Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten representative color studies chosen by Albers. The paperback has remained in print ever since and is one of the most influential resources on color for countless readers.This new paperback edition presents a significantly expanded selection of more than thirty color studies alongside Albers’s original unabridged text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusions of transparency and reversed grounds. Now available in a larger format and with enhanced production values, this expanded edition celebrates the unique authority of Albers’s contribution to color theory and brings the artist’s iconic study to an eager new generation of readers.

    Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history. The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least two hundred forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day. Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery.

    This collection presents fifty large-scale artworks from the American master's color field period (1949–1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop. Featuring illuminating details about Rothko's life, influences, and legacy, and brimming with the emotional power and expressive color of his groundbreaking canvases, this essential volume brings the renowned artist's luminous work to light for both longtime Rothko fans and those discovering his work for the very first time. A textured case and large-scale tip-on on the front cover round out this sumptious package.

    Renowned for his uncanny ability to incorporate amazing detail and imagination into stunningly realistic fantasy settings, James Gurney teaches budding artists and fans of fantasy art step-by-step the techniques that won him worldwide critical acclaim. This groundbreaking work examines the practical methods for creating believable pictures of imaginary subjects, such as dinosaurs, ancient Romans, alien creatures, and distant worlds.Beginning with a survey of imaginative paintings from the Renaissance to the golden Age of American illustration, the book then goes on to explain not just techniques like sketching and composition, but also the fundamentals of believable world building including archaeology, architecture, anatomy for creatures and aliens, and fantastic engineering. It concludes with details and valuable advice on careers in fantasy illustration, including video game and film concept art and toy design.More than an instruction book, this is the ultimate reference for fans of science fiction and fantasy illustration."Gurney's Imaginative Realism is a gold mine for artists who want to create images that sing with authority and delight the viewer with rich otherworldly visuals." --Erik Tiemens, concept artist, Star Wars: Episodes II and III"Imaginative Realism is an indispensable, flawless reference for vision makers in any discipline to create their own imaginative realms." --Frank M. Costantino, ASAI, SI, FSAI, JARA, cofounder, American Society of Architectural Illustrators

    This is his story, told in his own words.Take a look through the book. When you do, you will find that this remarkable memoir has many qualities. It is:PERSONALAs if he were sitting across the table from you, Pierre Trudeau reminisces about his life in an informal, direct way. He starts with his memories of his family, especially his mother and father, to whom the book is dedicated. There are memorable events from childhood here, such as a visit to complain to the principal on his second day at school. Later there is a lunchroom encounter with a high school bully and then, at the age of fifteen, real tragedy.“Aroused by the ringing of the telephone, I came out of my room to go downstairs and find out what was happening. But I froze on the landing when I heard the awful words: ‘Your father is dead, Pierre.’”PHILOSOPHICALAfter an extensive education in Montreal, Boston, London, and Paris, Trudeau set off with a backpack to travel around the world. He tells how he went through one war zone after another, encountering armed bandits and being arrested in wartime Jordan as a Jewish spy. These adventures and further travels through India and war-torn China left with him a deep belief in the rights of the individual and the vital role of government in protecting these rights. He tells how his hatred of narrow nationalism reinforced his stand against requests for special treatment by successive Quebec governments.POLITICALFrom the day he decided to go to Ottawa as a Liberal MP in 1965, Trudeau was clearly on a fast track. After becoming minister of justice in 1967 and tackling very controversial law reforms, he ran for the leadership and became prime minister in 1968 – the first Canadian leader born in the twentieth century. He talks about his use of “the Liberal machine” and all the electoral fights that followed over the year, providing interesting insights into his contests with national opponents such as Robert Stanfield, David Lewis, Joe Clark (a tougher opponent than the man who deposed him), Ed Broadbent, and Brian Mulroney, about whose virtues he is eloquently silent.PERSONALITY-FILLEDAs a leader whose time in office ran from the fall of Charles de Gaulle to the rise of Mikhail Gorbachev, Pierre Trudeau was able to exert his influence to break down the Cold War mentality. He enjoyed good personal rapport with such different leaders as Chou Enlai, Jimmy Carter, Fidel Castro, Helmut Schmidt, and François Mitterand. His relations with Richard Nixon and Margaret Thatcher were less warm, and he was less impressed by Ronald Reagan’s intellect than by the wisdom of the Queen.PATRIOTICWhether they loved him or hated him, Canadians knew that in Pierre Trudeau’s time, the government stood up for Canada. He stood up to the domestic terrorism of the FLQ – and he makes no apologies here for his tough response to the October Crisis in 1970 – just as he stood up to the provincial premiers (including Réné Lévesque) who he believed were blocking the patriation of Canada’s constitution ten years later.PERTINENTThe author’s preface ends with a word to you, the reader. “Whether you were a Liberal Cabinet colleague, a Canadian voter whose support we sought, or a young Canadian whose future we tried to improve, you are a part of this book.”

