Yet today there is only one—homo sapiens. What happened to the others? And what may happen to us?In this first volume of the full-color illustrated adaptation of his groundbreaking book, renowned historian Yuval Harari tells the story of humankind’s creation and evolution, exploring the ways in which biology and history have defined us and enhanced our understanding of what it means to be “human.” From examining the role evolving humans have played in the global ecosystem to charting the rise of empires, Sapiens challenges us to reconsider accepted beliefs, connect past developments with contemporary concerns, and view specific events within the context of larger ideas. Featuring 256 pages of full-color illustrations and easy-to-understand text covering the first part of the full-length original edition, this adaptation of the mind-expanding book furthers the ongoing conversation as it introduces Harari’s ideas to a wide new readership.

    Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's GirlMountain tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.

    Schulz and his art, providing an unprecedented look at the work of the most brilliant and beloved cartoonist of the twentieth century. Here is the whole gang–Charlie Brown, Lucy, Linus, Snoopy, Peppermint Patty, Schroeder, Pig-Pen, and all the others from the original Peanuts strips.More than five hundred comic strips are reproduced, as well as such rare or never-before-seen items as a sketchbook from Schulz's army days in the early 1940s; his very first printed strip, Just Keep Laughing; his private scrapbook of pre-Peanuts Li'l Folks strips; developmental sketches for the first versions of Charlie Brown and the other Peanuts characters; a sketchbook from 1963; and many more materials gathered from the Schulz archives in Santa Rosa, California.The art has been stunningly photographed by Geoff Spear in full color, capturing the subtle textures of paper, ink, and line. The strips–which were shot only from the original art or vintage newsprint–reveal how, from the 1950s through 2000, Schulz's style and the Peanuts world evolved. The book features an introduction by Jean Schulz and has been designed and edited by renowned graphic artist Chip Kidd, who also provides an informed and appreciative commentary. This celebration of the genius of the most revered cartoonist of our time is a must for anyone who has ever come under the spell of Peanuts.From the Hardcover edition.

    In an adventure that ain't for the little kiddies, (unless you have super cool parents, then whatever), you'll meet Gert—a six year old girl who has been stuck in the magical world of Fairyland for thirty years and will hack and slash her way through anything to find her way back home. Join Gert and her giant battle-axe on a delightfully blood soaked journey to see who will survive the girl who HATES FAIRYLAND.

    . .From Sanrio, who brought you Hello Kitty, comes Gudetama, the lazy egg. Not all Sanrio characters are cheery! In Japanese, when you're lazy, you are referred to as gude gude. And that's where our new friend gets its name. Gudetama (tama from "tamago," egg in Japanese) is the lazy egg. Gudetama likes soy sauce and being left alone. Sometimes, Gudetama wonders if we are born only to suffer. And here, in Eggsistential Thoughts, are Gudetama's musings on life.

    But sometimes, it just sucks. I know. I'm Amber Dusick and I started my blog Parenting: Illustrated with Crappy Pictures because I needed a place to vent about the funny (and frustrating) day-to-day things that happened to me as a parent. Turns out, poop is hilarious! At least when you're not the one wiping it up.This book won't make your frustrating moments any less crappy. But these stories about my Crappy Baby, Crappy Boy and my husband, Crappy Papa, will hopefully make you laugh. Because you're not alone. And sometimes the crappiest moments make the best memories. Parenting is wonderful! And also, well, you know.

    Until he gets a letter from the HR department insisting he use up his accrued vacation time, that is. In this humorous and heartfelt book from beloved illustrator Brian Rea, readers take a peek at Death's journal entries as he documents his mandatory sabbatical in the world of the living. From sky diving to online dating, Death is determined to try it all! Death Wins a Goldfish is an important reminder to the overstressed, overworked, and overwhelmed that everyone—even Death—deserves a break once in a while. If you enjoyed Brian Rea's work in Mary Karr's The Liars' Club: A Memoir or in the New York Times' popular Modern Love column you'll love his delightful illustrations of Death in this funny, heartfelt collection of works.This book is a great gift or self-purchase if you're looking for:Funny BooksFunny ComicsHumor Books

    Tommy Siegel’s debut essay and comics collection is the perfect pandemic gift—an uplifting, topical, and deeply funny view of millennial culture, phone addiction, and coping with the extreme weirdness of 21st-century life.Tommy Siegel's debut book collection includes 200+ pages of comics, essays, and extremely helpful guides to coping with 21st-century panic. With comics titled “Choose your social anxiety coping mechanism” and “What your coffee drink of choice says about you,” I Hope This Helps offers clever and sardonic commentary on our social media-driven culture, as well as a series of devastatingly funny relationship comics starring his popular Candy Hearts characters.Tommy Siegel’s comics began as doodles in the back of a van as a touring rock musician, and quickly earned a viral global fanbase and shout-outs from cultural heavyweights including Ringo Starr, Tim Heidecker, Vic Berger, and Alexandria Ocasio-Cortez. With a perfect balance of absurd humor and insightful writing, I Hope This Helps outlines the journey from the author’s earliest "van doodles" all the way to the socially-distanced awkwardness of the present day.

    The result is this collection of adorable illustrations depicting the tender, true moments the couple shares. From winter walks to end-of-day cuddles, inside jokes to impromptu forts, this dreamy art has already captured the hearts of thousands of fans around the world. Now in book form, Us delights as a gift and a keepsake.

    Smelling your cats. Figuring out how to spend your evening when the internet has suddenly stopped working. Relationships are full of sweet and quirky little moments! Sarah Graley’s first collection of the hit diary webcomic Our Super Adventure chronicles two years of these strange, relatable instances, as she navigates life with four cats and one cat-like boy. Whether it’s that feeling of getting the entire bed when your partner gets up before you, or the heartbreaking realisation that the love of your life has burned the microwave popcorn, Press Start To Begin documents all the weird little everyday flashes of shared absurdity that make up a relationship.

    His extreme road stories and encounters with other notorious, renegade Fables are just a few of the situations in store for this fan-favorite character.Collecting: Jack of Fables 1-5

    J-kun, a dog person, was coerced into adopting two cats by his fiancee A-ko: Muu, a Norwegian cat, and Yon who has an accursed face. Much to the chagrin of J, the cats do not immediately love him. The difference between fear and comedy is paper thin. Here's a cat comedy from a horror manga author.

    Eight years, four cats, and three moves are chronicled in this gorgeous hardcover omnibus, which includes a foreword by Raina Telgemeier (Smile, Ghosts). Hirsh and Ota's charming reverie about new adulthood will appeal to fans of Kate Beaton, Bryan Lee O'Malley, and Jeffrey Brown along with anyone who's just winging it."

    Fear, corruption and treachery abound in this political satire set in the aftermath of Stalin's death in the Soviet Union in 1953. When the leader of the Soviet Union, Joseph Stalin, has a stroke—the political gears begin to turn, plunging the super-state into darkness, uncertainty and near civil war. The struggle for supreme power will determine the fate of the nation and of the world. And it all really happened.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea