But now, many years later, the Duke Orsino is murdered. Feste, a jester with The Fool's Guild, must return to once again match wits with his adversary Malvolio—agent of Saladin and sworn enemy of the Guild.

    Possibly autobiographical, frequently erotic and darkly surreal, their fiction takes place in a variety of eras and places, from Egypt in the 1940s, to England in the grip of the Pre-Raphaelites, to gaslit Paris and to the shadowy landscapes carved by the mind and memory. The themes of youth and age stream through these tales of homosexual love and desire. These stories recall, at times, the work of Lawrence Durrell, Colette, and Angela Carter.

    a high-stepping, swashbuckling romance inspired by the unassailable historical fact that in his greenhorn youth, before he became a movie-star cowboy, Tom Mix rode in the company of the peasant revolutionary Pancho Villa ... Who among us has not wished he'd grown up as romantically as Mix does here?" -- New York Times Book Review "With Tom Mix and Pancho Villa, Clifford Irving takes his place among the giants of contemporary literature, dazzling us all with this robust, rousing, rip-roaring work of art." -- Ernest Lehman "Fabulous, big, rawboned wild-blooded adventure tale that gives the sights and sounds and smells of a turn-of-the-century world real enough to touch. Clifford Irving has written a novel to make any writer proud and many readers grateful." -- Los Angeles Herald Examiner "Intelligently conceived, rapidly paced, attitudinally wry, earthy - a well-written, cannily contemporary tale about the past." -- Dallas Times Herald ----- It's 1913, and Tom Mix, young cowboy and future movie star, rides south of the border to fight at the side of the charismatic Pancho Villa, Mexican revolutionary leader, already a legend. In the violent beauty of war-torn Mexico a partnership is formed, and an epic is born. Caught up in this sumptuous panoramic novel are some of the most dynamic characters ever to come to life on a page: Hannah, Tom's voluptuous Jewish fiancée; Rosa, the beautiful Indian child widow who loves Tom; Elisa, the sophisticated German rancher who becomes his mistress; Rudolfo Fierro, "the butcher," who lives to kill his enemies and vows to end Tom's life; Lieutenant George S. Patton, Jr., who ceaselessly hunts both Villa and Fierro; and above all, the tempestuous Pancho Villa, a man of ungovernable emotions, a hero and, at the same time, a villain larger than life. This is a story of romance and friendship, loyalty and revenge, politics and gold - an adventure that Publishers Weekly called "grand entertainment, full of wit, charm, and zest." The Los Angeles Times wrote that "Irving spins a fantasy worthy of Mark Twain," and the Houston Chronicle said, "Irving's wonderful big new book is a rollicking, ribald tale." The Chicago Tribune concluded that "[Tom Mix's] exploits - on the battlefield, behind the lines, in bed - are told with riveting skill."

    There's a wanna-be rock star, his eccentric rabbit-loving neighbor, a cursed superintendent, and a ghost-obsessed old woman, along with a remarkable cat. Their intersecting paths are all drawn up towards the otherworldly creature lurking overhead.When Ollie spies a two-headed turtle from outer space on a nearby rooftop he wonders if he has lost his mind. His incredulous friends certainly think so. To make matters worse he lands in hot water at his bookstore day job and his cat has gone missing. His bandmate Zara offers to help him track down the troublesome feline, and they join forces with a nosy starlet to follow a trail of clues that leads them inexorably up toward a mysterious rooftop creature who would much prefer to remain hidden. The Intergalactic Interloper is a lighthearted romp through a bohemian New York world, a one of a kind novel that is as memorable as it is fun.

    The one who went the extra mile to truly affect lives, whose lessons carried as much importance outside the classroom as inside. This book is a celebration of those teachers who continue to make an impact. A collection of stories from some of the country's top educators, this book is a celebration of teachers' work, and motivation for them to continue. Joseph Underwood has collected stories from each of the twenty-eight 2004 Disney Teacher™ of the Year honorees. And every story celebrates a different obstacle they overcame, the power and know-how needed to triumph, and the reward granted upon beating the odds. Today I Made a Difference is the perfect gift for anyone in or considering the profession.

    It's an honest mistake-and a deadly one. Because the "businessman" is actually a professional-and highly volatile-hit man named Joey Richter, and his phone is filled with bombshell evidence.If Zack takes Joey's phone to the police, will they believe his swapped cell phone story? Would they even be able to protect him? Because the hit man now has Zack's phone with the phone numbers and addresses of Zack's new girlfriend Emily, his best friend Steve, and all the texts and information from Zack's life.Whether Zack keeps the phone or ditches it, Joey will kill him for what he now knows. In cat-and-mouse twists, turns, and continually mounting terror, one thing is clear: Zack is next on the hit man's list.

    A disease turned people into walking shells of themselves. Zombies. Most of them were harmless, but some were broken by the pressure of the disease. The cracked became ravenous killers whose bite infected. To escape the apocalypse, Eric, a young, overweight boy of 16, sets off on a journey across the United States. His plan is to hike from Ohio to an island in Maine, far from the ruins of cities, where the lake and the fierce winters will protect him from both Zombies and the gangs that roam the country. Along the way, Eric finds friends and enemies, hope and despair, love and hatred. The World Without Crows is the story of what he must become to survive. For him and the people he would come to love, the end is only the beginning.

