Enough of the half-truths demanded by magazine editors, enough of the endlessly recycled clichés regarded as good travel writing, and enough of the ugly secrets fiercely guarded by the travel industry. But mostly, he's had enough of returning home from assignments and leaving the most interesting stories and the most provocative insights on the editing-room floor. From getting swindled in Thailand to running afoul of customs inspectors in Belarus, from defusing hostile Swedish rockers backstage in Germany to a closed-door meeting with travel execs telling him why he's about to be fired once again, Thompson's no-holds-barred style is refreshing, invigorating, and all those other adjectives travel writers use to describe spa vacations where the main attraction is a daily colonic.Smile When You're Lying takes readers on an irresistible series of adventures in Europe, Asia, the Caribbean, Latin America, and beyond; details the effects of globalization on the casual traveler and ponders the future of travel as we know it; and offers up a treasure trove of travel-industry secrets collected throughout a decidedly speckled career.

    But has this knowledge cost us the ability to wonder? Wonder, Caspar Henderson argues, is at its most supremely valuable in just such a world because it reaffirms our humanity and gives us hope for the future. That’s the power of wonder, and that’s what we should aim to cultivate in our lives. But what are the wonders of the modern world? Henderson’s brilliant exploration borrows from the form of one of the oldest and most widely known sources of wonder: maps. Large, detailed mappae mundi invited people in medieval Europe to vividly imagine places and possibilities they had never seen before: manticores with the head of a man, the body of a lion, and the stinging tail of a scorpion; tribes of one-eyed men who fought griffins for diamonds; and fearsome Scythian warriors who drank the blood of their enemies from their skulls. As outlandish as these maps and the stories that went with them sound to us today, Henderson argues that our views of the world today are sometimes no less incomplete or misleading. Scientists are only beginning to map the human brain, for example, revealing it as vastly more complex than any computer we can conceive. Our current understanding of physical reality is woefully incomplete. A New Map of Wonders explores these and other realms of the wonderful, in different times and cultures and in the present day, taking readers from Aboriginal Australian landscapes to sacred sites in Great Britain, all the while keeping sight questions such as the cognitive basis of wonder and the relationship between wonder and science.             Beautifully illustrated and written with wit and moral complexity, this sequel to The Book of Barely Imagined Beings is a fascinating account of the power of wonder and an unforgettable meditation on its importance to our future.

    The Cat in the Hat introduces beginning readers to maps–the different kinds (city, state, world, topographic, temperature, terrain, etc.); their formats (flat, globe, atlas, puzzle); the tools we use to read them (symbols, scales, grids, compasses); and funny facts about the places they show us (“Michigan looks like a scarf and a mitten! Louisiana looks like a chair you can sit in!”).

    In a sweeping history of the development of location technology in the past century, Bray shows how radio signals created to carry telegraph messages were transformed into invisible beacons to guide ships and how a set of rapidly-spinning wheels steered submarines beneath the polar ice cap. But while most of these technologies were developed for and by the military, they are now ubiquitous in our everyday lives. Our phones are now smart enough to pinpoint our presence to within a few feet-and nosy enough to share that information with governments and corporations. Filled with tales of scientists and astronauts, inventors and entrepreneurs, You Are Here tells the story of how humankind ingeniously solved one of its oldest and toughest problems-only to herald a new era in which it's impossible to hide.

    In The Cannibal Queen, he turns his storytelling genius to nonfiction with an exultant account of three glorious months in the summer of ‘91 spent in the cockpit of a 1942 Stearman vintage biplane. Joining the ranks of John Steinbeck and Charles Kuralt, Coonts takes us on an extraordinary adventure, touching down in all forty-eight of the continental United States. On a clear, sunny Saturday in June, Coonts and his fourteen-year-old son David take off from Boulder, Colorado, in a 1942 Stearman open cockpit biplane, “a noisy forty-nine-year-old wood and canvas crate with a naked floozy painted on the side.” The Queen started life as a World War II primary trainer then spent over thirty years as an agricultural spray plane before being lovingly restored. For Coonts, who’s logged thousands of hours in the Navy’s most sophisticated aircraft, the Queen is flying as he’s never known it before—flying close the earth, the wind teasing his helmet, equipped with little more than a map and a compass. First stop is a Stearman fly-in in St. Francis, Kansas. there amid the barbecues and barber-shop quartets, the tree lined streets with their modest homes, Coonts feels nostalgia for small-town America, for a way of life he felt was dying. Yet, by the end of the journey, having met the friendly, richly individual people in towns large and small across the land, he knows our nation has weathered her first two hundred years remarkably well, and he is filled with hope for the future of this vast and varied land. First published in 1992, The Cannibal Queen was Coonts’ first venture into nonfiction and is hailed today as a classic flying story. Coonts captures the joy and wonder of flight on every page. Over half the fan mail he has received through the years has been about this book. You owe it to yourself to go flying with Stephen Coonts.

