These four words can mean the difference between a fear of failure and the courage to try." In his previous bestselling books, Coach K has guided readers to success the way he has guided his teams at Duke University - - with the power of his inspirational words and phenomenal leadership skills. But that was with college kids.....Now, Coach K has stepped up to take on an entirely new challenge - by volunteering to coach the US Olympic Basketball team. Comprised of some of the biggest NBA stars, Coach K had to work with huge egos and personal rivalries in order to create an American team that could win against the best competition in the world and restore Team USA to the gold standard of basketball. This is more than a celebratory book - it's Coach K's first-hand account of how he dealt with such stars as Lebron James, Kobe Bryant, Carmelo Anthony and all the rest to buy into his "total team" play. Half a book on basketball, half a book on management techniques, The Gold Standard captures Coach K's personal style and approach to getting different (and sometimes difficult) people to work hard and succeed in reaching a common goal.

    In this delightful new "tale of dark secrets, mysterious men, and heiresses in distress,"* Louisa May Alcott, the beloved author of Little Women, is cast in the role of amateur sleuth-investigating crimes more heinous than anything she can imagine in her "blood and thunder" romances.

    On the Throne World of the High-Born, he was just the pet of the All-Emperor's Aunt. But Jim Keil was something special, and before he was through with the High-Born, they would about the Wolflings of Earth than they Ctn Qty/50.

    It has been winning converts from dynamic language enthusiasts as well as users of traditional compiled languages. The former appreciate the robustness and efficiency that Go's lightweight type system brings to their code; the latter find Go's simplicity and fast tools a refreshing change. Thanks to its well-designed standard libraries and its excellent support for concurrent programming, Go is fast becoming the language of choice for distributed systems. The Go Programming Language is the definitive book on Go for the working programmer. It assumes no prior knowledge of Go, nor any other specific programming language, so you'll find it an accessible guide whether you come from JavaScript, Ruby, Python, Java, or C++. The book will quickly get you started using Go effectively from the beginning, and by the end, you will know how to use it well to write clear, idiomatic and efficient programs to solve real-world problems. You'll understand not just how to use its standard libraries, but how they work, and how to apply the same design techniques to your own projects. The earlier chapters will introduce you to the basic concepts of Go programming---numbers, strings, functions---while at the same time presenting important computer science concepts like recursion, and useful examples of graphics, UTF-8, and error handling. The chapters on methods and interfaces will show you a new way to think about object-oriented programming; the chapter on concurrency explains why concurrency is so important in modern programming, and how Go helps you handle it well. You'll also learn about Go's pragmatic but effective approach to testing; how to build, test, and manage projects using the go tool, and the art of metaprogramming using reflection. The book contains hundreds of interesting and practical examples that cover the whole language and a wide range of applications. The code samples from the book are available for download from gopl.io.

    Every day, tens of thousands of small stakes hold 'em games are played all over the world in homes, card rooms, and on the Internet. These games can be very profitable -- if you play well. But most people don't play well and end up leaving their money on the table. Small Stakes Hold 'em: Winning Big with Expert Play explains everything you need to be a big winner. Unlike many other books about small stakes games, it teaches the aggressive and attacking style used by all professional players. However, it does not simply tell you to play aggressively; it shows you exactly how to make expert decisions through numerous clear and detailed examples. Small Stakes Hold 'em teaches you to think like a professional player. Topics include implied odds, pot equity, speculative hands, position, the importance of being suited, hand categories, counting outs, evaluating the flop, large pots versus small pots, protecting your hand, betting for value on the river, and playing overcards. In addition, after you learn the winning concepts, test your skills with over fifty hand quizzes that present you with common and critical hold 'em decisions. Choose your action, then compare it to the authors' play and reasoning. This text presents cutting-edge ideas in straightforward language. It is the most thorough and accurate discussion of small stakes hold 'em available. Your opponents will read this book; make sure you do, too!

    Take a journey through the fascinating story of fractions, numbers, patterns, and shapes in order to better understand the complex world we live in.Continuing the "Big Ideas" series' trademark combination of authoritative, clear text and bold graphics to chart the development of maths through history, the book explores and explains some of the most complex and fascinating mathematical subjects. Delve into everything from the mathematical ideas and inventions of the ancient world such as the first number systems, magic squares, and the Chinese abacus, through to the developments in mathematics during medieval and Renaissance Europe, to the rise of group theory and cryptography more recently.This diverse and inclusive account of mathematics will have something for everybody: for those interested in the maths behind world economies, secret spies, modern technology and plenty more, taking readers around the world from Babylon to Bletchley Park. Tracing maths through the Scientific Revolution to its 21st-century use in computers, the internet, and AI, The Maths Book uses an innovative visual approach to make the subject accessible to everyone, casual readers and students alike.

    As he shows us, we live most of our lives automatically, in small worlds of comfortable habit, unless an outside force compels us to adjust. Over decades of psychotherapeutic work, Deary has helped hundreds of people cope with change-teaching them to understand how they get stuck, how they struggle with new circumstances, and how they can finally transform for the better. Drawing on a staggering range of cultural and literary references- from Jacques Lacan to Mad Men, Marcel Proust to Chicago dance crazes-How We Are shows us how much of our lives are lived according to beaten paths, and explains why we are so resistant to conscious change.Part psychologist, part philosopher, part novelist, Deary paints a mesmerizing universal portrait of the human condition and helps us to see how to break free of routine to make our actions and our lives more fully our own.

    At the time, I was inclined to attribute this glibness to the triumph of middle age & to the compromises perhaps necessary to negotiate the then-new ascendancy of Reagan. But, looking back over this extraordinary journal of a plague year, written 40 years ago, I suddenly appreciate that Mailer in 1968 had already been rehearsing for some kind of ideological synthesis, & discovering it in the most improbable of places. Party conventions have been such dull spectacles of stage-management for so long that this year (I happen to be writing on the day after the closing Democratic primaries) it has been considered nothing less than shocking that delegates might arrive in Denver in August with any more than ceremonial or coronational duties ahead of them. The coverage of such media-events, now almost wholly annexed by the cameras & those who serve them, has undergone a similar declension into insipidity. Mailer could see this coming: having left the Republican gathering in Miami slightly too early "he realized he had missed the most exciting night of the convention, at least on the floor, & was able to console himself only with the sad knowledge that he could cover it better on tv than if he had been there." This wasn't quite true yet: what we have here is the last of the great political-convention essayists, & the close of a tradition that crested with H.L. Mencken & was caught so deftly in Gore Vidal's play The Best Man. You will note the way in which Mailer decided to write about himself in the 3rd person, using for a title the name "the reporter." This isn't invariably a good idea but it generally works in this instance, even when he muses, of himself, that: "The Democratic Convention in 1960 in Los Angeles which nominated John F. Kennedy, & the Republican in San Francisco in 1964 which installed Barry Goldwater, had encouraged some of his very best writing." "They venerated Nixon for his service to Eisenhower, & his comeback now--it was his comeback which had made him a hero in their eyes, for America is the land which worships the Great Comeback, & so he was Tricky Dick to them no more, but the finest gentleman in the land; they were proud to say hello." Pauline Kael was later to make herself a laughing stock by exclaiming in astonishment that she didn't "know anybody" who had voted for Nixon. Mailer was determined to avoid this mistake in advance, confessing his own ignorance & admitting that in a large Miami ballroom filled with delegates, "there were not 10 people he recognized." The only other person of liberal/radical temper who tried to avoid condescending to Nixon & to Nixonism was that other master of convention-floor prose, the late Murray Kempton. It was from Kempton himself that Mailer annexed what eventually became the running theme & essential insight of his attendance at both events. "'Politics is property'...[a] delegate's vote is his holding--he will give it up without return no more than a man will sign over his house entire to a worthy cause." More self-evident, perhaps, among the Chamber of Commerce types in Miami (& Nelson Rockefeller with his "catfish mouth"), this extended metaphor worked particularly well--and Mailer did his level best to extend it--in the gaunt, unsentimental world of Chicago stock-yard ward-heeling: that rugged inland coast on which the waves of 60s idealism broke in vain. It wasn't to be "new phalanxes of order" that were conjured. It was the bitter old phalanx of the Daley machine & the Chicago PD. Of necessity, the Illinois chapter was much longer & more intense than the Florida one, but before we shift the scene it is worth saluting Mailer 1st for seeing clearly that Nixon would be "the one" & 2nd for guessing that Ronald Reagan might well be the next one. His method in the 2nd case was equally intuitive. He noticed the clever rebound from the Goldwater defeat while also understanding the purely showbiz aspect. Could that gifted but gruesome twosome of Burroughs & Genet help to explain Mailer's recurrence to the threat of "nihilism"? He hated the war & the police and had contempt for the mobbed-up big mayors & union men who constituted the muscle of the Democrats. But he found Eugene McCarthy brittle & dislikeable, & McCarthy supporters addicted to defeat. Then there was this: "He liked his life. He wanted it to go on, which meant that he wanted America to go on--not as it was going, not Vietnam--but what price was he really willing to pay?" Mailer here was being plaintive but honest, as in the case of the above account of his Lincoln Park funk. It was becoming another of those moments where the best lacked all conviction while the worst...well, we know how that goes. Incidentally, one can't be too careful about making familiar poetic citations. Mailer quotes Edward Kennedy as saying of Bobby's supporters that they had "followed him, honored him, lived in his mild & magnificent eye," & one suddenly realizes that he thinks he is quoting Teddy himself rather than Robert Browning's famous lines from The Lost Leader. As Joan Didion once observed, there are those who say "No Man Is an Island" who firmly believe that they are echoing Ernest Hemingway. Our Democratic primaries are run the way they are now mainly because of the way they were run then. Mailer dryly watched the roll-call in Chicago & noted that the state which put Hubert Humphrey over the top (Pennsylvania) was the one where McCarthy had received 90% of the primary votes. To touch on another comparison with today's politics, Mailer also noticed in Miami that Nixon had won the nomination in such a way as to also win the election: in other words without splitting or embittering his party. These & similar reflections are of interest & value in a year where the Democratic nominee is, in one of his many protean incarnations, a Chicago South Side operator with a wife whose father was a Daley precinct captain, while the Republican candidate is a repository of something in which almost nobody in 1968 would ever have believed: America's residual pride about its own valor in Vietnam. The almost-closing line of the book is the prediction that Mailer wishes he had made to Eugene McCarthy's daughter: "'Dear Miss,' he could have told her, 'we will be fighting for 40 years.'" He got that right, among many other things.--Christopher Hitchens

