Reflecting Goldsworthys lifelong interest in the landscape of the British Isles, its history, and the people who work on it, Enclosure is a collection of ephemeral work that relates to sheep, including a spectacular series of large sheep paintings--made by the hoof-prints of sheep.

    Found everywhere from wine labels and high-end bar accessories to major motion pictures (Teacher's Pet, the upcoming Pink Panther), the visibility of this dynamic work has rapidly increased in the last few years to worldwide recognition and acclaim. Weirdo Deluxe is the first significant manifesto of the genrea riotous blend of pop culture, street culture, pop art, and surrealismand includes profiles of and interviews with 23 leading artists and hundreds of outrageous examples of their work. Special features include an expansive timeline, and peeks at the artists' collections and influences. Weirdo Deluxe is at once a primer and lowbrow art sourcebook as well as a visual homage to pop culture.

    Wissman offers astute and illuminating insights into the art, career, and family life of this great artist--whose beautiful paintings of a better, purer time an place continue to find favor with contemporary viewers. Over fifty full-color reproductions and several black-and-white illustrations exemplify Bouguereau's precision in creating timeless works of sensual, emotional, and intellectual appeal.

    The artists gather for a picture at a party in an ancient villa. Bear Bavinsky, creator of vast canvases, larger than life, is at the centre of the picture. His wife, Natalie, edges out of the shot.From the side of the room watches little Pinch—their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, striving to live up to the Bavinsky name; while Natalie, a ceramicist, cannot hope to be more than a forgotten muse. Trying to burn brightly in his father's shadow, Pinch's attempts flicker and die. Yet by the end of a career of twists and compromises, Pinch will enact an unexpected rebellion that will leave forever his mark upon the Bear Bavinsky legacy.A masterful, original examination of love, duty, art and fame, The Italian Teacher cements Tom Rachman as among this generation's most exciting literary voices.

    It includes examples of the Haystacks, Poplars, Morning on the Seine, Japanese Footbridge and Water Lilies series, an account of Monet's life at Giverny and photographs of Monet and his house and garden.

    With subjects that both reflect the zeitgeist and contribute to its creation, each exhibi­tion—from 2005’s Chanel, to 2011’s Alexander McQueen: Savage Beauty and 2013’s Punk—creates a provocative and engaging narrative attracting hundreds of thousands of visitors. The show’s opening-night gala, produced in collaboration with Vogue magazine and attended by the likes of Beyoncé, George Clooney, and Hillary Clinton, is regularly referred to as the Party of the Year.Covering the Costume Institute’s history and highlighting exhibitions of the 21st century curated by Harold Koda and Andrew Bolton, this book offers insider access of the first order. Anchored by photo­graphs from the exhibitions themselves in tandem with the Vogue fashion shoots they inspired, it also includes images of exhibited objects and party photos from the galas. Drawn from the extensive Vogue archives, the featured stories showcase the photographs of icons such as Annie Leibovitz, Mario Testino, Steven Meisel, and Craig McDean; the vision of legendary Vogue editors like Grace Coddington and Tonne Goodman; and the knowledge and wit of writers such as Hamish Bowles and Jonathan Van Meter.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    Produced by the Hulton Getty Picture Collection. Publisher: Barnes & Noble. 398 pages. Hardback

    With a tragedy in his past that looms over his future, he faces a long, hard apprenticeship to the foul-tempered scholar Everard, before he can have any chance of becoming a Knight. As he struggles to survive in the harsh discipline of the Temple, Will must try to make sense of many things: his own past, the dangerous mystery that surrounds Everard, and his confused feelings for Elwen, the strong-willed young woman whose path seems always to cross his own.Meanwhile, a new star is rising in the East. A ruthless fighter and brilliant tactician, the former slave Baybars has become one of the greatest generals and rulers of his time. Haunted by his early life, he is driven by an unquenchable desire to free his people from the European invaders of his homeland.With page-turning suspense and thrilling action, the Brethren trilogy brilliantly evokes that extraordinary clash of civilizations known in the West as the Crusades. Robyn Young portrays a rich cast of characters, reflecting on each side greed, ambition and religious fanaticism, as well as courage, love and faith.

    But amid the hushed corridors of the Gallery surge currents of history and violence, paintings whose power belies their own fragility. There also lingers the legacy of her great-grandfather Ted, the museum guard who slipped and fell moments before reaching the suffragette Mary Richardson as she took a blade to one of the gallery's masterpieces on the eve of the First World War. After nine years there, Marie begins to feel the tug of restlessness. A decisive change comes in the form of a winter trip to Paris, where, with the arrival of an uninvited guest and an unexpected encounter, her carefully contained world is torn open. Asunder is a rich, resonant novel of beguiling depths and beautiful strangeness, exploring the delicate balance between creation and destruction, control and surrender.

    That history - spread over three continents - features diamond mining in India, the French Revolution, the machinations of British King George IV, the Gilded Age in America and a number of very clever jewelers including Pierre Cartier and Harry Winston. In the 20th century, the myth of the Hope diamond curse made the diamond more notorious and famous than ever before, but it is only one small piece of a long and lustrous history.Dr. Kurin, who is a cultural anthropologist, has spent over a decade on the trail of the Hope, from India, to France, Germany, Russia, Switzerland, and England. His narrative is filled with fascinating places and people - from the fabled diamond city of Golconda to the fabulously rich heiress Evalyn McLean to Jackie Kennedy and her pivotal role in one of the Hope's few 20th century trips abroad.

    Superbly reproduced in full color, here are all of the most important paintings in the Louvre. The works of the great French masters - which amount to over half of the collection - are well represented, with paintings by Poussi, Fragonard, David, Gericault, Delacroix, Ingres, and Corot, to name only a few. The Mona Lisa is included, together with a good selection of Leonardo da Vinci's other paintings. Many other great Italian masterpieces are reproduced - from the early gilded panels of Giotto to altarpieces by Fra Angelico, from frescoes by Botticelli to canvases by Veronese, Titian, Tintoretto, and their successors. Here too are fine examples from the Flemish, Dutch, German, English, and Spanish schools, including Bosch, Durer, Vermeer, Turner, and El Greco.

    From diverse backgrounds, they met at The Slade in London between 1908 and 1910, in what was later described as the school’s “last crisis of brilliance.” Between 1910 and 1918 they loved, talked, and fought; they admired, conspired, and sometimes disparaged each others’ artistic creations. They created new movements; they frequented the most stylish cafés and restaurants and founded a nightclub; they slept with their models and with prostitutes; and their love affairs descended into obsession, murder, and suicide.

    And rightly so. The marriage of LaChapelle’s vivid, high-octane images with graphic artist, Tadanori Yokoo’s supersaturated designs make for an astonishing physical object. The reissue of this now classic, long out-of-print volume showcases all the lollipop giddiness of the original now lavishly reproduced in a larger format. “There’s a tradition of celebrity portraiture that attempts to uncover the ‘real person’ behind the trappings of their celebrity. I am more interested in those trappings,” says LaChapelle. Indeed, he exaggerates the artificiality of fame and Hollywood culture in a head on collision of color, plastic, and whimsy. His photographs confront our visual taste and challenge our ideas of celebrity, all the while taking us on a roller coaster ride through his hyper-sensationalized galaxy. Lil’ Kim becomes the ultimate status symbol, tattooed in the Louis Vuitton pattern. Madonna rises from pink waters as a mystical dragon princess. Pamela Anderson hatches out of an egg; and Alexander McQueen burns down the castle dressed as the Queen of Hearts. David LaChapelle’s uncompromising originality is legendary in the worlds of fashion, film, and advertising. His images, both bizarre and gorgeous, have appeared on and in between the covers of Vogue, Vanity Fair, Rolling Stone, Vibe and more. La Chapelle Land is fun park America gone surrealistically wrong — but in such an attractive way.

    It is one of Europe's greatest treasures and its own story is full of drama and surprise. Who commissioned the tapestry? Was it Bishop Odo, William's ruthless half-brother? Or Harold's dynamic sister Edith, juggling for a place in the new court? Hicks shows us this world and the miracle of the tapestry's making: the stitches, dyes and strange details in the margins. For centuries it lay ignored in Bayeux cathedral until its 'discovery' in the eighteenth century. It became a symbol of power as well as art: townsfolk saved it during the French Revolution; Napoleon displayed it to promote his own conquest; the Nazis strove to make it their own; and its influence endures today. This marvellous book, packed with thrilling stories, shows how we remake history in every age and how a great work of art has a life of its own.