Or the "Phantom of Fine Hall," a figure many students had seen shuffling around the corridors of the math and physics building wearing purple sneakers and writing numerology treatises on the blackboards. The Phantom was John Nash, one of the most brilliant mathematicians of his generation, who had spiraled into schizophrenia in the 1950s. His most important work had been in game theory, which by the 1980s was underpinning a large part of economics. When the Nobel Prize committee began debating a prize for game theory, Nash's name inevitably came up—only to be dismissed, since the prize clearly could not go to a madman. But in 1994 Nash, in remission from schizophrenia, shared the Nobel Prize in economics for work done some 45 years previously.Economist and journalist Sylvia Nasar has written a biography of Nash that looks at all sides of his life. She gives an intelligent, understandable exposition of his mathematical ideas and a picture of schizophrenia that is evocative but decidedly unromantic. Her story of the machinations behind Nash's Nobel is fascinating and one of very few such accounts available in print (the CIA could learn a thing or two from the Nobel committees).

    Whom the gods wish to destroy they first call promising.--Cyril Connolly Cyril Connolly (1903-1974) was one of the most influential book reviewers and critics in England, contributing regularly to The New Statesman, The Observer, and The Sunday Times, His many books and essays have been published to great acclaim on both sides of the Atlantic. First published in 1938 and long unavailable, Enemies of Promise is considered his major work. An inquiry into the problem of how to write a masterpiece, Connolly identifies the forces that work against the fulfillment of artistic promise--among them, politics, domesticity, advertising, and journalism. His concluding recollection of his education at Eton examines the factors which interfered with his own promise. Seventy years after it was written, Enemies of Promise remains powerful and true. It is a brilliant work by one of the most important critics of the period.

    Author of pervious studies of Joyce, T.S. Eliot, Wyndham Lewis and Pound (to name a few), Kenner bestrides modern literature if not like a colossus then at least a presence of formidable proportions. A new book by him is certainly an event....A demanding, enticing book that glitters at the same time it antagonizes...."The Pound Era presents us with an idiosyncratic but sharply etched skeletal view of our immediate literary heritage."—The New York Times

    He served with the Legion in Cambodia and Bosnia, then returned to civilian life, but military habits would not allow him to settle.His need for intense excitement and extreme danger drove him back to the lifestyle he knew and loved, and using his Legion training, he became a ?hidden soldierOCO by opting for security missions in Iraq and Haiti.In Iraq he was the sole survivor of an ambush in no manOCOs land between Abu Ghraib and Fallujah, the most dangerous place on earth.An intense, exciting and vivid account of extraordinary and sometimes horrific events, "Hidden Soldier" lifts the veil on the dark and shadowy world of security contractors and what the situation is really like in Iraq as well as other trouble spots.This bestseller also includes photographs taken by Padraig OOCOKeeffe while he was a Legionnaire and when he was in Iraq."

    John Leonard, New York Times: What emerges from Mr. Lottman's tireless devotions is a portrait of the artist, the outsider, the humanist and skeptic, that breaks the heart. John Sturrock, The New York Times Book Review: Herbert Lottman's life (of Camus) is the first to be written, either in French or English, and it is exhaustive, a labor of love and of wonderful industry.This new edition includes a specially written preface by the author revealing the challenges of a biographer, of some of the problems that had to be dealt with while writing the book and after it appeared.

    It is a brilliant work of critical insight that also tells us much about its author's own thinking and preoccupations. In its own right it is a masterpiece of literary and philosophical creative writing. This edition was published in 1999 - ten years after the writer's death. The volume also contains the equally celebrated dialogues with the art critic Georges Duthuit - written to record their different points of view after the discussions took place. Beckett always let Duthuit win, but his very unusual and often opposite point of view on the nature and purpose of art is all the more forceful and memorable on that account.

    Author of such landmarks of modern American fiction as Reflections in a Golden Eye and The Ballad of the Sad Café, Carson McCullers was the enfant terrible of the literary world of the 1940s and 1950s. Gifted but tormented, vulnerable but exploitative, McCullers led a life that had all the elements--and more--of a tragic novel.From McCullers's birth in Columbus, Georgia, in 1917 to her death in upstate New York in 1967, The Lonely Hunter thoroughly covers every significant event in, and aspect of, the writer's life: her rise as a young literary sensation; her emotional, artistic, and sexual eccentricities and entanglements; her debilitating illnesses; her travels in America and Europe; and the provenance of her works from their earliest drafts through their book, stage, and film versions.To research her subject, Virginia Spencer Carr visited all of the important places in McCullers's life, read virtually everything written by or about her, and interviewed hundreds of McCullers's relatives, friends, and enemies. The result is an enduring, distinguished portrait of a brilliant, but deeply troubled, writer.

    R. R. Tolkien's masterpieces generously repay close attention and study. In this thoroughly entertaining and perceptive volume, winner of the prestigious Mythopoeic Society Scholarship Award, Professor Kocher examines the sources that Tolkien drew upon in fashioning Middle-earth and its inhabitants—and provides valuable insights into the author's aims and methods. Ranging from The Hobbit to The Lord of the Rings to The Silmarillion and beyond, Master of Middle-earth opens the door to a deeper and richer appreciation of Tolkien's magnificent achievement. Inside you will discover• Why Aragorn is the most misunderstood character in The Lord of the Rings . . . and its true hero.• The origin of Sauron—and the nature of evil in Tolkien's universe. • The opposing forces of destiny and free will in Frodo's quest.• The Cosmology of Middle-earth—is it our world at an earlier time, or does it exist in a fantastic Elsewhere?• How Tolkien's ideas of morality, religion, and social order underlie every aspect of his life's work.Plus a fascinating look at such lesser-known works of Tolkien's as "Leaf by Niggle," "Smith of Wootton Major," and many others!

