This little book is both thought-provoking and a delight to read. Edwin O. Reischauer, Former U.S. Ambassador to Japan

    In simple, often poetic, language, Daisetz Suzuki describes what Zen is, how it evolved, and how its emphasis on primitive simplicity and self-effacement have helped to shape an aesthetics found throughout Japanese culture. He explores the surprising role of Zen in the philosophy of the samurai, and subtly portrays the relationship between Zen and swordsmanship, haiku, tea ceremonies, and the Japanese love of nature. Suzuki's contemplative discussion is enhanced by anecdotes, poetry, and illustrations showing silk screens, calligraphy, and examples of architecture.

    But Takiko, whose warrior father was killed in battle, finds this a hard rule, especially when her mother remarries a strange and ugly country potter. To get away from her miserable home, Takiko eagerly accepts a position at the imperial Japanese court. There, her beauty and nightingale voice captivate the handsome young warrior, Hideo -- who also turns out to be an enemy spy. As war breaks out, Takiko flees the court and is forced to choose between loyalty to her people and her love for Hideo. She painfully learns that whatever choice she makes, she cannot run away from her samurai honor.

    Their discussion is moderated by the imperturbable Master Nankai, who loves nothing more than to drink and argue politics. The fiction of the drinking bout allowed Chomin to debate freely topical political issues, in a discussion that offers an astute analysis of contemporary European politics and a prophetic vision of Japan's direction. This lucid and precise translation of a delightful work has been designated one of the UNESCO series of classics of world literature.

    The Russian command structure was hopelessly confused, their generals old and incompetent, the Tsar cautious and uncertain. The Russian naval defeat at Tsushima was as farcical as it was complete. The Japanese had defeated a big European power, and the lessons for the West were there for all to see, had they cared to do so. From this curious war, so unsafely ignored for the most part by the military minds of the day, Richard Connaughton has woven a fascinating narrative to appeal to readers at all levels.

    Happily, Jodi Cobb is able to show us—before they vanish—both the ceremonial world of the geisha in Tokyo and Kyoto and their private world as few outsiders have ever seen it.Many of the older women we meet here were forced into this world by hardship; the young women were drawn to it by their dream of aromantic life or their love of traditional arts. We see geisha in their daytime routines: fine-tuning their breathtakingly lavish wardrobes; perfecting the art of makeup; training maikos (apprentices); and preparing for annual dance performances.But as we watch the geisha at night, as they entertain (for huge sums) at private parties, their art takes a different form. Their purpose is to provide a dream—of luxury, romance and exclusivity. As the men sit at dinner, geisha position themselves at their elbows to serve them sake and delicacies and practice a brilliantly honed art of conversation. As the alcohol flows and the guests relax, geisha play party tricks and sing songs. Geisha have for centuries studied the male ego. They tend it like a garden—and we watch men bloom.This long-hidden world is revealed here both in superlative photographs and in a fascinating text that includes the voices of the geisha themselves. These women have created a life of beauty, making themselves an embodiment of Japanese culture, tradition and refinement—a life that is captured exquisitely in this remarkable book.

    It is so interlaced with Japanese cultural values and practices that scholarly studies usually focus on only one of its dimensions: Shinto as a nature religion, an imperial state religion, a primal religion, or a folk amalgam of practices and beliefs. Thomas Kasulis' fresh approach to Shinto explains with clarity and economy how these different aspects interrelate.As a philosopher of religion, he first analyzes the experiential aspect of Shinto spirituality underlying its various ideas and practices. Second, as a historian of Japanese thought, he sketches several major developments in Shinto doctrines and institutions from prehistory to the present, showing how its interactions with Buddhism, Confucianism, and nationalism influenced its expression in different times and contexts. In Shinto's idiosyncratic history, Kasulis finds the explicit interplay between two forms of spirituality: the existential and the essentialist. Although the dynamic between the two is particularly striking and accessible in the study of Shinto, he concludes that a similar dynamic may be found in the history of other religions as well.Two decades ago, Kasulis' Zen Action/Zen Person brought an innovative understanding to the ideas and practices of Zen Buddhism, an understanding influential in the ensuing decades of philosophical Zen studies. Shinto: The Way Home promises to do the same for future Shinto studies.

    Today his books are in fifty languages and have won prizes and sold millions of copies globally. How did a loner destined for a niche domestic audience become one of the most famous writers alive? This book tells one key part of the story. Its cast includes an expat trained in art history who never intended to become a translator; a Chinese-American ex-academic who never planned to work as an editor; and other publishing professionals in New York, London, and Tokyo who together introduced an understated, pop-inflected, unexpected Japanese voice to the wider literary world.David Karashima synthesizes research, correspondence, and interviews with dozens of individuals—including Murakami himself—to examine how countless behind-the-scenes choices over the course of many years worked to build an internationally celebrated author's persona and oeuvre. He looks beyond the "Murakami Industry" toward larger questions: How active a role should translators and editors play in framing their writers' texts? What does it mean to translate and edit "for a market"? How does Japanese culture get packaged and exported for the West?

    Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne's loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed.Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Shōgun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Shōgun is, as the New York Times put it, "...not only something you read--you live it." Provocative, absorbing, and endlessly fascinating, there is only one: Shōgun.

    But the apartment’s electricity hasn’t been reconnected yet, and Tetsuyuki spends his first night in darkness. Wanting to hang up a tennis cap from his girlfriend, Yōko, he fumbles about in the dark and drives a nail into a pillar. The next day he discovers that he has pierced the body of a lizard, which is still alive. He decides to keep it alive, giving it food and water and naming it Kin.Inhabitation unfolds from there, following the complications in Tetsuyuki’s relationship with Yōko, a friendship with his supervisor who hides his heart disease at work, and his father’s creditors, always close on his heels. Daunted, Tetsuyuki speaks to Kin night after night, and Kin’s peculiarly tortured situation reflects the mingled pain, love, and guilt that infuses Tetsuyuki’s human relationships.For more than four decades, Teru Miyamoto’s gentle prose—which often explores a kind of spiritual isolation—has enthralled Japanese readers. Now, translator Roger K. Thomas brings one of Miyamoto’s most well-loved novels to an English-speaking audience for the first time.

    Their name means "one who serves." Years of training, discipline, and self-sacrifice combined with advanced weaponry and unprecedented tactical acumen created a force unmatched over centuries of Japanese history.Samurai explores the essence, truth, and wisdom of these remarkable warriors. It features renowned samurai warriors, their weapons, armor, and military strategies and illuminates their unwavering Bushido philosophy—the strict code of honor requiring absolute loyalty to their master above all else, and ritual suicide in preference to dying a dishonorable death.This book explores the spirit, body, and minds of these sublime paladins who long ago passed into legend, but still live on today.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

     The invasion of Guadalcanal was a long, cruel holding operation fought with too little equipment and support, not enough food and ammunition, and too few men. The marines on the island were subjected to bombing raids and strafing by Japanese aircraft, bombardment by battleships, cruisers, destroyers, submarines, and land artillery, as well as being continually attacked by Japanese tanks and infantry. For five long months they were attacked day and night before being eventually relieved by Army units. Who were these men who faced overwhelming odds? And how did they survive? T. Grady Gallant, who fought at Guadalcanal himself, answers these questions in his brilliant book On Valor’s Side Gallant’s account begins with an account of the grueling training that he and his fellow marines received in places such as Parris Island, before they undertook last minute preparations in New Zealand and made the journey towards Guadalcanal. It is a fascinating work that gives an eyewitness view of one of the most ferocious encounters that the United States Marines had to face through the course of the Second World War. “recreates the real-life training, fighting and comradeship of men at arms, from North Carolina to Guadalcanal.” — Kirkus Review “A great book” — Leon Uris T. Grady Gallant was a journalist, editor, columnist, author and editor. He served as a Sergeant of Special Weapons in the U.S. 1st marine Division, Fleet Marine Force 1941-1945, in the assault at Guadalcanal, and served a second tour with the 4th marine Division, Fleet Marine Force and was in the assault and Battle of Iwo Jima during World War II. His book On Valor’s Side was first published in 1963 and he passed away in 2009.

    They are the visions of the Irezumi, the legendary tattoo artists, who spend years creating living masterpieces. Photographer Sandi Fellman describes this strange and violent world both in her text and in her stunning, large 20 x 24 inch Polaroid photographs.

    Sickness, hunger, betrayal, envy, greed, old age, and then death..." • A unique and enlightening series. • Experience journey of a man, his quest to seek the universal truth, to unlock the mysteries of universe and witness the transformation of Siddhartha to BUDDHA • The series which began in September 1972 and ended in December 1983, is one of Tezuka's last epic and greatest manga works. Buddha received the 2004 and 2005 Eisner Award(referred to as the Comics Industry's equivalent of the Oscar Awards). • Adapted into an animated movie as well in 2012 which was nominated for the 2012 Japan Academy Prize for Animation of the Year. About Author:- Osamu Tezuka (3 November 1928 - 9 February 1989 (aged 60)) was a Japanese cartoonist, animator, film producer, activist, and medical doctor who never practiced medicine. Born in Osaka Prefecture, he is best known as the creator of the comics series Astro Boy, Kimba the White Lion, Black Jack and Buddha. His prolific output, pioneering techniques, and innovative redefinitions of genres earned him such titles as "the father of manga", "the god of comics", and "kamisama of manga". Additionally, he is often credited as the "Godfather of Anime" and is considered the Japanese equivalent to Walt Disney, The Box Set includes Buddha Vol 1 Kapilvastu Buddha Vol 2 The Four Encounters Buddha Vol 3 Devadatta Buddha Vol 4 The Forest of Uruvela Buddha Vol 5 Deer Park Buddha Vol 6 Ananda Buddha Vol 7 Prince Ajatasattu Buddha Vol 8 Jetavana ISBN 9780007942480 Format 8 Volumes in Slipcase Genre Graphic Novel Imprint HarperCollins