In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.

    In this carefully chosen collection, encompassing traditional songs and contemporary Native American poetry, readers will find a treasury of lyrics verse composed by Seminole, Hopi, Navajo, Pima, Havasupai, Arapaho, Paiute, Nootka, and other Indian writers and poets.Selections range from the beautiful, traditional Seminole "Song for Bringing a Child into the World" to the cynical, knowing "How to Write the Great American Indian Novel." Permeated by the Indian's deep awareness and appreciation of nature's beauty and rhythms, these poems deal with themes of tradition and continuity, the Indians' place in contemporary society, love, loss, memory, alienation, and many other topics.Taken together, these poems offer an intimate, revealing record of the Native American response to the world, from time-honored chants and songs to the musings of urban Indian poets coming to grips with twentieth-century America.

    Exciting photographs accent the contemporary tone of the collection.From lighthearted Phyllis Mc-Ginley to pessimistic Ezra Pound; from the lyricism of Edna St. Vincent Millay to the vigor of Lawrence Ferlinghette; from Carl Sandburg on loneliness to Paul Dehn on the bomb -- such is the range. The little known or unknown poet and the widely recognized appear side by siide.Whatever the subject matter -- pheasant or flying saucer; lapping lake water or sonic boom; a deer hunt, a basketball, or a bud -- it is all poetry reflecting today's images and today's moods.The editors spent several years bringing together 1200 poems they considered fine enough to include, then slowly and carefully sifted out of 114 which appear in the book.Readers of Reflections on a Gift of Watermelon Pickle . . . and Other Modern Verse may well be tempted by Eve Merriam's suggestion in "How to Eat a Poem"Don't be politeBite in.Pick it up with yourfingers and lickThe juice that mayrun down your chin.It is ready and ripe now,whenever you are.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic.” —Susan Stewart, citation for the Academy of American Poets FellowshipUrban tumbleweed, some people call it,discarded plastic bag we see in every cityblown down the street with vagrant wind.            —from Urban TumbleweedUrban Tumbleweed is the poet Harryette Mullen’s exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen’s stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being’s place in the natural world. But, as she writes in her preface, “What is natural about being human? What to make of a city dweller taking a ‘nature walk’ in a public park while listening to a podcast with ear-bud headphones?”

    The excitement, compassion, lyricism, and humor that epitomize his writing for the theater are all present in his poetry. It was as a young poet that Williams first came to the attention of New Directions' founder James Laughlin who initially presented some of Williams' verse in the New Directions anthology Five Young American Poets 1944 (before he had any reputation as a playwright), and later published the individual volumes of Williams's poetry, In the Winter of Cities (1956, revised in 1964) and Androgyne, Mon Amour (1977). In this definitive edition, all of the playwright's collected and uncollected published poems (along with substantial variants), including poems from the plays, have been assembled, accompanied by explanatory notes and an Introduction by Tennessee Williams scholars David Roessel and Nicholas Moschovakis.The CD included with this edition features Tennessee Williams reading, in his delightful and mesmerizing Mississippi voice, several of the whimsical folk poems he called his "Blue Mountain Ballads,"poems dedicated to Carson McCullers and to his longtime companion Frank Merlo, as well as his long early poem, "The Summer Belvedere."

    

    Contains the first and "deathbed" editions of "Leaves of Grass," and virtually all of Whitman's prose, with reminiscences of nineteenth-century New York City, notes on the Civil War, especially his service in Washington hospitals and glimpses of President Lincoln, and attacks on the misuses of national wealth after the war.

    Her poems are intimate and real. They speak of lovers, friends, family, and self, with a powerful emotional honesty that makes you smile in self-recognition. My Song for Him Who Never Sang to Me is Merrit's first book.

    

    The poems themselves shine with the artistry of a writer at the height of her powers.

    A great new addition to your Pokémon library

     Lacey Luzzi’s rollercoaster of a life has been filled with the highest of highs and the lowest of lows. She just never expected the lows to be so… sparkly. After falling on her face during an attempt to follow in her recently-deceased mother’s stripper-boots, Lacey realizes she’s not cut out for life on stage. She sets out on a year-long investigation to find her true family, never expecting she’ll find it with a capital “F.” With a rumbling stomach, a need for money (check engine lights don’t fix themselves!), and a conscience that operates at 78% on a good day, Lacey is sucked into a whirlwind of Family secrets, hard-as-cement cookies, and mysterious, sexy men who unfortunately shoot guns, sometimes aimed at her face. The long-lost-granddaughter of Carlos Luzzi, the Godfather of the Italian Mafia, Lacey accepts her first assignment for the mob: finding fifteen million dollars of ‘the good stuff.’ Even after she enlists the help of her mouthy best-friend and her cousin, a technical genius and social disaster, she finds that going toe-to-toe with the rival Russian mob is more dangerous than expected. No one chooses their Family, but Lacey Luzzi will be lucky if she can survive hers. ** ** Lacey Luzzi: Sprinkled, is a full-length, laugh-out-loud, humorous cozy mystery with a strong female protagonist in the spirit of Janet Evanovich’s Stephanie Plum, albeit one working for the wrong side of the law… Note: Rated a strong PG-13 for sarcasm and mild language. No graphic gore or sex.

    He was my everything. We knew he would be joining the service when we graduated. Just like his dad and grandfather did before him. So, no matter how much I wanted him to stay, he had to go. He had to leave me. My mom was once in the same situation and she waited her whole life for my dad to come back to us. I saw what she went through and how it destroyed her. I couldn’t do that to myself. So, I ended it with Tank. Tank Emily thinks I will never come back to her. But what she doesn’t realize is, I don’t have a choice. No matter what happens, no matter how far away I go, I’m coming back to her. Where I Belong (Alpha Men, 5) An Alpha Man and BBW, Steamy Sweet Romance Kim I fell for Rich in a picture. He is in my brother’s army unit and twelve years older than me. Although I dreamed about him all the time, I never imagined that we would ever meet… and he would live up to my fantasy. Rich My army brother asked me to check in on his sister. I told him I would and then he gave me her picture. I fell for her just by looking at her, and I knew the minute I saw her, I was where I belong. Do Over (Alpha Men, 6) An Alpha Man, and BBW, Steamy Sweet Romance Madison Jase and I were in love and going to be together FOREVER! And then he had to leave me. I spent the last five years dealing with a broken heart. I tried to move on, I met someone else and we had a baby together. But now, Jase is back and says he’s here to get what is his. Jase I had to leave her. At the time I didn’t think I had a choice. But I worked all this time to get back to her. She thinks since her body has changed and she has a little girl now that I don’t want her. She couldn’t be more wrong and I’m going to prove it to her. I’m going to get my second chance… my do-over. Note: This is a steamy, sweet, SHORT romance. It has a HEA with alpha male and a plus-size woman that makes him hers! If you love short romances with insta love, hot love scenes, and a sweet story, then this one is for you.

     Part of the Storycuts series, this short story was previously published in the collection If You Liked School, You'll Love Work.