Book annotation not available for this title.

    Broadway actress Sharon Wheatley reveals an authentic and personal look at the damaging physical and emotional effects of childhood obesity.

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

    And a lot less funny. But this is it.And it will come down at midnight, Irish time, on the 22nd [December 2012]..."Somewhere in the distance, a train rattled on its tracks. Liam sat in his kitchen with the curtains drawn, the lamp on the table casting its searing eye over his handiwork. It was the size of a shoebox, and wooden. Heavy. Inside were things he did not, could not, understand. There were gears and levers and finely balanced cogs and symbols painstakingly etched into it all. He didn’t know what they meant, didn’t know what they were for, but he had seen them in his head for as long as he could remember. Transferring those symbols to metal and wood, after all these years, was... well, it was wonderful. It was a relief. It was like he’d been tense his whole life, every muscle knotted and his teeth gritted and his eyes screwed shut, and now suddenly he was relaxing, and a strange sort of euphoric calm spread through him.

    He longs to know what caused the apocalypse, but when mysterious soldiers crash to the planet’s surface in search of a planetsider and offering the truths he desires, Ethan must abandon his home and take sides in a deadly war that has raged for generations. Who will he choose to save and can he himself be saved?The Planetsider Trilogy is a gripping, post-apocalyptic military thriller and a journey of discovery, as Ethan uncovers the dark past of his planet and becomes embroiled in a war that threatens to the fate of two civilizations, and the existence of life itself, planetside.The full three book series comprises: 1. The Planetsider2. The Second Fall3. The Last of the Firsts

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    On a long walk across London, he endures a coffee shop humiliation involving a loyalty card which suggests itself as a framing device. Later that month, thanks to Jeremy Clarkson's casual slur against Gordon Brown and the appearance of a well-meaning young comedian in an advert, a show is born. Featuring a transcript of the show fully annotated with footnotes, the If You Prefer A Milder Comedian EP confirms Stewart Lee as the most original, daring and brilliant comedian of his generation.

    Boyfriend Dominic has proposed marriage!However, Dominic isn’t in any rush to buy a ring, and meeting the parents is looong overdue. What is the problem? After all, Daisy’s mum has already bought her big hat and wants to know the wedding date!Then careless words plant seeds of doubt and, like weed, Daisy’s concerns begin to multiply. Is Dominic hiding something?Meanwhile, sexy ex Harry is back on the scene and begging Daisy for a reconciliation. He thought the grass was greener with HER but now says he made a mistake. Is Harry – for once – being genuine, or simply leading Daisy up the garden path?New neighbour Seth seems like a fun guy, but a single throwaway comment has Daisy mimicking a species of Calla Lily – Red Alert! It’s time to do some digging. But even she never anticipated a mad car chase across London or unearthing a shocking secret that changes everything.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    We have History as our guide. In tough times, the British do what we have always done. We muddle through.This House is a timely and relevant political comedy, exploring Westminster and the 1974 hung parliament.In the run-up to the General Election pressure mounts as squabbling whips attempt to attract key regional votes. As it becomes clear the results will be closely balanced, the play tracks the formation, perils and consequences of a coalition government, including the compromises, conflicts and power games all in the interest of gaining control of Parliament.With well-paced, witty and waspish dialogue, This House playfully explores the childish digs and chauvinistic attitudes that riddle political life. Award-winning playwright James Graham combines comedy with comment in this portrayal of the strain between the thinking individual, the pressure to toe the part line and the end goal of winning government.

    R. Gurney has wittily captured the manners of upper-middle-class WASP America, but never as gracefully or with such dazzling economy as in Love Letters. Tracing the lifelong correspondence of the staid, dutiful lawyer Andrew Makepeace Ladd III and the lively, unstable artist Melissa Gardner, the story of their bittersweet relationship gradually unfolds from what is written--and what is left unsaid--in their letters. A smash hit both off and on Broadway, Love Letters captures Andy and Melissa with a precision of detail and depth of feeling that only Gurney can command. Two other, thematically related plays by Gurney, The Golden Age and What I Did Last Summer, are included, providing a trio of wry and affectionate paeans to love lost, found, and fleetingly glimpsed.

    And not just seen. In fact, the multitalented deity has played a pivotal role in many major events, including the Creation of the universe, the entirety of world history, and the successful transitioning of American Idol into the post–Simon Cowell era. Sometimes preachy, sometimes holier-than-thou, but always lively, An Act of God is the ultimate celebrity autobiography.

    It's a still a mystery, and a much debated topic, among theater enthusiasts as to why "Merrily We Roll Along" flopped, especially since Sondheim's other productions, which include "Into the Woods," "Follies," "Sweeney Todd," and "A Funny Thing Happened on the Way to the Forum," have been so endearing and extraordinarily successful. In this Kindle Single, Pogrebin muses on why the show didn't get off the ground at the same time that she takes the reader on passionate, introspective journey, examining the importance of this very special moment in her life.Abigail Pogrebin is the author of Stars of David: Prominent Jews Talk About Being Jewish (Broadway Books 2007), and One And The Same: My Life as an Identical Twin and What I've Learned About Everyone's Struggle to Be Singular (Doubleday 2009). Pogrebin has written for many national publications, and has produced for Mike Wallace at "60 Minutes." She lives in New York City with her husband and two children.

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    Wayne and Scout shoot to kill. In a single night they find out the hard way what's real and what's not, who's the hero and who's the villain. The USA watches slack-jawed as Bruce and Wayne together resolve some serious questions. Does Bruce use erection cream? Does art imitate life or does life simply imitate bad art? And most of all, does sugar-pie really love his honeybun?