Sharad Pawar. The book is a rich, insightful and remarkably frank memoir and a valuable document of the country's recent political history. Sharad Pawar is one of India's key public figures. Through his five- decade-long career, during which he has never lost an election, he has served as chief minister of Maharashtra four times and as India's defence minister and minister for agriculture. On two occasions he came close to becoming the country's prime minister. He has often bucked the trend, preferring policy and pragmatism over populism, and won admiration for his administrative acumen and consensual politics. Eyewitness-at the highest levels-to India's and Maharashtra's history since the 1960s, he shares in this memoir his reflections on coalition politics, the loss of democracy in the Congress Party (with which he began his political life), the state of agriculture and industry in the country, and the absolute necessity of social harmony and a liberal, inclusive ethos for India's future. As he does this, he also gives us rare information about many crises and turning points: Emergency and its impact on national and regional politics; the fall of the Chandrashekhar government in 1991; the signing of the Punjab Accord between Rajiv Gandhi and H.S. Longowal; the Babri Masjid demolition; the Mumbai bomb blasts of 1993; the devastating earthquake in Latur; the controversy over the Enron power project; and Sonia Gandhi's dramatic decision to give up the chance to occupy the country's highest office. Throughout, the narrative also contains candid and fascinating assessments of some of the biggest names in Indian politics, among them, Indira, Rajiv and Sonia Gandhi, Y.B. Chavan, Morarji Desai, Biju Patnaik, Atal Bihari Vajpayee, Chandrashekhar, P.V. Narasimha Rao, George Fernandes and Bal Thackeray.

    Internationally famous Czech photographer Jan Saudek is no exception, and equally as uncompromising in pursuit of his own unique vision. For over four decades Saudek has created a parallel photographic universe, a two-dimensional home full of longing, peopled with the most extraordinary characters and colored by desire. The timeless strength of his hand-tinted photographs lies in their poetic compositions and their forceful?at times ribald?pictorial language, with its overtones of medieval genre pictures and Baroque mythology. Rejecting the traditional beauty in his famous nude photographs, Saudek shows the distinctively different: old women, fat women, children; real people in tableaux vivants that remind us of everything from surreal early movies to fin-de-siecle carnival nights. They exist outside time, a uniquely colored and almost mythical theater of dreams. Covering his debut in the 1950s through his lesser-known work to recent images, this dazzling collection offers us the true "velvet revolution," fertile and unsettling images from the dreams we might still have. The author: Daniela Mr?zkov?, critic and editor of the Czech magazines Revue fotografie and Fotografie-Magaz?n, is the author of sixteen books on photography published in the Czech Republic and abroad, and the curator of around fifty photography exhibitions. She has been a member of international juries, and has authored film and television documentaries on photography and photographers. She hasfollowed Jan Saudek's work since his early years and is the author of Saudek's first Czech monograph, The Theatre of Life.

    He searched the room to find the origin of the sound. When he realised that the sound was of the door bolt, he was shocked...........

    The stories are satires on Indian political and social climate of 1960s and 70s.

    It tells the story of one man drifting through America, east coast to west, main stem to side street, endlessly searching for "three hots and a flop"--food and a place to sleep. Kromer scans, in first-person voice, the scattered events, the stultifying sameness, of "life on the vag"--the encounters with cops, the window panes that separate hunger and a "feed," the bartering with prostitutes and homosexuals.In "Michael Kohler," Kromer's unfinished novel, the harsh existence of coal miners in Pennsylvania is told in a committed, political voice that reveals Kromer's developing affinity with leftist writers including Lincoln Steffens and Theodore Dreiser. An exploration of Kromer's proletarian roots, "Michael Kohler" was to be a political novel, a story of labor unions and the injustices of big management. Kromer's other work ranges from his college days, when he wrote a sarcastic expose of the bums in his hometown titled "Pity the Poor Panhandler: $2 an Hour Is All He Gets," to the sensitive pieces of his later life--short stories, articles, and book reviews written more out of an aching understanding of suffering than from the slick formulas of politics.Waiting for Nothing remains, however, Kromer's most powerful achievement, a work Steffens called "realism to the nth degree." Collected here as the major part of Kromer's oeuvre, Waiting for Nothing traces the author's personal struggle to preserve human virtues and emotions in the face of a brutal and dehumanizing society.