    WILL THIS KILLER DEAL LEAD TO A DEAD END? Meet Whitney Whitaker. A hopeless romantic when it comes to real estate, she knows what it takes to find—and flip—the home of one’s dreams. A fixer-upper is like catnip to Whitney: she can’t resist the challenge of turning an eyesore into a priceless work of art. So when one of her clients decides to liquidate a crumbling property, Whitney seizes the opportunity to purchase it for a song. But soon a curious incident of the cat in the night-time leads to a change in tune. . . Sawdust is the name of Whitney’s cat—of course. Whitney’s passion for gut-renovation may be a mystery to him but one thing Sawdust knows for sure is this: Dead bodies don’t belong in flower beds. So why is there one in this new, albeit old, house? Now it’s up to Whitney, along with the help of hot-and-cold Nashville Police Detective Collin Flynn, to find the truth about what happened before the mortgage property forecloses and Whitney loses her investment. . .and maybe her own life.

    An eye-opening exploration of why experts are constantly misleading us-and what we can do about it.

    Returning from study abroad, Cornelius Christian enters customs with his luggage and his dead wife. His first encounter in New York is with a funeral director, with whom he reluctantly takes employment to pay for the burial expenses. In the course of his duties he meets the beautiful Fanny Sourpuss over her millionaire husband's dead body. However, his over-enthusiastic handling of his first corpse lands him in court. Cornelius Christian wanders through the great sad cathedral that is New York, examining the human condition in all its comic pathos and lonely absurdity. Whether lingering in the Automat drinking from half empty coffee cups and stealing baked beans from the plates of customers who go looking for ketchup, or finding love on a street corner only to end up fighting his way out of a hooker's fists, Cornelius Christian, heroic anti-hero, sings of life's goodness in the wake of disaster.

    Published as an autobiography and praised by Edgar Allan Poe, this is the story of a young idler who goes in search of buried treasure and finds instead the power to transfer his soul into other men's bodies. What follows is one increasingly practiced body snatcher's picaresque journey through early American pursuits of happiness, as each new form Sheppard Lee assumes disappoints him anew while making him want more and more. When Lee's metempsychosis draws him into the marriage market, the money market, and the slave market, Bird's fable of American upward mobility takes a more sinister turn. Lee learns that everything in America, even virtue and vice, are interchangeable; everything is an object and has its price.  Looking forward to Melville's The Confidence-Man and beyond that to William Burroughs’s Naked Lunch, this strange and compelling story is a penetrating critique of American life and values as well as a crucial addition to the canon of American literature.

    Moore's Jirel of Joiry is the first significant female sword and sorcery protagonist and one of the most exciting and evocative characters the genre has ever known. Published alongside seminal works by H.P. Lovecraft and Robert E. Howard, the five classic fantasy tales included in this volume easily stand the test of time and often overshadow the storytelling power and emotional impact of stories by Moore's more famous contemporaries. A seminal work from one of fantasy's most important authors, Black God's Kiss is an essential addition to any fantasy library.Contents:Black God's Kiss.Black God's Shadow.Jirel Meets Magic.The Dark Land.Hellsgarde.Quest of the Starstone (with Henry Kuttner).

    EstlemanA cold foggy day / Bill PronziniSwamp search / Harry WhittingtonTake care of yourself / William Campbell GaultA matter of ethics / Robert J. RandisiTough / John LutzThis world, then the fireworks / Jim ThompsonSoft monkey / Harlan EllisonYellow gal / Dennis LyndsScrap / Max Allan CollinsSet 'em up, Joe / Barbara BemanShut the final door / Joe L. HensleyDeath and the dancing shadows / James ReasonerA killer in the dark / Robert Edmond AlterPerchance to dream / Michael SeidmanHorn man / Clark HowardShooting match / Wayne DundeeThe pit / Joe R. LansdaleTurn away / Edward GormanThe second coming / Joe GoresMore stories in this series can be read in The Second Black Lizard Anthology of Crime Fiction

    It was to record, in the form of an imaginary dialogue with his mentor and then-lover, Lou Andreas-Salome, his firsthand experiences of early Renaissance art. The project quickly expanded to include not only thoughts on life, history, and artistic genius, but also unguarded moments of revulsion, self-doubt, and manic expectation. The result is an intimate glimpse into the young Rilke, already experimenting brilliantly with language and metaphor. "For the lover of Rilke, this superb translation of the poet's early diaries will be a watershed. Through Edward Snow's and Michael Winkler's brilliantly supple and faithful translation . . . a new and more balanced picture of Rilke will emerge."—Ralph Freedman