Thompson (1937-2005) commandeered the international literary limelight with his best-selling, comic masterpiece Fear and Loathing in Las Vegas. Following his 1966 debut Hell's Angels, Thompson displayed an uncanny flair for inserting himself into the epicenter of major sociopolitical events of our generation. His audacious, satirical, ranting screeds on American culture have been widely read and admired. Whether in books, essays, or collections of his correspondence, his raging and incisive voice and writing style are unmistakable.Conversations with Hunter S. Thompson is the first compilation of selected personal interviews that traces the trajectory of his prolific and much-publicized career. These engaging exchanges reveal Thompson's determination, self-indulgence, energy, outrageous wit, ire, and passions as he discusses his life and work.Beef Torrey is the editor of Conversations with Thomas McGuane and co-editor of the forthcoming Jim Harrison: A Comprehensive Bibliography. Kevin Simonson has been published in SPIN, Rolling Stone, Village Voice, and Hustler.

    Further reflections on Jeremy come from Rory Bremner, Paul Bassett Davies, Jon Naismith, Francesca Martinez, Sandi Toksvig, Victoria Coren Mitchell, Andy Hamilton, Graeme Garden and Hugo Rifkind. Katie Barlow also provides a moving Afterword.Jeremy Hardy, who died in February 2019, was perhaps the most distinctive and brilliant comedian to arise from the 80s Alternative Comedy circuit. He regularly entertained the millions who heard his outrageous rants on The News Quiz, his legendary singing on Sorry I Haven't a Clue, or his hilarious monologues and sketches on the award-winning Jeremy Hardy Speaks to The Nation and Jeremy Hardy Feels It. Often referred to as 'the comedian's comedian', Jeremy's comedy could be both personal and political, ranging in topics from prison reform to parenting, from British identity to sex. His comedy could be biting, provocative and illuminating, but it could also be surreal, mischievous and, at times, very silly. And while Jeremy's unwavering socialism was a thread that ran throughout his comedy, his greatest skill was that, whatever their political beliefs, Jeremy always brought his audience along with him.Jeremy Hardy Speaks Volumes is a fitting celebration of this brilliant comedian. Introduced by Jack Dee and Mark Steel and containing material from his stand-up to his radio monologues and political satire to the joyfully silly gems, as well as tributes from his friends and fellow comedians, it is curated to encompass everything about Jeremy that fans adored. Edited by Katie Barlow and David Tyler, Jeremy Hardy Speaks Volumes is wise, daft, outrageous, personal and, above all, very funny: like Jeremy himself. 'Ground-breakingly brilliant, off-the-register funny' JACK DEE 'A one-off. Part genius, part naughty schoolboy' SANDI TOKSVIG 'Unfussy, unshowy, principled, self-deprecating, hugely loved and admired by his fellow comedians and funnier than the lot of us put together' RORY BREMNER

    But journeys embarked upon full of the joys of the season all too often grind into a standstill of rage and bitterness before Hampshire even gives way to Wiltshire.Four-and-a-half thousand years ago the bluestones of Stonehenge were conveyed west from the river Avon along a small section of its route. Roman roads crossed it and drovers' paths lie beneath it. Its route cuts across some of the finest chalkland in southern England. The views are huge, the hills wide and windswept. Ancient woods lay across the summits of the downs and prehistoric monuments and sites are everywhere, the evidence of ancient habitation and worship left in abundance.Tom Fort samples the fare at the Willoughby Hedge Café , legendary among truckers. He seeks out service stations and inns and turnpike toll houses; tells stories of dreadful crashes and highway robberies; of solstice seekers and Stonehenge; of Queen Guinevere and Sir Launcelot; of army camps and racing tracks; Battles and festivals; of churches, abbeys, farms, houses, burial mounds, trout fishermen and falconers.Digging in dark corners, explorating long-forgotten byways and pouring over ancient maps Tom Fort has created a travel book, a book of social and cultural history, and a book about the England of 3000 BC and the England of 2010 AD.

