Still popular more than a century after their deaths, their poetry vividly reflects the unique nature of their relationship.This collection presents the Brownings’ work in the context of their lives: the early years and their initial friendship, their courtship and marriage, the fifteen happy years they spent living in Italy until Elizabeth’s death. Whether in short poems such as Elizabeth’s “Hector in the Garden” and Robert’s “Natural Magic,” or in extracts from longer works such as Aurora Leigh and Pauline, the great themes they shared are all represented: love, marriage, illicit passion, England and Italy, childhood, religion, poetry, and nature. Elizabeth’s famous Sonnets from the Portuguese, based on their love affair, is included in its entirety. The poems are augmented with a generous selection of the marvelous letters the Brownings wrote to each other.

    Here is Wordsworth wandering “lonely as a cloud”; Poe confiding “all I loved, I loved alone”; Yeats’s communion with “the deep heart’s core”; and Han Shan’s heart of a hermit, “clean as a white lotus.” From Sir Edward Dyer’s “My Mind to Me a Kingdom Is,” to the spiritual searching of the Transcendentalists, to the meditative verse of Jorie Graham, some of the most indelible poems from every time and culture have grown out of the aloneness inherent in the poet’s art. The poems collected here, whether reflecting on the soul or on nature, addressing an absent loved one, or honoring the self, form a book of respite and contemplation, and a beautiful tribute to the interior life.

    In addition to writing more than two dozen works of fiction, including Kim and The Jungle Book, Kipling was a prolific poet, composing verse in every classical form from the epigram to the ode. Kipling’s most distinctive gift was for ballads and narrative poems in which he drew vivid characters in universal situations, articulating profound truths in plain language. Yet he was also a subtle, affecting anatomist of the human heart, and his deep feeling for the natural world was exquisitely expressed in his verse. He was shattered by World War I, in which he lost his only son, and his work darkened in later years but never lost its extraordinary vitality. All of these aspects of Kipling’s poetry are represented in this selection, which ranges from such well-known compositions as “Mandalay” and “If” to the less-familiar, emotionally powerful, and personal epigrams he wrote in response to the war.

    Poems: Stevens contains a selection, chosen by Helen Vendler, of over sixty of Stevens's poems, revealing with renewed force his status as our supreme acrobat of the imagination.

    Poems: Rossetti contains a full selection of Rossetti's work, including her lyric poems, dramatic and narrative poems, rhymes and riddles, sonnet sequences, prayers and meditations, and an index of first lines.

    Though he earned his central place in our culture as an essayist and philosopher, since his death his reputation as a poet has grown as well.Known for challenging traditional thought and for his faith in the individual, Emerson was the chief spokesman for the Transcendentalist movement. His poems speak to his most passionately held belief: that external authority should be disregarded in favor of one’s own experience. From the embattled farmers who “fired the shot heard round the world” in the stirring “Concord Hymn,” to the flower in “The Rhodora,” whose existence demonstrates “that if eyes were made for seeing, / Then Beauty is its own excuse for being,” Emerson celebrates the existence of the sublime in the human and in nature. Combining intensity of feeling with his famous idealism, Emerson’s poems reveal a moving, more intimate side of the man revered as the Sage of Concord.

    Shakespeare sympathizes with the hunted hare. Marianne Moore tries to catch a jelly-fish. Virgil and Emily Dickinson contemplate Bees. Kipling lulls a baby seal to sleep. From East to West, from ancient times to modern, from Mei Yu Ch'en on swarming mosquitoes to William Cullen Bryant's solitary waterfowl and Rainer Maria Rilke's enchanted gazelle, from Auden on cats and dogs to E.E. Cummings's verse in the shape of a grasshopper to James Merrill's vision of the octopus, here--selected by John Hollander--are 136 poems that provide exhilarating access to literature's glorious lyric zoo.

    S. Eliot (1888-1965) was the dominant force in twentieth-century British and American poetry. With poems such as "The Love Song of J. Alfred Prufrock, " he introduced an edgy, disenchanted, utterly contemporary version of French Symbolism to the English-speaking world. With his masterpiece "The Waste Land, " he almost single-handedly ushered an entire poetic culture into the modern world. And with his enormously influential essays he set the canonical standards to which writers and critics of poetry have adhered throughout our era.

    Among his best-loved works are "The Raven" with its hypnotic chant of "nevermore, " and the sensuous and lyrical "Annabel Lee." This collection includes all of Poe's most popular rhymes.

    Our century has seen him more clearly as a poet whose intellectual toughness, satiric gifts, and utter inability to be boring have made him one of the great comic spirits in our literature.

    In this anthology–the first devoted exclusively to blues poems–a wide array of poets pay tribute to the form and offer testimony to its lasting power.The blues have left an indelible mark on the work of a diverse range of poets: from “The Weary Blues” by Langston Hughes and “Funeral Blues” by W. H. Auden, to “Blues on Yellow” by Marilyn Chin and “Reservation Blues” by Sherman Alexie. Here are blues-influenced and blues-inflected poems from, among others, Gwendolyn Brooks, Allen Ginsberg, June Jordan, Richard Wright, Nikki Giovanni, Charles Wright, Yusef Komunyakaa, and Cornelius Eady. And here, too, are classic song lyrics–poems in their own right–from Bessie Smith, Robert Johnson, Ma Rainey, and Muddy Waters.The rich emotional palette of the blues is fully represented here in verse that pays tribute to the heart and humor of the music, and in poems that swing with its history and hard-bitten hope.

    Poems: Keats contains a full selection of Keats's work, including his lyric poems, narrative poems, letters, and an index of first lines.

    From fourth-century Li Ch'ung's "Parody of a Lover" to John Betmeman's "Late-Flowering Lust," they re-create, through the revelations of language, that experience of the erotic. Other poets include Theodore Roethke, Robert Graves, Octavio Paz, Joseph Brodsky, Sylvia Plath, Frederico Garcia Lorca, Percy Bysshe Shelley, and many others.

    Poems: Rilke contains poems from The Book of Images; New Poems; Requiem for a Friend; Poems, 1906-1926; French Poems; The Life of Mary; Sonnets to Orpheus; The Duino Elegies; Letters to a Young Poet; and an index of first lines.

    Deeply though darkly spiritual, titanic in the changes he wrought, Baudelaire looms over all the work, great and small, created in his wake.