Born in Martinique in 1928, Glissant earned a doctorate from the Sorbonne. When he returned to his native land in the mid-sixties, his writing began to focus on the idea of a "relational poetics," which laid the groundwork for the "créolité" movement, fueled by the understanding that Caribbean culture and identity are the positive products of a complex and multiple set of local historical circumstances. Some of the metaphors of local identity Glissant favored—the hinterland (or lack of it), the maroon (or runaway slave), the creole language—proved lasting and influential.In Poetics of Relation, Glissant turns the concrete particulars of Caribbean reality into a complex, energetic vision of a world in transformation. He sees the Antilles as enduring suffering imposed by history, yet as a place whose unique interactions will one day produce an emerging global consensus. Arguing that the writer alone can tap the unconscious of a people and apprehend its multiform culture to provide forms of memory capable of transcending "nonhistory," Glissant defines his "poetics of relation"—both aesthetic and political—as a transformative mode of history, capable of enunciating and making concrete a French-Caribbean reality with a self-defined past and future. Glissant's notions of identity as constructed in relation and not in isolation are germane not only to discussions of Caribbean creolization but also to our understanding of U.S. multiculturalism. In Glissant's view, we come to see that relation in all its senses—telling, listening, connecting, and the parallel consciousness of self and surroundings—is the key to transforming mentalities and reshaping societies.This translation of Glissant's work preserves the resonating quality of his prose and makes the richness and ambiguities of his voice accessible to readers in English.

    Over the course of a single convoluted week, he threatens to execute a duck, has his nose slashed by a feminist poet, discovers that his secretary writes better fiction than he does, suspects his wife of having an affair with his dean, and finally confronts his philandering elderly father, the one-time king of American Literary Theory, at an abandoned amusement park.Such is the canvas of Richard Russo's Straight Man, a novel of surpassing wit, poignancy, and insight. As he established in his previous books -- Mohawk, The Risk Pool, and Nobody's Fool -- Russo is unique among contemporary authors for his ability to flawlessly capture the soul of the wise guy and the heart of a difficult parent. In Hank Devereaux, Russo has created a hero whose humor and identification with the absurd are mitigated only by his love for his family, friends, and, ultimately, knowledge itself.Unforgettable, compassionate, and laugh-out-loud funny, Straight Man cements Richard Russo's reputation as one of the master storytellers of our time.From the Hardcover edition.

    This volume represents a major advance in presenting the most important writings about disability with an emphasis on those writers working from a materialist and postmodernist perspective.Drawing together experts in cultural studies, literary criticism, sociology, biology, the visual arts, pedagogy and post-colonial studies, the collection provides a comprehensive approach to the issue of disability. Contributors include Erving Goffman, Susan Sontag, Michelle Fine and Susan Wendell.

    A work that rethinks gender as a Western construction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Author Oyeronke Oyewumi reveals an ideology of biological determinism at the heart of Western social categories-the idea that biology provides the rationale for organizing the social world. And yet, she writes, the concept of OC woman, OCO central to this ideology and to Western gender discourses, simply did not exist in Yorubaland, where the body was not the basis of social roles. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed and that the subordination of women is universal. The Invention of Women demonstrates, to the contrary, that gender was not constructed in old Yoruba society, and that social organization was determined by relative age. A meticulous historical and epistemological account of an African culture on its own terms, this book makes a persuasive argument for a cultural, context-dependent interpretation of social reality. It calls for a reconception of gender discourse and the categories on which such study relies. More than that, the book lays bare the hidden assumptions in the ways these different cultures think. A truly comparative sociology of an African culture and the Western tradition, it will change the way African studies and gender studies proceed. "

    This critique of scholastic reason can be made in the name of Pascal because his thought expressed the features of human existence which the scholastic outlook ignores - his concern with symbolic power, his refusal of the ambition of foundation, his attention, devoid of all populist naivete, to ordinary people and his determination to seek the raison d'etre of the seemingly most illogical behaviour rather than condemning or mocking it.

    Using examples drawn from a variety of contexts: the classroom, the court, the media and corporate culture, she exposes the way in which discrimination based on accent functions to support and perpetuate social structures and unequal power relations. English with an Accent: focuses on language variation linked to geography and social identity looks at how the media and the entertainment industry work to promote linguistic stereotyping examines how employers discriminate on the basis of accent reveals how the judicial system protects the status quo and reinforces language subordinationThis fascinating and highly readable book forces us to acknowledge the ways in which language is used to discriminate.

    Drawing attention to the political forces that have spawned, shaped, and perpetuated these misrepresentations since colonial times, Uma Narayan inspects the underlying problems which "culture" poses for the respect of difference and cross-cultural understanding.Questioning the problematic roles assigned to Third World subjects within multiculturalism, Narayan examines ways in which the flow of information across national contexts affects our understanding of issues. Dislocating Cultures contributes a philosophical perspective on areas of ongoing interest such as nationalism, post-colonial studies, and the cultural politics of debates over tradition and "westernization" in Third World contexts.

