But when he impulsively auditioned for a school production of West Side Story, he found his purpose—or so it seemed. Within a few years Gary and a handful of friends created what became one of the most exciting and important new theater companies in America. From its humble beginnings in a suburban Chicago church basement and eventual move into the city, the Steppenwolf Theatre Company launched a series of groundbreaking productions, igniting Gary's career along with those of John Malkovich, Joan Allen, Gary Cole, Laurie Metcalf, Jeff Perry, John Mahoney, and others. Television and film came calling soon after, and Gary starred in Of Mice and Men (which he also directed) and The Stand before taking the role that would change his life in unforeseeable ways: Lieutenant Dan in the Academy Award–winning Forrest Gump.The military community's embrace of the character of the disabled veteran was matched only by the depth of Gary's realization that America's defenders had not received all the honor, respect, and gratitude their sacrifices deserve. In the aftermath of the September 11 attacks, this became Gary's mission. While starring in hits like Apollo 13, Ransom, Truman, George Wallace, CSI:NY, and Criminal Minds: Beyond Borders, Gary has worked tirelessly on behalf of those who serve this country, entertaining more than a half million troops around the world playing bass guitar with his Lt. Dan Band, raising funds on behalf of veterans, and eventually founding the Gary Sinise Foundation with a mission to serve and honor America's defenders, veterans, first responders, their families, and those in need.Grateful American is the moving, entertaining, profoundly gripping story of how one man found his calling: to see that those who defend this country and its freedoms are never forgotten.

     Thoughtful, inspiring, and often surprising, AND THE GOOD NEWS IS . . . traces Dana Perino's unlikely journey through politics and television. It's a remarkable American story-made up of equal parts determination and clear-eyed optimism. From facing professional challenges and confronting personal fears to stepping up to a podium for a President, Dana has come to expect the unexpected and has an uncanny ability to find the good news in any tough situation. AND THE GOOD NEWS IS . . . takes us from her Western childhood in Wyoming and Colorado to a chance meeting on an airplane that changes her life entirely. Then, with refreshing honesty and humor, she recounts her frustration with a string of unsatisfying jobs and living circumstances until a key career tip leads her back to Washington, D.C. to work for the Bush Administration. Dana also shares here her best work and life lessons-tips that will help you to get your point across convincingly while allowing your own grace and personality to shine through. As someone who still believes in working together to solve the problems our nation faces, Dana offers clear, practical advice on how to restore civility to our personal and public conversations. The result is a fascinating read that can help anyone become more successful, productive, and joyously content.

    Vikram Sampath, in this remarkable book, brings forth little known details of this fascinating woman who was known for her melodious voice, her multi-lingual skills, poetic sensibility, irresistible personality and her extravagant lifestyle. From her early days in Azamgarh and Banaras to the glory years in Calcutta when Gauhar ruled the world of Indian music, to her sad fall from grace and end in Mysore, the book takes the reader through the roller-coaster ride of this feisty musician. In the process, the author presents a view of the socio-historical context of Indian music and theatre during that period.

    opened fire outside the Washington Hilton Hotel, wounding the president, press secretary James Brady, a Secret Service agent, and a D.C. police officer. For years, few people knew the truth about how close the president came to dying, and no one has ever written a detailed narrative of that harrowing day. Now, drawing on exclusive new interviews and never-before-seen documents, photos, and videos, Del Quentin Wilber tells the electrifying story of a moment when the nation faced a terrifying crisis that it had experienced less than twenty years before, the assassination of President John F. Kennedy.With cinematic clarity, we see Secret Service agent Jerry Parr, whose fast reflexes saved the president's life; the brilliant surgeons who operated on Reagan as he was losing half his blood; and the small group of White House officials frantically trying to determine whether the country was under attack. Most especially, we encounter the man code-named "Rawhide," a leader of uncommon grace who inspired affection and awe in everyone who worked with him.Ronald Reagan was the only serving U.S. president to survive being shot in an assassination attempt.* Rawhide Down is the first true record of the day and events that literally shaped Reagan's presidency and sealed his image in the modern American political firmament.*There have been many assassination attempts on U.S. presidents, four of which were successful: Abraham Lincoln, James A. Garfield, William McKinley, and John F. Kennedy. President Theodore Roosevelt was injured in an assassination attempt after leaving office.

