Through their trials, the Lockhearts begin to uncover the girl’s ability in spite of her best efforts to keep it hidden. But even as Mia proves to be an invaluable ally, her gift comes at an unbearable cost. Each step brings them closer to salvation– and to unraveling the mystery of their abandonment. But just when they think they are saved, they realize that they have never been farther from home.Eden is a bold, heart-pounding page-turner, told through the seamlessly shifting perspectives of the eccentric band of survivors. As the thriller unfolds, so do the survivors’ inextricable links to one another in a plot rife with twists and turns, till the very end.

    The years pass but no one looks any older. One night a doctor tells the story of a young woman who gives birth to a baby in the most horrible way! Evil psychic powers, obsession and the supernatural in the most ordinary, everyday places. A spine-chiller from the master of horror.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    Those who are found the next day, if they are still alive, will have gone mad.”  Chills and thrills to make your flesh crawl with fear! Turn the lights down low and grab your favorite reading chair. But first, you’d better check behind you. . . .   Ghosts, monsters, murders, and madmen! These thirty stories have been collected for your reading displeasure from all over the globe, and represent the world’s best scary stories and frightening folktales, featuring famous authors such as Washington Irving and the Brothers Grimm. Welcome to a chilling world of hair-raising tales!

    They stumble upon the Underground, a network of uncharted caverns just below the surface of Coal Hollow. Time holds no sway in the Underground. People no longer age and their wounds heal as if by magic. By morning, one boy is murdered, while the other never returns home.The Underground is hidden for a reason. Certain locals want to keep their lair secret, no matter the cost.After learning a long-held family secret, Theodore Cooper is set adrift. Once well off and set in his ways, he is no longer sure of his role in society. He leaves his comfortable life in Chicago to tramp the countryside, searching for meaning in this new context. During his travels, he’s drawn to an abandoned house in Coal Hollow and impulsively buys it.Cooper doesn’t know that a massacre had taken place in his new house. In 1851, a group of bounty hunters tracked a family of runaway slaves to the home. They wound up killing the homeowners as conspirators, then chased the runaways into a cellar tunnel leading to the Underground. The bounty hunters cornered the slaves and killed them. To everyone’s astonishment, the slaves then rose from the dead. Over time, the bounty hunters chose to stay below ground, taking advantage of their new slave labor to build what they term “Paradise.”Their numbers are augmented by deathbed miners who are offered immorality in exchange for their subservience and labor.Below a town struggling to survive both the Great Depression and the closing of the local coal mine, there lives an immortal society built on the backs of slavery and pervasive immorality.

    Stine, Holly Black, Brett Helquist, and many more. You’ll never look at your closest door, your cat, your sock drawer, or even yourself in the mirror the same way again.

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    Reprinted in Beyond the Pale, edited by Henry Herz.Gentleman Johnnie Marcone clashes with a rival supernatural power. Told from Marcone’s point of view.Takes place between Turn Coat and Changes.“B is for Bigfoot” — from Under My Hat: Tales From the Cauldron, edited by Jonathan Strahan. Republished in Working for Bigfoot.Takes place between Fool Moon and Grave Peril.“I Was A Teenage Bigfoot” — from Blood Lite 3: Aftertaste, edited by Kevin J. Anderson. Republished in Working for Bigfoot.Takes place circa Dead Beat.“Bigfoot on Campus” — from Hex Appeal, edited by P.N. Elrod. Republished in Working for Bigfoot.Takes place between Turn Coat and Changes.“Bombshells” — Molly-POV novella from Dangerous Women, edited by George R. R. Martin and Gardner Duzois.Molly teams up with Justine and Andi to thwart a Fomor plot.Takes place between Ghost Story and Cold Days.“Jury Duty” — short story for Unbound, edited by Shawn Speakman.Harry endures Jury Duty.Set after Skin Game.“Cold Case” — short story from Shadowed Souls, edited by Jim Butcher and Kerrie Hughes.In Molly’s first job in her new role, she teams up with Ramirez to take on a Lovecraft-esque cult.Takes place shortly after Cold Days.“Day One” — short story for Unfettered II, edited by Shawn Speakman.Butters’ first mission.Set after Skin Game.“A Fistful of Warlocks” — short story for Straight Outta Tombstone, edited by David Boop.Luccio takes on necromancers in the Wild West.Set long before the events of the series.

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    The cave is actually an ancient, buried ship that many quickly come to believe is really Noah’s Ark. When a team of scholars, archaeologists, and filmmakers make it inside the ark for the first time, they discover an elaborate coffin in its recesses. The artifact tempts their professional curiosity; so they break it open. Inside, they find an ugly, misshapen cadaver—not the holy man that they expected, a hideous creature with horns. A massive blizzard blows in, trapping them in that cave thousands of meters up the side of a remote mountain…but they are not alone.

    One day, she is drawn helplessly into the parking lot of a warehouse. She knows somehow that her daughter, Holly, is being held in the building, and she has an overwhelming need to rescue her. But what Willy knows is impossible, for her daughter is dead. On the same day, author Timothy Underhill, who has been struggling with a new book about a troubled young woman, is confronted with the ghost of his nine-year-old sister, April. Soon after, he begins to receive eerie, fragmented e-mails that he finally realizes are from people he knew in his youth-people now dead. Like his sister, they want urgently to tell him something. When Willy and Timothy meet, the frightening parallels between Willy's tragic loss and the story in Tim's manuscript suggest that they must join forces to confront the evils surrounding them.

    They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

    Built in the 1780's to hide an aristocratic family and a mad duke during the French Revolution, the palace has lain hidden and forgotten ever since. Anouk, along with several other gifted teenagers, will be the first to set foot in it in over two centuries.Or so she thought.But nothing is as it seems, and the teens soon find themselves embroiled in a game far more sinister, and dangerous, than they could possibly have imagined. An evil spanning centuries is waiting for them in the depths. . .

    Behind a dusty Georgia carny show... In a mausoleum in Baton Rouge, or in an alley in Calcutta... Here wanderers come to rest, the lost and lonely press their bodies up against each other, the heat rises, flesh yields, bones are bared, blood spills. This is the landscape of today's most brilliant young horror writer, Poppy Z. Brite.Now, in a collection that sings like cutting edge rock 'n' roll and shows the deft touch of a master storyteller, Poppy Z. Brite weaves her unique spell of the sensual, the frightening, and the forbidden....