    From the author of the best-selling City Walks: Paris deck, this lively collection of walking adventures follows in the footsteps of more than 25 of the city's iconic former residents. Throughout, Paris is seen from the intimate vantage point of those who loved it best, from the bars where authors penned classic works to the markets and patisseries where food lovers indulged. Including photos and full-color maps throughout, each walk in this book guides visitors and locals through the city that inspired some of the world's most famous artists, writers, chefs, musicians, politicians, and more.

    In 1914, she had crushed England, France, and Russia in a war that was short but entirely devastating. By 1920, Kaiser Wilhelm II is looking for new lands to devour. The United States is fast becoming an economic super-power and the only nation that can conceivably threaten Germany. The U.S. is militarily inept, however, and is led by a sick and delusional president who wanted to avoid war at any price. Thus, Germany is able to ship a huge army to Mexico to support a puppet government. Her real goal: the invasion and permanent conquest of California and Texas. America desperately resists as the mightiest and most brutal army in the world in a battle fought on land, at sea, and in the air as enemy armies savagely marched up on California, and move north towards a second Battle of the Alamo. Only the indomitable spirit of freedom can answer the Kaiser's challenge.

    Yet the majority of fighting and dying in the war against Japan was done not by Marines but by unsung Army soldiers. John C. McManus, one of our most highly acclaimed historians of World War II, takes readers from Pearl Harbor—a rude awakening for a military woefully unprepared for war—to Makin, a sliver of coral reef where the Army was tested against the increasingly desperate Japanese. In between were nearly two years of punishing combat as the Army transformed, at times unsteadily, from an undertrained garrison force into an unstoppable juggernaut, and America evolved from an inward-looking nation into a global superpower. At the pinnacle of this richly told story are the generals: Douglas MacArthur, a military autocrat driven by his dysfunctional lust for fame and power; Robert Eichelberger, perhaps the greatest commander in the theater yet consigned to obscurity by MacArthur's jealousy; "Vinegar Joe" Stillwell, a prickly soldier miscast in a diplomat's role; and Walter Krueger, a German-born officer who came to lead the largest American ground force in the Pacific. Enriching the narrative are the voices of men otherwise lost to history: the uncelebrated Army grunts who endured stifling temperatures, apocalyptic tropical storms, rampant malaria and other diseases, as well as a fanatical enemy bent on total destruction. This is an essential, ambitious book, the first of two volumes, a compellingly written and boldly revisionist account of a war that reshaped the American military and the globe and continues to resonate today.

    Sometimes it's murder, sometimes it's by accident, and sometimes it's because they were so ludicrous they didnt deserve to exist in the first place. Occasionally they explode violently. A few slip away almost unnoticed. Often the cause of death is either 'got too greedy' or 'Napoleon turned up'. Now and then they just hold a referendum and vote themselves out of existence.This is an atlas of 48 nations that fell off the map. The polite way of writing an obituary is: dwell on the good bits, gloss over the embarrassing stuff. This book refuses to do so, because these dead nations are so full of schemers, racists, and con men that it's impossible to skip the embarrassing stuff.Because of this - and because treating nation-states with too much reverence is the entire problem with pretty much everything - these accounts are not concerned with adding to the earnest flag saluting in the world, however nice some of the flags might be.