    Combining examples with activities and selected readings it offers a unique resource for teachers and students in cultural studies and related fields as an introduction to this complex and central theme.

    Since the land, the forests, the oceans, and the atmosphere have already been colonized, eroded, and polluted, she argues, Northern capital is now carving out new colonies to exploit for gain: the interior spaces of the bodies of women, plants and animals.

    Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

    Yeats for over fifty years, Roy Foster sheds new light on one of the most complex and fascinating lives of the late nineteenth and early twentieth century. Working from a great archive of personal and contemporary material, he dramatically alters traditional perceptions to illuminate the poet's family history, relationships, politics and art. From a childhood inheritance of déclassé Irish Protestantism with strong nationalist sympathies, and an exceptional and talented family background, the narrative charts Yeats's development into an original and outstanding poet. It ends in his fiftieth year with the controversies and disillusionment affecting his personal and public life at the time of the First World War. A bohemian life of uncertain finances, love-affairs, avant-garde friends and experiments with drugs and occultism prefaces his attempt to unite politics with high culture and his creation of an Irish national theatre. Constantly shifting between Dublin, Coole Park and London, with forays to America and Paris, ruthlessly constructing a public life as well as a creative reputation, Yeats's genius attracted admirers and enemies with equal passion. His story intersects with those of an engrossing cast of characters including Lady Gregory, J. M. Synge, George Moore, `AE', Ezra Pound and above all Maud Gonne - an influence eternally re-created `like the phoenix', affecting almost everything he did. The search for supernatural wisdom forms a constant thread, traced through Yeats's occult notebooks and closely related to the insecurities of his personal life. The Apprentice Mage charts the growth of a poet's mind and of an astonishing personality, both of which were instrumental in the formation of a new and radicalized Irish nationalist identity.

    It reviews all areas pertinent to a microbiology course in a concentrated format.

    It traces the development of the stories from prehistoric India and Pharaonic Egypt to modern times. It explores the history of the translation, and explains the ways in which its contents have been added to, plagiarized and imitated. Above all, the book uses the stories as a guide to the social history and the counterculture of the medieval Near East and the world of the storyteller, the snake charmer, the burglar, the sorcerer, the drug addict, the treasure hunter and the adulterer.

    Reviewing hate speech regulations, anti-pornography arguments, and recent controversies about gay self-declaration in the military, Judith Butler asks whether and how language acts in each of these cultural sites. Excitable Speech examines the issue of the threatening action of words. The book suggests that although language is a kind of performance which has the power to produce political effects and injuries, it is best understood as a scene of injury rather than its cause. Rather, Butler warns us against a "sovereign" view of language, in which the words we speak are construed as unequivocal forms of conduct. She shows that the repetition of injurious language can be the occasion of its redefinition. Butler illuminates the efficacy of injurious language, covering speech act therapy in both philosophical and literary traditions, Supreme Court cases, hate speech and pornography critics, and recent bans on gay speech in the military.

    In their perplexity, many deep-thinking people sought the advice of Marsilio Ficino (1433-99), the leader of the Platonic Academy in Florence, a magnet for the most brilliant scholars of 15th-century Europe.In devoting his life to the study and translation of the great dialogues of Plato and the Neoplatonists, Ficino and his colleagues were midwives to the birth of the modern world. Ficino was fearless in expressing what he knew to be true. Covering the widest range of topics, his letters offer a profound glimpse into the soul of the Renaissance.

    Why has social science failed in attempts to emulate natural science and produce normal theory? Bent Flyvbjerg argues that the strength of social science is in its rich, reflexive analysis of values and power, essential to the social and economic development of any society. Richly informed, powerfully argued, and clearly written, this book provides essential reading for all those in the social and behavioral sciences.

    For the most part the book is a discussion of good writing style and effective research strategies. Some of the material is accepted wisdom, some is controversial, and some is my opinions. Although the book is brief, it is designed to be comprehensive: some readers may be interested in exploring topics further, but for most readers this book should be suf?cient. The ?rst edition of this book was almost entirely about writing. This e- tion, partly in response to reader feedback and partly in response to issues that arose in my ownexperiences as an advisor, researcher, and referee, is also about research methods. Indeed, the two topics writing about and doing research are not clearly separated. It is a small step from asking how do I write? to askingwhatisitthatIwriteabout? As previously, the guidance on writing focuses on research, but much of the material is applicable to general technical and professional communication. Likewise, the guidance on the practice of research has broader lessons. A pr- titioner trying a new algorithm or explaining to colleagues why one solution is preferable to another should be con?dent that the arguments are built on robust foundations. And, while this edition has a stronger emphasis on research than did the ?rst, nothing has been deleted; there is additional material on research, but the guidance on writing has not been taken away."

