Christianity, for example, was one of the innovative religious movements that arose during this time. However, Christianity had many competitors, and one of the most remarkable of these was the ancient Roman mystery religion of Mithraism. Like the other mystery cults of antiquity, Mithraism kept its beliefs strictly secret, revealing them only to initiates. As a result, the cult's teachings were never written down. However, the Mithraists filled their temples with an enigmatic iconography, an abundance of which has been unearthed by archaeologists. Until now, all attempts to decipher this iconography have proven fruitless. Most experts have been content with a vague hypothesis that the iconography somehow derived from ancient Iranian religion. In this groundbreaking work, David Ulansey offers a radically different theory. He argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery. As his investigation proceeds, Ulansey penetrates step by step the mysteries concealed in Mithraic iconography, until finally he is able to reveal the central secret of the cult: a secret consisting of an ancient vision of the ultimate nature of the universe. Brimming with the excitement of discovery--and reading like an intellectual detective story--Ulansey's compelling book will intrigue scholars and general readers alike.

    W. Rolleston masterfully retells the great Celtic myths and illuminates the world that spawned them. Focusing principally on Irish myths, the book first takes up the history and religion of the Celts, the myths of the Irish invasion and the early Milesian kings.What follows is pure enchantment as you enter the timeless world of heroic tales centered around the Ulster king Conor mac Nessa and the Red Branch Order of chivalry (Ultonian cycle). These are followed by the tales of the Ossianic cycle, which center on the figure of Finn mac Cumhal, whose son Oisín (or Ossian) was a poet and warrior, and the traditional author of most of the tales. Next comes a summary of the Voyage of Maeldūn, a brilliant and curious piece of invention that exemplifies the genre of "wonder-voyages" — adventures purely in the region of romance, out of earthly space and time. Finally, the author recounts a selection of the myths and tales of the Cymry (Welsh).In these pages, readers will delight in the favorite and familiar tales of Cuchulain, King Arthur and the Knights of the Round Table, the Grail, Deirdre, and many more figures that haunt the shadowy, twilight world of Celtic legend. The magic of that world is further brought to life in more than 50 imaginative full-page illustrations by Stephen Reid, Arthur G. Bell, and the famed illustrator J. C. Leyendecker. Reprinted here in its first paperback edition, Celtic Myths and Legends also includes several helpful genealogical tables: Gods of the House of Dōn, Gods of the House of Llyr, and Arthur and His Kin, as well as a useful glossary.

    The book is part of a series on myths and legends.

    A comprehensive study of Celtic mythology, legend, and poetry provides background information on the Celts, Ancient Britons, and Druids, and includes the tales of such noted figures as Cuchulain, Blodeuweek, Branwen, and Fenn.

    The book examines the phenomenon of altered consciousness and the interactions of seid-workers or shamanic practitioners with their spirit worlds. Written by a follower of seidr, it investigates new communities involved in a postmodern quest for spiritual meaning.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    This is a book that belongs in the library of every modern Druid, regardless of their particular path or style of Druidism.

    Whether she is seen as a benevolent earth-shaping giantess, harsh winter hag goddess, shape-shifting crone, guardian of sacred wells and animals, or ancient bestower of sovereignty; the Cailleach appears in many roles and manifestations in myths and legends across the British Isles. Tracking the Cailleach across thousands of years through folklore, literature and place names, the authors have uncovered startling references which hint at a hidden priestess cult worshipping the Cailleach from ancient times through into the twentieth century. By exploring her myths and legends, they demonstrate the hugely significant role of the Cailleach in the early history of the British Isles. The demonization of the Cailleach through the Middle Ages by the Christian Church paralleled that of women and witches, and is reflected in various other supernatural hag figures possibly derived from her and discussed in detail, such as Black Annis, Gyre Carling, Mia Lia, Nicneven and the Old Woman of the Mountain. Looking beyond the veil of the sacred landscape, the vision of the Cailleach confronts the seeker, in hills and rocks, lakes and wells, burial chambers and stormy skies. Now finally the primal elemental power of the Cailleach is revealed in her full glory, in the tales and places of Ireland, Scotland and the Isle of Man; as well as in traces of her presence in England, Wales, Jersey, Brittany, Spain and Norway. This unique and ground-breaking work brings together for the first time the wealth of folklore, stories and legends regarding this most significant of British supernatural figures, whose myths and wisdom are as relevant today as they have ever been.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    Rather than working from the commonly known tree alphabet paradigm, Erynn Rowan Laurie takes us back to the roots of each letter's name, exploring its meanings in the context of Gaelic language and culture. Like the Norse runes, each letter is associated with an object or a concept -- "sulfur," "a bar of metal," "terror." These letters are deeply enmeshed in a web of meaning both cultural and spiritual, lending power and weight to their symbolism. With two decades of experience with the ogam and over thirty years of working with divination, Erynn offers insights into the many profound meanings hidden in the ogam letters and their lore. She explains each letter in context and shows how to expand the system in new and innovative ways while acknowledging and maintaining respect for ogam's traditional language and culture. In this book, you will find ways to use the ogam for divination, ideas on incorporating ogam into ritual, discussions of how ogam relates to Celtic Reconstructionist Paganism, and instructions for creating your own set of ogam feda or letters for your personal use.