    Whether made for military strategy or urban reform, to encourage settlement or to investigate disease, maps invest information with meaning by translating it into visual form. They capture what people knew, what they thought they knew, what they hoped for, and what they feared. As such they offer unrivaled windows onto the past.   In this book Susan Schulten uses maps to explore five centuries of American history, from the voyages of European discovery to the digital age. With stunning visual clarity, A History of America in 100 Maps showcases the power of cartography to illuminate and complicate our understanding of the past.   Gathered primarily from the British Library’s incomparable archives and compiled into nine chronological chapters, these one hundred full-color maps range from the iconic to the unfamiliar. Each is discussed in terms of its specific features as well as its larger historical significance in a way that conveys a fresh perspective on the past. Some of these maps were made by established cartographers, while others were made by unknown individuals such as Cherokee tribal leaders, soldiers on the front, and the first generation of girls to be formally educated. Some were tools of statecraft and diplomacy, and others were instruments of social reform or even advertising and entertainment. But when considered together, they demonstrate the many ways that maps both reflect and influence historical change.   Audacious in scope and charming in execution, this collection of one hundred full-color maps offers an imaginative and visually engaging tour of American history that will show readers a new way of navigating their own worlds.

    A work of creative nonfiction, the book roams through space, time and possibility, mapping cities of sound, melancholia and the afterlife, where time runs backwards or which float among the clouds. In doing so, Imaginary Cities seeks to move beyond the clichés of psychogeography and hauntology, to not simply revisit the urban past, or our relationship with it, but to invade and reinvent it. Following in the lineage of Borges, Calvino, Chris Marker and Kenneth White, the book examines the city from global macrocosm to the microcosm of its inhabitants’ perspectives. It proceeds through opium dreams, sea voyages, the hallucinations of prisoners, nocturnal decadence, impossible Soviet skyscrapers, marauding golems, subterranean civilisations, apocalyptic prophecies and the work of architectural visionaries such as Antonio Sant’Elia, Archigram and Buckminster Fuller. It rethinks the ideas of utopias and dystopias, urban exploration, alienation and resistance. It claims that the Situationists lacked ambition when they suggested, “Beneath the paving stones, the beach.” Instead, beneath the paving stones, we may just be able to discern the entire universe. Imaginary Cities demonstrates that each city dreamt up by artists, writers, architects and lunatics has a real-life equivalent and that the great Marco Polo was no liar. Imaginary Cities need not simply exist in fiction or the mind. We already inhabit them.

    In her 20s she fell in love with flight whilewatching an aerobatics exhibition and grew even more enthralled when shetook her first airplane ride.At age 24 she earned her pilot's wings and 1928 took part in thetransatlantic "Friendship" flight. Her willowy build, wholesome smile, andtousled blonde hair invited comparison to the celebrated pilot CharlesLindbergh, and "Lady Lindy" charmed the public with her unassuming manner.In 1937, Earhart wed publisher George Putnam, who managed her careerand promoted her zealously, ensuring her status as the world's best-knownaviatrix. The next year, she soloed the Atlantic, afterward receiving theDistinguished Flying Cross and began championing the efforts of womenthroughout the world to explore careers -- especially in aviation --traditionally held by men.Tragically, just days before her fortieth birthday, Earhart, hernavigator Fred Noonan, and their plane vanished en route to tiny HowlandIsland in the Pacific Ocean as they neared the end of their round-the-worldjourney. President Franklin D. Roosevelt authorized the greatest land andocean search ever undertaken but no trace of the missing flyers or theircraft were ever found.To Amelia Earhart, even the sky was no limit to those with thecourage to test new boundaries.

    These are the products of imagination, deception and simple human error. They are phantoms and fakes: an archipelago of ex-isles and forgotten lands.From the well-known story of Atlantis to more obscure tales from around the globe; from ancient history right up to the present day. This is an atlas of legend and wonder, of places discovered and then un-discovered.Malachy's words will be accompanied in the book by glorious full-colour illustrations by Katie Scott, who has previously worked with the New York Times, Kew Gardens and the BBC. She is the illustrator of the beautiful Animalium and the forthcoming Botanicum.

    So he grabs the handle of his red wagon and, with his little sister in tow, begins an incredible pilgrimage across Cleveland . . . and out of childhood forever.Set against the backdrop of one of the worst industrial disasters in American history, Don Robertson's enduring, beloved masterwork is a remarkable story of destiny, bravery, and responsibility, as fresh and relevant as when it first appeared in print.

    This colorful atlas illustrates the sweeping changes from the fall of the Roman Empire to the birth of Islam, the rise of Christianity, and the role of Judaism across Europe. Packed with vivid maps and photographs, this atlas is a perfect guide to Europe and its neighbors in the Middle Ages.