    The setting is Mozambique during the fifteen-year war of terror that took a million lives--mostly civilian--and completely destroyed homes, crops, hospitals, schools, and even access to water. The characters are the soldiers who fought it, the thieves and opportunists who profited from it, and the ordinary people whose lives were shattered by it and from whose ranks emerged the heroes and healers who created peace.Combining contemporary theory and innovative methodology, Nordstrom explores the nature and culture of terror warfare and raises thought-provoking questions about state power, civilian resistance, and the politics of identity. She compares the conflict in Mozambique with similar conflicts and offers a new way of looking at political violence, showing that just as violence is learned, it can be unlearned.

    In Preparing Instructional Objectives, you'll learn the characteristics of well-stated objectives, how to derive suitable objectives, and how to write objectives to match the instructional results you are seeking to achieve.

    In The Plague of Fantasies Žižek approaches another enormous subject with characteristic brio and provocativeness. The current epoch is plagued by fantasms: there is an ever intensifying antagonism between the process of ever greater abstraction of our lives—whether in the form of digitalization or market relations—and the deluge of pseudo-concrete images which surround us. Traditional critical thought would have sought to trace the roots of abstract notions in concrete social reality; but today, the correct procedure is the inverse—from pseudo-concrete imagery to the abstract process which structures our lives.Ranging in his examples from national differences in toilet design to cybersex, and from intellectuals’ responses to the Bosnian war to Robert Schumann’s music, Žižek explores the relations between fantasy and ideology, the way in which fantasy animates enjoy-ment while protecting against its excesses, the associations of the notion of fetishism with fantasized seduction, and the ways in which digitalization and cyberspace affect the status of subjectivity. To the already initiated, The Plague of Fantasies will be a welcome reminder of why they enjoy Žižek’s writing so much. For new readers, it will be the beginning of a long and meaningful relationship.

    Featuring the works of eighty-seven classic, contemporary, and newly recovered writers of all genres--poetry, short fiction, drama, novels, autobiography, criticism, sermons, memoirs, journals, and letters--this groundbreaking anthology sheds new light on the creative power of the southern imagination.

    "This collection is a major contribution to the reconstruction of gender balance in African-American history" --Manning Marable, Columbia University

    Routledge is an imprint of Taylor & Francis, an informa company.

    Endowed with the power of state oil wealth, successive presidents appeared as transcendent figures who could magically transform Venezuela into a modern nation. During the 1974-78 oil boom, dazzling development projects promised finally to effect this transformation. Yet now the state must struggle to appease its foreign creditors, counter a declining economy, and contain a discontented citizenry. In critical dialogue with contemporary social theory, Fernando Coronil examines key transformations in Venezuela's polity, culture, and economy, recasting theories of development and highlighting the relevance of these processes for other postcolonial nations. The result is a timely and compelling historical ethnography of political power at the cutting edge of interdisciplinary reflections on modernity and the state.

    In new condition

    Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Félix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs's writings arose.From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.

    Drawing heavily from interviews, diaries, letters, and memoirs, describes service in the Navy, Marines, Signal Corp, Red Cross, Salvation Army, YMCA; and as Army Nurses, reconstruc

    In sections titled "Verbiages, " "System Fantasies, " "Concealments, " and "Crypts, " Lyotard unravels and reconfigures idealist notions of subjects as various and fascinating as the French Revolution, the Holocaust, the reception of French thought in the Anglo-American world, the events of May 1968, the Gulf War, academic travelers as intellectual tourists, the collapse of communism, and his own work in the context o others'.

    This perspective contributes to an overall critique of traditional approaches to modernity, development, and linear liberal narratives of culture, history, and democratic institutions. It also frames a set of alternative social practices that allows for connections to be made between feminist politics among immigrant women in Britain, women of color in the United States, and Muslim women in Iran, Egypt, Pakistan, and Canada; the work of subaltern studies in India, the Philippines, and Mexico; and antiracist social movements in North and South America, the Caribbean, and Europe. These connections displace modes of opposition traditionally defined in relation to the modern state and enable a rethinking of political practice in the era of global capitalism. Contributors. Tani E. Barlow, Nandi Bhatia, Dipesh Chakrabarty, Chungmoo Choi, Clara Connolly, Angela Davis, Arturo Escobar, Grant Farred, Homa Hoodfar, Reynaldo C. Ileto, George Lipsitz, David Lloyd, Lisa Lowe, Martin F. Manalansan IV, Aihwa Ong, Pragna Patel, José Rabasa, Maria Josefina Saldaña-Portillo, Jaqueline Urla

