Her captor is insane, his intentions unclear.Now, facing the demons from her past could be the only way to ensure a future…The Girl in the Basement is a fast-paced thriller from the bestselling author of Flu and Plastic Jesus.'Jaw-clenchingly brutal and bitterly unrelenting from start to finish.' —DLS Reviews'...shocking and brilliant...' —Bookbloke‘A stunning read, but not for the faint hearted.' —The Guardian on Plastic Jesus‘With The Girl in the Basement, Simmons gives classic pulp writers a taste of their own plaid.’ —Sion Smith, Skin Deep Tattoo Magazine‘Breathless and unrelenting, you cannot fail to turn the page and see what happens next.’ —JD Gillam, Starburst Magazine‘A short, sharp shock to the system. Simmons grabs you from the first line of the first page and doesn’t let go. You’ll be as trapped as the Girl in the Basement herself: unable to escape or even to stop reading. Highly recommended.’ —David Moody, author of Autumn, Hater and The Cost of Living

    Instead of the skills proper young ladies studied, Saint Melissa was adept at the bringing on of migraines, the refinement of lust, and the involutions of penmanship and calligrams. And as Gorey wrote, "letters she wrote are still to be delivered, traps she set are still to be sprung, pronouncements she devised are still to be promulgated, objects she hid are still to be found."

    

    After the release of three startling, award-winning movies that have played around the world and been added to the permanent collection of the Museum of Modern Art, S. Craig Zahler wanted to return to his first artistic passion―illustration.With tools that he had developed as a director, screenwriter, cinematographer, novelist, and songwriter, he committed himself to writing, drawing, inking, and lettering his graphic novel debut, a full-length work of noir horror entitled, Forbidden Surgeries of the Hideous Dr. Divinus.Here’s the setup…Homeless people are disappearing in New Bastion, and occasionally, a dismantled corpse turns up in a dumpster. These crimes are left alone, until the day a comatose woman named Lillian Driscoll is kidnapped from the hospital. Her brothers―a grumpy detective named Leo and a slick mobster named Tommy―seek answers that lead them to darkness, arcane medicine, and pain.Fans of Bone Tomahawk (recently named best film of the decade by Conan O’Brien) will enjoy Zahler’s return to the supernatural, and the idiosyncratic, tough guy dialogue found in his crime pictures Dragged Across Concrete and Brawl in Cell Block 99 (both of which premiered at the Venice Film Festival) is also present in this starkly rendered, black-and-white graphic novel, a stylistic confluence of pre-code horror, vintage comic strip, and modern indie art styles.

    A complicated, troubled, and fiercely private man, he confoundedwould-be biographers hoping to penetrate his secret, obsessive world -- bothduring his lifetime and afterward.Now, film historians David J. Skal and Elias Savada, using newly discoveredfamily documents and revealing published interviews with friends andcolleagues, join forces for the first full-length biography of the man whoearned a reputation as "the Edgar Allan Poe of the cinema." The authorschronicle Browning's turn-of-the-century flight from an eccentric Louisvillefamily into the world of carnival sideshows (where he began his careerliterally buried alive) and vaudeville, his disastrous first marriage, hisrapid climb to riches in the burgeoning silent film industry, and thealcoholism that would plague him throughout his life. Browning's legendarycollaborations with Lon Chaney, Sr., and Bela "Dracula" Lugosi are explored indepth, along with the studio politics that ended his career after the bizarrecircus drama "Freaks" -- a cult classic today -- proved to be one of thebiggest box-office disasters of the early thirties.Illustrated throughout with rare photographs, "Dark Carnival" is both anartful, often shocking portrait of a singular film pioneer and an illuminatingstudy of the evolution of horror, essential to an understanding of ourcontinuing fascination with the macabre.

    Guin is perfectly happy with her own company and doesn’t want that disrupted by her wisecracking stepbrother and his earnest mum.Their Christmas celebrations are invaded by a sleigh full of murderous elves. And it doesn’t matter if they’ve been naughty or nice — these elves are out for blood.Can the family band together to survive the night? Or will Santa’s little helpers make mincemeat of them all?

    Michael Black’s world has seen a lot of changes over the past year, and falling for a witch who chats with his animal patients has been the best one by far. He’s decided to make it official, so the men associated with the coven insist on helping him celebrate. Michael is popping the question to the woman he loves, the coven has only two trials to go before the prophecy is fulfilled, and the guys want to throw him a bachelor party. Sounds like a plan. And no demon is going to stand in his way.

    He knows he will be the vampire's next victim. But no one will believe him: not the police, not his girlfriend Amy, not even the school weirdo, Evil Ed. Charley's last chance is to enlist the help of Peter Vincent, Vampire Killer, star of a hundred horror movies and host of TV's Fright Night.Nobody thinks he's telling the truth—until Evil Ed becomes a vampire and Amy is dragged into his next-door neighbour's evil, foul-smelling house of death!

     A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset cliff tops only to find the building is not completely empty. . .

    As told by Corman himself and graduates of “The Corman Film School,” including Peter Bogdanovich, James Cameron, Francis Ford Coppola, Robert De Niro, and Martin Scorsese, this comprehensive oral history takes readers behind the scenes of more than six decades of American cinema, as now-legendary directors and actors candidly unspool recollections of working with Corman, continually one-upping one another with tales of the years before their big breaks.Crab Monsters is supplemented with dozens of full-color reproductions of classic Corman movie posters; behind-the-scenes photographs and ephemera (many taken from Corman’s personal archive); and critical essays on Corman’s most daring films—including The Intruder, Little Shop of Horrors, and The Big Doll House— that make the case for Corman as an artist like no other. Praise for Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses: “This new coffee table book, brimming with outrageous stills from many of Corman’s hundreds of films, looks at the wild career of the starmaker who was largely responsible for so much of the Hollywood we know today.” —New York Post “Vividly illustrated.” —People “An enthusiastic ode to colorful, seat-of-your-pants filmmaking, this one’s hard to beat.” —Booklist (starred review) “It includes in-depth aesthetic appreciations of ten of Corman’s movies, which, taken together, make a compelling case for Corman as an artist.” —Hollywood.com “Author Nashawaty deftly describes how Corman’s legacy is far more nuanced than most realize.” —American Way magazine “Outrageously entertaining . . .”  —Parade magazine “Endlessly fascinating.” —PopMatters.com “You’d think it’d be impossible for any writer to put together a Roger Corman biography that's anywhere near as fun as his movies, but Entertainment Weekly writer/critic Chris Nashawaty has done just that.”  —Complex magazine

    So Burt and Verona head out on the road, across America, looking for the right place to call home. Along the way they encounter a succession of strange and hilarious friends and relatives (played by a cast that includes Jeff Daniels, Catherine O’Hara, Maggie Gyllenhall, Josh Hamilton, Allison Janney, and Jim Gaffigan), most of whom have no idea what they’re doing. In the end—with and despite the help of those they meet on their journey—Burt and Verona come closer to an understanding of their own definition of home and family.

    The attraction to her new boss, Aidan McAllister, is instant, sizzling. But sexy Aidan keeps some deadly secrets. He's a vampire with a dangerous past, and a strong craving for both Amber's blood and her ability of talking with the dead. But can she trust him with her life?In Book Two, Beelzebub Girl, fallen angel Cassandra wasn't supposed to fall in love with Dallas. Trouble is, she's Lucifer's daughter and Dallas is mortal, an easy target for her enemies who can destroy her by killing the mortal soulmate. But where Cass comes from, losing one's twin flame is a fate worse than death...Will chaos-loving Cassandra find a way to save herself and Dallas from a terrible curse with a revengeful killer wracking havoc in Hell in her quest to get the one thing half the paranormal world desires?In Book Three, Voodoo Kiss, Sofia Romanov won't stop until she finds out the truth about her sister's mysterious death. On a trip to Brazil, Sofia's powers as a voodoo priestess from a previous life are unleashed. Now someone's after her. Between trying to find out the truth, battling the affections of a striking demon, and bringing someone back from the dead, Sofia's task to save herself from trouble is easier said than done when her past is catching up with her.In Book Four, Dead And Beyond, Amber Reed is bestowed with the ability to see ghosts…not by choice though. When a friend disappears, the only person Amber can confide in is handsome Shadow warrior, Devon. But can she trust him when his race’s fate depends on finding the one thing Amber’s trying to protect?In Book Five, Forever And Beyond, an ancient legend tells the story of a mirror that was once shattered into four fragments. Amber Reed is a struggling necromancer on a mission: help vampire Aidan stop the prophecy and protect the innocents from the inevitable fate that will befall them should the wrong faction win. When bodies begin to pile up, Amber realizes she’ll have to be quick before everything she ever loved is taken from her forever…In Book Six, Shadow Blood, Amber Reed would have called herself an ordinary girl in an ordinary world…until she moves to Scotland and is pushed into a world she never knew existed by the sexy and daring McAllister brothers, unable to withstand its perils. Aidan McAllister, the irresistible leader of the Morganefaire brethren, has what he's always wanted: the girl of his dreams. His love for Amber is getting stronger, but for all his wants and needs, there’s a price to pay. As a mystery draws them deeper into the heart of an intricate organization ruled by shifting allegiances, Amber realizes she’ll have to choose between her one true love and doing the one thing she swore she’d never do: break the rules by taking someone’s life.BONUS: Rebecca’s Rising

    But at the end of the world, danger is never far away. When a young woman is kidnapped, and the local authorities are powerless to help, Eric and his stalwart friend Lincoln Great Hawk embark on a rescue mission. But the kidnappers, a band of ruthless savages, will stop at nothing to get what they want. To succeed, Eric and Lincoln will need to enlist help from an unlikely ally. And while the fate of the hostage is unclear, one thing is certain. Blood will be shed. Don’t miss this exciting new short story set in the Surviving the Dead universe!

     I mean, it took more than a year before anybody looked up from their smartphones long enough to wonder why so many of their neighbors were infected. Why so many were dying. The vaccination riots came and went. The grocery store shelves emptied out. The spigots eventually ran dry. That was around the time I moved underground and sealed the hatch on my backyard bunker. That was a couple of years ago. Now, my radio hasn't picked up a signal from the world up top since I can't remember when. My exterior camera died in a storm last spring. And the loneliness has set in, gnawing at me, making me think crazy thoughts, including the one that'll change everything. I have to leave the bunker and see if anyone is left alive.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.