Under her, women's roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women's status. Index, maps and illustrations.

    In this concise biography, Professor Werner Eck, one of the world's leading experts on the Roman empire, tells the extraordinary story of Augustus, Rome's first emperor.A concise and gripping account of Augustus and his age.Written by one of the world's foremost experts on the Roman Empire.Examines the transformation of Rome from a republic to a monarchy.Covers domestic and foreign policy, constitutional developments, and cultural achievements.Compares Augustus' own account of his life to other historical narratives and archaeological records.Includes a new translation of Augustus' Res Gestae with a short introduction and a substantial bibliography to aid further study.

    ForewordThe Discovery of Tutankhamun's TombTutankhamun & His WorldColor PlatesCatalogueBibliography

    Hibbert's gift is weaving political, social and art history into an elegantly readable and marvellously lively whole. The author's book on Florence will also be at once a history and a guide book and will be enhanced by splendid photographs and illustrations and line drawings which will describe all teh buildings and treasures of the city.

    He is also a satirical and epigrammatic writer who savagely consoles with laughter. Carmina captures in English both the mordant, scathing wit and also the concise tenderness, the famous love for reluctant Lesbia who is made present in these new versions. A range of English metres and rhymes evoke the epigrammatic power of the many modes and moods of this most engaging, erotic and influential of the Latin poets. He left a mark on Horace, Virgil, Ovid and on the lyric and epigrammatic traditions of all the languages of Europe. Of Len Krisak's Horace translations, Frederic Raphael said, ‘[He] enables us both to enjoy a fresh voice and to hear (and see), very distinctly, what lies behind and within his unintimidated rescripts’. Again in Carmina he works his precise magic.

    Carlo Ginzburg uses the trial records of Domenico Scandella, a miller also known as Menocchio, to show how one person responded to the confusing political and religious conditions of his time.For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed—just as cheese is made out of milk—and worms appeared in it, and these were the angels."

    In City of the Soul, William Murray begins to show us why.Growing up in Rome and spending much of his life in the city, William Murray is an expert guide as he takes us on an intimate walking tour of some of Rome’s most glorious achievements, illuminating the history and the mythology that define the city. Murray leads us through the centro, the city’s historic downtown center. He writes about the Villa Borghese, the Piazza di Spagna, and the Trevi Fountain and describes such singular attractions as the Capuchin Church of Santa Maria della Concezione, whose macabre crypt has impressed visitors from Mark Twain to the Marquis de Sade. As he walks, he reveals stories that only a longtime resident would know, capturing the sights, sounds, and flavors that make Rome a combination of the deep past and the ever-sensual present.

    The artistic ferment which had taken hold of Florence by 1420 was also reflected in the regional schools of Siena, Umbria, Mantua and Rome; and the new ideas spread from Italy through France, the Netherlands, Austria, Spain and Portugal. The book includes artists as diverse as Piero della Francesca, Van Eyck, Durer, Mantegna and Bellini, as well as the High Renaissance masters Leonardo da Vinci, Michelangelo and Raphael. With superb illustrations of the artists' work and crucial historical information about the "rebirth" of arts and letters, the authors illuminate one of the most important periods of art history. 251 illus., 51 in color.

    When he became involved in a conspiracy and was imprisoned in Pavia, it was to the Greek philosophers that he turned. THE CONSOLATION was written in the period leading up to his brutal execution. It is a dialogue of alternating prose and verse between the ailing prisoner and his 'nurse' Philosophy. Her instruction on the nature of fortune and happiness, good and evil, fate and free will, restore his health and bring him to enlightenment. THE CONSOLATION was extremely popular throughout medieval Europe and his ideas were influential on the thought of Chaucer and Dante.