    Shakespeare depicted him as a tragic figure, an irresponsible, cruel monarch who nevertheless rose in stature as the substance of power slipped from him. By later writers he has been variously portrayed as a half-crazed autocrat or a conventional ruler whose principal errors were the mismanagement of his nobility and disregard for the political conventions of his age. This book -- the first full-length biography of Richard in more than fifty years -- offers a radical reinterpretation of the king.Nigel Saul paints a picture of Richard as a highly assertive and determined ruler, one whose key aim was to exalt and dignify the crown. In Richard's view, the crown was threatened by the factiousness of the nobility and the assertiveness of the common people. The king met these challenges by exacting obedience, encouraging lofty new forms of address and constructing an elaborate system of rule by bonds and oaths. Saul traces the sources of Richard's political ideas and finds that he was influenced by a deeply felt orthodox piety and by the ideas of the civil lawyers. He shows that, although Richard's kingship resembled that of other rulers of the period, unlike theirs, his reign ended in failure because of tactical errors and contradictions in his policies. For all that he promoted the image of a distant, all-powerful monarch, Richard II's rule was in practice characterized by faction and feud. The king was obsessed by the search for personal security: in his subjects, however, he bred only insecurity and fear.A revealing portrait of a complex and fascinating figure, the book is essential reading for anyone with an interest in thepolitics and culture of the English middle ages.

    These are the concepts which, among others, underpin theoretical and empirical work in modern psychology - and yet these concepts have only recently taken on their contemporary meanings.This fascinating work is a persuasive explanation of how modern psychology found its language. Kurt Danziger develops an account that goes beyond the taken-for-granted quality of psychological discourse to offer a profound and broad-ranging analysis of the recent evolution of the concepts and categories on which it depends. Danziger explores this process and shows how its conse

    Each chapter contains a short extract from a translated `landmark' text followed by a commentary which places the text in its social and intellectual context. The chosen texts frequently offer scope for comparison with the Western tradition. By contrasting the two systems, the Western and the Middle Eastern, this book serves to highlight the characteristics of two very different systems and thus stimulate new ideas about the history of linguistics.This book presumes no prior knowledge of Arabo-Islamic culture and Arabic language, and is invaluable to anyone with an interest in the History of Linguistics. Kees Versteegh is currently Professor of Arabic and Islam at the Middle East Institute of the University of Nijmegen, The Netherlands. His publications include The Explanation of Linguistic Causes (1995), Ed. Arabic Outside the Arab World (1994)

    David Pascoe examines not only Greenaway's films, but also his paintings, exhibitions and installations."[Pascoe] tirelessly explicates the numerology and mytho-mania that are the film-maker's organising principles"—The Guardian"A supremely intelligent, utterly tuned-in, definitive exploration of the ultimate British auteur's back catalogue, helpfully illustrated at every opportunity. . . illuminating"—Empire

    Exploring postmodern themes of gendered and racialized exclusion, 'black' identity and social and cultural difference this volume provides an overview of black feminism in Britain as it has developed during the last two decades.Among the topics covered are: * white feminism* political activism* 'mixed-race' identity* class differences* cultural hybridity* autobiography* black beauty* religious fundamentalism* national belonging* lesbian identity* postcolonial space* popular cultureThis timely and important book is essential reading for students and scholars of cultural studies, women's studies, sociology, literature and postcolonial studies

    Inspired by the work, and dedicated to the memory of Dr. Haim Ginott, it presents the results of initial exploratory work with meta-emotion--feelings about feelings. The initial study of meta-emotion generated some theory and made it possible to propose a research agenda. Clearly replication is necessary, and experiments are needed to test the path analytic models which have been developed from the authors' correlational data. The authors hope that other researchers will find these ideas interesting and stimulating, and will inspire investigation in this exciting new area of a family's emotional life.

    Essays are divided into four sections: "Language and Literary Context," "Homer and Oral Tradition", "Ritual and Social Context", and "Women's Erotics". Contributors focus on literary history, mythic traditions, cultural studies, performance studies, recent work in feminist theory, and more.A legendary literary figure, Sappho has attracted readers, critics, and biographers ever since she composed poems on the island of Lesbos at the close of the seventh century B.C. Bringing together some of the best recent criticism on the subject, this volume, together with Re-Reading Sappho, represents the first anthology of Sappho scholarship, drawing attention to Sappho's importance as a poet and reflecting the diversity of critical approaches in classical and literary scholarship during the last several decades.

    This book offers an unprecedented progress report on this crucial enterprise. After examining the scope of international crime, the mechanisms created by states for enforcing laws, and the practical difficulties of applying such laws, the authors conclude their comprehensive study with an important assessment of the future of accountability. In this new edition the authors also cover recent developments such as the jurisprudence of the UN's Yugoslavia and Rwanda tribunals, new domestic attempts at accountability, and the International Criminal Court.