    Some are humorous, some sad, some sublime. I have changed the names and in a few cases altered circumstances slightly to protect privacy as much as possible. I sincerely hope that with these measures - and with some of the details blurry enough in my memory - no one will recognize themselves or acquaintances, or take offense if they do.I hope you enjoy these stories as much as I appreciated having had the chance to live them. ~The Author

    Greear shows how moralism and legalism have often eclipsed the gospel, even in conservative churches. Gospel cuts through the superficiality of religion and reacquaints you with the revolutionary truth of God's gracious acceptance of us in Christ. The gospel is the power of God, and the only true source of joy, freedom, radical generosity, and audacious faith. The gospel produces in us what religion never could: a heart that desires God. The book’s core is a “gospel prayer” by which you can saturate yourself in the gospel daily. Dwelling on the gospel will release in you new depths of passion for God and take you to new heights of obedience to Him. Gospel gives you an applicable, exciting vision of how God will use you to bring His healing to the world.

    In the spirit of that iconic, timeless show, these mysterious and gripping narratives explore parallel worlds, faraway planets, dystopian societies, and unsettling reality.•A toddler shifts through parallel worlds, changing into different versions of herself. What would a mother do for her daughter?•A chef finds an alternate food source on a remote world. When the new chef arrives, will he be forced to reveal a horrific secret?•A twelve-year-old Earth girl is randomly chosen to rule the galaxy. Why are galactic administrators so desperate to stop her?•Humanity is on trial, annihilation at stake. Can an underdog alien lawyer save us?•Time seems to stand still as a young boy bikes with his troubled friend. Is the friend causing this phenomenon—and what if he doesn’t stop it?Explore space and time—and confront humanity’s deepest fears—with Ten Tales of a Dark Tomorrow.

    Two years after his mother and father were murdered in an attack on their California-bound wagon train, little Tommy Dunning crouches in an old root cellar, quivering with cold—and raw fear. Somewhere just above him, men are searching, army men who want to take him away from the only home he remembers. Local settler Eva Dunning believes with every thread of her being that God delivered the orphan to be raised by her. She watches and prays the soldiers will not find the child. But forces beyond her control are closing in. Major James Carleton has orders to collect the boy, Eva’s husband Bennet is threatening to expose their secret, and back in Arkansas, the aging Ruby Seddon is hiring a ruthless gunslinger to help rescue her grandson, no matter the cost in blood or gold. The Last Orphan is the journey of a precocious five-year old and two strong women, each of whom believes God has chosen her to raise the boy in love and the “correct” faith tradition.

    Now she’s the young girl’s only hope of survival.1937. Katya Komarovsky is studying medicine in Glasgow, living among friends and eager to begin her career as a doctor. But when her spendthrift parents announce that they’ve run out of money and are facing ruin―and that she’ll now have to support them by working as a governess in Vienna―the life she’s dreamed of goes up in smoke.Furiously resentful, Katya rages at her wealthy employer, Thor, for stealing her future―and saddling her with twelve-year-old Gretchen, a deeply troubled child who has only a blazing musical talent to redeem her. Yet as Katya grudgingly digs into her reserves of compassion, she finds herself losing her heart to both father and daughter.Storm clouds are gathering, though, and when Hitler annexes Austria, patriot Thor is arrested, leaving Katya wholly responsible for saving ‘imperfect’ Gretchen from being forced into a Nazi medical research laboratory. With the terrifying uncertainty of the new world order, can Katya and Gretchen flee to safety? And dare they dream of ever seeing Thor again?

    The conductor had his travel bag in his hand and Toby looked at the shadowy, unlit buildings as he was led down the street. After five minutes, the conductor guided him to a bench on the boardwalk of the sleeping town, then left his bag on the bench with him. “Now, son, I gotta leave you here. You stay there until the sheriff comes and he’ll find your aunt for you. Okay?” Toby nodded, said, “Thank you, sir,” then the conductor patted him on the head, turned and left. Toby was more confused than afraid as he sat in front of the jail. No matter what else happened, he knew that he would have someone go back to the farm and bring his mother back to him. Three hours later, the sheriff led him into the diner where he introduced him to his uncle, Hitch Nelson.

    For the first time in years, men and women had appeared onstage together. The future held no limits, the actors believed. In this fast-moving, fondly told and frequently very funny account, Qais Akbar Omar and Stephen Landrigan capture the triumphs and foibles of the actors as they extend their Afghan passion for poetry to Shakespeare's.Both authors were part of the production. Qais, a journalist, served as Assistant Director and interpreter for Paris actress, Corinne Jaber, who had come to Afghanistan on holiday and returned to direct the play. Stephen, himself a playwright, assembled a team of Afghan translators to fashion a script in Dari as poetic as Shakespeare's. This chronicle of optimism plays out against the heartbreak of knowing that things in Afghanistan have not turned out the way the actors expected.

    Fantasy took over his life, in a world of battles ruled by his teddy bear, Alan Measles. He grew up. And in 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair. Now he tells his own story, his voice beautifully caught by his friend, the writer Wendy Jones. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of his stepfather, leading to constant swerving between his parents' houses, and between boys' and women's clothes. But as Grayson enters art college and discovers the world of London squats and New Romanticism, he starts to find himself. At last he steps out as a potter and transvestite.