    His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award

    Burroughs was the patron saint and Prince of Darkness of the Beats of the 1950s. His ground-breaking avant-garde masterpiece NAKED LUNCH shocked the literary world with its graphic descriptions of drug abuse and sexual perversion—and resulted in a landmark Supreme Court ruling on obscenity. Pulitzer Prize-winning author Tim Morgan's biography of Burroughs captures one of the most lionized artist/criminals of our times—a violent, reckless genius whose history is as bizarre as his fiction. A rebel—hero, Burroughs symbolized the anti—authoritarian cause for three generations of the young and disillusioned—exploring the murkiest depths of human terror and degradation in his art—and in his life. Literary Outlaw is a wild ride through the life of a man who became an icon for the counterculture and whose perverse and decadent life mirrors his remarkable art.

    These include not only famous and expected names (Harriet Beecher Stowe, Willa Cather, Dorothy Parker, Flannery O’Connor, Gwendolyn Brooks, Grace Paley, Toni Morrison, and Jodi Picoult among them), but also many who were once successful and acclaimed yet now are little known, from the early American best-selling novelist Catherine Sedgwick to the Pulitzer Prize–winning playwright Susan Glaspell. Showalter shows how these writers—both the enduring stars and the ones left behind by the canon—were connected to one another and to their times. She believes it is high time to fully integrate the contributions of women into our American literary heritage, and she undertakes the task with brilliance and flair, making the case for the unfairly overlooked and putting the overrated firmly in their place.Whether or not readers agree with the book’s roster of writers, A Jury of Her Peers is an irresistible invitation to join the debate, to discover long-lost great writers, and to return to familiar titles with a deeper appreciation. It is a monumental work that will greatly enrich our understanding of American literary history and culture.

    Instead, Nicholas Roe reveals the real flesh-and-blood poet: a passionate man driven by ambition but prey to doubt, suspicion, and jealousy; sure of his vocation while bitterly resentful of the obstacles that blighted his career; devoured by sexual desire and frustration; and in thrall to alcohol and opium. Through unparalleled original research, Roe arrives at a fascinating reassessment of Keats's entire life, from his early years at Keats's Livery Stables through his harrowing battle with tuberculosis and death at age 25. Zeroing in on crucial turning points, Roe finds in the locations of Keats's poems new keys to the nature of his imaginative quest.Roe is the first biographer to provide a full and fresh account of Keats's childhood in the City of London and how it shaped the would-be poet. The mysterious early death of Keats's father, his mother's too-swift remarriage, living in the shadow of the notorious madhouse Bedlam—all these affected Keats far more than has been previously understood. The author also sheds light on Keats's doomed passion for Fanny Brawne, his circle of brilliant friends, hitherto unknown City relatives, and much more. Filled with revelations and daring to ask new questions, this book now stands as the definitive volume on one of the most beloved poets of the English language.

    That he emerged to write this funny and true book and then moved on to find the meaningful life that for a while had seemed beyond reach is what ultimately happens in The Eden Express. But the real story here is that throughout his harrowing experience his sense of humor let him see the humanity of what he was going through, and his gift of language let him describe it in such a moving way that others could begin to imagine both its utter ordinariness as well as the madness we all share.

    His marriage to the poet Sylvia Plath marked his whole life, and he never entirely recovered from her suicide in 1963. Many people have held his adultery responsible for Plath's death; in this insightful book, Elaine Feinstein explores an altogether more complex situation, and throws a sad new light on his relationship with his lover Assia Wevill, who also killed herself along with their young daughter.Drawing on extensive archival material and interviews with childhood friends, fellow undergraduates, poets, and critics, Feinstein gives a portrait of a large-spirited, magnetic personality intrigued by the forms of magical experience that preoccupied Shakespeare and Yeats, but who was nevertheless a down-to-earth Yorkshire man, whose poetic vision encompassed not only his love of the natural world but also all the evidence of human brutality in the past century.

    This witty, wry, and unique new book rectifies that wrong. Part detective story, part history lesson, part exposé, The Book of Lost Books is the first guide to literature’s what-ifs and never-weres.In compulsively readable fashion, Stuart Kelly reveals details about tantalizing vanished works by the famous, the acclaimed, and the influential, from the time of cave drawings to the late twentieth century. Here are the true stories behind stories, poems, and plays that now exist only in imagination:·Aristophanes’ Heracles, the Stage Manager was one of the playwright’s several spoofs that disappeared. ·Love’s Labours Won may have been a sequel to Shakespeare’s Love’s Labours Lost–or was it just an alternative title for The Taming of the Shrew?·Jane Austen’s incomplete novel Sanditon, was a critique of hypochondriacs and cures started when the author was fatally ill.·Nikolai Gogol burned the second half of Dead Souls after a religious conversion convinced him that literature was paganism.·Some of the thousand pages of William Burroughs’s original Naked Lunch were stolen and sold on the street by Algerian street boys.·Sylvia Plath’s widower, Ted Hughes, claimed that the 130 pages of her second novel, perhaps based on their marriage, were lost after her death.Whether destroyed (Socrates’ versions of Aesop’s Fables), misplaced (Malcolm Lowry’s Ultramarine was pinched from his publisher’s car), interrupted by the author’s death (Robert Louis Stevenson’s Weir of Hermiston), or simply never begun (Vladimir Nabokov’s Speak, America, a second volume of his memoirs), these missing links create a history of literature for a parallel world. Civilized and satirical, erudite yet accessible, The Book of Lost Books is itself a find.