    Author Belinda Robnett argues that the diversity of experiences of the African-American women organizers has been underemphasized in favor of monolithic treatments of their femaleness and blackness.Drawing heavily on interviews with actual participants in the American Civil Rights movement, this work retells the movement as seen through the eyes and spoken through the voices of African-American women participants. It is the first book to provide an analysis of race, class, gender, and culture as substructures that shaped the organization and outcome of the movement. Robnett examines the differences among women participants in the movement and offers the first cohesive analysis of the gendered relations and interactions among its black activists, thus demonstrating that femaleness and blackness cannot be viewed as sufficient signifiers for movement experience and individual identity. Finally, this book makes a significant contribution to social movement theory by providing a crucial understanding of the continuity and complexity of social movements, clarifying the need for different layers of leadership that come to satisfy different movement needs. An engaging narrative history as well as a major contribution to social movement and feminist theory, How Long? How Long? will appeal to students and scholars of social activism, women's studies, American history, and African-American studies, and to general readers interested in the perennially fascinating story of the American Civil Rights movement.

    This wide-ranging volume covers Williams' works, from the early apprenticeship years through to his last play before his death in 1983. In addition to essays on the major plays, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Cambridge Companion to Tennessee Williams also features a bibliographic essay surveying the major critical statements on Williams.

    The critic Harold Bloom has included Kushner's play in his "Western canon" alongside Shakespeare and the Bible, and drama scholar John M. Clum has termed it "a turning point in the history of gay drama, the history of American drama, and of American literary culture." While we might be somewhat wary of the instant canonization that such critical assessments confer, clearly Kushner's play is an important work, honored by the Pulitzer Prize, thought worthy of recognition on "purely aesthetic" grounds at the same time that it has been embraced--and occasionally rejected--for its politics. Kushner's play explicitly positions itself in the current American conflict over identity politics, yet also situates that debate in a broader historical context: the American history of McCarthyism, of immigration and the "melting pot," of westward expansion, and of racist exploitation. Furthermore, the play enters into the politically volatile struggles of the AIDS crisis, struggles themselves interconnected with the politics of sexuality, gender, race, and class. The original essays in Approaching the Millennium explore the complexities of the play and situate it in its particular, conflicted historical moment. The contributors help us understand and appreciate the play as a literary work, as theatrical text, as popular cultural phenomenon, and as political reflection and intervention. Specific topics include how the play thematizes gender and sexuality, race and ethnicity; the postmodern incarnation of the Brechtian epic; AIDS and the landscape of American politics. The range of different international productions of Angels in America provides a rich basis for discussion of its production history, including the linguistic and cultural shifts required in its "translation" from one stage to the next. The last section of Approaching the Millennium includes interviews with Tony Kushner and other key creators and players involved in the original productions of Angels. The interviews explore issues raised earlier in the volume and dialogues between the creative artists who have shaped the play and the critics and "theatricians" engaged in responding to it. Contributors to this volume are Arnold Aronson, Art Borreca, Gregory W. Bredbeck, Michael Cadden, Nicholas de Jongh, Allen J. Frantzen, Stanton B. Garner, Deborah R. Geis, Martin Harries, Steven F. Kruger, James Miller, Framji Minwalla, Donald Pease, Janelle Reinelt, David Román, David Savran, Ron Scapp, and Alisa Solomon. Deborah Geis is Associate Professor of English, Queens College, City University of New York. Steven F. Kruger is Professor and Chair of the Department of English, Queens College, City University of New York.

    Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday."During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.

    Douglas Robinson begins with a general presentation of postcolonial theory, examines current theories of the power differentials that control what gets translated and how, and traces the historical development of postcolonial thought about translation. He also explores the negative and positive impact of translation in the postcolonial context, reviewing various critiques of postcolonial translation theory and providing a glossary of key words. The result is a clear and useful guide to some of the most complex and critical issues in contemporary translation studies.

    It is one of the first books to acknowledge the importance of postmodern feminist arguments against ecofeminism whilst persuasively preseenting a strong new case for econolocal feminism. Chris J.Cuomo first traces the emergence of ecofeminism from the ecological and feminist movements before clearly discussing the weaknesses of some ecofeminist positions. Exploring the dualisms of nature/culture and masculing/feminine that are the bulwark of many contemporary ecofeminist positions and questioning traditional traditional feminist analyses of gender and caring, Feminism and Ecological Communities asks whether women are essentially closer to nature than men and how we ought to link the oppression of women, people of colour, and other subjugated groups to the degradation of nature. Chris J.Cuomo addresses these key issues by drawing on recent work in feminist ethics as well as teh work of diverse figures such as Aristotle, John Dewey, Donna Haraway adn Maria Lugones. A fascinating feature of the book is the use of the metaphor of the cyborg to highlight the fluidity of the nature/culture distinction and how this can enrich econfeminist ethics and politics. An outstanding new argument for an ecological feminism that links both theory and practice, Feminism and Ecological Communities bravely redraws the ecofeminist map. It will be essential reading for all those interested in gender studies, environmental studies and philosophy.