    J. Ruth Gendler's evocative book has as its cast of familiar characters our own emotions, brought to life with a poet's wisdom and an artist's perceptive eye. In The Book of Qualities' magical community, Excitement wears orange socks, Faith lives in the same apartment building as Doubt, and Worry makes lists of everything that could go wrong while she is waiting for the train. In portraying the complexities of the psyche, Gendler uses the Qualities to bridge the distinctions between literature and psychology, and has created an original work that challenges us to look at our emotions in new and inspiring ways.

    In this edition, the original collection is supplemented with the 20 volume Harvard Shelf of Fiction, a selection of the greatest works of fiction. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland

    Reading tour.

    This enriching collection of stories, prose poems, verse, parables and autobiographical essays comprising the major body of Kahlil Gibran's works have been carefully translated and edited by a noted trio of Gibran scholars... Martin L. Wolf, Anthony R. Ferris and Andrew Dib Sherfan. Each of the ten books included in this beautifully bound collectors' volume has been hailed by critics as literary masterpieces. The works in this collection clearly demonstrate why critics regard Kahlil Gibran as eminently among the world's great writers. His writings reflect the wistful beauty, fierce anger, lofty majesty and the abiding peace that Eastern wisdom achieves in its contemplation. Often revered as the Dante of the twentieth century, the immortal savant of Lebanon, Kahlil Gibran created verses and lyric prose which impart to the reader a grand symphony of sparkling joys. These qualities have made Kahlil Gibran master of the written word.

    Bernard's advocacy of the Second Crusade, William Jennings Bryan's "Cross of Gold" speech, Winston Churchill's "Blood, Sweat and Tears" address, Richard Nixon's speech to the astronauts on the moon, Malcolm X's address on the Black Revolution, and many more. Readers will also find time-honored declamations by St. Francis, Martin Luther, John Calvin, Napoleon, Victor Hugo, Leon Trotzky, Mohandas K. Gandhi, Dylan Thomas, Fulton J. Sheen, Adlai Stevenson, Walter Reuther, and many others−over 240 speakers in all.For this newly updated edition, Stephen J. McKenna, Assistant Professor of English at The Catholic University of America, has added 14 important speeches delivered between 1974 and 1997. These new selections include Barbara Jordan's Opening Statement to the House Judiciary Committee for the Nixon Impeachment Proceedings (1974); Alexander Solzhenitsyn's Harvard Commencement Address (1978); Ronald Regan's First Inaugural Address (1981): Nelson Mandela's Address to a Rally in Cape Town on His Release from Prison (1990); Václav Havel's Address to a Joint Session of Congress (1990); the Earl of Spencer's Tribute to Diana, Princess of Wales (1997); and more.Rich with drama of history, the speeches in this volume will serve you time and time again by suggesting provocative themes and historical parallels, and by providing apt quotations, important reference passages, and a wide range of other valuable material.

    The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord. Drawing on a vast amount of new material, including correspondence among the Emerson brothers, Richardson gives us a rewarding intellectual biography that is also a portrait of the whole man.These pages present a young suitor, a grief-stricken widower, an affectionate father, and a man with an abiding genius for friendship. The great spokesman for individualism and self-reliance turns out to have been a good neighbor, an activist citizen, a loyal brother. Here is an Emerson who knew how to laugh, who was self-doubting as well as self-reliant, and who became the greatest intellectual adventurer of his age.Richardson has, as much as possible, let Emerson speak for himself through his published works, his many journals and notebooks, his letters, his reported conversations. This is not merely a study of Emerson's writing and his influence on others; it is Emerson's life as he experienced it. We see the failed minister, the struggling writer, the political reformer, the poetic liberator.The Emerson of this book not only influenced Thoreau, Fuller, Whitman, Dickinson, and Frost, he also inspired Nietzsche, William James, Baudelaire, Marcel Proust, Virginia Woolf, and Jorge Luis Borges. Emerson's timeliness is persistent and striking: his insistence that literature and science are not separate cultures, his emphasis on the worth of every individual, his respect for nature.Richardson gives careful attention to the enormous range of Emerson's readings—from Persian poets to George Sand—and to his many friendships and personal encounters—from Mary Moody Emerson to the Cherokee chiefs in Boston—evoking both the man and the times in which he lived. Throughout this book, Emerson's unquenchable vitality reaches across the decades, and his hold on us endures.

