This new edition of Herzl's classic novel features photographs of old Vienna and its Jewish population, and of nineteenth century Palestine.

    Packed full of zingers and hilarious illustrations, if this doesn't put a smile on your face, nothing will. What's not to like:The other day someone left a piece of plasticine in my dressing room. I didn't know what to make of it. I'm against hunting. I'm actually a hunt saboteur. I go out the night before and shoot the fox. I saw this bloke chatting up a cheetah. He was trying to pull a fast one. Black holes. I don't know what people see in them. So I fancied a game of darts with my mate. He said, 'Nearest the bull goes first.' He went 'Baah' and I went 'Moo'. He said 'You're closest.' Velcro. What a rip-off. Black Beauty. He's a dark horse. I've got a sponge front door. Hey, don't knock it.

    In Englander's amazingly taut and ambitious "The Twenty-seventh Man," a clerical error lands earnest, unpublished Pinchas Pelovits in prison with twenty-six writers slated for execution at Stalin's command, and in the grip of torture Pinchas composes a mini-masterpiece, which he recites in one glorious moment before author and audience are simultaneously annihilated. In "The Gilgul of Park Avenue," a Protestant has a religious awakening in the back of a New York taxi. In the collection's hilarious title story, a Hasidic man incensed by his wife's interminable menstrual cycle gets a dispensation from his rabbi to see a prostitute. The stories in For the Relief of Unbearable Urges are powerfully inventive and often haunting, steeped in the weight of Jewish history and in the customs of Orthodox life. But it is in the largeness of their spirit-- a spirit that finds in doubt a doorway to faith, that sees in despair a chance for the heart to deepen--and in the wisdom that so prodigiously transcends the author's twenty-eight years, that these stories are truly remarkable. Nathan Englander envisions a group of Polish Jews herded toward a train bound for Auschwitz and in a deft imaginative twist turns them into acrobats tumbling out of harm's way; he takes an elderly wigmaker and makes her, for a single moment, beautiful. Again and again, Englander does what feels impossible: he finds, wherever he looks, a province beyond death's dominion.For the Relief of Unbearable Urges is a work of stunning authority and imagination--a book that is as wondrous and joyful as it is wrenchingly sad, and that heralds the arrival of a profoundly gifted new storyteller.

    The Book of Abraham opens on the backdrop of a burning Jerusalem in 70 AD as Abraham the Temple scribe flees the destruction of his home. Two thousand years and a hundred generations later, another Abraham perishes, immolated in the fires of the Warsaw Ghetto. But the chain that links these two Abrahams--a chain that stretches from Jerusalem to Warsaw through Rome, Alexandria, France and Greece--is one of family ties, and the unforgettable, powerful and poignant story that is told is that of one family--the author's own.

    62 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Lamb: The Gospel According to Biff. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Lamb: The Gospel According to Biff by Christopher Moore.

    As the number-one sitcom, it received more than seventy Emmy nominations, including two wins for best comedy. With You’re Lucky You’re Funny, Phil Rosenthal takes us onstage and inside the writer’s room. Rosenthal’s meteoric ascent was preceded by odd jobs, including a stint as a museum security guard, running a deli, and writing for a slew of forgettable shows—including one starring Robert Mitchum as a curmudgeonly homeless man taken in by two orphans. But when he met comedian Ray Romano, they discovered a shared lifetime of family dysfunction—and endless material for a sitcom. Not only a chronicle of one man’s rise to the peak of his profession, Rosenthal’s book is also an unprecedented look at the making of a hit series: how shows are written and character developed, how comedy is refined, how network executives are outsmarted, and most important, how egos are massaged. You’re Lucky You’re Funny is an inspiration to anyone involved in the creative process and a must read for the show’s millions of devoted fans. BACKCOVER: Advanced Praise: “In the Prologue, Mr. Rosenthal says ‘No one listens to me. Maybe the reader will...’ You should! He is the real deal, both as a human being and as an artist of comedy.” —Henry Winkler "I read YOU'RE LUCKY YOU'RE FUNNY and loved it! If you had the Everybody Loves Raymond bug during its 9 year run, this is the love letter you've been waiting for. If you've missed the bug, read it at the risk of being bitten and smitten." —Norman Lear

    Rabbi David Small, the new leader of Barnard's Crossing's Jewish community, can't even enjoy his Sabbath without things getting stirred up in a most unorthodox manner: It seems a young nanny has been found strangled, less than a hundred yards from the Temple's parking lot -- and all the evidence poi

    It follows the life of Don Wanderhop from his childhood in an immigrant Calvinist family living in Chicago in the 1950s through the loss of a brother, his faith, his wife, and finally his daughter-a tragedy drawn directly from De Vries's own life. Despite its foundation in misfortune, The Blood of the Lamb offers glimpses of the comic sensibility for which De Vries was famous. Engaging directly with the reader in a manner that buttresses the personal intimacy of the story, De Vries writes with a powerful blend of grief, love, wit, and fury.