    This book sets out a comprehensive statement of the new security studies, establishing the case for the broader agenda.

    The sourcebook includes:* An exploration and the history of vampire myths, including the tale of Vlad the Impaler* An overview of vampire films from the silent classic Nosferatu to Francis Ford Coppola's Bram Stoker's Dracula* A discussion of vampire bats and the lore of blood* A complete bibliography, filmography with movie stills, telefilmography, and a theater chronology* Maps of Transylvania, London, and Whitby* A calendar to coincide with the "real time" actions of Bram Stoker's Dracula, complete with sunrise and sunset times as well as the all-important phases of the moon* And much more...

    The case against non-Indo-European Pictish.

    This collection enables the reader to engage with the full range of Simmel′s dazzling contributions to the study of culture. It opens with Simmel′s basic essays on defining culture, its changes and its crisis. These are followed by more specific explorations of: the culture of face-to-face interactions; spatial and urban culture; leisure culture; the culture of money and commodities; the culture of belief; and the politics of female culture.

    But a better model for the 1990s is to be found, according to Joan DeJean, in the culture wars of France in the 1690s—the time of a battle of the books known as the Quarrel between the Ancients and the Moderns. DeJean brilliantly reassesses our current culture wars from the perspective of that earlier fin de siècle (the first to think of itself as such), and rereads the seventeenth-century Quarrel from the vantage of our own warring "ancients" and "moderns." In so doing, DeJean shows that a fin de siècle taking place in the shadow of culture wars can be more a source of constructive cultural revolution than of apocalyptic gloom and doom. Just as the first fin de siècle's battle of the books served as the spark that set off the Enlightenment, introducing radically new sexual and social politics that laid the groundwork for modernity, so can our current culture wars result in radical, liberating changes—if we take an active stand against our own "ancients" who seek to stifle such reforms.

    It provides a historical context for the recent resurgence of racial division by tracing the path of the color line as it appears in the narrative writings of African-Americans in the nineteenth and twentieth centuries. In readings of slave narratives, "passing novels," and the writings of Charles Chesnutt and Zora Neale Hurston, the author asks: What is the work of division? How does division work?The history of the color line in the United States is coeval with that of the nation. The author suggests that throughout this history, the color line has not functioned simply to name biological or cultural difference, but more important, it has served as a principle of division, classification, and order. In this way, the color line marks the inseparability of knowledge and power in a racially demarcated society. The author shows how, from the time of slavery to today, the color line has figured as the locus of such central tenets of American political life as citizenship, subjectivity, community, law, freedom, and justice.This book seeks not only to understand, but also to bring critical pressure on the interpretations, practices, and assumptions that correspond to and buttress representations of racial difference. The work of dislocating the color line lies in uncovering the uncertainty, the incoherency, and the discontinuity that the common sense of the color line masks, while at the same time elucidating the pressures that transform the contingent relations of the color line into common sense.

    Examining the different forms of ideal manhood in relation to the cataclysms of the French Revolution and to international Neoclassicism, she explores how and why the beautiful male body dominated the visual culture of the time and appealed so powerfully to male spectators.Drawing on feminist, psychoanalytic, and critical theory, as well as on art and cultural history, Solomon-Godeau proposes a radical revision of Neoclassical visual culture as it relates to the emerging bourgeois order, demonstrating how both reflect the status of women.

     Thematically organized, the book shows how the central aspects of consumer culture - such as needs, choice, identity, status, alienation, objects, culture - have been debated within modern theories, from those of earlier thinkers such as Marx and Simmel to contemporary forms of post-structuralism and postmodernism. This approach introduces consumer culture as a subject which - far from being of narrow or recent interest - is intimately tied to the central issues of modern times and modern social thought. With its reviews of major theorists set within a full account of the development of the subject, this book should be of interest to undergraduate and postgraduate students in the many disciplines which now study consumer culture, including communications and cultural studies, anthropology and history.

    In his own words “the three-fold crisis – the crisis of resources, the ecological crisis, and the social crisis” is upon us.

    As the contributors explore the ways that each generation creates its own Sappho, the Sapphic tradition itself becomes an index to changing sensibilities and cultural norms about sexuality, gender roles, and notions of fema le authorship.A legendary literary figure, Sappho has attracted readers, critics, and biographers ever since she composed poems on the island of Lesbos at the close of the seventh century B.C. Bringing together some of the best recent criticism on the subject, this volume, together with Reading Sappho, represents the first anthology of Sappho scholarship, drawing attention to Sappho's importance as a poet and reflecting the diversity of critical approaches in classical and literary scholarship during the last several decades.

