A large stone Venus. Nothing unusual about it_except that it was found on an island in the Pacific Northwest. Archaeologist Hannah Green and her shovelbum nephew find themselves in a tangled web of competing interests avaricious land owners, hungry media, and a cult of goddess worshippers while investigating one of the finds of the century. In untangling the mystery of the Washington Venus, Hannah and Sean have to confront questions of archaeological evidence, of ethics, of conflicting interpretation of data, and of the very nature of archaeological truths. Helping them are a cadre of disdainful graduate students who propose various theories processualist, marxist, feminist, postmodernist to explain the bizarre events. Teach your students archaeological theory in a fashion they'll enjoy, while they solve the mystery in Adrian Praetzellis's delightful textbook-as-novel.

    He has been a prominent advocate of gay rights and feminism, which joins men and women in resistance. A gay man born into an Italian American family in New Jersey, he relates in this book his own experience on how the initiation of boys into patriarchy inflicts trauma, leading them to mindlessly accept patriarchal codes of masculinity, and how (through art, philosophy, and experience—including mutual love) he and others (straight and gay men) come to join women in resisting patriarchy through the discovery of how deeply it harms men as well as women.

    Love is, as everyone knows, a mysterious and all-controlling force, with vast power over our thoughts and life decisions.But is there something a bit worrisome about all this uniformity of opinion? Is this the one subject about which no disagreement will be entertained, about which one truth alone is permissible? Consider that the most powerful organized religions produce the occasional heretic; every ideology has its apostates; even sacred cows find their butchers. Except for love.Hence the necessity for a polemic against it. A polemic is designed to be the prose equivalent of a small explosive device placed under your E-Z-Boy lounger. It won't injure you (well not severely); it's just supposed to shake things up and rattle a few convictions.

    J.L. is on the run from an empty heart and is desperate for solitude. Yet solitude eludes her from the moment she hangs up her pots and pans in the cook tent, and the men in the camp begin to drift toward her, drawn by her silence. These men are drifters, romantics and outcasts - men who have come to the North in search of answers for questions they can't define.

    Some managed to escape. Many are still missing. A new pair of shoes, a university degree, a husband—these are the things that a girl dreams of in a Nigerian village. A girl who works hard in school and to help her family. A girl with a future as bright as live coals in the dark. And with a government scholarship right around the corner, everyone—her mother, her five brothers, her best friend, her teachers—can see that these dreams aren’t too far out of reach. Even if the voices on Papa’s radio tell more fearful news than tales to tell by moonlight.But the girl’s dreams turn to nightmares when her village is attacked by Boko Haram, a terrorist group, in the middle of the night. Kidnapped, she is taken with other girls and women into the forest where she is forced to follow her captors’ radical beliefs and watch as her best friend slowly accepts everything she’s been told. Still, the girl defends her existence. As impossible as escape may seem, her life—her future—is hers to fight for.

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    A little boy witnesses the ugliness of apartheid.

    Mentor advises academic women about issues they daren't discuss openly, such as: How does one really clamber onto the tenure track when the job market is so nasty, brutish, and small? Is there such a thing as the perfectly marketable dissertation topic? How does a meek young woman become a tiger of an authority figure in the classroom-and get stupendous teaching evaluations? How does one cope with sexual harassment, grandiosity, and bizarre behavior from entrenched colleagues?Ms. Mentor's readers will find answers to the secret queries they were afraid to ask anyone else. They'll discover what it really takes to get tenure; what to wear to academic occasions; when to snicker, when to hide, what to eat, and when to sue. They'll find out how to get firmly planted in the rich red earth of tenure. They'll learn why lunch is the most important meal of the day.

    Magona decided to write this novel when she discovered that Fulbright Scholar Amy Biehl, who had been killed while working to organize the nation's first ever democratic elections in 1993, died just a few yards away from her own permanent residence in Guguletu, Capetown. She then learned that one of the boys held responsible for the killing was in fact her neighbor's son. Magona began to imagine how easily it might have been her own son caught up in the wave of violence that day. The book is based on this real-life incident, and takes the form of an epistle to Amy Biehl's mother. The murderer's mother, Mandisi, writes about her life, the life of her child, and the colonized society that not only allowed, but perpetuated violence against women and impoverished black South Africans under the reign of apartheid. The result is not an apology for the murder, but a beautifully written exploration of the society that bred such violence.

    Down Second Avenue is a landmark book that describes Mphahlele’s experience growing up in segregated South Africa. Vivid, graceful, and unapologetic, it details a daily life of severe poverty and brutal police surveillance under the subjugation of an apartheid regime. Banned in South Africa after its original 1959 publication for its protest against apartheid, Down Second Avenue is a foundational work of literature that continues to inspire activists today.

    Crossing various controversial, amusing and downright confusing racial divides, the title delivers a healthy dose of black – and white – humour as it explores some of the rainbow nation's defining characteristics, its many colourful characters and its myriad mysterious idiosyncrasies.

    Written with passion and from the heart, We Will Be Free is more than just another travel book, it is a modern manifesto, a declaration of independence and self sufficiency. “From the title to the very last page of the book, I was intrigued and entertained! It is full of unabashedly honest and hilarious metaphors describing life on the road and what it's like to be a part of the "overlanding tribe."Graeme makes you feel like you are a part of the travel adventure as he divulges his raw, poetic and amusing consciousness.This book is both a salty and a tender work of art about a beautiful family. The Bell family, on paper and in real life, will inspire you to live life fully and in your own way.Overland The Americas”.

    Sovereignty has become a trap for Palestinians and getting out is a matter of political vision and will. The law does not determine any particular outcome, it only promises the contest over one. While Jewish and Palestinian sovereignty are incommensurable, their belonging is not. The law is not just and justice is not rule-based.

    She suggests that the democratic revolution may be jeopardized by a lack of understanding of citizenship, community and pluralism. Mouffe examines the work of Schmitt and Rawls and explores feminist theory, in an attempt to place the project of radical and plural democracy on a more adequate foundation than is provided by liberal theory.

    And the story of my people.'The Valley of Masks examines the pathologies of power, purity and dogma to give us a frightening yet ultimately redemptive vision of the future. In the words of Ashis Nandy, critic and social commentator, 'This brilliant, superbly imaginative but terribly disturbing novel transcends borders, cultures, reading habits and literary fashions. As a story of the inhumanity of any human search for absolute perfection, it probably has no parallel in our literature. As a fable, it has a moral that will return to haunt you.'About the AuthorTarun J. Tejpal has been a journalist for close to thirty years. He is the editor of Tehelka, a news organization famed for its public interest journalism. His novels The Alchemy of Desire and The Story of My Assassins have received worldwide recognition. He lives in New Delhi.