    Its popularity owes much to the lyricism of the prose, thepitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues oflanguage and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.

    In Against Expression, editors Craig Dworkin and Kenneth Goldsmith present the most innovative works responding to the challenges posed by these developments.Charles Bernstein has described conceptual poetry as "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Dworkin and Goldsmith, two of the leading spokespersons and practitioners of conceptual writing, chart the trajectory of the conceptual aesthetic from early precursors including Samuel Beckett and Marcel Duchamp to the most prominent of today’s writers. Nearly all of the major avant-garde groups of the past century are represented here, including Dada, OuLiPo, L=A=N=G=U=A=G=E, and Flarf to name just a few, but all the writers are united in their imaginative appropriation of found and generated texts and their exploration of nonexpressive language. Against Expression is a timely collection and an invaluable resource for readers and writers alike.

    With his messages going beyond the centuries, Mawlana is a guide and a leader who, ages ago, told the unchanging rules of all times. Rumi is primarily an intellectual, scientist and lawyer speaking Persian, Turkish, Arabic, Greek and Hebrew languages, secondly the greatest poet of all times with his poems on love, justice and freedom accompanied by mystical passion and pain, and above all a universal wise man and a philosopher. He interprets people, humanity, life and permanent values in a holistic approach and brings forward recipes for the problems and dilemmas of all people.In this book, readers will find a pearl of inspiration from the source of eternal wisdom for each day of year.

    They call on the fluidity of the imagination, from poetic vision to social justice, from the badlands of political demoralization to an art that might wound, that may open scars when engaged in its work, but will finally suture and not tear apart.This volume collects Rich's essays from the last decade of the twentieth century, including four earlier essays, as well as several conversations that go further than the usual interview. Also included is her essay explaining her reasons for declining the National Medal for the Arts.

    Always an impassioned and far-sighted advocate for a just relationship between the natural world and humankind, Williams has broadened her concerns over the past several years to include a reconfiguration of family and community in her search for a deeper understanding of what it means to be human in an era of physical and spiritual fragmentation. Williams begins in Ravenna, Italy, where "jeweled ceilings became lavish tales" through the art of mosaic. She discovers that mosaic is not just an art form but a form of integration, and when she returns to the American Southwest, her physical and spiritual home, and observes a clan of prairie dogs on the brink of extinction, she apprehends an ecological mosaic created by a remarkable species in the sagebrush steppes of the Colorado Plateau. And, finally, Williams travels to a small village in Rwanda, where, along with fellow artists, she joins survivors of the 1994 genocide and builds a memorial literally from the rubble of war, an act that becomes a spark for social change and healing. A singular meditation on how the natural and human worlds both collide and connect in violence and beauty, this is a work of uncommon perceptions that dares to find intersections between arrogance and empathy, tumult and peace, constructing a narrative of hopeful acts by taking that which is broken and creating something whole.

    On the page facing each letter, an illustration by a celebrated illustrator or graphic artist presents that artist's visual response.Among the diverse contributions are letters from Jane Goodall, Neil Gaiman, Jerome Bruner, Shonda Rhimes, Ursula K. Le Guin, Yo-Yo Ma, Judy Blume, Lena Dunham, Elizabeth Gilbert, and Jacqueline Woodson, as well as a ninety-eight-year-old Holocaust survivor, a pioneering oceanographer, and Italy’s first woman in space. Some of the illustrators, cartoonists, and graphic designers involved are Marianne Dubuc, Sean Qualls, Oliver Jeffers, Maira Kalman, Mo Willems, Isabelle Arsenault, Chris Ware, Liniers, Shaun Tan, Tomi Ungerer, and Art Spiegelman.  This project is woven entirely of goodwill, generosity of spirit, and a shared love of books. Everyone involved has donated their time, and all profits will go to the New York Public Library systems.Preface by David Remnick, editor, The New Yorker; Edited and introduced by Maria Popova, who has been writing since 2006 about what she reads on Brain Pickings (brainpickings.org), which is now included in the Library of Congress archive of culturally valuable materials; Edited by Claudia Bedrick, publisher, editorial and art director of Enchanted Lion Books.