Now, in this beautifully illustrated graphic novel adaptation, Hosseini brings his compelling story to a new generation of readers.

    The coldness of scientific charts alternates with raw and intimate imagery, exploring a world where hummingbirds can be parasites, where feces can be transformed into brain tissue or gemstones. Part comic art, part textbook, Vivisectionary blends sex, religion, science, and body horror, with an eye to the sublime and the grotesque.

    An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

    Illustrated and presented by one of the leading artists in modern fantasy, this title gives us some of the great songs and folktales of the English, Irish, and Scottish traditions, re-imagined in sequential-art form, in collaboration with some of the strongest fantasy writers.

    Twain s own introduction says it all: GREETINGS, STRANGER OF THE FUTURE. If you are reading this, it means the written word has survived, that the world of tomorrow still exists, and that for some reason my ramblings are still considered worth reading. My name is Mark Twain, and I write these words to you in the good old days of August 2010. What s that, you say, didn t you die a hundred years ago, you old coot? I hear your memoirs have just been published, right now in 2010, because they had to wait a century after your death, blah blah blah and so on. The truth is I never died, but the same old rumors got exaggerated and then the Great War happened, so people forgot I was still alive. And I ve kept alive, due to a magic spell cast upon me by a wizard but I ve promised not to tell that tale until 1,000 years have passed. I let them do the century book because otherwise I might have to pay the advance back again, and I couldn t afford it. I suppose by now you all know how I was Jack the Ripper, and why it was in a good cause that I committed those foul murders. Also that I was directly responsible for the assassination of President Abraham Lincoln. Hopefully you ve forgiven me these indiscretions Readers eager to see how Twain hunted the Yeti ( Come out here and face me, you snow-covered coward ), met the Six Million Dollar Man, had a love affair with Mamie Eisenhower ( Boy oh boy, this lady was one hot dish ), and accidentally became involved in X-rated films, will devour this tome, which of course is augmented with Kupperman s hilariously deadpan illustrations.

    He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them into more than just one-off jokes. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence.What Am I Doing Here? depicts a world at once alien and familiar, in which everyone is naked but act like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears, and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions.

    But when she buys a mysterious old cat costume, she and Kim find themselves in wholly new territory: the lost world of Alias the Cat who, in 1915, appeared not only in a comic strip and film serial, but in real life as a freedom-fighting superhero.When Kim begins to research this forgotten figure, he uncovers one almost unbelievable story after another: about the Furries, a tiny subculture of people who dress up as cartoon animals in order to have sex; about Keller and Frankie, two seamen stranded on a Pacific island, forced to make cat toys to appease the natives; about the secret lover of Alias’s alter ego, Malek Janochek; and, of course, about Deitch’s own Waldo the Cat, the common thread weaving the stories together as Kim and Pam move toward a fateful showdown in Midgetville...New Jersey, of course.Alias the Cat is Kim Deitch at his eye-catching, mind-bending best.

    A companion to Matthew Forsythe’s vastly successful Ojingogo, Jinchalo stars the same little girl as its heroine. When the mischievous shape-shifter Jinchalo hatches from a mysterious egg, he starts our heroine adventuring anew. Magical troubles drag the pair out of the safety of her home, through the small village where she resides, up, up, and away. In the course of their flight, they visit a robot garden, follow a vine into the clouds, and leave the village far behind. These comics are firmly rooted in Korean folktales and stylistic conventions, with a playful, joyous drawn line. Jinchalo welcomes readers back into Forsythe’s Miyazaki-tinged dreamscape where spotted octopi fly and bears give piggyback rides, where hummingbirds are larger than people and a sad furry monster wearing a bowler hat lurks around every corner. Forsythe uses page space innovatively in this wordless, panel-less book, and his storytelling is compelling for all ages, both simple and intricately detailed.

    Embrace it.A bear flies through space. A hamster suffers a breakdown. Elsewhere, a garden snake is arrested by animal control and jailed for home invasion, while a child marvels at the wonder of nature as worms emerge from the ground and begin looking for vodka (as they always have). These are common occurrences in the world of Reza Farazmand’s wildly popular webcomic, Poorly Drawn Lines. Traveling from deep space to alternate realities to the bottom of the ocean, this eponymous collection brings together fan favorites with new comics and original essays to share Farazmand’s inimitable take on love, nature, social acceptance, and robots.

    Foxes oppress and devour, bunnies suffer and die. Everyone knows their place. Everyone's satisfied. So what happens when a secret desire puts you at odds with your society? Starting from a simple premise -- and without using a single word -- Fox Bunny Funny leads the reader on a zigzag chase in and out of rabbit holes, and through increasingly strange landscapes where funny animals have serious identity problems. The tale swerves from slapstick to horror and back again before landing at the inevitable climax, in which all the old rules are shattered. When you emerge, you'll find yourself gazing at our own fragmenting society with new eyes.

    Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience.  The sweet faces and bright leaves of Kerascoët’s delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.

    From the spark of possibility and jolt of creativity in High Summer, to the need for release from anxiety and pressure during Monsoon, to the desolation and numbness of Winter, Thapp implores us to consider the seasons of our own emotional journeys.Articulating and validating the range of feelings we all experience, this is a book that allows us to feel connected and comforted by the experiences that make us human.

    Now, the feline Internet phenomenon makes his way onto the page in this first-ever book based on the popular animated series. Simon's Cat depicts and exaggerates the hilarious relationship between a man and his cat. The daily escapades of this adorable pet, which always involve demanding more food, and his exasperated but doting owner come to life through Tofield's charming and hilarious illustrations.

    It follows them through the process of choosing a clinic, reaching out to friends, partners, and/or family, and eventually the procedure(s) itself. It simply shows what happens when a woman goes through it, no questions asked. Despite the fact that so many women and girls have abortions every day, in every city, all around us, it can be a lonely experience. Not Funny Ha-Ha is a little bit technical, a little bit moving, and often funny, in a format uniquely suited to communicate. The book is meant to be a non-judgmental, comforting, even humorous look at what a woman can go through during an abortion. Although the subject matter is heavy, the illustrations are light. The author takes a step back from putting forth any personal opinion whatsoever, simply laying out the events and possible emotional repercussions that could, and often do occur.

    Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Full-color illustrations throughout.