    In this work, MacCulloch attempts to rebuild Celtic paganism and to guess at its inner spirit. He portrays the Celt as a seeker after God, linking himself by strong ties to the unseen and eager to conquer the unknown by religious rite and magic art. The earliest aspect of his religion was the cult of nature spirits and of life manifested in nature.

    In Seidr: The Gate is Open, Katie Gerrard has contributed a major work on the practices of seidr and trance prophecy, providing a practical manual full of dynamic group rituals and techniques based on known Seidr practices. Foremost amongst these techniques is the prophetic rite of the High Seat, where the Volva (seer) sends her consciousness to the underworld realm of Hel to gain answers to the questions posed to her. Combining more than a decade of research and experimentation, this book is characterised by both its scholarship and its accessibility. Katie Gerrard shares her own experiences on the path of the seer, and also draws inspiration from original sources in the old texts of the Sagas and the Eddas, as well as contemporary researchers and groups working with seidr in Scandinavia, Europe and America. Techniques for achieving trance, levels of trance possession, coming out of trance, the vardlokkurs (chants), necessary equipment, and the requirements for the roles of the different participants, are all discussed in a clear and concise manner, as is the relevance of contacting the ancestors, the dead and the appropriate gods, including the goddesses Freyja and Hel, and the Allfather god Odin. As befits such an inspirational book, the author provides both the relevant background information for the eleven rites contained within, together with explanations of their inclusion and purposes. The rites emanate practical effectiveness, a result of their regular use over many years for successful exploration of the mysteries of trance prophecy, the High Seat rite and Norse witchcraft. "This is a spiritual journey laid bare for an audience who are either already treading a similar path or are looking for guidance in order to follow a well trodden path to a similar end point." * * * * * Katie Gerrard is a writer, researcher, and workshop facilitator with a passion for the magic of Seidr and the Runes. She has been studying the different forms of norse magic and working with norse gods since discovering them in the 1990s. Katie is also the author of Odin's Gateways (about working with the runes) and the forthcoming The Gate is Open (about Seidr and Northern tradition magical techniques), both publised by Avalonia Books. An essay on the High Sear Rite written by Katie Gerrard appeared in the Avalonia anthology 'Priestesses, Pythonesses, Sibyls'. She also regularly hosts seidr and other seer and norse rites within the London (UK) area.

    This encyclopedic study brings together the latest research on Viking art, burial customs, class divisions, jewellery, kingship, poetry and family life. The result is a rich and compelling picture of an extraordinary civilisation.

    She begins by showing how discourse on ritual has served to generate and legitimate a limited and ultimately closed form of cultural analysis. She then proposes that so-called ritual activities be removed from their isolated position as special, paradigmatic acts and restored to the context of social activity in general. Using the term ritualization to describe ritual thus contextualized, she defines it as a culturally strategic way of acting. She goes on to show how this definition can serve to illuminate such classic issues in traditional ritual studies as belief, ideology, legitimation, and power.

    Within the pages of this book Rachel Patterson gives the reader an introduction to the mysteries, myths, legends and magic of the ancient hag goddess The Cailleach, drawing upon ancient legends, stories told and her own experiences.