By his stern lights I judged he was bearing about northeast-and-by-north-half-east. Well, it was so near my course that I wouldn't throw away the chance; so I fell off a point, steadied my helm, and went for him. You should have heard me whiz, and seen the electric fur fly! In about a minute and a half I was fringed out with an electrical nimbus that flamed around for miles and miles and lit up all space like broad day. The comet was burning blue in the distance, like a sickly torch, when I first sighted him, but he begun to grow bigger and bigger as I crept up on him. I slipped up on him so fast that when I had gone about 150,000,000 miles I was close enough to be swallowed up in the phosphorescent glory of his wake, and I couldn't see anything for the glare. Thinks I, it won't do to run into him, so I shunted to one side and tore along. By and by I closed up abreast of his tail. Do you know what it was like? It was like a gnat closing up on the continent of America. I forged along. By and by[...].

    More Than Night discusses such pictures. It also shows that the central term is more complex & paradoxical than realized. Film noir refers both to an important cinematic legacy & to an idea projected onto the past. This wide-ranging cultural history offers an original approach to the subject, as well as new production information & commentary on scores of films, including Double Indemnity, The Third Man, & Out of the Past, & such neo-noirs as Chinatown, Pulp Fiction & Devil in a Blue Dress. Naremore discusses film noir as a term in criticism; as an expression of artistic modernism; as a symptom of Hollywood censorship & politics in the 40s; as a market strategy; as an evolving style; as a cinema about race & nationality & as an idea that circulates across all information technologies. This interdisciplinary book has valuable things to say not only about film & tv, but also about modern literature, the fine arts & popular culture in general. In a field where much of what's published is superficial & derivative, this work is certain to be received as a definitive treatment.

    A gathering of twenty-two interviews with Atwood by other writers, including Graeme Gibson, Joyce Carol Oates, Geoff Hancock.

    There they take part in ivory trading, hoping to financially benefit the company as well as themselves. With no specific tasks or important things to be done, they both become increasingly isolated and demoralized as the time goes by. At one point in the story, the native Makola, serving as Kayerts's and Carlier's bookkeeper, initiates an exchange of slaves for ivory. Initially Kayerts and Carlier are stunned and scandalized by the idea, yet eventually they accept the deal and aid Makola for his huge profit. Both men are continuously plagued by diseases and grow very weak physically towards the end of the story. Finally, a seemingly trivial matter - sugar - sparks an irrational, uncontrolled and violent conflict between them, and ends tragically as Kayerts accidentally shoots and kills Carlier. At the end of the story, just when the company steamboat approaches the station two months later than it should have, Kayerts hangs himself out of desperation.

    Produced by Turner Classic Movies, this stylish and definitive guide as the inside scoop and off-the-record reveals of fifty unforgettable actors and is also the focus of an on-air film festival on the channel. The lives and accomplishments of each actor are celebrated in an insightful career overview, accompanied by an annotated list of essential films, filmographies, behind the scenes facts, Academy Award wins and nominations. Full of surprising trivia, film stills, posters, and stunning photos, Leading Men pays tribute to the most charismatic, enduring, and elegant actors of the silver screen: an essential resource for movie buffs and pop-culture enthusiasts alike.

    It could not anticipate what was to come after, neither could it grasp what had happened in literary theory in the light of where it was to lead.

    Then the tragic day arrives on which the terrible true nature of the beast is revealed.

    With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.

    Nominated as one of America’s best-loved novels by PBS’s The Great American Read.Gulliver's Travels describes the four voyages of Lemuel Gulliver, a ship's surgeon. In Lilliput he discovers a world in miniature; towering over the people and their city, he is able to view their society from the viewpoint of a god. However, in Brobdingnag, a land of giants, tiny Gulliver himself comes under observation, exhibited as a curiosity at markets and fairs. In Laputa, a flying island, he encounters a society of speculators and projectors who have lost all grip on everyday reality; while they plan and calculate, their country lies in ruins. Gulliver's final voyage takes him to the land of the Houyhnhnms, gentle horses whom he quickly comes to admire - in contrast to the Yahoos, filthy bestial creatures who bear a disturbing resemblance to humans. This text, based on the first edition of 1726, reproduces all the original illustrations and includes an introduction by Robert Demaria, Jr, which discusses the ways Gulliver's Travels has been interpreted since its first publication. Jonathan Swift (1667-1745) was born in Dublin. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The other masterly essays in this collection include classics such as "My Country Right or Left", "How the Poor Die" and "Such, Such were the Joys", his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies, and a spirited defence of English cooking. Opinionated, uncompromising, provocative, and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.

    She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.

    Rahman. This book, unique for Indian cinema, illuminates the genius of the man behind these and eighteen other masterly films. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, about his art, as well as his life before films.In these freewheeling conversations, candid, witty, pensive, and sometimes combative, many aspects of his films are explored. Mani elaborates in a personal vein on his choice of themes, from the knottiness in urban relationships (Agni Natchatiram) to the rents in the national fabric (Bombay); his directing of children (Anjali); his artful use of songs; his innovative use of lighting, as also his making films in Hindi and other languages. There are fond recollections of collaborations with stalwarts like Balu Mahendra, P.C. Sreeram, Thotta Tharani, and Gulzar, among many others. And delectable behind-the-scenes stories—from the contrasting working styles of the legendary composer Ilayaraja and Rahman to the unexpected dimensions Kamal Haasan brought to the filming of Nayakan to what Raavan was like when originally conceived. In short, like Mani Ratnam’s films, Conversations with Mani Ratnam surprises, entertains and stimulates.With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, and with posters, script pages, and numerous stills, this book is a sumptuous treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.

    This analysis is written by Richard Corliss, editor of Film Comment. It features a brief production history and a detailed filmography.

    The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

    This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.