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    He takes off his cloth coat, wraps it around the stranger and also gives him the extra pair of boots he was carrying. Then he takes him home, feeds him and let him stay for the night. The next day he tells him he can stay as his assistent, and asks him for his name. The man says he's simply called Michael. Michael stays and works with Simon for six years. In all this time he only smiles three times... Then comes the day he leaves, and explaines what happened to him...

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    It employs many of the devices that had fared well in earlier novels: islands, cryptograms, surprise revelations of identity, technically advanced hardware and a solitary figure bent on revenge. Verne dedicated the novel to the memory of Alexandre Dumas pere, hoping to make Mathias Sandorf the Monte Cristo of The Extraordinary Voyages.

    One of the purposes of this story is to illustrate the power of a young girl not so beautiful or so good as many of her sisters. She was rather commonplace at first, but circumstances led her to the endeavor to be true to her own nature and conscience and to adopt a very simple scheme of life. She achieved no marvelous success, nothing beyond the ability of multitudes like herself. The author has also sought to reproduce with some color of life and reality a critical period in our Civil War. The scenes and events of the story culminate practically in the summer of 1863. The novel was not written for the sake of the scenes or events. They are employed merely to illustrate character at the time and to indicate its development.

    Firmin published "De l' galit des Races Humaines " in Paris in 1885 twenty years after the 'Father of Racism, ' Count Arthur de Gobineau, published "Essai sur l'in galiti des Races Humaines." De Gobineau's racist tome was translated into several languages and influenced Nazi ideology, while Firmin's work became obscure and marginal in the anthropological and scientific communities it sought to affect."Equality of Human Races " is far more than a response to de Gobineau. It is a substantial work of early anthropology that presaged in the 19th century most of what became accepted anthropological science about race in the 20th century. It is also an early work of Pan-Africanism that highlighted the civilizational achievements of African cultures, from ancient Egypt and the Nile Valley countries of Sudan and Ethiopia, to the first 'Black' Republic of Haiti, as evidence of the fundamental equality of African peoples. One hundred and fourteen years later, this is the first appearance in English of Firmin's trailblazing work in Anthropology and Pan-Africanist thought.

    V. Dicey (1835–1922) was an English jurist, Vinerian Professor of English Law at Oxford University, and author of, among other works, The Law of the Constitution.Please note: This title is available as an ebook for purchase on Amazon, Barnes and Noble, and iTunes.

    A play about the ill fate of two lovers who were engaged by their families to each other since childhood, but because of violations of namus (a tradition of honor), the girl was married by her father to another person.

    Thankful to be alive, they begin to explore their new island home, learning by necessity the skills required to survive. After enjoying a happy season on their own, the siblings help rescue the passengers and crew of another ship wrecked near their island during a storm. A colony is soon established, but the need for actual government quickly becomes apparent as the newcomers begin struggling and fighting amongst themselves. The biblical virtues of a godly woman begin to be felt by all, and the sailors ask the peaceable, gentle, and wise Paulina to be their "queen." Paulina consents and helps govern the new colony with the assistance, oversight and protection of her brothers. Join the Rigondas and their new friends as they struggle to survive and return home in "The Island Queen."

    A turner, Grigory Petrov, sets off in a storm to take his sick wife to a hospital and his ramblings during this time tell the story of their lives.

    It is above all a grand survey of the Europe of the Enlightenment and the Ancien Regime in the last generation before the Revolution. Catherine of Russia and Maria Theresa, Frederick II and Louis XV, their public professions their real aims, their courts, their ministers, their notions of conduct, are presented with a lucidity, elegance and ruthlessness worthy of their own age.But the book is also much more. Sorel's whole argument is that the Revolution can only be understood, and its subsequent development explained, by the study of causes rooted deep in the past. His naturally analytical, profoundly historical, cast of mind leads him to trace characteristics, to coin epigrams, to strike off generalisations, to reveal insights that illumine the whole course of European history in language both witty and graceful.So many-faceted a work asks much of its translators. In professor Cobban and Mr.Hunt it has found a breadth of erudition and a literary skill equal to all the demands made upon them. They have identified all Sorel's sources and where necessary supplied additional notes.

    The tale unfolds amid a fanciful version of Japanese society, in which a wandering minstrel has the misfortune to fall in love with the beautiful ward of the Lord High Executioner of Titipu.The sparkling lyrics and witty dialogue of this comic masterpiece are as much a delight to read as they are to hear with musical accompaniment. The complete libretto is reprinted in this edition from the standard performance text of The Mikado, complete with nine charming illustrations drawn by W. S. Gilbert himself.

    First produced in 1883, this book revisits the French armies of the Napoleonic Wars, the Crimean War, the Mexican Expedition, and the Conquest of North Africa, among others.