Political Thinking stirs critical thought in students by concentrating on the questions of the political world rather than the answers. In addition, the great philosophers' responses to these questions are traced, helping students understand the historical and contemporary importance of these questions in politics and political life. The book has been reissued with a new Foreword by Steven M. Delue of Miami University of Ohio.

    They are converted to metric units using realistic data to help students grasp what is feasible in engineering practice.

    This book brings together two of the nation's leading scholars of the civil rights era to re-examine the individuals and events that forever changed race relations in this country. The authors capture all of the drama that characterized this turbulent period in our nation's past, and, while they may disagree on the primary agents of reform, they both conclude that the struggle is incomplete. This book is certain to make readers rethink not only their understanding of the civil rights movement but also their comprehension of the current state of black-white relations.

    The best-selling brief introduction to public speaking, this succinct and inexpensive guide offers practical coverage of the material typically covered in a full-sized text -- from invention, research, and organization to practice and delivery -- in a concise, inexpensive format perfect for any setting across the curriculum, on the job, or in the community.

    As one of the most exciting new voices in American poetry, Zachary Schomburg's previous books have enthralled thousands of readers with surreal landscapes populated by gorillas in people clothes, jaguars, plagues of hummingbirds, and even Abraham Lincoln. His poems have inspired art installations, shadow puppetry, rock albums, and string quartets. In FJORDS, Schomburg inhabits the icy landscape, walking among all his little deaths as he explores the narrow inlets between the transcendent and the mundane. These are poems to be read by torchlight or with no light at all. As Schomburg explains, There is so much blood in the trees. It will be easy to fall in love like this.

    The Old Testament Speaks offers a clear picture of the archaeological, geographical, historical, and linguistic dimensions of God's covenant with his people from the time of Abraham to the coming of the Messiah. The Old Testament Speaks examines the historical and religious life of the Hebrews, integrates the development of non-hebraic cultures with conventional biblical history, and reviews the best modern scholarly research in placing the Scriptures in their Near Eastern setting.Samuel J. Schultz emphasizes the importance of letting the Scriptures tell their own stories. He makes selective use of the best and latest literature in Old Testament studies, and offers a balanced perspective. Schultz sifts the facts and follows them to their inevitable conclusions. However, when the evidence is not definitive, he exercises caution, presenting his own interpretation as only one of several possible views. Schultz also appraises the impact of recent archaeological and historical findings on the understanding of key portions of the Old Testament.The Old Testament Speaks contains all the relevant material -- biblical and nonbiblical -- necessary for classroom use or personal study of the Old Testament. Schultz provides outlines that reflect the historical background and summarize the contents of each biblical book, as well as charts and maps to help visualize the biblical narrative. He has also revised and updated the biblio-graphies at the end of each chapter.

    A love story of a working-class Salome and her highborn John the Baptist, the novel is based on the real-life story of Jewish immigrant Rose Pastor's fairytale romance with the millionaire socialist Graham Stokes. It also reflects Yezierska's own aborted romance with the famous educator John Dewey. Yezierska's passionate but cynical novel poses oppositions such as cultural type/stereotype, passion/reason, and ethnic identity/assimilation, and it resonates powerfully to the contemporary reader.

    This guide to teaching writing and to major theoretical issues includes a brief anthology of scholarly essays and new coverage of construct-ing successful assignments using visual, oral, and electronic texts; teaching multilingual writers; and using technology in the writing classroom.

    It develops an understanding of function and evolution into the discussion of anatomy of the various systems.

    [one love affair]* meditates on mud daubers, Duras, and the deaths of mentally ill and drug addicted lovers, blurring fiction, essay, and memoir in an extended prose poem that is as much as study of how we read as it is a treatise on the language of love affairs: a language of hidden messages, coded words, cryptic gestures, and suspicion.As with Jenny Boully's debut book The Body (2002), [one love affair]* is full of gaps and fissures and "seduces its reader by drawing unexpected but felicitous linkages between disparate citations from the history of literature," a work that is "filled with the exegetical projection of our own imagination" (Christian Bok, Maisonneuve). Told through fragments that accrete through uncertain meanings, romanticized memories, and fleeting moments rather than clear narrative or linear time Boully explores the spaces between too much and barely enough, fecundity and decay, the sublime and the disgusting, wholeness and emptiness, love and loneliness in a world where life can be interpreted as a series of love affairs that are "unwilling to complete."

