Informed by conversations with elected women leaders from all levels, former three-term Vermont Governor and Ambassador to Switzerland Madeleine M. Kunin asks: What difference do women make? What is the worst part of politics, and what is the best part? What inspired these women to run, and how did they prepare themselves for public life? How did they raise money, protect their families' privacy, deal with criticism and attack ads, and work with the good old boys?Kunin's core message is that America needs an infusion of new leadership to better address the major problems of our time. To see how women can achieve that goal, she combines her personal experience in politics; the lessons of past women's movements; the stories of young women today who have new ideas about their role in society; and interviews with a wide range of women in positions of power, looking for clues to their leadership, as well as the effects of gender stereotyping. She interviews Senator Hillary Rodham Clinton, analyzes her campaign, and addresses the question: Is the country ready? Other interviewees include U.S. Representatives Loretta Sanchez, Linda Sanchez, Deborah Pryce, and Tammy Baldwin, and U.S. Senators Susan Collins, Amy Klobuchar, and Carol Moseley Braun, and Governors Kathleen Sibelius and Janet Napolitano.The next generation of women will be inspired to lead by seeing women like Nancy Pelosi wielding the gavel, and seeing themselves reflected in the portraits in statehouses, courthouses, corporate and university boardrooms, and the White House. Pearls, Politics, and Power will help ensure that this inspiration is not soured or deflected, but channeled into successful candidacies by America's leaders of tomorrow. What will it take for women to assume their rightful places in the political corridors of power?

    citizens; demands by the FBI for records of library borrowings; establishment of military tribunals to try suspected terrorists, including U.S. citizens--many of the measures taken by the Bush administration since 9/11 have sparked heated protests. In Not a Suicide Pact, Judge Richard A. Posner offers a cogent and elegant response to these protests, arguing that personal liberty must be balanced with public safety in the face of grave national danger.Critical of civil libertarians who balk at any curtailment of their rights, even in the face of an unprecedented terrorist threat in an era of proliferation of weapons of mass destruction, Posner takes a fresh look at the most important constitutional issues that have arisen since 9/11. These issues include the constitutional rights of terrorist suspects (whether American citizens or not) to habeas corpus and due process, and their rights against brutal interrogation (including torture) and searches based on less than probable cause. Posner argues that terrorist activity is sui generis--it is neither war nor crime--and it demands a tailored response, one that gives terror suspects fewer constitutional rights than persons suspected of ordinary criminal activity. Constitutional law must remain fluid, protean, and responsive to the pressure of contemporary events. Posner stresses the limits of law in regulating national security measures and underscores the paradoxical need to recognize a category of government conduct that is at once illegal and morally obligatory.One of America's top legal thinkers, Posner does not pull punches. He offers readers a short, sharp book with a strong point of view that is certain to generate much debate.OXFORD'S NEW INALIENABLE RIGHTS SERIESThis is inaugural volume in Oxford's new fourteen-book Inalienable Rights Series. Each book will be a short, analytically sharp exploration of a particular right--to bear arms, to religious freedom, to free speech--clarifying the issues swirling around these rights and challenging us to rethink our most cherished freedoms.

    Irredeemably hooked on Ecstasy, spangles and each other, Bole and Star grope through life in permanent bewilderment. So dim is their grasp on reality that they believe their duvet is a giant bag of pills, and have to write notes to remind themselves to eat)

    The young lawyer, a rising star with the Council Against Wrongful Convictions, is the last hope for inmate Eddie Nash, serving life without parole at the infamous Attica Correctional Facility in upstate New York. Attica, one of the last of the classic "Big Houses," is still haunted by the 1971 inmate revolt and police siege that left dozens of prisoners and hostages dead. Appealing the cast in federal court and unraveling the facts, Laura uncovers evidence that Eddie was framed by the police for the murder — the brutal hanging of a troubled young woman in the remote upstate town of Eden. Realizing that the real 'Hangman of Eden' may still be at large, Laura also finds herself being stalked. Are the police out to stop her from exposing their frame up? Is the real killer seeking to keep her from re-opening the investigation? Teaming up with noted innocence investigator Charles Steel, she gets a lead on evidence that could clear her client and point to the real killer. With a new trial moving forward, Laura must find the truth, and prevail in court, without becoming the next victim.

    Please understand one critical feature of this book. It is a biography, hand written by the junkie in question about his life and his alone. As such it is not a piece of literary perfection. It has not been polished to perfection by a team of editors, nor was it published by a major publishing company. Black Tar: For The Love of Heroin was originally written on a legal pad as part of a twelve step program. It made its way to me, its ultimate editor, and I was amazed by the details Stephen was able to remember and capture on paper. Once I got to know him I asked him if he would work with me on his life story and he reluctantly agreed. Sensing his hesitancy I told him we would not use his name and focus on the day to day existence of a junkie as he experienced it living from fix to fix. But Stephen could be a hard person to track down and his never ending thirst for the needle made his story a hard one to tell. I spent days upon weeks crawling the downtown streets looking for him and a lot of times when I did find him I would have to buy him heroin just to get him to work with me. So, I made a deal with him, like making a deal with the devil, that if he would help me drag his biography into existence, I would buy him enough heroin to get through each and every day we worked together.One day's worth of heroin for one day's worth of storytelling. This made it easy for him to make himself available for the writing of his biography. By the time I met Stephen he was almost fifty years old and in full blown heroin psychosis. How he managed to live as long as he had was always a miracle to me. Over the course of a year and several months I pulled every story Stephen could remember from his heroin-addled brain and preserved them on paper. But I never wanted this story to be an autobiography. I wanted it to be Stephen telling his story, in his words, no matter how it might look like in the end.With these rules in place I gave him his first computer and at first he slaved over his 'hunt and peak' computer skills. But the more he wrote the more he remembered and slowly, after three long years of exchanging one day of heroin to entice him to work one day of writing, Stephen declared himself finished with the project. I read what he had written and quickly realized that active heroin junkies make terrible writers. What he had produced was basically unusable. To make a three-year writing stint something of literary value I set myself to editing what he had written. I didn't want to strip it of the style of writing that made it junkie. More than anything else I wanted to preserve his perspective, sense of pain, his defeat, his single-minded approach to heroin and to the fact he knew it was going to kill him. I think that fatalistic view of life is what hit me the hardest.To make the book easy to digest I divided it into five segments and then spread his life between the points. And that is what we ended up with. The biography of a drug addict; barely touched by an editor's pen, and filled with the dirt, muck and blood that is a junkies life.

