture to be published in the West. From a huge mass of source material, often confusing and obscure, and from first-hand study in China, she brings order and illumination to a crucial area of Chinese technological development. The main body of the book is an account of the technological history of agriculture, with major sections devoted to field systems, implements and techniques (sowing, harvesting, storing) and crop systems (what has grown and where and how crops rotated). The concluding section contrasts Europe's Agricultural Revolution with agrarian change in North China in the Han and with the 'Green Revolution' in South China in the Sung. In the theoretical analysis which concludes this section we find a vital contribution to the elucidation of the main question posed by Dr Needham's work: why did the Scientific Revolution which transformed the world take place in Europe and not in China?

    Part catalog, part history, The Book of Bamboo shows us how this versatile wood, which is both sustainable and plentiful, has been used for thousands of years to make items ranging from things needed for survival like clothing and housing to more exotic and luxurious objects like phonograph needles and children's toys, as well as dozens of others. With information both practical and wistful, David Farrelly tells us about the plant's biology and life cycle, gives tips on harvesting and planting, and lore about the ancient wood. Farrelly conveys the rich and timeless message that bamboo — strong, flexible, and beautiful in both its natural and its finished states is an abundant resource that could beneficially replace many of the less sustainable materials now commonly used in many aspects of our daily lives and transform our culture in the process.

    In the South, however, the Chinese began to merge into the surrounding communities within a single generation's time, quickly disappearing from historical accounts and becoming, as they themselves phrased it, a "mixed nation."Lucy M. Cohen's Chinese in the Post-Civil War South traces the experience of the Chinese who came to the South during Reconstruction. Many of them were recruited by planters eager to fill the labor vacuum created by emancipation with "coolie" labor. The Planters' aims were obstructed in part by the federal government's determination not to allow the South the opportunity to create a new form of slavery. Some Chinese did, however, enter into labor contracts with planters--agreements that the planters often altered without consultation or negotiation with the workers. With the Chinese intent upon the inviolability of their contracts, the arrangements with the planters soon broke down.At the end of their employment on the plantations, some of the immigrants returned to China or departed for other areas of the United States. Still others, however, chose to remain near where they had been employed. Living in cultural isolation rather than in the China towns in major cities, the immigrants soon no longer used their original language to communicate within the home; they adopted new surnames, so that even among brothers and sisters variations of names existed; they formed no associations or guilds specific to their heritage; and they intermarried, so that a few generations later their physical features were no longer readily observable in their descendants.Based on extensive research in documents and family correspondence as well as interviews with descendants of the immigrants, this study by Lucy Cohen is the first history of the Chinese in the Reconstruction South--their rejection of the role that planter society had envisioned for them and their quick adaptation into a less rigid segment of rural southern society.

    Becoming neighbours in the seventeenth century, their changing relations in peace and war, in isolation, cooperation and confrontation have steadily assumed a greater importance in world politics and become increasingly important to the stability of international relations.