    He was the architect of our democracy, a visionary chief executive who expanded this nation’s physical boundaries to unimagined lengths. But Twilight at Monticello is something entirely new: an unprecedented and engrossing personal look at the intimate Jefferson in his final years that will change the way readers think about this true American icon. It was during these years–from his return to Monticello in 1809 after two terms as president until his death in 1826–that Jefferson’s idealism would be most severely, and heartbreakingly, tested.Based on new research and documents culled from the Library of Congress, the Virginia Historical Society, and other special collections, including hitherto unexamined letters from family, friends, and Monticello neighbors, Alan Pell Crawford paints an authoritative and deeply moving portrait of Thomas Jefferson as private citizen–the first original depiction of the man in more than a generation. Here, told with grace and masterly detail, is Jefferson with his family at Monticello, dealing with illness and the indignities wrought by early-nineteenth-century medicine; coping with massive debt and the immense costs associated with running a grand residence; navigating public disputes and mediating family squabbles; receiving dignitaries and correspondingwith close friends, including John Adams, the Marquis de Lafayette, and other heroes from the Revolution. Enmeshed as he was in these affairs during his final years, Jefferson was still a viable political force, advising his son-in-law Thomas Randolph during his terms as Virginia governor, helping the administration of his good friend President James Madison during the “internal improvements” controversy, and establishing the first wholly secular American institution of higher learning, the University of Virginia at Charlottesville. We also see Jefferson’s views on slavery evolve, along with his awareness of the costs to civil harmony exacted by the Founding Fathers’ failure to effectively reconcile slaveholding within a republic dedicated to liberty.Right up until his death on the fiftieth anniversary of America’s founding, Thomas Jefferson remained an indispensable man, albeit a supremely human one. And it is precisely that figure Alan Pell Crawford introduces to us in the revelatory Twilight at Monticello.'Crawford (Thunder on the Right) offers his own equally compelling look, in this case at Jefferson's life, post-presidency, from 1809 until his death in 1826. Then a private citizen, Jefferson was burdened by financial and personal and political struggles within his extended family. His beloved estate, Monticello, was costly to maintain and Jefferson was in debt. Newly studying primary sources, Crawford thoroughly conveys the pathos of Jefferson's last years, even as he successfully established the University of Virginia (America's first wholly secular university) and maintained contact with James Madison, John Adams, and other luminaries. He personally struggled with political, moral, and religious issues; Crawford shows us a complex, self-contradictory, idealistic, yet tragic figure, helpless to stabilize his family and finances. Historians and informed readers alike will find much to relish in both of these distinctive works of original scholarship. Both are recommended for academic and large public libraries.–Library Journal“In "Twilight at Monticello," Alan Pell Crawford treats his subject with grace and sympathetic understanding, and with keen penetration as well, showing the great man's contradictions (and hypocrisies) for what they were.”–Wall Street Journal“Like all people, famous or almost unknown, Jefferson was a mass of contradictions. Crawford explores them masterfully, thus indeed presenting a new Jefferson for a new generation.”–Houston Chronicle“…a worthy addition to the already enormous body of Thomas Jefferson scholarship. Crawford did his homework well, using literally dozens of sources to give us an unvarnished picture of the human side of one of America’s greatest leaders in an entertaining, fast-moving narrative. You might never loom at Monticello in quite the same way again after reading this book.”–The Fredericksburg (Va.) Free-Lance Star

    With mordant wit, she surveys an anti-rationalist landscape extending from pop culture to a pseudo-intellectual universe of "junk thought." Disdain for logic and evidence defines a pervasive malaise fostered by the mass media, triumphalist religious fundamentalism, mediocre public education, a dearth of fair-minded public intellectuals on the right and the left, and, above all, a lazy and credulous public.Jacoby offers an unsparing indictment of the American addiction to infotainment—from television to the Web—and cites this toxic dependency as the major element distinguishing our current age of unreason from earlier outbreaks of American anti-intellectualism and anti-rationalism. With reading on the decline and scientific and historical illiteracy on the rise, an increasingly ignorant public square is dominated by debased media-driven language and received opinion.At this critical political juncture, nothing could be more important than recognizing the "overarching crisis of memory and knowledge" described in this impassioned, tough-minded book, which challenges Americans to face the painful truth about what the flights from reason has cost us as individuals and as a nation.

    Lindsay was elected mayor of New York City in 1965. But that year’s mayoral campaign will forever be known as the Buckley campaign. “As a candidate,” Joseph Alsop conceded, “Buckley was cleverer and livelier than either of his rivals.” And Murray Kempton concluded that “The process which coarsens every other man who enters it has only refined Mr. Buckley.”The Unmaking of the Mayor is a time capsule of the political atmosphere of America in the spring of 1965, diagnosing the multitude of ills that plagued New York and other major cities: crime, narcotics, transportation, racial bias, mismanagement, taxes, and the problems of housing, police, and education. Buckley’s nimble dissection of these issues constitutes an excellent primer of conservative thought.A good pathologist, Buckley shows that the diseases afflicting New York City in 1965 were by no means of a unique strain, and compared them with issues that beset the country at large. Buckley offers a prescient vision of the Republican party and America’s two-party system that will be of particular interest to today’s conservatives. The Unmaking a Mayor ends with a wistful glance at what might have been in 1965—and what might yet be.

    Board of Education, Griswold v. Connecticut, Miranda v. Arizona. Drawing on unmatched access to government, academic, and private documents pertaining to Warren's life and career, Newton illuminates both the public and the private Warren. The result is a monumental biography of a complicated and principled figure that will become a seminal work of twentieth-century American history.

    McRaven is a part of American military history, having been involved in some of the most famous missions in recent memory, including the capture of Saddam Hussein, the rescue of Captain Richard Phillips, and the raid to kill Osama bin Laden.Sea Stories begins in 1960 at the American Officers' Club in France, where Allied officers and their wives gathered to have drinks and tell stories about their adventures during World War II -- the place where a young Bill McRaven learned the value of a good story. Sea Stories is an unforgettable look back on one man's incredible life, from childhood days sneaking into high-security military sites to a day job of hunting terrorists and rescuing hostages.

    His photographs helped define the American family of the early sixties and lent Kennedy an endearing credibility that greatly contributed to his popularity.  Accompanied by an insightful, heartwarming essay from Kitty Kelley—Tretick's close friend—about the relationship between the photographer and JFK, Capturing Camelot includes some of the most memorable images of America's Camelot and brings to life the uniquely hopeful historical era from which it emerged.

    The weird turns that followed in this already sensational take are truly astonishing--the Hearst family tried to secure Patty's release by feeding the people of Oakland and San Francisco for free; bank security cameras captured "Tania" wielding a machine gun during a roberry; the LAPD engaged in the largest police shoot-out in American history; the first breaking news event was broadcast live on telelvision stations across the country; and then there was Patty's circuslike trial, filled with theatrical courtroom confrontations and a dramatic last-minute reversal, after which the term "Stockholm syndrome" entered the lexicon. Ultimately, the saga highlighted a decade in which America seemed to be suffering a collective nervous breakdown.

    But in this revelatory book, both leaders are seen as men of their times, ruthless and hardboiled operatives in a gritty world of primal politics where they struggled for supremacy for more than fifty years.In most histories, the elder figure, Jefferson, looms larger. Yet Madison is privileged in this book’s title because, as Burstein and Isenberg reveal, he was the senior partner at key moments in the formation of the two-party system. It was Madison who did the most to initiate George Washington’s presidency while Jefferson was in France in the role of diplomat. So often described as shy, the Madison of this account is quite assertive. Yet he regularly escapes bad press, while Jefferson’s daring pen earns him a nearly constant barrage of partisan attacks. In Madison and Jefferson we see the two as privileged young men in a land marked by tribal identities rather than a united national personality. They were raised to always ask first: “How will this play in Virginia?” Burstein and Isenberg powerfully capture Madison’s secret canny role—he acted in effect as a campaign manager—in Jefferson’s career. In riveting detail, the authors chart the courses of two very different presidencies: Jefferson’s driven by force of personality, Madison’s sustained by a militancy that history has been reluctant to ascribe to him. The aggressive expansionism of the presidents has long been underplayed, but it’s noteworthy that even after the Louisiana Purchase more than doubled U.S. territory, the pair contrived to purchase Cuba and, for years, looked for ways to conquer Canada. In these and other issues, what they said in private and wrote anonymously was often more influential than what they signed their names to.Supported by a wealth of original sources—newspapers, letters, diaries, pamphlets—Madison and Jefferson is a stunning new look at a remarkable duo who arguably did more than all the others in their generation to set the course of American political development. It untangles a rich legacy, explaining how history made Jefferson into a national icon, leaving Madison a relative unknown. It tells nasty truths about the conduct of politics when America was young and reintroduces us to colorful personalities, once famous and now obscure, who influenced and were influenced by the two revolutionary actors around whom this story turns. As an intense narrative of high-stakes competition, Madison and Jefferson exposes the beating heart of a rowdy republic in its first fifty years, while giving more than a few clues as to why we are a politically divided nation today.

    Featuring a mosaic of memories from politicians, businessmen, artists, and writers, from those who were just kids to those who remember losing a fortune, Hard Times is not only a gold mine of information but a fascinating interplay of memory and fact, revealing how the Depression affected the lives of those who experienced it firsthand.

    I understand there are a good many Southerners in the room tonight. I know the South very well. I spent twenty years there one night..."

    Secrest had unprecedented access to an archive of over one hundred thousand of Wright's letters, photographs, drawings, and books. She also interviewed surviving devotees, students, and relatives. The result is an explicit portrait of both the genius architect and the provocative con-man."Secrest seizes the themes most evocative of certain of our cultural myths, forging them into a coherent and emotionally plausible narrative."—New Republic"An engaging narrative."—New York Times Book Review"The real triumph of this biography . . . is the link it makes between Frank Lloyd Wright's personal life and his architecture."—The Economist"Secrest's achievement is to etch Wright's character in sharp relief. . . . [She] presents Wright in his every guise."-Blair Kamin, Chicago Tribune"An extremely engaging profile."—The Philadelphia Inquirer"A spellbinding portrait."—Library Journal"The best [biography] so far, a huge and definitive accumulation of fact."—Time