    A political and legal analyst of unparalleled journalistic skill, Jeffrey Toobin is the ideal writer to distill the events of the thirty-six anxiety-filled days that culminated in one of the most stunning Supreme Court decisions in history.Packed with news-making disclosures and written with the drive of a legal thriller, Too Close to Call takes us inside James Baker's private jet, through the locked gates to Al Gore's mansion, behind the covered-up windows of Katherine Harris's office, and even into the secret conference room of the United States Supreme Court. As the scene shifts from Washington to Austin and into the remote corners of the enduringly strange Sunshine State, Toobin's book will transform what you thought you knew about the most extraordinary political drama in American history.The Florida recount unfolded in a kaleidoscopic maze of bizarre concepts (chads, pregnant and otherwise), unfamiliar people in critically important positions (the Florida Supreme Court), and familiar people in surprising new places (the Miami relatives of Elián González, in a previously undisclosed role in this melodrama). With the rich characterization that is his trademark, Toobin portrays the prominent strategists who masterminded the campaigns--the Daleys and the Roves--and also the lesser-known but influential players who pulled the strings, as well as the judges and justices whose decisions determined the final outcome. Toobin gives both camps a treatment they have not yet received--remarkably evenhanded, nonpartisan, and entirely new.The post-election period posed a challenge to even the most zealous news junkie: how to keep up with what was happening and sort out the important from the trivial. Jeffrey Toobin has now done this--and then some. With clarity, insight, humor, and a deep understanding of the law, he deconstructs the events, the players, and the often Byzantine intricacies of our judicial system. A remarkable account of one of the most significant periods in our country's history, Too Close to Call is endlessly surprising, frequently poignant, and wholly addictive.From the Hardcover edition.

    BIG everywhere and in every way. A young and inexperienced college student, assigned to interview him for the university newspaper. Sparks fly when all-star Stone Jacobs meets his sweet Olivia. Stone… “I know I should leave her alone. It’s best to just walk away. I have a hundred and sixty-eight games to play all over the country. I’m under contract. I can’t get distracted by some little college girl. But Olivia isn’t just any girl. She’s the prettiest, sweetest, most innocent and submissive girl I’ve ever met. Something about her awakens all of my daddy instincts. I can’t resist. She shreds all my defenses. I have to be careful, though. She needs to focus on school. She’s worked hard to get where she’s at. She doesn’t need some athlete to derail her plans. Besides, I’m not sure she can handle me. She’s never been with a man. If I’m her first…well, poor girl. I can’t just decimate her and then leave her. I have to stay strong. I must resist.” Olivia… “Stone is the most gorgeous man I’ve ever seen. The way he looks in that baseball uniform. The way those muscles ripple just beneath the fabric. Yes, please. Yummy. Surely he doesn’t want me, though. I’m the poor girl from the wrong-side-of-the-tracks. A Plain Jane that all the guys overlook. But there seems to be something to this. He’s protective toward me. Almost paternal. If I didn’t know any better, I’d say loving! One thing I know—Stone is the man of my dreams. I want him to be my first. Even if he has to leave me afterward and we go on with our separate lives, I need Stone Jacobs to take me, to break me in. I need to experience him.” Spring Training is a fast moving, Insta-love romance. It is a standalone story with a guaranteed HEA and a hot, caring yet stern Alpha Daddy and a sweet, inexperienced, never-been-touched young woman. It features consenting adults and contains DDlg themes and light spanking (but is NOT an Age Play, ABDL tale). With plenty of steamy scenes, this one is strictly for ADULTS ONLY.

    Blinded in the accident, she hires a "seeing-eye guy" as her assistant. On her first day back she gets emails from "Dad," asking her to find and upload computer files. But the emailer isn't the only one who wants whatever's in those files, and suddenly people around her start dying violently. Tess wonders how much her Uncle Travis, a former assassin for the Army Special Forces, knows about the files. He returned from a mission a year earlier to guard the family from a potential threat. And since he was on watch at the time, she also wonders what he knows about the accident that took both her sight and her parents' lives. In a race against time, Tess and her companion Oliver must learn the secret of the mysterious computer files before the killers stalking her get their hands on technology that could change the balance of world power.

    Yet all she wants is to get into Yale, far away from everyone, the incidents, the heartbreaker and the bullies. Four popular boys, suspicious about Lana, reignite an old bet that her 'true' self will be exposed as time goes on.One night in Lana's life changes everything. The only people to help her are her tormentors. This causes the boys to have more questions, fights, and arguments more frequently. The more people involved, the more questions arise, secrets reveal themselves, trust is shattered, feelings become blurred and friendship is ripped apart. While Lana sees, the good and forgives easily, others search for the bad to try and defeat it. People cross our path for a reason but for a second chance, it does not always mean to have a happy ending.

    That essay which eventually became the foundation of D’Agata’s critically acclaimed About a Mountain was accepted by another magazine, the Believer, but not before they handed it to their own fact-checker, Jim Fingal. What resulted from that assignment, and beyond the essay’s eventual publication in the magazine, was seven years of arguments, negotiations, and revisions as D’Agata and Fingal struggled to navigate the boundaries of literary nonfiction.This book includes an early draft of D’Agata’s essay, along with D’Agata and Fingal’s extensive discussion around the text. What emerges is a brilliant and eye-opening meditation on the relationship between “truth” and “accuracy” and a penetrating conversation about whether it is appropriate for a writer to substitute one for the other.