Lavishly illustrated with more than seventy-five boxes andcollages, as well as images of the fascinating source material that the artistcollected to create his exquisitely crafted worlds, it communicates to thereader the sense of surprise and delight that one experiences on viewingthe actual boxes with their toys, stuffed birds, maps, clay pipes, marbles,shells, and other paraphernalia of daily life.The book’s essays bring together the expertise of Lynda Roscoe Hartigan,former director of the Joseph Cornell Study Center; the compelling commentaryof Walter Hopps, art dealer, museum curator and director, and theartist’s personal friend; the wide-ranging scholarship of Richard Vine; andthe sensitivity of Robert Lehrman, a leading Cornell collector whose firsthandexperience lends this publication its distinctive intimacy. Among thetopics explored are the role of dualities in the artistic process, the dominantthemes of Cornell’s oeuvre, and the importance of his Christian Science faith.

    Morton's extensively researched fiction carries the reader through three eras in the history of Abraska, or what is now southern Montana and northern Wyoming. From the days when Native American tribes dominated the landscape to the hardships of fledgling pioneer life to times of fast-paced modern development, Where the Rivers Run North introduces a shifting cast of characters as intriguing as they are diverse. One thread runs throughout--the figure of the horse, whether running wild on the plains or competing on the racetrack.

    It meant nearly freezing when sleeping outside in 50-below-zero weather. It meant canoeing upstream for hundreds of miles to reach remote Indian villages. It meant eating wild cat and other stranger things, or eating nothing for days at a time. But it also meant you were privileged to present the good news of the true Great Spirit to those who were often misunderstood and mistreated. The adventures in this book are rivaled only by the incredible conversions of those who saw the Creator in nature and then worshipped Him too. You will be challenged and inspired by the results of one man who went where the Lord led, with little regard for himself. About the Author Egerton Ryerson Young was a teacher, pastor, author, and a brave missionary to remote Canadian Indians. Young’s mother died in 1842, and consequently he was raised by his stepmother, Maria Farley. After a brief stint as a school teacher, Young was ordained and called to a pastorate of the First Methodist Church in Hamilton. In 1868, however, he was invited to become a missionary to the natives of Rupert’s Land. After praying over this with his new wife, Elizabeth, he asked her what she thought about this call. “I think it is from God and we will go,” was her reply. What happens next is the compelling story of this book.

    It is about food, feeding and love. Braiding the stories of three spirited rishikas—Katyayani the Large, Maitreyi the Fig and Gargi the Weaver—it explores the fears and hungers that underpin all human interactions.

    Louisa, the spirited eldest daughter of Herzig and Clara Steinbacher, has her whole life ahead of her. She is seventeen, and dreams of the "outside world" beyond her doorstep. But when Clara dies in childbirth, Louisa is suddenly thrust into adulthood-with the burden of her mother's responsibilities...and the care of her younger siblings. The only world she has ever known closes around her.Then Herzig, an elder in their strict Mennonite community, hires young, handsome Thomas to help on the farm. Thomas is hardworking, honest...and not of the Faith. But Louisa can't hide her growing feelings for him. Her choices set in motion a transformation she never expected. But at what cost?

    In Conquest, Smith places Native American women at the center of her analysis of sexual violence, challenging both conventional definitions of the term and conventional responses to the problem.Beginning with the impact of the abuses inflicted on Native American children at state-sanctioned boarding schools from the 1880s to the 1980s, Smith adroitly expands our conception of violence to include environmental racism, population control and the widespread appropriation of Indian cultural practices by whites and other non-natives. Smith deftly connects these and other examples of historical and contemporary colonialism to the high rates of violence against Native American women—the most likely women in the United States to die of poverty-related illnesses, be victims of rape and suffer partner abuse.Essential reading for scholars and activists, Conquest is the powerful synthesis of Andrea Smith’s intellectual and political work to date. By focusing on the impact of sexual violence on Native American women, Smith articulates an agenda that is compelling to feminists, Native Americans, other people of color and all who are committed to creating viable alternatives to state-based “solutions.”

    The photos he took and the accompanying interviews became the blog Humans of New York. In the first three years, his audience steadily grew from a few hundred to over one million. In 2013, his book Humans of New York, based on that blog, was published and immediately catapulted to the top of the NY Times Bestseller List. It has appeared on that list for over twenty-five weeks to date. The appeal of HONY has been so great that in the course of the next year Brandon's following increased tenfold to, now, over 12 million followers on Facebook. In the summer of 2014, the UN chose him to travel around the world on a goodwill mission that had followers meeting people from Iraq to Ukraine to Mexico City via the photos he took.Now, Brandon is back with the follow up to Humans of New York that his loyal followers have been waiting for: Humans of New York: Stories. Ever since Brandon began interviewing people on the streets of NY, the dialogue he's had with them has increasingly become as in-depth, intriguing, and moving as the photos themselves. Humans of New York: Stories presents a whole new group of humans, complete with stories that delve deeper and surprise with greater candour.

    You must first approach the subject with the proper sense of perception, with the ability to visualize the finished print before you commit a scene to pixels, but still be flexible and spontaneous. Master Fine Art photographer Vincent Versace has spent his career learning and teaching the art of perception and how to translate it into stunning images. In Welcome to Oz,  he delves into what it means to approach digital photography cinematically, to use your perception, your camera, and Photoshop to capture the movement of life in a still image. Features: Adapt your workflow to the image so you always know how best to use your tools Turn a seemingly impossible photographic scenario into a successful image Practice “image harvesting” to combine the best parts of  many captures to create an optimum final result Create black and white prints that have the look, feel and “richness” of traditional silver prints without ever leaving the RGB color space 224 pages.

    Determined to save her love, she sets out on a love expedition, where she learns that the road to love can be rocky and full of twists and turns, but if we have the courage to stick with it, or perhaps even to forge our own path, it might just lead us to exhilarating heights and astonishing synchronicity in love. Through all the seasons of the heart, this beautifully illustrated book candidly relates the "exquisite bubble" of new love, followed by the perils of "the insidious zone of complacency" where the shower of passion dries up and silence ensues. Finally, the girl realizes that the only guarantee of keeping the love she wants is to create the map for it herself.A Gorgeous Sense of Hope is a quirky and profound keepsake for new, promising relationships, for tired, troubled relationships, and for anyone who appreciates the fragility of love. It's for everyone who has been in love and those who might be, someday. After all, couldn't everyone use a gorgeous sense of hope?

    "An unprecedented account of the shaman's world and the way it is entered."Stanley Krippner, PhD, coauthor of Personal Mythology: The Psychology of Your Evolving Self and Healing State.Black Elk opens the Lakota sacred hoop.

    Chronicling the last few raucous years in American politics, Lithgow takes readers verse by verse through the history of Donald Trump's presidency.- Lampoons the likes of Betsy DeVos, William Barr, Rudy Giuliani, and dozens more.- Illustrated from cover to cover with Lithgow's never-before-seen line drawings.- Draws inspiration from A. A. Milne, Lewis Carroll, Edward Lear, and even Mother Goose.- Great for fans of A Very Stable Genius by Mike Luckovich, Win Bigly: Persuasion in a World Where Facts Don't Matter by Scott Adams, and The Donald J. Trump Presidential Twitter Library by The Daily Show with Trevor Noah.The poems collected in Dumpty draw inspiration from A. A. Milne, Lewis Carroll, Edward Lear, Rodgers and Hammerstein, Mother Goose, and many more. A feat of laugh-out-loud lyrical storytelling, this timely volume is bound to bring joy to poetry lovers, political junkies, and Lithgow fans alike.

    Talayesva, the Sun Chief, who was born and reared until the age of ten as a Hopi Indian, and then trained as a white man until he was twenty. Although torn between two worlds and cultures, he returned to Hopiland and readopted all the tribal customs. This is his autobiography, written for Leo Simmons, a white man who was a clan brother.

     Kansas, Nebraska, Colorado and Wyoming all suffered great depredations and saw much bloodshed through the years of the civil wars as army regiments clashed with Native American tribes. Eugene F. Ware, captain of “F” company, Seventh Iowa Cavalry, fought within this area of conflict and provides vivid insight into battles and campaigns that tore through the Midwest. "The dust, the heat, the frigid cold, can all be felt in his pages. . . . This is a vivid book." New York Herald Tribune “[He] was a superb reporter. The big country of plains and mountains spreads out in his pages, and he sketches the army and Indian camps in strong colors. There is an abundance of spirited detail ... this rich book should appeal to all western history fans." Chicago Sunday Tribune "Filled with colorful and exciting incident, as much comic and touching as it is startling and dramatic, [this] is an unforgettable chronicle of the West that has become a legend, written by a man with a vivid imagination and a gifted pen who is at the same time remarkably accurate." Salt Lake City Tribune "Ware's reminiscence convey a spacious sense of two American epics: offstage, the war between the North and the South, and, under his eyes, the broad stream of migration to the Far West, with wagon trains fifteen miles long passing by-eight or nine hundred teams of oxen a day. His book suggests the grandeur of history, and yet it is an intimate, personal communication — fresh, spirited, and delightful reading." New Yorker This book is essential reading for anyone interested in finding out more about some of the less well-known areas of conflict during the Civil War period as well as the westward expansion of the United States. Eugene F. Ware was born in 1841. His family moved to Burlington, Iowa when he was a young boy. He enlisted in an Iowa regiment at the beginning of the Civil War. He entered the regiment a private and at the end of his service in 1867 was a captain. He worked for many years as a lawyer. His book The Indian War of 1864 was first published in 1911, which was also the year in which he passed away.

    in black-and-white. This action-packed edition of James Fenimore Cooper's famous adventure brings the wilds of the American frontier and the drama of the French and Indian War to vivid life.

    Featuring over 450 masterpieces, this best-selling book includes more than 150 oversized details from key paintings.