Noted French scholar and linguist discusses the gods of the continental Celts, the beginnings of mythology in Ireland, heroes, and the two main categories of Irish deities: mother-goddesses — local, rural spirits of fertility or of war — and chieftain-gods: national deities who are magicians, nurturers, craftsmen, and protectors of the people.

    His bestselling books, including The Power of Myth and The Hero with a Thousand Faces, are the rare blockbusters that are also scholarly classics.While Campbell’s work reached wide and deep as he covered the world’s great mythological traditions, he never wrote a book on goddesses in world mythology. He did, however, have much to say on the subject. Between 1972 and 1986 he gave over twenty lectures and workshops on goddesses, exploring the figures, functions, symbols, and themes of the feminine divine, following them through their transformations across cultures and epochs.In this provocative volume, editor Safron Rossi—a goddess studies scholar, professor of mythology, and curator of collections at Opus Archives, which holds the Joseph Campbell archival manuscript collection and personal library—collects these lectures for the first time. In them, Campbell traces the evolution of the feminine divine from one Great Goddess to many, from Neolithic Old Europe to the Renaissance. He sheds new light on classical motifs and reveals how the feminine divine symbolizes the archetypal energies of transformation, initiation, and inspiration.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    During his travels, Alexander Carmichael spent hours with peasants in their huts in front of peat fires listening as they "intoned in a low, recitative manner" these poems and prayers. This unique collection of living spirituality drawn from the depths of Celtic Christianity, represents a hidden oral tradition of great power and beauty, handed down through countless generations of Hebridean peasants.Previously available only as a bilingual text in six volumes, this edition in English contributes to a broader awareness of Celtic literature in general. John MacInnes' introduction puts the poems in the context of the life and folklore of the Gaelic community.

    It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cúailnge. The hero of the tale is Cúchulainn, the Hound of Ulster, who resists the invaders single-handed, while Ulster's warriors lie sick.Thomas Kinsella's presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements from other version, and adds a group of related stories which prepare for the action of the Táin. Illustrated with brush drawings by Louis le Brocquy, this edition provides a combination of medieval epic and modern art.

    This selection of eleven storiessome more than 3,000 years old focuses on the women of ancient British mythology, from the formidable women warriors who trained heros to fight and kill to the beautiful companions who led them to higher realms of feminine intuition and spiritual wisdom. Caldecott goes beyond a mere recounting of female strength, providing lucid personal commentary that illuminates the complete myth and the culture from which it springs. These powerful stories transmit a recognition of the mystery of being and an understanding of the powerful magic of inner transformation.

    Rather than working from the commonly known tree alphabet paradigm, Erynn Rowan Laurie takes us back to the roots of each letter's name, exploring its meanings in the context of Gaelic language and culture. Like the Norse runes, each letter is associated with an object or a concept -- "sulfur," "a bar of metal," "terror." These letters are deeply enmeshed in a web of meaning both cultural and spiritual, lending power and weight to their symbolism. With two decades of experience with the ogam and over thirty years of working with divination, Erynn offers insights into the many profound meanings hidden in the ogam letters and their lore. She explains each letter in context and shows how to expand the system in new and innovative ways while acknowledging and maintaining respect for ogam's traditional language and culture. In this book, you will find ways to use the ogam for divination, ideas on incorporating ogam into ritual, discussions of how ogam relates to Celtic Reconstructionist Paganism, and instructions for creating your own set of ogam feda or letters for your personal use.

    They possessed a complicated array of concepts and rituals, a powerful priesthood - the Druids - and a pantheon which included the goddess-queen Medb and the Morrigan, a sinister war-goddess.

    She is a Goddess of sex and battle, the Irish Bestower of Sovereignty, and it is she who shapes the land and rules the fairy as Queen. Her raw power manifests through the Irish myths and legends, a prophetess and shapeshifter who uses her potent magic to shapeshift, assuming the forms of numerous wild animals and delivering victory to her chosen heroes.Her manifold roles, titles and guises weave a rich and colourful tapestry showing the continued dominion of the Morrigan in mythology, folklore and literature. She was the tutelary goddess to the ill-fated hero Cu Chulainn, she was the Fairy Queen and the Washer at the Ford. She was also the wise crone the Cailleach, and the battle crow Badb, the frenzied Nemain and Warrior Queen Macha.Her roles and guises which are brought together for the first time in this carefully researched volume, the work of many years of study, demonstrate clearly the significant status that she held in the ancient Celtic world and continues to enjoy today.

    From unicorns, salamanders, satyrs, giants, elves and trolls, to dragons, nymphs, mermaids, werewolves and griffins — take an enchanting journey through the history, folklore, and mythology of these beasts from virtually every culture in the world. With stories and amazing facts on even the most obscure mythological creature, this is a cornucopia of magic and folklore.

    Brigid of the spring, her festival Imbolc, oversees fertility of all kinds. Brigid is many things to many people. In this enticing book, Courtney Weber offers up a wide-ranging exposition and celebration of all things Brigid, who is arguably the most popular figure in Celtic mythology and religion. Meet Brigid in her various incarnations—Celtic Pagan Goddess, Christian Saint, and Voudon Loa . Each chapter ends with guided meditations and exercises that help readers tap into Brigid’s healing powers. Inside you’ll find Brigid-focused spells, blessings, recipes, and rituals for love, harmony, protection, and much more.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    Human and divine energies complement each other; when joined, they become a potent catalyst for true magick and change. Celtic Myth & Magick describes the energies of over 300 cross-referenced Celtic deities and heroic figures so you can quickly determine which one can best help you in attaining specific goals through magick--such as greater prosperity (Cernunnos), glowing health (Airmid), or a soul partner (Aengus MacOg). This guidebook explains how to use creative Pagan ritual and pathworking to align yourself with the energy of these powerful archetypes. Undertake three magickal quests to the inner plane--where you'll join forces with Cuchulain, Queen Maeve, and Merlin the Magician to bring their energies directly into your life. This inspiring, well-researched book is written especially for solitary Pagans who seek to expand the boundaries of their practice to form working partnerships with the divine.

    Pat Monaghan has studied and taught many integrated studies in poetry, science, mythology, feminist spirituality, environmental studies, chaos theory, and religion. All of these disciplines inform her writing, but none distract from the poetic story-telling or the mystical lore she encounters and then conveys. Her journey takes her to a churchyard with a fountain representing St. Bridget, perhaps a Christian representation of the Celtic goddess of water, fire, and transformation, called Brigit. Monaghan describes spiral petroglyphs and ancient sacred caves, bogs and woods where fairies have played their tricks on humans, and water falls that became sacred spots. The stories instruct and teach, as Monaghan points to ways that these myths still reveal the truths of human life, and the contradictions of love and hate, mother and seductress, harmony and struggle that are embodied in women’s lives — in all of human existence.

    Yet, few people realize the significance of the similarities and contrasts between the religions of the pre-Christian people of north-western Europe. The Celts and Germans and Scandinavians had much in common in their religious practices and beliefs, and this is the first serious attempt that has been made to compare them. There are striking resemblances in their ideas about battle-goddesses and protective spirits, holy places, sacrificial rituals, divination and ideas about the Other World; and Myths and symbols in pagan Europe poses questions like: do such parallels go back to early times or are they owing to late Viking contact?