A classic gothic romance, the story features an 18-year-old Miranda Wells who falls under the spell of a mysterious old mansion and its equally fascinating master. Tired of churning butter, weeding the garden patch, and receiving the dull young farmers who seek her hand in marriage, Miranda is excited by an invitation from the upstate New York estate of her distant relative, the intriguing Nicholas Van Ryn. Her passion is kindled by the icy fire of Nicholas, the last of the Van Ryns, and the luxury of Dragonwyck, and a way of life of which she has only dreamed. Dressed in satin and lace, she becomes part of Dragonwyck, with its Gothic towers, flowering gardens, acres of tenant farms, and dark, terrible secrets. This compelling novel paints a marvelous portrait of a country torn between freedom and feudal traditions; a country divided between the very wealthy and the very poor. Poor tenant farmers at Dragonwyck, the European royalty who visit, and American icons such as Edgar Allan Poe, Herman Melville, and the Astors are vividly brought to life. This is a heart-stopping story of a remarkable woman, her breathtaking passions, and the mystery and terror that await her in the magnificent hallways of Dragonwyck.

    He takes refuge with his Merrie Men in the vast Sherwood Forest, emerging time and again to outwit his enemies with daring and panache. This book presents the story of social justice and cunning.

    A brooding stranger seduces her from the remote island onto his yacht. Trapped in a web of intrigue, cruelty, and deceit, she flees to Italy, France, Germany, from Paris garret to mental asylum, from convent to chateau - stalked by obsessed Phillip Tempest.Two years before Little Women, serialized in a magazine under the alias A.M. Barnard in 1866, this was buried among the author's papers over a century.

    Testing chemicals in his lab, he drinks a mixture he hopes will isolate - and eliminate - human evil. Instead it unleashes the dark forces within him, transforming him into the hideous and murderous Mr. Hyde.The Strange Case of Dr. Jekyll and Mr. Hyde dramatically brings to life a science-fiction case study of the nature of good and evil and the duality that can exist within one person. Resonant with psychological perception and ethical insight, the work has literary roots in Dostoevsky's "The Double" and Crime and Punishment. Today Stevenson's novella is recognized as an incisive study of Victorian morality and sexual repression, as well as a great thriller.This collection also includes some of the author's grimmest short fiction: "Lodging for the Night," "The Suicide Club," "Thrawn Janet," "The Body Snatcher," and "Markheim."

    William Dean Howells' richly humorous characterization of a self-made millionaire in Boston society provides a paradigm of American culture in the Gilded Age.After establishing a fortune in the paint business, Silas Lapham moves his family from their Vermont farm to the city of Boston, where they awkwardly attempt to break into Brahmin society.

    A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager empress Tzu Hsi, and the silk industry in Norwich.

    Befriended by Donatello, a young Italian with the classical grace of the "Marble Faun," Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy. Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake' in life as in art. The author's evocative descriptions of classic sites made The Marble Faun a favorite guidebook to Rome for Victorian tourists, but this richly ambiguous symbolic romance is also the story of a murder, and a parable of the Fall of Man. As the characters find their civilized existence disrupted by the awful consequences of impulse, Hawthorne leads his readers to question the value of Art and Culture and addresses the great evolutionary debate which was beginning to shake Victorian society.

    The policeman gaped in horror as the woman held out her hand before collapsing into the mud, muttering “let me die” and slipping into a coma. Five days later, she died, her identity still unknown.Within hours of her discovery on Kidbrooke Lane scores of the officers of Greenwich Division were involved in the investigation, and Scotland Yard had sent one of its top detectives, John Mulvany, to lead it. After five days of gathering evidence, the police discovered the girl’s identity: Jane Maria Clouson, a maid in the house of the renowned Pook family . . . and she was two months’ pregnant with Edmund Pook’s child when she died.Murphy carefully reviews the evidence in the light of 21st century forensic science in order to identify Jane’s killer as Edmund Walter Pook. Using a surprisingly abundant collection of primary sources, Murphy aims to recreate the drama of the case as it unfolded, with its many twists and turns, from the discovery of the body to the final crack of the gavel—and beyond.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    The first of the great South African novels chronicles the adventures of three childhood friends who defy societal repression. The novel's unorthodox views on religion and marriage aroused widespread controversy upon its 1883 publication, and the work retains in power more than a century later. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    In only a few decades, the capital grew from a compact Regency town into a sprawling metropolis of 6.5 million inhabitants, the largest city the world had ever seen. Technology--railways, street-lighting, and sewers--transformed both the city and the experience of city-living, as London expanded in every direction. Now Judith Flanders, one of Britain's foremost social historians, explores the world portrayed so vividly in Dickens' novels, showing life on the streets of London in colorful, fascinating detail. From the moment Charles Dickens, the century's best-loved English novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities, and cruelties. Now, with him, Flanders leads us through the markets, transport systems, sewers, rivers, slums, alleys, cemeteries, gin palaces, chop-houses, and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor.

    Adultery, death, and the spectacle of female recrimination and suffering are the elements that combine to make The Doctor's Wife a classic women's 'sensation' novel. Yet it is also Braddon's most self-consciously literary work and her rewriting of Madame Bovary. Like Emma Bovary, Braddon's heroine, Isabel Gilbert, is trapped in a marriage to a man incapable of understanding her imaginative life. But Braddon's novel differs vastly from Flaubert's in the nature and consequences of Isabel's 'affair'.

    Join Flashman in his adventures as he survives fearful ordeals and outlandish perils across the four corners of the world.Can a man be all bad? When Harry Flashman’s adventures as the reluctant secret agent in Afghanistan lead him to join the exclusive company of Lord Cardigan’s Hussars and play a part in the disastrous Retreat from Kabul, it culminates in the rascal’s finest – and most dishonest – turn.

    Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.

    Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.