    Can Congress impose limits to free speech on the Internet? May a doctor or a family member assist a terminally-ill patient to commit suicide? Is it constitutional for a government agency to give preferences to minorities in awarding federal contracts?Covers various Americans' right to the free exercise of religion, freedom of speech, and freedom of the press, discrimination and defendant's rights.

    The intense drama—both inside and outside the courtroom—builds to an unexpected climax in an unforgettable final chapter. Savannah Law is filled with colorful but believable characters, including a few cantankerous law professors, who demonstrate their vanity and eccentricities at the weekly faculty meetings. The novel will appeal to anyone who enjoys a legal thriller or Southern novel.

    Working from news reports drawn from multiple international media, Jacobson and Col�n depict the critical events, decision makers, and consequences of America's "war on terror," and, most important, the context in which the war began, unfolded, and unraveled. The most demanding story they have ever tackled, After 9/11 is also the most tailor-made for their medium, capturing simultaneous events, geographic complexity, numerous participants, and a vast array of economic, statistical, and quantitative information--compellingly told through the sequential panel art narrative form unique to graphic books. Proving yet again that graphic novels best meet the challenge of giving the most information with the least amount of ink, Jacobson and Col�n answer with clarity and unforgettable imagery the question: How the hell did we end up where we are?

    He attacks the conventional wisdom that their influence cannot be predicted and also disputes the view that proportional representation is always best and will deliver 'consensus democracy'. He argues that the double-ballot formulas deserve more consideration for their ability to facilitate governability in adverse circumstances.His comparative assessment of presidential and semi-presidential systems and the variety of formulas that are categorized, sometimes misleadingly, as parliamentary, looks at the conditions that allow a political form to perform as intended.He concludes with a detailed proposal for a new type of government: alternating presidentialism. This meets the need for strong parliamentary control and efficient government, with safeguards against both parliamentary obstructionism and government by decree, and so could help to avoid political paralysis in Latin America, in the post-communist countries of Europe and in countries with dysfunctional parliamentary systems such as Italy and Israel.

    Twin gang leaders spell double trouble for Farrell Donovan and the newly expanded Night Vipers.When unexpected help comes out of the blue from an old enemy, will Farrell be able to accept it?Find out when you read Full Throttle.

    

    He almost made it. Instead, he finds himself free-falling through a world of hallucinatory absurdity, low comedy, and epic degradation. A Hollywood bottom-feeder who moonlights as a limo driver to pay the bills, both tormented and vicariously aroused by his contact with the industry's elite, Mr. Wiggins bears poignant, paranoid witness to the horror and hysteria that are by-products of "the Business." His phantasmagoric saga, by turns picaresque, pornographic, and poetic, Force Majeure is the first of a projected quartet called "Scriptures" that will chronicle the misadventures and transcendental fall and rise -- comic, tragic, and tragicosmic -- of Bud Wiggins, Quixote of Babylon.

    

    Not When It's Your Own Daughter Missing. A front-page murder is assigned to LAPD Detective Harley Ellis and her partner. Hollywood studio head Ira Spielman has been murdered. His widow says he had no enemies. Except one, says Harley, and she must discover who that is and why. She knows he sometimes interviewed actresses alone in his Hollywood office. Harley wonders: did he make a wrong move? It's not much, but it's a starting point. She would know: her own daughter had a screen test with Spielman before he was killed. Robbery-Homicide Division begins an investigation that obtains the name of Harley's daughter. Is she a suspect? No, but she's a person of interest. Charges get filed. The LAPD investigation is put beneath the microscope. Will Harley's investigation of a totally different suspect be vindicated? The amazing conclusion to this thoughtful investigation culminates in a final chapter few will see coming. Second Edition With Editorial Changes If you enjoyed Thaddeus Murfee you're going to love this tough, brilliant detective, Harley Ellis. John Ellsworth is a Goodreads writer with over 56,000 ratings and a USA Today Bestseller and a Kindle All-Star and an Amazon featured author. Fans of Tracy Crosswhite and Kinsey Millhone will enjoy this riveting saga of history, suspense, and love.

    Eminently readable, chock-full of information, Donnelly's book is a must-read. (Human Rights Quarterly) In this new edition, Jack Donnelly updates his classic text on the rise of human rights issues since World War II to reflect the new challenges posed by globalization and the war on terrorism. The third edition includes two entirely new chapters on the Universality of Human Rights and Terrorism, and focuses on the recent emergence of nonstate actors such as the UN and NGO's.