Building on the work of Foucault, Giddens, Jameson and Lefebvre, one of America's geographers argues for a rethinking of the dialectics of space, time and social being.

    John Hollander illustrates each variation with a self-descriptive example. In this third edition, he adds a section of examples taken from centuries of poetry that exhibit the patterns he has described.

    Written with the general reader in mind, Reading Dante brings her knowledge to bear in an accessible yet expert introduction to his great poem.This is far more than an exegesis of Dante’s three-part Commedia. Shaw communicates the imaginative power, the linguistic skill and the emotional intensity of Dante’s poetry—the qualities that make the Commedia perhaps the greatest literary work of all time and not simply a medieval treatise on morality and religion.The book provides a graphic account of the complicated geography of Dante's version of the afterlife and a sure guide to thirteenth-century Florence and the people and places that influenced him. At the same time it offers a literary experience that lifts the reader into the universal realms of poetry and mythology, creating links not only to the classical world of Virgil and Ovid but also to modern art and poetry, the world of T. S. Eliot, Seamus Heaney and many others.Dante's questions are our questions: What is it to be a human being? How should we judge human behavior? What matters in life and in death? Reading Dante helps the reader to understand Dante’s answers to these timeless questions and to see how surprisingly close they sometimes are to modern answers.Reading Dante is an astonishingly lyrical work that will appeal to both those who’ve never read the Commedia and those who have. It underscores Dante's belief that poetry can change human lives.

    Her sex was a barrier to everything she wanted: freedom, adventure, and the need to be heard. Fascinated by tales of the misty Highlands when the opportunity arises, she flees secretly to Edinburgh.But the world is much more wicked than Gillian knows, and the noble Highlander she encounters might have ulterior motives.With his people suffering from poverty and hunger, Col, a fierce Scotsman, decides to defy fate. He turns himself into the Phantom and provides for the Scottish by pillaging the English.When he meets the most striking lass, he will be immediately charmed by her boldness and beauty.Until he discovers that her family is responsible for all his life's tragedies. And so, he captures her without knowing that he is the lesser of the evils after her.Gillian is not aware that she is in grave danger, and that without Col's help, nothing can stop her impending death.He captured her to save his people, but she stole his heart…

    Love has not always taken such precedence, however, and it was in fact not until the eleventh century that French poets first began to express the romantic species of passion which English poets were still writing about in the nineteenth century. This book is intended for students of medieval literature from A-level upwards. Anyone interested in the "Courtly Love" tradition. Fans of C.S. Lewis's writings.

    I had the urge to poison a monk.' Along the way, it touches on bad books, ideal readers, historical form, and the metaphysics of the detective story.

    Standing head and shoulders above all other Shakespearean interpretations, this is the masterwork of the brilliant English scholar, G. Wilson Knight. Founding a new and influential school of Shakespearean criticism, Wheel of Fire was Knight's first venture in the field - his writing sparkles with insight and wit, and his analyses are key to contemporary understandings of Shakespeare.

    When her beloved father goes missing one day, Blair decides to set out and try to find him no matter what the cost may be.But a young lass, and especially such a beautiful one, has no chance of tracking down a man without getting herself in danger, and Blair knows that well. With hopes that there is still valor left in the world, she stops at a nearby training ground trying to find someone to escort her across the country, only to be let down again and again.With a scarce amount of valuables to offer as a reward, most men are immediately disinterested in her offer, except one. Slaine Thàmhais, as his name is, looks like the perfect man for the job. Tall and strong like an ox, he seems like he has seen more fighting than he would like to remember. But why would a man like that accept her offer?Slaine hides more than meets the eye behind his intimidating appearance, but all that Blair can focus on now is finding her father. When they face dangers that might become deadly, Slaine has to reconsider how much he is willing to risk for a lass he just met and an old man he has never seen.As Slain continues down this road alongside Blair, fate brings him face to face with demons of his past once more. This time he will either find redemption or be defeated once and for all…"Highlander's Road to Valor" is a standalone story by best-selling author Ann Marie Scott, packed with adventure, romance and redemption set on the beautiful backdrop of the Scottish Highlands. Get your copy TODAY for 99c OR FREE With Kindle Unlimited!

    But she never expected to fall in love with him, or that the real enemy is common to both, and is getting even closer...The Highlander’s Secret MaidenAvoiding her fearful fate with a despised British Army Officer, Georgina Andrews escapes with two fearsome Highlanders. Torn between them, Marcas McGowan makes the decision for her, when he puts her needs above all...even his own brother.Highlander’s Love in CaptivityWhen Jane Keppel and her father get abducted by the powerful Laird Bhaltair McColl, her fate hangs from a thin thread. Realizing she has to pay for the mistakes of her family, one secret is enough to either fix or destroy everything...and it revolves around Bhaltair’s most profound pain: the death of his wife.Welcome to Scotland, a land of powerful romance stories, that contain adventure, drama, twists, and most of all, love. Enjoy!

    William Duke of Normandy is to be crowned King of England on Christmas day 1066; and he expects presents. For reasons beyond reason the monastery of De'Ath's Dingle is invited to the ceremony and the only ones who can be let out on their own are Brother Hermitage and Wat the Weaver. But it will be a rush to get there. With only 7 days to travel over 100 miles, the pair must cross a frozen and largely lawless country if they are to make it to Westminster alive. And then there's the problem of Wat's attitude towards gifts in principle. He doesn't mind a reasonable exchange but simply giving sounds like a very poor deal. Perhaps the days of the journey will give Brother Hermitage the opportunity to breath the spirit of the season into his weaving friend. Or perhaps not. Recent reviews for Howard of Warwick continue a theme: 5* "Very funny" 5* "Another demented tale" 5* "Briiiiiliant as always."

    As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.

    With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers.Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained.A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.

    

    

    And she is certain her day would have ended with another lecture. Had she not been taken hostage by a brutish but dangerously handsome Highlander, that is.Jude Anderson, Laird of Hanvale, is hellbent on getting his son back from the people who kidnapped him. However, he didn’t count one thing: the fear in the faerie-like eyes of the Englishwoman, or the feelings it would ignite in his heart.Yet, as happy as he feels with Cleopatra in his arms, Jude’s mind never strays from his ultimate goal: keeping his son safe. An undertaking that seems almost impossible when assassins move through the walls. Because it's an eye for an eye, a child lost for a lost child...