It traces the cultural, political and spiritual sources of this movement of resistance, hightlighting the quest for change among an oppressed people. This book serves to break the intellectual traditions which placed the stamp of millenarianism on Rasta.

    bell hooks writes about the meaning of feminist consciousness in daily life and about self-recovery, about overcoming white and male supremacy, and about intimate relationships, exploring the point where the public and private meet.

    Crouch reveals an ambitious young man torn between music and drugs, between his domineering mother and his impressionable young wife, whose teenage romance with Charlie lies at the bittersweet heart of this story.With the wisdom of a jazz scholar, the cultural insights of an acclaimed social critic, and the narrative skill of a literary novelist, Stanley Crouch illuminates this American master as never before.

    . . Tight, terse prose harkens back to pulp fiction of the 1950s . . . The work is a breath of fresh air from lengthy, trying-too-hard-to-shock street lit and is an excellent choice for all metropolitan collections."--Library Journal (starred review, Pick of the Month)“The urban setting is unnamed but familiar in this brief, bloody tale of wasted lives lived short and hard.”--Publishers Weekly“Simultaneously a fast-paced crime drama and an engrossing, unsentimental moral tale, H.N.I.C. peers into the dark heart that underpins the codes of loyalty and friendship, betrayal and vengeance.”--Brooklyn Daily Eagle"In a genre that too often places incorrect ebonics in the mouths of black characters and fails to cross the empathy gap to get into their heads, Savile and Prodigy arrive at a seamless voice that is a refreshing take on crime fiction tropes…if tone and texture are what you’re looking for in your hardcore literature…H.N.I.C. delivers the goods."--Okayplayer"If you don't have this novella in your library collection already, please be on the lookout for this 2013 release, H.N.I.C., penned by Hip Hop artist Prodigy of the group, Mobb Deep."--StreetLiterature.com"H.N.I.C. is written by Prodigy himself and shows the extent to which good rappers can make good storytellers."--Brooklyn Based"The strength of this novella, in addition to its straightforward prose and rapid pacing, rests on the universal theme at its center: loyalty. Loyalty and the bullshit our friends put us through…Like any good work of crime, H.N.I.C. is grounded in such common experiences and, like any good work of crime, it speaks to all of us, despite the fact that very few of us can bypass an alarm system through some computer trickery."--Nerds of a Feather, Flock Together"It tells the…urban tale of deceit, greed and questioned loyalty with just enough drama to keep you turning the pages."--Literary Jewels"A brutal and quick read…custom-made for the big screen."--Charles Tatum's Review ArchivePappy tries to break out of the game before the head of his crew, Black, gets them all killed. Against his better judgment Pappy agrees to do one last job, but only because it's the price of his freedom. He knows his "brother" Black would rather see him dead than let him walk away. Yet he still agrees to do the job because Black isn't the only one who can't be trusted.Further developing the stark realism and uncompromising streetwise narratives of his lyrics, H.N.I.C. cements Prodigy's position as one of the foremost chroniclers of contemporary urban life. Simultaneously a fast-paced crime drama and an engrossing, unsentimental moral tale, H.N.I.C. peers into the dark heart that underpins the codes of loyalty and friendship, betrayal and vengeance.With H.N.I.C., Prodigy inaugurates Infamous Books, a revolutionary partnership that pairs the Infamous Records brand with Brooklyn-based independent publisher Akashic Books. Infamous Books' mission is to connect readers worldwide to crime fiction and street lit authors both familiar and new.

    . . is among the bravest of us, the most outraged. She feels for all. She is the universal poet.”—Alice Walker“Always urgent, inspiring, and demanding, Jordan’s work has left its indelible mark everywhere from Essence to The Norton Anthology of Poetry, and from theater stages to the floors of the United Nations and the United States Congress.”—BOMBDirected by Desire is the definitive overview of the poetry of June Jordan, considered one of the most lyrically gifted poets of the late twentieth century. Directed by Desire gathers the finest work from Jordan’s 10 volumes, as well as 70 new, never-before-published poems that she wrote while dying of breast cancer. Throughout over 600 pages readers will find intimate lyricism, elegance, fury, meditative solos, and dazzling vernacular riffs.As Adrienne Rich writes in her introduction, June Jordan “wanted her readers, listeners, students, to feel their own latent power—of the word, the deed, of their own beauty and intrinsic value. . . . She believed, and nourished the belief, that genuine, up-from-the-bottom revolution must include art, laughter, sensual pleasure, and the widest possible human referentiality.”From These PoemsThese poems they are things that I do in the dark reaching for you whoever you are and are you ready?June Jordan taught at the University of California Berkeley for many years and founded Poetry for the People. Her 28 books include poetry, essays, fiction, and children’s books. She was a regular columnist for The Progressive and a prolific writer whose articles appeared in The Village Voice, The New York Times, Ms. Magazine, and The Nation. Her numerous awards include a PEN West Freedom to Write Award and a lifetime achievement award from the National Black Writers Conference. After her death from breast cancer in 2002, a school in the San Francisco School District was renamed in her honor.