    But exactly how do all the pieces fit together? In a single volume, The Promise and the Blessing connects the dots of the Old and New Testament books to reveal the big picture of salvation history. Organized chronologically rather than canonically, this book traces the flow of Israel’s history and shows how the New Testament proceeds out of the Old. It begins with God’s creation of the cosmos and the initial problem of the fall of man. Then it traces God’s solutions to that problem as he selects first one man, Abraham, then his line, and then the nation of Israel to provide the Messiah. Finally, it focuses on the Messiah himself and looks at how the gospel of Jesus was spread throughout the known world.The Promise and the Blessing is easy to use and ideal for anyone who wants to understand the grand narrative of the Bible. It features numerous beautiful, full-color photos, as well as sidebars and brief, fascinating “breakouts” of supplementary information. Maps, illustrations, summaries, and insightful notes help to illuminate the text. Field-tested in the classroom, The Promise and the Blessing is designed for Old and New Testament survey classes and will provide all readers of the Bible with a better understanding of how the drama that began in Eden winds through Israel’s history to its fulfillment in Jesus Christ.

    It combines authoritative research with a captivating style to bring our heritage home to us.

     Dream weekends with practical itineraries in all corners of Europe   Culture, history, natural beauty, fine cuisine, artistic masterpieces, cutting-edge architecture and style—Europe overflows with so many richesthat a lifetime seems too short to appreciate them. But with the right guidance, you can go far in a single weekend. Stylishly written and carefully researched, this updated and expanded collection of the popularNew York Times 36 Hours feature offers you 125 well-crafted itineraries for quick but memorable European trips, accompanied by hundreds of color photographs to fire your imagination. Explore the expected: the Renaissance in Florence, surfing in Biarritz, flamenco in Seville. And discover the unexpected: Sicilian mummies dressed in their Sunday best, a dry-land toboggan ride on Madeira, a hotel in Tallinn with a KGB spies’ nest on the penthouse floor. World capitals, ancient nations that once ruled wide domains, tiny countries with big personalities—it’s all Europe, and all fun to read about (whether you actually go or not) in this handsomely designed and illustrated book. Features:4,500 hours worth of insightful itineraries to make the most of your stay 125 European destinations, from major cities to lesser known gems Practical recommendations for over 500 restaurants and 400 hotels Color-coded tabs and ribbons to bookmark your favorite cities in each region Nearly 800 photos Illustrations by Olimpia Zagnoli Easy-to-reference indexes Detailed city-by-city maps pinpoint every stop on your itinerary Also available:36 Hours: 150 Weekends in the USA & Canada36 Hours: USA & Canada: Northeast 36 Hours: USA & Canada: Southeast 36 Hours: USA & Canada: Midwest & Great Lakes 36 Hours: USA & Canada: Southwest & Rocky Mountains

    This was not the city of decadence, carnival, and nostalgia familiar to us from later centuries. It was a ruthless imperial city, with a shrewd commercial base, like ancient Athens, which it resembled in its combination of art and sea empire. Venice: Lion City presents a new way of relating the history of the city through its art and, in turn, illuminates the art through the city's history. It is illustrated with more than 130 works of art, 30 in full color. Garry Wills gives us a unique view of Venice's rulers, merchants, clerics, laborers, its Jews, and its women as they created a city that is the greatest art museum in the world, a city whose allure remains undiminished after centuries. Like Simon Schama's The Embarrassment of Riches, on the Dutch culture in the Golden Age, Venice: Lion City will take its place as a classic work of history and criticism.

    In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.

    He shows first how the Huns overtuned the existing strategic balance of power on Rome's European frontiers to force the Goths and others to seek refuge inside the empire. This prompted two generations of struggle, during which new barbarian coalitions, formed in response to Roman hostility, brought the Roman west to its knees. The Goths first destroyed a Roman army at the battle of Hadrianople in 378 and went on to sack Rome in 410. The Vandals spread devastation in Gaul and Spain befor conquering North Africa, the breadbasket of the western empire, in 439. We then meet Attila the Hun, whose reign of terror swept from Constantinople to Paris, but whose death in 453 ironically precipitated a final desperate phase of Roman collapse, culminating in the Vandals' defeat of the massive Byzantine Armada, the west's last change for survival.Peter Heather convincingly argues that the Roman Empire was not on the brink of social or moral collapse. What brought it to an end were the barbarians.