    Jordan offers a powerful and provocative study of the sin of erotic love between men. The Invention of Sodomy reveals the theological fabrication of arguments for categorizing genital acts between members of the same sex.

    From the grandest public buildings to the smallest personal items, it was - and still is - an art of extraordinary directness, but also of mystery and transcendence. Lowden explains how and why early Christian and Byzantine art was made and used, and situates it within the controversies of its time.

    This "unscientific postscript" helped spark a heated debate that spilled out of the pages of academic journals and The Chronicle of Higher Education into mainstream media such as The New York Times, and marked Marsden as one of the leading participants in the debates concerning religion and public life. Marsden now gives his proposal a fuller treatment in The Outrageous Idea of Christian Scholarship, a thoughtful and thought-provoking book on the relationship of religious faith and intellectual scholarship.More than a response to Marsden's critics, The Outrageous Idea of Christian Scholarship takes the next step towards demonstrating what the ancient relationship of faith and learning might mean for the academy today. Marsden argues forcefully that mainstream American higher education needs to be more open to explicit expressions of faith and to accept what faith means in an intellectual context. While other defining elements of a scholar's identity, such as race or gender, are routinely taken into consideration and welcomed as providing new perspectives, Marsden points out, the perspective of the believing Christian is dismissed as irrelevant or, worse, antithetical to the scholarly enterprise.Marsden begins by examining why Christian perspectives are not welcome in the academy. He rebuts the various arguments commonly given for excluding religious viewpoints, such as the argument that faith is insufficiently empirical for scholarly pursuits (although the idea of complete scientific objectivity is considered naive in most fields today), the fear that traditional Christianity will reassert its historical role as oppressor of divergent views, and the received dogma of the separation of church and state, which stretches far beyond the actual law in the popular imagination. Marsden insists that scholars have both a religious and an intellectual obligation not to leave their deeply held religious beliefs at the gate of the academy. Such beliefs, he contends, can make a significant difference in scholarship, in campus life, and in countless other ways. Perhaps most importantly, Christian scholars have both the responsibility and the intellectual ammunition to argue against some of the prevailing ideologies held uncritically by many in the academy, such as naturalistic reductionism or unthinking moral relativism.Contemporary university culture is hollow at its core, Marsden writes. Not only does it lack a spiritual center, but it is without any real alternative. He argues that a religiously diverse culture will be an intellectually richer one, and it is time that scholars and institutions who take the intellectual dimensions of their faith seriously become active participants in the highest level of academic discourse. Whether the reader agrees or disagrees with this conclusion, Marsden's thoughtful, well-argued book is necessary reading for all sides of the debate on religion's role in education and culture.

    Marshall discovered gold in California. The news spread across the continent, launching hundreds of ships and hitching a thousand prairie schooners filled with adventurers in search of heretofore unimagined wealth. Those who joined the procession—soon called 49ers—included the wealthy and the poor from every state and territory, including slaves brought by their owners. In numbers, they represented the greatest mass migration in the history of the Republic.In this first comprehensive history of the Gold Rush, Malcolm J. Rohrbough demonstrates that in its far-reaching repercussions, it was the most significant event in the first half of the nineteenth century. No other series of events between the Louisiana Purchase and the Civil War produced such a vast movement of people; called into question basic values of marriage, family, work, wealth, and leisure; led to so many varied consequences; and left such vivid memories among its participants.Through extensive research in diaries, letters, and other archival sources, Rohrbough uncovers the personal dilemmas and confusion that the Gold Rush brought. His engaging narrative depicts the complexity of human motivation behind the event and reveals the effects of the Gold Rush as it spread outward in ever-widening circles to touch the lives of families and communities everywhere in the United States. For those who joined the 49ers, the decision to go raised questions about marital obligations and family responsibilities. For those men—and women, whose experiences of being left behind have been largely ignored until now—who remained on the farm or in the shop, the absences of tens of thousands of men over a period of years had a profound impact, reshaping a thousand communities across the breadth of the American nation.

    Originating from the internationally renowned Leicester Centre for Mass Communication Research, this book offers an indispensable guide for students in a wide range of courses, including communications, media and cultural studies, and other social science disciplines that offer students the opportunity to research mass communication and media issues. Beginning with a clear and cogent discussion of the principles behind good research, including the key question of how to select the right methods for individual research questions, the authors go on to explore in a thorough and systematic fashion a range of different methods and approaches. From the study of media organizations and the practices of media professionals to media content, representations, and audiences, the development and application of each method is described in depth and the steps involved clearly outlined. Examples of research instruments are given where appropriate, and in each case references for further reading are provided. Mass Communication Research Methods is the definitive companion, reference, and source for everyone involved in mass communication research.