    

    McKissack and two-time Caldecott Honor winner Brian Pinkney comes an extraordinary must-have collection of classic playtime favorites. This very special book is sure to become a treasured keepsake for African American families and will inspire joy in all who read it.Parents and grandparents will delight in sharing this exuberant book with the children in their lives. Here is a songbook, a storybook, a poetry collection, and much more, all rolled into one. Find a partner for hand claps such as Eenie, Meenie, Sassafreeny, or form a circle for games like Little Sally Walker. Gather as a family to sing well-loved songs like Amazing Grace and Oh, Freedom, or to read aloud the poetry of such African American luminaries as Langston Hughes, James Weldon Johnson, and Paul Laurence Dunbar. And snuggle down to enjoy classic stories retold by the author, including Aesop s fables and tales featuring Br er Rabbit and Anansi the Spider.Great for sharing, on the porch or in the classroom. "Booklist, " Starred, on "Porch Lies" by Patricia C. McKissackThe illustrations, with their loose and fluid watercolors with India ink outlines, recall Chris Raschka s work. . . . A joyful selection for all collections. "School Library Journal" on "On the Ball" by Brian Pinkney"

    We now consider minstrelsy an embarrassing relic, but once blacks and whites alike saw it as a black art form—and embraced it as such. And, as the authors reveal, black minstrelsy remains deeply relevant to popular black entertainment, particularly in the work of contemporary artists like Dave Chappelle, Flavor Flav, Spike Lee, and Lil Wayne. Darkest America explores the origins, heyday, and present-day manifestations of this tradition, exploding the myth that it was a form of entertainment that whites foisted on blacks, and shining a sure-to-be controversial light on how these incendiary performances can be not only demeaning but also, paradoxically, liberating.

    This book reveals how five distinct African civilizations have shaped the specific cultures of their New World descendants.

    Sufferers have been ridiculed and labelled perverts. Yet the compulsion to be free of a limb is no imaginary illness. The feelings the condition generates are extraordinarily powerful — so strong that sufferers often seek out the most radical of treatments, and a few unorthodox surgeons risk their reputations to assist.Now we may know why: the condition's deep neurological roots are being unearthed, with startling implications for sufferers, the medical profession and our own understanding of ourselves.In this disturbing story from new science and technology publisher MATTER, acclaimed writer Anil Ananthaswamy delves into the science and accompanies an underground group of sufferers who travel across the world to get the illicit surgery they crave. Join him on a journey that reveals what it's like to be at war with your own body.

    Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, "The Black Atlantic" also complicates and enriches our understanding of modernism.Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison.In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

    Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

    Crisscrossing the towns and hamlets where the blues began, Lomax gave voice to such greats as Leadbelly, Fred MacDowell, Muddy Waters, and many others, all of whom made their debut recordings with him.The Land Where the Blues Began is Lomax’s “stingingly well-written cornbread-and-moonshine odyssey” (Kirkus Reviews) through America’s musical heartland. Through candid conversations with bluesmen and vivid, firsthand accounts of the landscape where their music was born, Lomax’s “discerning reconstructions . . . give life to a domain most of us can never know . . . one that summons us with an oddly familiar sensation of reverence and dread” (The New York Times Book Review). The Land Where the Blues Began captures the irrepressible energy of soul of people who changed American musical history.Winner of the 1993 National Critics Circle Award for nonfiction, The Land Where the Blues Began is now available in a handsome new paperback edition.

     Sure, black men and women have been through four hundred years of slavery, oppression, murder, and watching white college students try to dance. But now that it's hip to have black friends, white people aren't sure how to go about it. And that is a real American tragedy. Thank God Nick Adams is here to help you avoid potential racial pitfalls and successfully make the transition from white to "aiight." Now, you'll know not to start a conversation with, "So, that new Jay-Z album is pretty great, right?" Or tell a co-worker he looks just like (fill in blank with name of dark-skinned person who works in the other building.) You'll know that a lot of black people you meet at parties or work functions don't care who played Thelma's husband on "Good Times," don't want to discuss the Malcolm X biography you just read and definitely don't want to listen to country music. Ever. Yes, it's a good thing Nick is here to explain. Because if we're going to live together in peace and harmony, you people are going to need help. Black People, Briefly Explained. A Q&A with Nick Adams Q: Nick, what is the correct term to use when addressing my new friends: Black or African-American?A: Personally, I always liked Afro-American. I liked being named after a 1970's hairdo. But then I wondered why we didn't become the Jheri-curled Americans or High Top Fade Americans. Q: Nick, if black people can use the "N" word as a term of endearment, can I, a white person, do so? A: No. I don't care if you have your hair in cornrows while wearing a Phat Farm t-shirt at an R. Kelly concert. Black people don't get to be president, and white people don't get to use the word nigger. Can we just call it even now? Q: Nick, I'd like to try slang. Is that okay? A: When you guys start using our words, that's when we know it's time for us to stop using them. Every time a white, middle-aged math teacher calls a student, "dog," black people all over the country are notified via email. Believe it. Q: Nick, surely you have to agree that Eminem is a hip-hop visionary? A: Let's try this one more time: Kurtis Blow, RUN-DMC, LL Cool J, Rakim, Chuck D, KRS-One, Tupac, Notorious B.I.G., Nas, Common, Mos Def, Bitch!

    Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project.The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace