Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    She carries parts of them with her, even though their hearts are no longer hers.

    Aptowicz's sixth poetry collection chronicles the author's story as she leaves New York City, her home of fourteen years, and bears witness to the unravelling of Aptowicz's decade-long relationship. Along the way, Aptowicz explores love, nostalgia, grief, desire, envy and hope in poems that showcase her emblematic funny and heartbreaking style. Stripped down, open, and intimate, this collection continues Aptowicz's tradition of engaging and auto-biographical work with new favorites like "Op-Ed for the Sad Sack Review," "Not Doing Something Wrong isn't the Same as Doing Something Right," and "December." For a poet already known for her honesty, The Year of No Mistakes shines with brave vulnerability. It is a triumph that will push even the most stubbornly busted heart back into the light.

    A clean slate. A step back. An open window. The counterpart to The Day Is Ready For You, This Is The Journey is a collection of poetry and prose to help bridge the space between wanting, waiting, and possibility.

    Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition. Including an enduring foreword by Oprah Winfrey, this keepsake celebrates the promise of America and affirms the power of poetry.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    I even had to take some breaks. It's just so incredibly relatable.""Absolutely obsessed and inspired.""I feel so seen reading her work; it's very powerful.""WOW. Her writing truly heals." bare roots has consistently been a bestseller in women's poetry since its debut in April of 2017. Readers were originally captivated by Hillery's fiesty, feminine style of poetry and her ability to bear her soul [and trauma] to the world. Published six months before the rise and height of the "Me Too" Movement, Hillery echoes sentiments bravely expressed by many women who decided that enough was enough. She hopes that by sharing her story of trauma and mental illness, she will empower other women to continue to speak up and rise above.[Original description]: "bare roots is a collection of poetry written for anyone that has ever buried parts of themselves away from the world. The book is divided into six parts— Pruning the Damage, Battling the Weeds, The Roses [and the Thorns], The Seedling Shall Blossom, Cultivating Wisdom, and Buds of Hope are delicately crafted segments that touch on the subjects of femininity, love and loss, trauma, mental illness, the search for meaning, and ultimately, how to grow from it all." Some portions of this book contain mature content and may be triggering to some readers.

    Suddenly, like a gunshot in the very-near distance, you find yourself traipsing though a full-blown love story that you can’t find your way out of because the story is actually the landscape underneath your feet. It’s okay though, you won’t get lost– you won’t go hungry. Azra shakes every tree along the way so their fruit blankets the ground before you. She picks up pieces & hands them to you but not before she shows you how she can love you so gently it will feel like she’s unpeeling you carefully from yourself. She tells you that it isn’t about the bite but the warm juice that slips from the lips down chin. She holds your hand when you’re trudging through the messier parts, shoes getting stuck in the muck of it all, but you’ll keep going with the pulp of the fruit still stuck in-between your teeth, the juice will dry in the crooks of your elbows & in the lines on your palms. You’ll taste bittersweet for days.

    it is not only something to enjoy, but something to learn from. here are the things i did right, and the many things i did wrong. i give them to you, so that when love comes knocking, you will have a sense of what to do when you open the door.

    In this wise and intimate telling—which carries us through the seasons when her marriage was ending—Sharon Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love’s sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband’s smile to the set of his hip. Olds is naked before us, curious and brave and even generous toward the man who was her mate for thirty years and who now loves another woman. As she writes in the remarkable “Stag’s Leap,” “When anyone escapes, my heart / leaps up.  Even when it’s I who am escaped from, / I am half on the side of the leaver.” Olds’s propulsive poetic line and the magic of her imagery are as lively as ever, and there is a new range to the music—sometimes headlong, sometimes contemplative and deep. Her unsparing approach to both pain and love makes this one of the finest, most powerful books of poetry Olds has yet given us.

    Armed with a daily newspaper and a permanent marker, he constructs through deconstruction--eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," "Newspaper Blackout" will challenge you to find new meaning in the familiar and inspiration from the mundane. "Newspaper Blackout" contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.

    Composed of 316 unanswerable questions, these poems integrate the wonder of a child with the experiences of an adult. By turns Orphic, comic, surreal, and poignant, Neruda's questions lead the reader beyond reason into the realms of intuition and pure imagination.This complete translation of Pablo Neruda's El libro de las preguntas (The Book of Questions) features Neruda's original Spanish-language poems alongside William O'Daly's English translations. In his introduction O'Daly, who has translated eight volumes of Pablo Neruda's poetry, writes, "These poems, more so than any of Neruda's other work, remind us that living in a state of visionary surrender to the elemental questions, free of the quiet desperation of clinging too tightly to answers, may be our greatest act of faith."When Neruda died in 1973, The Book of Questions was one of eight unpublished poetry manuscripts that lay on his desk. In it, Neruda achieves a deeper vulnerability and vision than in his earlier work-and this unique book is a testament to everything that made Neruda an artist."Neruda's questions evoke pictures that make sense on a visual level before the reader can grasp them on a literal one. The effect is mildly dazzling [and] O'Daly's translations achieve a tone that is both meditative and spontaneous." --Publishers WeeklyPablo Neruda, born in southern Chile, led a life charged with poetic and political activity. He was the recipient of the Nobel Prize in Literature, the International Peace Prize, and served as Chile's ambassador to several countries, including Burma, France, and Argentina. He died in 1973.II.Tell me, is the rose naked or is that her only dress?Why do trees conceal the splendor of their roots?Who hears the regrets of the thieving automobile?Is there anything in the world sadder than a train standing in the rain?XIV.And what did the rubies say standing before the juice of pomegranates?Why doesn't Thursday talk itself into coming after Friday?Who shouted with gleewhen the color blue was born?Why does the earth grievewhen the violets appear?

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    Featuring over one hundred and twenty of Cleo’s original poems, mantras, and affirmations, including fan favorites and never before seen ones, this book is a daily pep talk to keep you feeling empowered and motivated. With relatable, practical, and digestible advice, including “Hearts break. That’s how the magic gets in,” and “Baby, you are the strongest flower that ever grew, remember that when the weather changes,” this is a portable, replenishing pause for your daily life. Keep Heart Talk by your bedside table or in your bag for an empowering boost of spiritual adrenaline that can help you discover and unlock what is blocking you from thriving emotionally and spiritually.

    On the left side of the book are "thinker" poems that light up the analytical, more literal, left side of the brain, and on the right side are companion "feeler" poems that speak to the creative, more emotional right side of the brain. Combined, the poems electrify the mind, body and soul through a completely unique poetry experience that inspires each of us to embrace all parts of ourselves. This empowering poetry book will not only engage you to think and feel, but will make you feel seen, show you how to love yourself, and encourage you to seek out the hope and beauty in the world … and in yourself. It’s the perfect gift for yourself or someone you love, especially after a most difficult year.