    Rather than attending the asylum's Saturday dances, though, Beveridge goes on the lam in London. And thus, when a traveling German noble finds himself at the luxurious Hotel Mayonnaise without a guide to England's customs, who better to escort him than the amnesiac Englishman who materializes by his side? Beveridge provides the German with much useful knowledge, like giving a splendid tutor in bringing rail stations to a standstill, revealing the best way to fake a rabies attack, and showing how to crash London's most exclusive clubs — quite literally. A much-loved Victorian comic masterpiece, this is the original anarchic novel that ushered in the age of Wodehouse and Waugh.

    Written to help her Gentile husband and others like him who fall for believing a Jewish mother-in-law when she says, "Don't bother driving me, I'll take a cab," Jewish as a Second Language shows how to be one of the family—how to worry, how to interrupt, how to change your hotel room. It's not Yiddish. Though non-Jews can endear themselves by learning how to mis-use words like schmendrick and schmatta—providing both laughs and confirmation of Jewish superiority—this Jewish language is about the complex twists and somersaults of everyday speech, of unexpected nuances, hidden meanings, and swampy thickets of behavior, of wins, losses, and draws in competitions you never knew you entered. It's about the most common OAQs (obsessive anal questions): "This mole looks okay, doesn't it?" "Can Saltines go bad?" "They'll de-ice the wings before takeoff, right?" The Four Basic Shrugs. Acronyms never to use again: NASCAR, STD, and MRSA (Methicillin Resistant Staphylococcus Aureus, the potentially deadly skin virus that’s spread by contact, and also by talking about it casually). The things non-Jews do for fun and what Jews do: Contra dance/Contradict, Read the comics/Read the obituaries, Get your boobs done/Get your taxes done. Stuff never found in a Jewish home (trout flies, a lineoleum knife, a Lay-Z-Boy, a rottweiler) or mouth (Miracle Whip, marshmallow fluff, Bud).So you'll sit, you'll read, you'll laugh until you're nauseous. It's a nice book.

    The Bronsons were the first Jews to ever live in that tiny town (1920 population: 5,318) of one main street, one bank, one drugstore, one picture show, one feed and seed, one hardware, one barber shop, one beauty parlor, one blacksmith, and many Christian churches. Aaron Bronson moved his family all the way from New York City to that remote corner of northwest Tennessee to prove himself a born salesman--and much more. Told by Aaron's youngest child, The Jew Store is that rare thing--an intimate family story that sheds new light on a piece of American history. Here is One Man's Family with a twist--a Jew, born into poverty in prerevolutionary Russia and orphaned from birth, finds his way to America, finds a trade, finds a wife, and sets out to find his fortune in a place where Jews are unwelcome. With a novelist's sense of scene, suspense, and above all, characterization, Stella Suberman turns the clock back to a time when rural America was more peaceful but no less prejudiced, when educated liberals were suspect, and when the Klan was threatening to outsiders. In that setting, she brings to life her remarkable father, a man whose own brand of success proves that intelligence, empathy, liberality, and decency can build a home anywhere. The Jew Store is a heartwarming--even inspiring--story.

    

    This story begins when Daniel Baldinger divorces the wife he loves because she cannot bear children. Believing that "a man must have sons to say Kaddish for him when he dies," he marries a much younger woman, and by 1913, Daniel and his second wife Lieba have eleven children, including six sons. In this richly textured portrait, Armstrong follows the Baldinger children's lives over decades, through the terrifying years of the Holocaust, to the present. Based on oral histories and the diaries of more than a dozen men and women, Mosaic is an extraordinary story of a family and one woman's journey to reclaim her heritage.

    Tobias is obsessed with two things: God and girls. Mostly girls, of course. But being a Baptist preacher's son, he can't escape God. When his father is blinded in a bizarre accident (involving hard cider and bird droppings), Tobias must ride the rails to Texas to recover a long-hidden stash of money. Along the way, he's initiated into the hobo brotherhood by Craw, a ribald vagabond-philosopher. Obstacles arise in the form of a saucy prostitute, a flaming boxcar, and a man-eating catfish. But when he meets Sarah, a tough farm girl under a dark curse, he finds out that the greatest challenge of all is love.

    Yonatan is a marginal writer, a fifty-year-old widower left to raise his child alone. When he meets Shira, a bestselling author paralyzed by stage fright, the thaw begins as man, woman, and girl enter a halting romance, alternately tender and belligerent, generous and withdrawn. To the accompaniment of a full chorus of voices-of friends, neighbors, ex-lovers, parents-speaking from the past as well as the present, this family in the making gropes its way toward the comfort of love while navigating through ordinary pains: a dying father, angry children, wounding moments, and a distressing difference in the writers' levels of success which they wish would vanish even as it grows. An ensemble story marked by Yael Hedaya's exquisite sensitivity, "Accidents" follows its cast through fragility, vulnerability, and joy, accruing the small events of unremarkable days to produce a grand vision of the shared life. Rarely has the fictional world of family been plumbed with such knowingness, humor, and love.