'Not all those who wander are lost, ' 'Faithless is he that says farewell when the road darkens, ' and 'Never laugh at live dragons' are all poetic, wise, and convincingly real-sounding, but they are also a lens, through which more can be seen. These proverbs belong to entirely invented wisdom traditions and reflect the culture, the philosophical worldview, and the history of those who use them.In The Proverbs of Middle-earth, David Rowe discovers and investigates the degree to which the 'soul' of each of these fictional civilizations can be understood through the lens of their proverbs. What is revealed enriches the reader's experience of and delight in Middle-earth, as well as illuminating the astounding depth and detail of creativity behind it. Arrows dipped in honey abound!

    The legendary rivalry of the last two full blooded Saiya-jins, Goku and Vegeta, is the iconic example of a lifelong conflict that inspires fans to burst through their own personal limits.With a foreword by Ryo Horikawa, the Japanese voice of Vegeta, Dragon Ball Z “It’s Over 9,000!” When Worldviews Collide is the first e-book to explain where “It’s Over 9,000!” came from, how the original video spread to receive over 7 million views, and why it continues to be such a popular catchphrase. Featuring a thoroughly researched analysis of Goku and Vegeta’s colliding worldviews, this e-book helps the reader better understand why conflict is necessary for profound personal growth and character development.Referencing East Asian belief systems and high tech futuristic paradigms, Derek Padula, the author of The Dao of Dragon Ball book and blog, provides a deeper understanding of this epic story and the inherent values within it. It will forever change the way we look at Dragon Ball Z.

    Founded: 1855. “She wears an old uniform,” Nisha continued, “pale white face, dark shadows around her eyes. She is often seen sitting on this very chair. And it is said that the chair is always found in front of the mirror no matter where you leave it.” Rohan Agarwal has been appointed the manager of a play, and how excited he is to work with Chandni Joshi – his childhood crush, and unfortunately, his senior! A happy-go-lucky high school boarder, he has his fun with his friends, enjoys the odd sport and does not think twice before raiding his warden’s office to leak question papers. Then, one misty night, he sneaks into the infamous Green Room; and there, he finds something that wasn’t meant to be found… Mysterious happenings in the Green Room begin to follow. That's when Rohan stumbles on the fact that the same play was supposed to have taken place before, but it was cancelled. There was something evil associated with the play. Something terrible had happened in the Green Room the first time around, or at least, that’s what the stories said. And yet, Rohan finds, the old stories turn out to be true. And then, he learns a dark secret the school had been hiding…

    Alfred Prufrock” as well as ribald verse and other youthful curios. “Perhaps the most significant event in Eliot scholarship in the past twenty-five years” (New York Times Book Review). Edited by Christopher Ricks.

    The heat generated was so intense that a helicopter could only circle at a perimeter of one mile. Flying at a height of 200 feet, the air crew saw that the tongues of flame extended high above the rotor blades. On the surface a converted fishing trawler inched as close as possible, but the paint on the vessel's hull blistered and burnt, and the rope handrails began to smoke. In the water surrounding the inferno, men's heads could be seen bobbing like apples as their yellow hard hats melted with the heat. At the center stood, at least for now, the Piper Alpha oil platform, 110 miles northeast of Aberdeen, once the world's single largest oil producer. On July 6, 1988, its final day, it was ablaze with 226 men onboard. Only sixty-one would survive. Fire in the Night tells, for the first time and in gripping detail, the devastating story of that summer evening. Combining interviews with survivors, witness statements, and transcripts from the official enquiry into the disaster, this is the moving and vivid tale of what happened on that fateful night inside an oil rig inferno.

    In this anthology the authors have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources, some of which were here translated for the first time. The resulting volume is an invaluable reference work for art historians as well as for anyone interested in the mind and methods of one of the world’s greatest creative geniuses.“Highly readable. . . . Also included are documentary sources and letters illuminating Leonardo’s career; the manuscript sources for all of Leonardo’s statements are fully cited in the notes. The volume is skillfully translated and is illustrated with appropriate examples of drawings and paintings by the artist.”—Choice“Certainly easier to read and . . . more convenient than previous compilations.”—Charles Hope, New York Review of Books“A chaotic assemblage of Leonardo da Vinci’s writings appeared in 1651 as Treatise on Painting. . . . [Kemp] successfully applies . . . order to the chaos.”—ArtNews

    Alpha masters the thoughts; Beta controls the legs. When Alpha pulls the strings, Beta is her puppet. And when Alpha and Beta put their minds together, no man or woman alive is safe.

    A missing woman.  A killer on the loose.  And an Atlanta private eye who meditates his way to the truth....Check out the Majestic Diner At 3 a.m.  Look for a man named Flap and a woman named Dalliance...Flap Tucker isn't like other private eyes.  He's a mystic, a finder of lost things, a veteran of a foreign war who lives on the wrong side of town and lets his mind go freely to nirvana.  Now, in the city that Sherman burned but didn't bury, where good ol' boys and transvestite hookers pass in the downtown Atlanta night, Flap Tucker is beginning the strangest case of his already strange career.Flap's best friend, the beautiful nightclub owner Dalliance Oglethorpe, wants Flap to find the vanished wife of a millionaire scion--a half-wit who may have made the woman up in the first place.  Real or not, Flap starts looking for one Augusta Donne, and finds, instead, the brutal murders of two topless dancers and a transvestite who was ritually slain.  Each step of the way, the case grows more sinister, until Flap suddenly reaches that place only he can go: where all the universe is interconnected, where a Zenlike truth illuminates the path, and where Flap Tucker, the man with all the answers, is standing in a killer's way....Phillip DePoy has published short fiction, poetry, and criticism in Story, The Southern Poetry Review, Xanadu, Yankee, and other magazines.  He is currently the creative director of the Maurice Townsend Center for the Performing Arts at the State University of West Georgia, and has had many productions of his plays at regional theaters throughout the south.  He is the recipient of numerous grants from the National Endowment for the Arts, the state of Georgia, the Georgia Council for the Arts, the Arts Festival of Atlanta, the South Carolina Council for the Arts, etc.  He composed the scores for the regional Angels in America and other productions and has played in a numerous jazz and folk bands.  In his work as a folklorist he has collected songs and stories throughout Georgia and has worked with John Burrison, the foremost folklorist in the south and with Joseph Cambell.  Nexus Press published his nonfiction essay and photo collection, Messages from Beyond.  Easy is his first novel.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    He was a medical student and she was a nurse. Everything changed the moment the doctor rushed their infant daughter from the room just after her birth, knowing instantly that something was wrong. Sarah had almond-shaped eyes, a single crease across her palm instead of three, and low-set ears all of which suggested that the baby had Down syndrome.Beginning on the day Sarah is born and ending when she is a young adult living in a group home, Beautiful Eyes is the story of a father's journey toward acceptance of a child who is different. In a voice that is unflinchingly honest and unerringly compassionate, Austin chronicles his life with his daughter: watching her learn to walk and talk and form her own opinions, making decisions about her future, and navigating cultural assumptions and prejudices all the while confronting, with poignancy and moving candor, his own limitations as her father.It is Sarah herself, who, in her own coming of age and her own reconciling with her difference, teaches her father to understand her. Time and again, she surprises him: performing Lady Gaga s "Poker Face" at a talent show; explaining how the word "retarded" is hurtful; reacting to the events of her life with a mixture of love, pain, and humor; and insisting on her own humanity in a world that questions it. As Sarah begins to blossom into herself, her father learns to look past his daughter's disability and see her as the spirited, warmhearted, and uniquely wise person she is.

    Today, we're more likely to die from a lifestyle disease than any other cause, and many of these would be preventable if we took better care of our health. Enter a vast wellness industry that has emerged in recent years, making big money promoting 'healthy' lifestyles. Except the aim isn't to make your body work better: it's to make your body look better. Equipped with Instagram accounts or wellness blogs, each health advocate leads an army of people towards what is labelled 'health' but might actually be far from it. We are obsessed with body transformation and fitspiration, but the wrong advice is making us poor, tired and pretty unhealthy instead.Pretty Unhealthy is a call to reclaim the definition of true health: to aim for bodies that are resilient to disease and can do everything we need them to do; and for us to feel emotionally happy in those bodies.

    W. Bullinger's exhaustively researched study BibleA direct descendant of the great Swiss reformer, Johann H. Bullinger, E. W. Bullinger was a life-long scholar and writer. He studied at King's College, London, from 1860 through 1861 and was ordained in the Church of England in 1862. In 1867 he was appointed to the position of clerical secretary for the Trinitarian Bible Society, a post he would hold until his death.The Companion Bible by Bullinger was released in six parts, beginning in 1910, and Bullinger's identity as author of the notes and editor was purposely left off the title page. The introduction notes:To the same end this Bible is not associated with the name of any man; so that its usefulness may neither be influenced nor limited by any such consideration; but that it may commend itself, on its own merits, to the whole English-speaking race.The text of The Companion Bible is the Authorized Version (KJV). Bullinger's notes relied upon many sources from the biblical studies of that era, particularly the emerging archaeological and linguistic discoveries of the late 19th century.Notes within the text of this 2,176 page, one-volume study Bible give valuable insights into the original Greek and Hebrew languages. Alternate translations, explanations of figures of speech, cross-references and an introductory detailed outline of each book and chapter are among the many features which Bible students, pastors, and seminarians will find helpful.Study helps in The Companion Bible include:198 appendices, keyed to the study notes, which include explanations of Greek and Hebrew words and their use Charts, parallel passages, maps, proper names and their pronunciation Timelines plus other special information and topical studies Distinguishing type for divine names and titles. Archaeological findings and historical genealogies. Figures of speech which are noted and explained. Hebrew words supplied in their root form. Emphasized pronouns in the original text given in distinguishable type. Cross-references supplied to similar words in the original text. 10 point type size Burgundy hardcover

    After completing a university education, Oyama entered the business workforce and appeared destined to walk the same path as many a "salaryman." A singular temperament and a deep loathing of conformity, however, altered his career trajectory dramatically. Oyama left his job and moved to Osaka, where he lived for three years. Later he returned to the corporate world but fell out of it again, this time for good. After spending a short time on the streets around Shinjuku, home to Tokyo's bustling entertainment district, he moved to San'ya in 1987, at the age of forty.Oyama acknowledges his eccentricity and his inability to adapt to corporate life. Spectacularly unsuccessful as a salaryman yet uncomfortable in his new surroundings, he portrays himself as an outsider both from mainstream society and from his adopted home. It is precisely this outsider stance, however, at once dispassionate yet deeply engaged, that caught the eye of Japanese readers. The book was published in Japan in 2000 after Oyama had submitted his manuscript on a lark, he confesses for one of Japan's top literary awards, the Kaiko Takeshi Prize. Although he was astounded actually to win the award, Oyama remained in character and elected to preserve the anonymity that has freed him from all social bonds and obligations. The Cornell edition contains a new afterword by Oyama regarding his career since his inadvertent brush with fame."

    This title teaches knitters how to read charts - and better yet, how to make the most of them: to seet the a chart is a picture of knitted fabric; to make sense of the symbols in a chart without being tied to its key; and to handle chart quirks.

    She doesn't remember anything from her past or the circumstances that brought her there. Her family and friends surround her with love, helping her to recover and return to her life. But, for Rose, life has begun at the age of sixteen; she doesn't remember her childhood, her parents, nor David, her childhood sweetheart. The years pass. Rose lives a life no different from that of thousands of other women. The choices she makes at different junctures in her life affect her and those around her. She experiences moments of crisis and success, joy and sadness. Sixteen years after she loses her memory, her life is subjected to a surprising twist, which makes her think again about the choices she made in her life. Deja Vu is Michal Hartstein's third novel. It was preceded by Confessions of an Abandoned Wife and Hill of Secrets. Deja Vu won the Israeli Nanowrimo contest, raising these comments from the judges: "A real 'page turner, '... honest and free from self-righteousness... centered around a fascinating concept. The writer has a rare talent for telling a compelling story."