Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work.

    The story Budrys goes on to tell is a tale ripped from the pages of a supermarket tabloid. A starship crash lands in a New Jersey swamp, its passengers, human in appearance, scatter, each forced to find their own way in an alien world, living the rest of their lives among the human race. Like much of Budys' best work of the 1960s, Hard Landing expounds on the nature of identity, following its chief protagonist, Jack Mullica, through a series of adventures after his initial crash landing. Hard Landing is a welcome addition to Budrys' small but impressive collection of work. Hopefully Budrys, who has never been the most prolific of writers, will not go another fifteen years before releasing his next.

    The science fiction and Fantasy Book of Quotations.This book is made of assorted quotes from science fiction, fantasy, and horror, both in books and movies, with a bias towards science fiction.

    While regaling his readers with an incredible opus of almost five hundred entertaining and illuminating science fiction and nonfiction books, he also found time to write a three-volume autobiography. Now these volumes have been condensed into one by Asimov's wife, Janet, who also shares excerpts from letters he wrote to her. Together these writings provide an intimate portrait of a creative genius whose love of learning and playing with ideas is evident on every page. Reading this autobiography is like sitting down with Isaac Asimov and experiencing his witty, engaging, and brilliant personality firsthand. We are treated to many marvelous stories about his upbringing in Depression-era Brooklyn, his early fascination with the new science fiction pulp magazines, the thrill of his first published story, the creation of his well-known story "Nightfall," the genesis of the Foundation series, and the evolution of his creative life as a writer. He also reveals his inner thoughts about and experiences with various luminaries in science and science fiction. Above all, Asimov's autobiography conveys unbounded enthusiasm for his craft, the infectious joy of learning and creating, complete intellectual honesty, his strong humanist convictions, and his infinite fund of good humor and optimism even at the end of his life - all told in the lively clear writing style that was his trademark. Although Janet Jeppson Asimov concludes this work with a shocking revelation about her husband's death, the volume is clearly intended as a celebration - as the title suggests - of a wonderful, creative life. As a poignant coda to this work, Janet has appended one short story that was Isaac's favorite, and his 400th essay on this thoughts about science.

    body of work that will be continued to be enjoyed by generations of readers for all time. range of his genius: - The never before printed, complete 3,000 word prologue of his classic novel THE DEMOLISHED MAN - The extraordinary classic scienc-fiction tale, HELL IS FOREVER - Bester's shocking pre-cyberpunk stories, such as THE FOUR HOUR FUGE Included in this special edition are Bester's writings on such noted celebrities as Woody Allen, Rex Stout, and Isaac Asimov.

    The apprehensive scribe's quest is to capture on paper the fiercest of all literary beasts -- Moby Dick -- in the form of a workable screenplay so the great director can begin filming.But from the moment he sets foot on Irish soil, the author embarks on an unexpected odyssey. Meet congenial IRA terrorists, tippling men of the cloth impish playwrights, and the boyos at Heeber Finn's pub. In a land where myth is reality, poetry is plentiful, and life's misfortunes are always cause for celebration, Green Shadows, White Whale is the grandest tour of Ireland you'll ever experience -- with the irrepressible Ray Bradbury as your enthusiastic guide.

    Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    Despite early stardom through his childhood role in the motion picture "Stand By Me," and growing up on television as Wesley Crusher on "Star Trek: The Next Generation," Wil left Hollywood in pursuit of happiness, purpose, and a viable means of paying the bills. In the oddest of places, Topeka, Kansas, Wil discovered that despite his claims to fame, he was at heart "Just a Geek." In this bestselling book, Wil shares his deeply personal and difficult journey to find himself. You'll understand the rigors, and joys, of Wil's rediscovering of himself, as he comes to terms with what it means to be famous, or, ironically, famous for once having been famous. Writing with honesty and disarming humanity, Wil touches on the frustrations associated with his acting career, his inability to distance himself from Ensign Crusher in the public's eyes, the launch of his incredibly successful web site, wilwheaton.net, and the joy he's found in writing. Through all of this, Wil shares the ups and downs he encountered along the journey, along with the support and love he discovered from his friends and family. The stories in "Just a Geek" include: Wil's plunge from teen star to struggling actor, discovering the joys of HTML, blogging, Linux, and web design, the struggle between Wesley Crusher, Starfleet ensign, and Wil Wheaton, author and blogger, gut-wrenching reactions to the 9-11 disaster, moving tales of Wil's relationships with his wife, step-children, and extended family, and the transition from a B-list actor to an A-list author.Wil Wheaton—celebrity, blogger, and geek—writes for the geek in all of us. Engaging, witty, and pleasantly self-deprecating, "Just a Geek" will surprise you and make you laugh.

    . . Phil Dick's life was as weird and mysterious as any of his science fiction books."--Robert Anton Wilson With thirty-eight books currently in print and seven of his novels and short stories adapted into blockbuster films, Philip K. Dick is recognized worldwide as one of our time's greatest and most influential novelists. Lawrence Sutin's Divine Invasions, acknowledged by the Dick family as the official Philip K. Dick biography, illuminates the life of the man who loosed the bonds of the science-fiction genre and profoundly influenced such writers as Pynchon, Delillo, David Foster Wallace, and Jonathan Lethem. Absorbing, beautifully written, and profoundly revealing, Divine Invasions is a must-read for Dick fans and for all fans of contemporary fiction and film.

    This novel had its birth in a death – that of the author's closest friend, Christopher Hitchens. We also encounter the vibrant characters who have helped define Martin Amis, from his father Kingsley, to his hero Saul Bellow, from Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated his twenties, the alluringly amoral Phoebe Phelps. What begins as a thrilling tale of romantic entanglements, family and friendship, evolves into a tender, witty exploration of the hardest questions: how to live, how to grieve, and how to die? In his search for answers, Amis surveys the great horrors of the twentieth century, and the still unfolding impact of the 9/11 attacks on the twenty-first – and what all this has taught him about how to be a writer. The result is one of Amis’ greatest achievements: a love letter to life that is at once exuberant, meditative, heartbreaking and ebullient, to be savoured and cherished for many years to come.

    She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations.Sebastien de Ulloa is the oldest creature she has ever known. He was no longer young at the Christian millennium, and that was nine hundred years ago. He has forgotten his birth-name, his birth-place, and even the year in which he was born, if he ever knew it. But he still remembers the woman who made him immortal. He has everything, but a reason to live.In a world where the sun never set on the British Empire, where Holland finally ceded New Amsterdam to the English only during the Napoleonic wars, and where the expansion of the American colonies was halted by the war magic of the Iroquois, they are exiles in the new world--and its only hope for justice.

    A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.

    He’s taken sf to places it’s never been (Snow Crash, Anathem). He’s reinvented the historical novel (The Baroque Cycle), the international thriller (Reamde), and both at the same time (Cryptonomicon).Now he treats his legion of fans to Some Remarks, an enthralling collection of essays—Stephenson’s first nonfiction work since his long essay on technology, In the Beginning…Was the Command Line, more than a decade ago—as well as new and previously published short writings both fiction and non.Some Remarks is a magnificent showcase of a brilliantly inventive mind and talent, as he discourses on everything from Sir Isaac Newton to Star Wars.

    "Wired" magazine sent him to Singapore to report on one of the world's most buttoned-up states. "The New York Times Magazine" asked him to describe what was wrong with the Internet. Rolling Stone published his essay on the ways our lives are all "soundtracked" by the music and the culture around us. And in a speech at the 2010 Book Expo, he memorably described the interactive relationship between writer and reader.These essays and articles have never been collected-until now. Some have never appeared in print at all. In addition, "Distrust That Particular Flavor" includes journalism from small publishers, online sources, and magazines no longer in existence. This volume will be essential reading for any lover of William Gibson's novels. "Distrust That Particular Flavor" offers readers a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture.