Powerfully written, keenly felt, "The Trouble Boy" heralds an exciting new voice in fiction. "This is about fame and celebrity and the lengths to which people will go to have a taste of it. . ."At twenty-two, Toby Griffin wants it all--fame, fortune, an Oscar-winning screenplay and a good-looking boyfriend by his side. For now, what he's got is a freelance writing job at a tanking online magazine, a walk-up sublet in the East Village and "the boys," a young posse of preppy Upper East Siders with a taste for high fashion, top-shelf liquor and other men.But for Toby, downing vodka cranberries and falling in and out of lust with a series of guys he knows as Subway Boy, Loft Boy and Goth Boy is getting old. That all changes when Toby gets the chance of a lifetime--working as a personal assistant to hip, ruthless film mogul, Cameron Cole. In this decadent, drug-fueled world of VIP lounges, endless networking and relentless hype, Toby discovers that nothing is what is seems and that anything and anyone can be spun into PR gold. Though he's making friends with all the right people. Toby realizes that succeeding in Manhattan isn't as easy as he thought--until the one tragic night that changes his future forever and puts him in a position of power he never could have imagined.But with Toby's name suddenly becoming Page Six material, his life is coming unglued. And as his professional contacts betray him and his friends reveal troubling secrets, his choices become that much harder--and that much more important. Now, in his first year on his own, Toby Griffin is about to learn the price of getting everything he ever wanted."What really makes Toby's world so familiar--along with the author's lively, often-hilarious eye for even the most mundane social details--is the crisp prose and the snappy story."-- "The San Francisco Chronicle"

    Nonetheless, she traveled from Rhode Island to El Santuario de Chimayo in New Mexico to bring home a miracle for her dying father. Ultimately, Ann Hood discovered the courage to accept what had come her way, and an appreciation for the faith in miracles. Do Not Go Gentle is a profound journey into the nature of miracles, and one woman's revelatory reflection upon her spiritual heritage.

    By age six already a regular in the Sears Husky Boys Department. Young Frankie is also gay, and he's trapped in the aluminum-sidinged, lawn-sprinklered, what-exit? wilds of New Jersey suburbia. Imagine Elton John born to an Italian-American Edith and Archie Bunker and you've got the picture. A Boy Named Phyllis is Frank DeCaro's witty gem of a memoir about growing up among working-class Italian folk in Little Falls, New Jersey. There are the usual trials and tribulations between little Frankie and his parents, Marian and Frank Sr., but this is no angst-ridden, coming-of-age gay memoir. Frank is funny, and A Boy Names Phyllis is the antidote to such books. It is the mid-1960s and the DeCaros have it all: a living room that no one is allowed to live in; a complete collection of cardboard cutout decorations for every holiday; an Entenmann's factory around the corner; and a killer lineup of Friday-night TV - The Brady Bunch, The Partridge Family, Room 222, The Odd Couple, and, if you can stay awake long enough, Love, American Style. There's only one problem: instead of developing a crush on Laurie Partridge, Frankie gets a boner for Keith. He perfects a drop-dead Paul Lynde imitation, and ultimately finds liberation through Elton John and Disco.

    Long before Stonewall and Gay Pride, there was such a thing as gay culture, and it was recognized throughout Europe and America. Graham Robb, brilliant biographer of Balzac, Hugo, and Rimbaud, examines how homosexuals were treated by society and finds a tale of surprising tolerance. He describes the lives of gay men and women: how they discovered their sexuality and accepted or disguised it; how they came out; how they made contact with like-minded people. He also includes a fascinating investigation of the encrypted homosexuality of such famous nineteenth-century sleuths as Edgar Allan Poe's Auguste Dupin and Sherlock Holmes himself (with glances forward in time to Batman and J. Edgar Hoover). Finally, Strangers addresses crucial questions of gay culture, including the riddle of its relationship to religion: Why were homosexuals created with feelings that the Creator supposedly condemns? This is a landmark work, full of tolerant wisdom, fresh research, and surprises.

    One that no one can know about. If her past catches up with her, she will be ruined. Reputations will be tarnished. The only option she has left is to start a new life out West as a mail order bride. Her seductive charm takes her to the open plains of Wyoming where she meets a ranch owner, the man she hopes will one day become her husband… but she has to act fast. Jessie has a plan and everything will turn out alright. It has to. Her life as well as the life of her secret; an unborn child conceived from one regretful night, depends entirely on Jessie making all the right decisions. Benjamin Hardy. Charming. Rugged. A rough around the edges cowboy. A gentleman with a tough exterior and a mysterious air about him. To Benjamin, honor is paramount. It’s time to settle down. Start a family. Find a wholesome wife. But what meets Benjamin out West is more than he could have ever imagined. The second Benjamin lays eyes on Jessie, he wants her. Deeply. Passionately. Lust becomes love. This is everything Jessie could have ever wanted. The man of her dreams. The perfect life. But the guilt of her secret is too much to bear. As ghosts from her past begin to resurface, their quiet idyllic life slowly begins to a spiral into a storm of chaos. Will her plan ultimately destroy any chance of happiness she has? Can Benjamin find forgiveness for the woman he now loves? ........................... This book contains some sexual content and is intended for mature audiences.

    At a tipping point in our national conversation about gender and sexuality, rights and acceptance, Stories for Boys is about a father and a son finding a way to build a new relationship with one another after years of suppression and denial are given air and light. MartinOCOs memoir is quirky and compelling with its amateur photos and grab-bag social science and literary analyses. Gregory Martin explores the impact his fatherOCOs lifelong secrets have upon his life now as a husband and father of two young boys with humor and bracing candor. Stories for Boys is resonant with conflicting emotions and the complexities of family sympathy, and asks the questions: How well do we know the people that we think we know the best? And how much do we have to know in order to keep loving them?"

    Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.

    He is a boy who yearns to be loved and yearns to be Super in an everyday world so filled with unfairness that he must create his own reality - until the book's shattering conclusion makes Jerry realize who Superman really is.

    Escape—in the form of stowing away on a ship—only deepens his exposure to the squalor and brutality that men are capable of, and when he arrives in Alexandria he learns there are some things that one can't run away from. Narrated in unflinching language that is both visceral and acute in its observational power, Boy is a shocking book that stays in the mind long after it is read. Unfairly neglected during his lifetime, only recently has this original, uncompromising novelist started to be reappraised as among the finest novelists writing in English in the 20th century.

    From the body’s first mysterious eroticism to its final humiliation and pain, Gil Cuadros gives voice to both the beauty and sorrow of our common fate. His writing cuts like a double-edged sword—at times artful and sharp, at times unfiltered and raw. This is an awesome and haunting book.”—David Trinidad“The sensual, the expressive, the daring, the transformed become the matryrs of every era, every family. Their memoirs, heroics are our most devastating works of art. Gil Cuadros’s story ‘Unprotected’ is a classic of AIDS fiction and deserves a place of honor in the mosaic of American writing.”—Sarah Schulman“In a voice poised between plainspokenness and urgency, Gil Cuadros writes about the remnants of love in a devastated world. The poems and stories in City of God are as dire as they are beautiful, and sharp as a blow to the body.”—Bernard Cooper“I accuse Gil Cuadros of literary seduction in the nth degree…He makes me read on when I want to cry…I do not want to look at his words, and yet I cannot take my eyes away. His images sooth, burn, inspire. I accuse Gil Cuadros of language abuse—his stroke of silk, his pen a bludgeon. I accuse him of heart-bashing.”—Wanda ColemanGil Cuadros published stories and poems in Indivisible, High Risk 2, and Blood Whispers. His work is also on the compact disc, Verdict and the Violence: Poet’s Response to the LA Uprising. He was awarded the 1991 Brody Literature Fellowship, and was one of the first recipients of the PEN Center USA/West grant to writers with HIV. He lived in Los Angeles until his death in 1996.

    Here at last, in one spellbinding volume, are four million words of it. For more than forty years, from his sixteenth birthday until the eve of his unexpected death in 1988, the beloved actor and outrageous 'Carry On' star Kenneth Williams kept a candid diary. Devastatingly honest about himself, he is equally unsparing in his verdicts on his fellow man. In his descriptions of Tony Hancock, Maggie Smith, Joe Orton and countless others, his waspish sense of humour, love of anecdote and ear for dialogue are given full rein. Malicious, hilarious and harrowing, 'The Kenneth Williams Diaries' are a unique portrait of one of Britain's most popular - and most misunderstood - performers.

    Yet many who sit next to us in the pew at church fit that description, says author Wesley Hill. As a celibate gay Christian, Hill gives us a glimpse of what it looks like to wrestle firsthand with God's "No" to same-sex relationships. What does it mean for gay Christians to live faithful to God while struggling with the challenge of their homosexuality? What is God's will for believers who experience same-sex desires? Those who choose celibacy are often left to deal with loneliness and the hunger for relationships. How can gay Christians experience God's favor and blessing in the midst of a struggle that for many brings a crippling sense of shame and guilt? Weaving together reflections from his own life and the lives of other Christians, such as Henri Nouwen and Gerard Manley Hopkins, Hill offers a fresh perspective on these questions. He advocates neither unqualified "healing" for those who struggle, nor their accommodation to temptation, but rather faithfulness in the midst of brokenness. "I hope this book may encourage other homosexual Christians to take the risky step of opening up their lives to others in the body of Christ," Hill writes. "In so doing, they may find, as I have, by grace, that being known is spiritually healthier than remaining behind closed doors, that the light is better than the darkness."

    Writing in the intensely lyrical prose style that is his trademark, the man, Jean Cocteau, dubbed France's "Black Prince of Letters" here reconstructs his early adult years - time he spent as a petty criminal and vagabond, traveling through Spain and Antwerp, occasionally border hopping across to the rest of Europe, always trying to stay one step ahead of the authorities.

    But it wasn’t long before Timothy’s path and the outside world converged when a friend came out as a lesbian, and revealed she had been excommunicated by her family.Distraught and overcome with questions and doubts about his religious upbringing, Timothy decided the only way to empathize and understand her pain was to walk in the shoes of very people he had been taught to shun. He decided to come out as a gay man to everyone in his life, and to see for himself how the label of gay would impact his life.In the tradition of Black Like Me, The Cross in the Closet is a story about people, a story about faith, and about one man’s “abominable” quest to find Jesus in the margins.

    Wilde wrote the letter between January and March 1897; he was not allowed to send it, but took it with him upon release. In it he repudiates Lord Alfred for what Wilde finally sees as his arrogance and vanity; he had not forgotten Douglas's remark, when he was ill, "When you are not on your pedestal you are not interesting." He also felt redemption and fulfillment in his ordeal, realizing that his hardship had filled the soul with the fruit of experience, however bitter it tasted at the time.