    This collection of essays, which extends her work on feminist theory, explores questions such as the meaning of moral respect and the ways individuals relate to social collectives, together with timely issues like welfare reform, same-sex marriage, and drug treatment for pregnant women. One of the many goals of Intersecting Voices is to energize thinking in those areas where women and men are still deprived of social justice.Essays on the social theory of groups, communication across difference, alternative principles for family law, exclusion of single mothers from full citizenship, and the ambiguous value of home lead to questions important for rethinking policy. How can women be conceptualized as a single social collective when there are so many differences among them? What spaces of discourse are required for the full inclusion of women and cultural minorities in public discussion? Can the conceptual and practical link between self-sufficiency and citizenship that continues to relegate some people to second-class status be broken? How could legal institutions be formed to recognize the actual plurality of family forms? In formulating such questions and the answers to them, Young draws upon ideas from both Anglo-American and Continental philosophers, including Seyla Benhabib, Joshua Cohen, Luce Irigaray, Susan Okin, William Galston, Simone de Beauvoir, and Michel Foucault.

    One fourth longer than its predecessor, this expanded edition of the standard dictionary of Irish slang includes many entries not in the 1997 edition. It has dropped a few that have fallen out of favor and has revised others. It will confirm Bernard Shares invaluable book in its position as the major work of its kind, combining scholarship and a keen sense of fun. Slanguage does justice to it by taking it seriously , but not too seriously. Even if youre two foot thicker than Butt Bridge youll soon be on the pigs back, so you will, able to tell the difference between parliament whiskey and poitin when youre on the skite. Slanguage is full of information, craic and divilment and Bernard Share is your only man. Game ball!

    From the first female pharaoh of Egypt, to the first woman artist to have her name known throughout ancient Rome, here are 21 thrilling "herstories" of outspoken women who displayed courage "and" attitude in ancient civilizations throughout the world. A compelling celebration of female guts, smarts and originality.

    Each edition is also a great value, especially for those readers beginning to explore the work of this remarkable poet.

    By examining how these perspectives have been applied to these concepts, the contributors provide both a review of the literature, as well as an opportunity to follow the most recent debates in this area.Gender and Discourse brings together European, American and Australian traditions of research. Through an analysis of a range of `real′ data, the contributors demonstrate the relevance of these theoretical and methodological insights for gender research in particular and social practice in general.

    The book guides students through the basic concepts involved in syntactic analysis and goes on to prepare them for further work in any syntactic theory, using examples from a range of phenomena in human languages. It also includes a chapter on theories of syntax. Each chapter includes generous exercises and recommendations for further study.

    In this study, Andrew Stewart analyses the problem of the Greeks' strange preoccupation with nakedness and sketches how artworks filter our understanding of the subject. Exploring selected constructions of gender, ranging from the men of the Parthenon frieze to naked girls on Spartan hand-mirrors, Stewart investigates the Greek body as a microcosm of society, focusing upon figurations of the Athenian body politic, erotica for men and women, and selected representations of the Other, such as Gorgons, Satyrs, Centaurs, and Amazons. A cultural, theoretical and sociological study of this seminal topic, Stewart's analysis offers new insights into the society and mentality of the ancient Greeks.

    This study examines and illuminates how the lives of Korean prostitutes in the 1970s served as the invisible underpinnings to US-Korean military policies at the highest level.

    Indigenous and nationalist claims to territory, often rely on reconstructions of the past based on the traditional identification of 'cultures' from archaeological remains. Sian Jones responds to the need for a reassessment of the ways in which social groups are identified in the archaeological record, with a comprehensive and critical synthesis of recent theories of ethnicity in the human sciences. In doing so, she argues for a fundamentally different view of ethnicity, as a complex dynamic form of identification, requiring radical changes in archaeological analysis and interpretation.

    Yet, speech is normally produced as a continuous stream without clearly demarcated boundaries between words. A fundamental problem for any language learner is to segment speech in a way that correctly identifies the words of the language. This is a crucial step toward building a lexicon and learning about the grammatical organization of the language.The Discovery of Spoken Language marks one of the first efforts to integrate the field of infant speech perception research into the general study of language acquisition. It fills in a key part of the acquisition story by providing an extensive review of research on the acquisition of language during the first year of life, focusing primarily on how normally developing infants learn the organization of native language sound patterns.Peter Jusczyk examines the initial capacities that infants possess for discriminating and categorizing speech sounds and how these capacities evolve as infants gain experience with native language input. Considerable attention is paid to ways speech perception capacities develop so that listeners can recognize words in fluent speech. Jusczyk also looks at how infants' growing knowledge of native language sound patterns may facilitate the acquisition of other aspects of language organization and discusses the relationship between the learner's developing capacities for perceiving and producing speech. An appendix reviews the test procedures used to evaluate infant speech perception capacities.