    It’s called BASTARDS AND BONEHEADS.Bastards succeed. Whether their goals are noble or immoral, Bastards are ruthless. Active. They cause events to unfold by an act of focussed will. Boneheads fail, usually by stumbling over their own two feet. Boneheads are reactive. Inept. They cause events to unfold mainly by accident. Bastards screw Canada. Boneheads just screw up.BASTARDS AND BONEHEADS makes an excellent parlour game. Pierre Trudeau was a Bastard. Joe Clark was not. Brian Mulroney managed to be both. Your turn: Jean Chrétien—Bastard or Bonehead?But Ferguson doesn’t limit himself to the prime ministers. No, sir. He takes on the full sweep of Canadian history, examining and evaluating the key personalities behind our most momentous events. When the English captured Quebec in 1759, was it a “Battle of Boneheads” or a “Contest of Bastards”? Was the War of 1812 won by Bastards? Or lost by Boneheads? From the internment of Japanese Canadians during the Second World War to Canada’s contribution to the Holocaust, from the battle for women’s rights to the rise of the separatist movement, Will Ferguson looks at our past head-on, wars and all. This is history on the edge: opinionated, hard-hitting, outrageous and always thought-provoking. Watch out, Canada. Will Ferguson is headed our way.

    In Picasso's War, Martin weaves politics, history, art, and science into a stirring narrative of the monumental canvas that was to become the most important artwork of the 20th century.

    It is the most famous story about any artist in history. But what really happened on that dark winter night?In Van Gogh's Ear, Bernadette Murphy reveals the truth. She takes us on an extraordinary journey from major museums to forgotten archives, vividly reconstructing Van Gogh's world. We meet police inspectors and café patrons, prostitutes and madams, his beloved brother Theo and fellow painter Paul Gauguin.Why did Van Gogh commit such a brutal act? Who was the mysterious 'Rachel' to whom he presented his macabre gift? Did he really remove his entire ear? Murphy answers these important questions with her groundbreaking discoveries, offering a stunning portrait of an artist edging towards madness in his pursuit of excellence.BBC RADIO 4 BOOK OF THE WEEKPRIMETIME BBC2 DOCUMENTARY WITH JEREMY PAXMAN

    This discovery set her on a time-sensitive mission: to understand how her own family had somehow wound up in Canada.Chop Suey Nation weaves together Hui’s own family history with those dozens of Chinese restaurant owners from coast to coast. Along her trip, she meets a Chinese-restaurant owner/small-town mayor, the owner of a Chinese restaurant in a Thunder Bay curling rink, and the woman who runs a restaurant alone on the very remote Fogo Island. Hui also explores the fascinating history behind “chop suey” cuisine, detailing the invention of classics like “ginger beef” and “Newfoundland chow mein,” and other uniquely Canadian fare like the “Chinese pierogi” of Alberta.Hui, who grew up in authenticity-obsessed Vancouver, starts out her journey with a dim view of “fake" small-town Chinese food. But along the way she comes to understand the values that drive these restaurants — perseverance, entrepreneurialism and deep love for family. Using her own family’s story as a touchstone, she reveals the importance of these restaurants to this country’s history and makes the case for why chop suey cuisine is quintessentially Canadian.

    Here, in a collaboration with art critic Martin Gayford, he explores the many ways that artists have pictured the world, sharing sparkling insights and ideas that will delight every art lover and art maker. Readers who thrilled to Hockney’s Secret Knowledge know that he has an uncanny ability to get into the minds of artists. In A History of Pictures he covers far more ground, getting at the roots of visual expression and technique through hundreds of images—from cave paintings to frames from movies—that are reproduced. It’s a joyful celebration of one of humanity’s oldest impulses.

    As prime minister between 1968 and 1984, Trudeau, the brilliant, controversial figure, intrigued Canadians and attracted international attention as no other Canadian leader has ever done. Volume One takes us from his birth in 1919 to his election as leader in 1968.Born into a wealthy family in Montreal, Trudeau excelled at the best schools, graduating as a lawyer with conservative, nationalist and traditional Catholic views. But always conscious of his French-English heritage, desperate to know the outside world, and an adventurer to boot, he embarked on a pilgrimage of discovery – first to Harvard and the Sorbonne, then to the London School of Economics and, finally, on a trip through Europe, the Middle East, India and China. He was a changed man when he returned – socialist in his politics, sympathetic to labour, a friend to activists and writers in radical causes. Suddenly and surprisingly, he went to Ottawa for two mostly unhappy years as a public servant in the Privy Council Office. He frequently shocked his colleagues when, on the brink of a Quebec election, for example, he departed for New York or Europe on an extended tour. Yet in the 1950s and 60s, he wrote the most important articles outlining his political philosophy.And there were the remarkable relationships with friends, women and especially his mother (whom he lived with until he was middle-aged). He wrote to them always, exchanging ideas with the men, intimacies with the women, especially in these early years, and lively descriptions of his life. He even recorded his in-depth psychoanalysis in Paris. This personal side of Trudeau has never been revealed before – and it sheds light on the politician and statesman he became.Volume One ends with his entry into politics, his appointment as Minister of Justice, his meeting Margaret and his election as leader of the Liberal Party and Prime Minister of Canada. There, his genius and charisma, his ambition and intellectual prowess, his ruthlessness and emotional character and his deliberate shaping of himself for leadership played out on the national stage and, when Lester B. Pearson announced his retirement as prime minister in 1968, there was but one obvious man for the job: Pierre Trudeau.In 1938 Trudeau began a diary, which he continued for over two years. It is detailed, frank, and extraordinarily revealing. It is the only diary in Trudeau’s papers, apart from less personal travel diaries and an agenda for 1937 that contains some commentary. His diary expresses Trudeau’s own need to chronicle the moments of late adolescence as he tried to find his identity. It begins on New Year’s Day 1938 with the intriguing advice: “If you want to know my thoughts, read between the lines!”–from Citizen of the World

    Now, in the hands of the superb biographer Hilary Spurling, the unknown Matisse becomes visible at last.Matisse was born into a family of shopkeepers in 1869, in a gloomy textile town in the north of France. His environment was brightened only by the sumptuous fabrics produced by the local weavers--magnificent brocades and silks that offered Matisse his first vision of light and color, and which later became a familiar motif in his paintings. He did not find his artistic vocation until after leaving school, when he struggled for years with his father, who wanted him to take over the family seed-store. Escaping to Paris, where he was scorned by the French art establishment, Matisse lived for fifteen years in great poverty--an ordeal he shared with other young artists and with Camille Joblaud, the mother of his daughter, Marguerite. But Matisse never gave up. Painting by painting, he struggled toward the revelation that beckoned to him, learning about color, light, and form from such mentors as Signac, Pissarro, and the Australian painter John Peter Russell, who ruled his own art colony on an island off the coast of Brittany. In 1898, after a dramatic parting from Joblaud, Matisse met and married Amélie Parayre, who became his staunchest ally. She and their two sons, Jean and Pierre, formed with Marguerite his indispensable intimate circle.From the first day of his wedding trip to Ajaccio in Corsica, Matisse realized that he had found his spiritual home: the south, with its heat, color, and clear light. For years he worked unceasingly toward the style by which we know him now. But in 1902, just as he was on the point of achieving his goals as a painter, he suddenly left Paris with his family for the hometown he detested, and returned to the somber, muted palette he had so recently discarded.Why did this happen? Art historians have called this regression Matisse's "dark period," but none have ever guessed the reason for it. What Hilary Spurling has uncovered is nothing less than the involvement of Matisse's in-laws, the Parayres, in a monumental scandal which threatened to topple the banking system and government of France. The authorities, reeling from the divisive Dreyfus case, smoothed over the so-called Humbert Affair, and did it so well that the story of this twenty-year scam--and the humiliation and ruin its climax brought down on the unsuspecting Matisse and his family--have been erased from memory until now.It took many months for Matisse to come to terms with this disgrace, and nearly as long to return to the bold course he had been pursuing before the interruption. What lay ahead were the summers in St-Tropez and Collioure; the outpouring of "Fauve" paintings; Matisse's experiments with sculpture; and the beginnings of acceptance by dealers and collectors, which, by 1908, put his life on a more secure footing.Hilary Spurling's discovery of the Humbert Affair and its effects on Matisse's health and work is an extraordinary revelation, but it is only one aspect of her achievement. She enters into Matisse's struggle for expression and his tenacious progress from his northern origins to the life-giving light of the Mediterranean with rare sensitivity. She brings to her task an astonishing breadth of knowledge about his family, about fin-de-siècle Paris, the conventional Salon painters who shut their doors on him, his artistic comrades, his early patrons, and his incipient rivalry with Picasso.In Hilary Spurling, Matisse has found a biographer with a detective's ability to unearth crucial facts, the narrative power of a novelist, and profound empathy for her subject.From the Hardcover edition.

    "A profoundly human treatment of O'Keeffe and all the people who figured prominently in her life."-- "Los Angeles Times"

    He had good grounds for the confidence palpable in his statement, for in the history of 20th century art, his name stands out over all the others. In Picasso's paintings, drawings, lithographs, ceramics, and sculptures, he was tirelessly inventive and innovative, exhibiting an aesthetic bravado that kept him one step ahead of his contemporaries. From subject matter to new forms and techniques to new media, Picasso got there first. The Spanish artist's enormous output, from the eight-year-old's beginnings to the late work of a man of ninety-one, is surely one of the most diverse and creatively energetic in the whole history of art, and it is no exaggeration to see him as the genius of the century. Carsten-Peter Warncke's study is a thorough review of Picasso's entire oeuvre, from the early Blue and Rose Periods, through the analytic and synthetic cubism and classicist phase all the way up to the art of the old savage Picasso. Our study of Picasso, the most exhaustive record of his work to date, contains almost 1500 illustrations'from his earliest drawings to the master's very last painting. Extensive bibliography section as well as illustrated section about Picasso's life and work Index of Names

    When Christie Blatchford wandered into a Toronto courtroom in 1978 for the start of the first criminal trial she would cover as a newspaper reporter, little did she know she was also at the start of a self-imposed life sentence. In this book, Christie Blatchford revisits trials from throughout her career and asks the hard questions--about judges playing with the truth--through editing of criminal records, whitewashing of criminal records, pre-trial rulings that kick out evidence the jury can't hear. She discusses bad or troubled judges--how and why they get picked, and what can be done about them. And shows how judges are handmaidens to the state, as in the Bernardo trial when a small-town lawyer and an intellectual writer were pursued with more vigor than Karla Homolka. For anyone interested in the political and judicial fabric of this country, Life Sentence is a remarkable, argumentative, insightful and hugely important book.