    Babu of Bhokarwadi dons the mantle of magician (‘Jadugaar’) to prove this point! Bajaba makes a complaint about a robbery in the hotel; but then also gives a written submission that the theft never took place (‘Chori zalich nahi’)! Fed up with the local politics (‘Gavgundi’), the newlyappointed lady teacher decides to quit her job and leave the village! Babu and Chengtya too face the same travails (‘Vanvaas’) as Rama had to. The Government issued an Ordinance legalizing corruption (‘Bhrashtaachar’); but this only serves to double Balu’s workload since he is a government servant! Bapu Patil did complete the adoption formalities (‘Dattakvidhi’) for his son, but Babu and Chengta manage to mess things up! Dagadu Gawali one conducts the class (‘Taas’) otherwise taken by the Std. IV Maths teacher who took pleasure in caning the boys! Siva Jamdade, Rama Kharat, Gana Mastar, Nana Chengat, and Babu Pailwan go for a picnic (‘Company’)! Fun…Irony…Advice…Sharp criticism…and tragedy too…such is the nature of this collection of stories.

    With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

    The familiar facets of village life like the family feuds,assasinations etc. are certainly tribes of men who charished values more than their own lives and devotedly work

    The remarkable story of the brand that was able to pull off the near-impossible challenge of integrating itself into the food habits of a nation strongly habituated to eating indigenous sweets is recounted here. It is a behind-the-scenes look at the Cadbury Dairy Milk journey in India over the last six decades.

    . . full of sensational revelations and interspersed with episodes of daring, of desperate conflict, of torture, and of ruthless conspiracy . . . It is, first of all, an autobiography the like of which has seldom been.”The son of a seafaring father, Richard Julius Herman Krebs, a.k.a. Jan Valtin, came of age as a bicycle messenger during a maritime rebellion. His life as an intimate insider account of the dramatic events of 1920’s and 1930s, where he rose both within the ranks of the Communist Party and on the Gestapo hit list. Known for his honesty and incredible memory, Krebs dedicated his life to the Communist Party, rising to a position as head of maritime, organizing worldwide for the Comintern, only to flee the Party and Europe to evade his own comrade’s attempts to kill him. As a professional revolutionary, agitator, spy and would-be assassin, Krebs traveled the globe from Germany to China, India to Sierra Leon, Moscow to the United States where a botched assassination attempt landed him a stint in San Quentin.From his spellbinding account of artful deception to gain release from a Nazi prison and his work as a double-agent within the Gestapo, to his vivid depiction of a Communist Party fraught with intrigue and subterfuge, Krebs gives an unflinching portrayal of the internal machinations of both parties.Writing at age 36 under the name Jan Valtin, Krebs lays bare a young life filled with idealism and devotion—disillusionment and loss—in a world full of revolutionary promise gone immeasurably wrong.”An exciting, real book without a trace of unnecessary melodrama.”—H.G.Wells

    This book is for civil engineers that teach fluid mechanics both within their discipline and as a service course to mechanical engineering students. As with all previous editions this 10th edition is extraordinarily accurate, and its coverage of open channel flow and transport is superior. There is a broader coverage of all topics in this edition of Fluid Mechanics with Engineering Applications. Furthermore, this edition has numerous computer-related problems that can be solved in Matlab and Mathcad.

    She begins to rebuild her life by focusing on a career. She is hired by Sharma Industries to avert the company’s collapse. Aditya, heir to Sharma Industries returns to India from the United States and moves right into Kirthi’s lonely and depressed heart, offering her a life she only dreamed about. Constrained by the oppressive taboo preventing all widows from remarrying, Kirthi struggles with the haunting question: would Aditya love her if he knew? Brought together by work, drawn closer through friendship, pulled apart by cultural taboos, their love shatters prejudice and offers hope.

    The Seven Deadly Sins of Psychology diagnoses the ills besetting the discipline today and proposes sensible, practical solutions to ensure that it remains a legitimate and reliable science in the years ahead.In this unflinchingly candid manifesto, Chris Chambers draws on his own experiences as a working scientist to reveal a dark side to psychology that few of us ever see. Using the seven deadly sins as a metaphor, he shows how practitioners are vulnerable to powerful biases that undercut the scientific method, how they routinely torture data until it produces outcomes that can be published in prestigious journals, and how studies are much less reliable than advertised. He reveals how a culture of secrecy denies the public and other researchers access to the results of psychology experiments, how fraudulent academics can operate with impunity, and how an obsession with bean counting creates perverse incentives for academics. Left unchecked, these problems threaten the very future of psychology as a science--but help is here.Outlining a core set of best practices that can be applied across the sciences, Chambers demonstrates how all these sins can be corrected by embracing open science, an emerging philosophy that seeks to make research and its outcomes as transparent as possible.

    With extensive references to original works, this account examines updated data and answers important financial questions on topics that include economic reform, foreign trade, and agricultural and industrial growth. Especially designed for less-advanced students, this resource is an ideal introduction to the Indian economy.

    In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published.The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.