The title poem is a tribute to Jack Kerouac, fusing a memorial to the poet's dead friend with a bitter lament for the present state of America. Reproduced in facsimile from Corso's handwritten sheets, his marginal decorations, drawings and glyphs are included. The balance of the book is drawn from his shorter poems.

    We are led through Shashi Kapoor’s film career—his debut as a bright-eyed child-actor in Awara; his emergence, in the hectic 1970s, as India’s busiest performer—with a slew of hits including Deewaar and Trishul; and his rise to international prominence with Merchant–Ivory’s The Householder and a ‘trilogy’ of films on older men with fading pasts. Equally, we are provided with an astute analysis of Shashi Kapoor, the businessman—the proprietor of Film-Valas; the producer of Shyam Benegal films; and the distributor of Bobby.With luminous and thus-far undisclosed stories by the actor’s family (Neetu Singh, Rishi, Sanjna and Kunal Kapoor), co-stars (Shabana Azmi, Simi Garewal, Sharmila Tagore), colleagues (Shyam Benegal, Govind Nihalani, James Ivory, Hanif Kureishi, Aparna Sen), and friends; a compelling foreword by Karan Johar; and stunning photographs from Merchant–Ivory’s archives, Shashi Kapoor, the biography—by one of India’s best-known film journalists—is as captivating as Shashi Kapoor, the star.

    But they passed and passed and still the doorway remained empty of his deep voice, calling out her name. Blending the intimacy of memoir with an artist's vision, Toyo is the story of a remarkable woman, a vivid picture of Japan before and after war, and an unpredictable tale of courage and change in today's Australia. Born into the traditional world of pre-war Osaka, Toyo must always protect the secret of her parents' true relationship. Her father lives in China with his wife; her unmarried mother runs a caf . Toyo and her mother are beautiful and polite, keeping themselves in society's good graces. Then comes the rain of American bombs. Toyo's life is uprooted again and again. With each sharp change and painful loss, she becomes more herself and more aware of where she has come from. She finds family and belief, but still clings to her parents' secret. In Toyo, Lily Chan has pieced together the unconventional shape of her grandmother's story. Vibrant and ultimately heart-rending, Toyo is the chronicle of an extraordinary life, infused with a granddaughter's love.

    Vikram Sampath, in this remarkable book, brings forth little known details of this fascinating woman who was known for her melodious voice, her multi-lingual skills, poetic sensibility, irresistible personality and her extravagant lifestyle. From her early days in Azamgarh and Banaras to the glory years in Calcutta when Gauhar ruled the world of Indian music, to her sad fall from grace and end in Mysore, the book takes the reader through the roller-coaster ride of this feisty musician. In the process, the author presents a view of the socio-historical context of Indian music and theatre during that period.

    It speaks of those who loved and betrayed him; of charming ladies and brilliant men around him; of his greatness and of the crafty stupidity of his contemporaries; os the wit and folly of his times; and of the struggle of men and ideas when faced with the march of history. Based on extensive research and original sources, The Sword of Tipu Sultan is an original contribution to historical literature which gives insights into the character of its hero, and the period in which he lived.Tipu, maligned by historians as a cruel and bigoted ruler, emerges here as a humane, enlightened ruler who believes that God is not confined to any one religion and that all religions therefore require equal respect. He was opposed to colonialism; welcomed the American Declaration of Independence and applauded the spirit of the French Revolution. The author establishes him as the first among modern Indian nationalists who knew also that India was weakened not by outside powers but by sickness, decadence and disunity within.The novel vividly portrays the drama of Tipu's times and recaptures the amazing spirit of the man who in the midst of disaster lost neither his dignity nor his love nor his faith in the values he cherished. He chose to court death when he could have saved himself, for he firmly believed that his sacrifice would serve as an example for the future generations of India.

    

    Discover the Om Puri no one knows about - the tongue-tied actor from Punjab with stars in his eyes; the incorrigible flirt in drama school; the connoisseur of food and expert cook; and the complete family man. Featuring amusing anecdotes with his family, shocking episodes with the stalwarts of Indian and British cinema, and the nail-biting suspense of his love life, the tale is complemented by rare and unusual photographs. Told with wit, honesty, and élan, this book is a fitting tribute to the inspirational tale of Om Puri - one of the most talented actors of India.

    An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier––a sculptor to the last––carved a madonna and child from the butt of a captured German rifle, just two days before he died.

    It can be downloaded as an electronic book OR you can order it in BOOK form that will be mailed to you.It can be purchased using Debit/Credit Card or PayPal account. CAUGHT SCREAMING includes over 140 pages of previously unpublished poems, private illustrations, & a blank diary section at the end of the book for buyers to add their own thoughts, poems, dreams, rants, & raves.BUY YOUR COPY TODAY!

    

    Burroughs is bound to be a trial. After all, the man who frequented lesbian dives and had a fascination with firearms couldn't possibly make that great of a father. Perhaps inevitably, William Jr. (called Billy) referred to himself as "cursed from birth" and in the book of the same name editor David Ohle collects parts of Billy's third and unfinished novel Prakriti Junction, his last journals and poems, and correspondence and conversations to recreate this tortured life. Endowed with the sufferings — but not the patience — of Job, Billy's life was often characterized by tragedy and frustration, although there were also pockets of success and levity. More than just the memoir of a casualty of the Beat Generation, Cursed From Birth provides rare insight in Billy's father, as well as his scene, friends, and times. It also provides an all-too-familiar story of familial difficulties that anyone with difficult parents can understand and appreciate.

    He broke hearts and he broke rules. He tinkered as furiously with his car as he did with his instrument, which he transformed technically to create the new sitar standard. And always there was the music, at the centre of his being, protected and unharmed—music that contained the sound of ‘fairies dancing, elephants walking’. Vilayat Khan saw music. He was the man who made the sitar sing. .Namita Devidayal, author of the acclaimed bestseller, The Music Room, recreates the extraordinary life of an artiste who fundamentally and forever changed Indian instrumental music. She follows his footsteps from Calcutta, through Delhi, Bombay, Shimla and Dehradun, to Princeton, USA, where he spent his last years. Filled with previously untold stories about the man and the musician, this is an intimate portrait of an uncommon genius. .It is also an absolute feat of research—and storytelling. .‘Vilayat Khan and Ravi Shankar promised each other they would never perform together after this. Kishan Maharaj later told someone, ‘If these two eyes of India play together again, one will shut for ever.’ i

    Saint ... Lunatic ... Genius ... Muse .... Once described by Jack Kerouac as "more like Dostoevsky than anyone I know," Neal Cassady lived what others could only write about. Serving as the model for Kerouac's frenetic hero, the hip, Noble Savage Dean Moriarty in On the Road, and "N.C., the secret hero" of Allen Ginsberg's provocative poem "Howl," Cassady was a genius of life lived on the edge of the abyss. Now, William Plummer strips away the mystery surrounding this enigmatic figure. Plummer brings Cassady to life: his coming of age in a Denver flophouse, his hustling across America, the car thefts that landed him in jail, his meeting with Kerouac and their mad-cap cross-country adventures, his experiments with sex and drugs, his second marriage to Carolyn Cassady, his teaming with Ken Kesey and the Merry Pranksters on an epochal acid trip, and finally his bizarre death. Black-and-white photographs add to this engrossing biography of an outrageous but fascinating life.

    Allen Ginsberg. William S. Burroughs. LeRoi Jones. Theirs are the names primarily associated with the Beat Generation. But what about Joyce Johnson (nee Glassman), Edie Parker, Elise Cowen, Diane Di Prima, and dozens of others? These female friends and lovers of the famous iconoclasts are now beginning to be recognized for their own roles in forging the Beat movement and for their daring attempts to live as freely as did the men in their circle a decade before Women's Liberation.Twenty-one-year-old Joyce Johnson, an aspiring novelist and a secretary at a New York literary agency, fell in love with Jack Kerouac on a blind date arranged by Allen Ginsberg nine months before the publication of On the Road made Kerouac an instant celebrity. While Kerouac traveled to Tangiers, San Francisco, and Mexico City, Johnson roamed the streets of the East Village, where she found herself in the midst of the cultural revolution the Beats had created. Minor Characters portrays the turbulent years of her relationship with Kerouac with extraordinary wit and love and a cool, critical eye, introducing the reader to a lesser known but purely original American voice: her own.

    "The Portable Jack Kerouac" is an essential introduction to one of this country's most important modern writers.