Set in the once-fabled land of Kashmir, Behold, I Shine moves beyond male voices and focuses, instead, on what the struggle means for the Valley’s women and children—those whose husbands remain untraceable; whose mothers are half-widows; those who have confronted the wrath of ‘Ikhwanis’, or the scrutiny of men in uniform, and what it means to stand up to it all.This book also brings to focus the resilience of the Valley’s women and children—of activists like Parveena Ahangar and Anjum Zamrud Habib, who, after debilitating losses, start human rights organizations; of ordinary homemakers like Munawara who have taken on the judiciary; and of a young generation of thinkers like Uzma Falak and Essar Batool who foreground the interaction of gender, politics and religion, and won’t let Kashmir forget.Stitching together their narratives, Behold, I Shine not only memorializes women’s voices—thus far forgotten, unwritten, suppressed or sidelined—but also celebrates the mighty spirit of the Valley.

    Would You Like Some Bread With That Book? is about this second group of people. Join the author in bookstore aisles as she fantasizes about falling in love with men who share her love of books or is spat upon by a book-crazed gentleman who is compelled to sell his library. A collection of 14 evocative and laugh-out-loud essays about books and reading, this book speaks to anyone for whom books are not merely words on a page, but sites of adventure, conversation and reverie.

    The story of how firmly they were bound in fetters of family, caste and society, and how fiercely they fought to escape, needs to be told. In Lady Doctors, Kavitha Rao unearths the extraordinary stories of six women from the 1860s to the 1930s, who defied the idea that they were unfit for medicine by virtue of their gender. From Anandibai Joshi, who broke caste rules by crossing an ocean, to Rukhmabai Raut, who escaped a child marriage, divorced her husband and studied to be a doctor; from Kadambini Ganguly, who took care of eight children while she worked, to child widow Haimabati Sen, who overcame poverty and hardship—these women had a profound and lasting impact. And in their forgotten lives lie many lessons for modern women.In truth, the compelling stories of these radical women have been erased from our textbooks and memories, because histories have mostly been written by men, about men. In an immensely readable narrative, and with impeccable research, Lady Doctors rectifies this omission.

    Supermely personal, yet always probing and analytical, Shashi Tharoor, the acclaimed author of six books, all published by Arcade, is once again at his provocative best in this book that is part memoir, part essay and literary criticism.

    Twenty of America’s bestselling memoirists share their innermost thoughts and hard-earned tips with veteran author Meredith Maran, revealing what drives them to tell their personal stories, and the nuts and bolts of how they do it. Speaking frankly about issues ranging from turning oneself into an authentic, compelling character to exposing hard truths, these successful authors disclose what keeps them going, what gets in their way, and what they love most—and least—about writing about themselves.

    Undeterred, she went back, telling herself she must talk to the devadasis about the dangers of AIDS. This time, they threw tomatoes.But she refused to give up. The Infosys Foundation worked hard to make the devadasis self-reliant, to help educate their children, and to rid the label of the social stigma that had become attached to it. Today, there are no temple prostitutes left in the state of Karnataka.This is the powerful, inspirational story of that change initiative that has transformed thousands of lives.

    He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs; following the life of a bar dancer raised amid poverty and abuse; opening the door into the inner sanctums of Bollywood; and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.

    Now he brings these gifts to a spellbinding amalgam of memoir, reportage, and history in this intimate, luminous portrait of Calcutta. Chaudhuri guides us through the city where he was born, the home he loved as a child, the setting of his acclaimed novels—a place he now finds captivating for all the ways it has, and, perhaps more powerfully, has not, changed. He shows us a city relatively untouched by the currents of globalization but possessed of a “self-renewing way of seeing, of inhabiting space, of apprehending life.” He takes us along vibrant avenues and derelict alleyways; introduces us to intellectuals, Marxists, members of the declining haute bourgeoisie, street vendors, domestic workers; brings to life the city’s sounds and smells, its architecture, its traditional shops and restaurants, new malls and hotels. And, using the historic elections of 2011 as a fulcrum, Chaudhuri looks back to the nineteenth century, when the city burst with a new vitality, and toward the politics of the present, finding a city “still not recovered from history” yet possessed of a singular modernity. Chaudhuri observes and writes about Calcutta with rare candor and clarity, making graspable the complex, ultimately ineluctable reasons for his passionate attachment to the place and its people.

    For Fadiman, as for many passionate readers, the books she loves have become chapters in her own life story. Writing with remarkable grace, she revives the tradition of the well-crafted personal essay, moving easily from anecdotes about Coleridge and Orwell to tales of her own pathologically literary family. As someone who played at blocks with her father's 22-volume set of Trollope ("My Ancestral Castles") and who only really considered herself married when she and her husband had merged collections ("Marrying Libraries"), she is exquisitely well equipped to expand upon the art of inscriptions, the perverse pleasures of compulsive proof-reading, the allure of long words, and the satisfactions of reading out loud. There is even a foray into pure literary gluttony: Charles Lamb liked buttered muffin crumbs between the leaves, and Fadiman knows of more than one reader who literally consumes page corners. Perfectly balanced between humor and erudition, Ex Libris establishes Fadiman as one of our finest contemporary essayists.

    Though written in a simple language, they manage to create vivid imagery and capture the essence of mountain life. Some of his writings that are featured in the book are Once Upon A Mountain Time, Sounds I Like To Hear, How Far Is The River, and After The Monsoon.Rain In The Mountains: Notes From The Himalayas covers the everyday life of the author with descriptive words and lucid writing.CONTENTSSECTION I - ONCE UPON A MOUNTAIN TIMEOnce Upon A Mountain TimeVoting at BarlowganjMiss Bun and OthersA Station for ScandalIt Must be the Mountains (Play)SECTION II - MOUNTAINS IN MY BLOODHow Far is the RiverFour Boys on a GlacierGrowing up with TreesMountains in my BloodA Mountain StreamA Lime Tree in the HillsA New FlowerThe Joy of FlowerSounds I like to HearDragon in the TunnelHill of the FairiesThe Open RoadThese I Have LovedA Dream of GardensA Sweet SavourGreat Trees I Have KnownPicninc at Fox-BurnA Wayside TeashopAll About my WalkaboutsGreat Spirits of the TreesBirdsong in the MountainsMeetings on the Tehri RoadGuests who Fly in from the ForestUp at Sisters BazaarSECTION III - NOTES BY THE WAYSIDESECTION IV - MOUNTAINS ARE KIND TO WRITERSIn Search of a Winter GardenThe Old LamaThe Night Roof Blew OffMountains are Kind to WritersBest of All WindowsA Knock at the DoorSounds of the SeaAll My Writing DaysThe Trail to the BankWhere the Grass Grows GreenerBetter to Have a Bird in a BushCoaxing a Garden from Himalyan SoilWhere Rivers MeetAfter the MonsoonThe Road to Anjani SainSECTION V - TIME TO CLOSE THE WINDOWEpilogue

    Twenty-two essays spanning five centuries, along with author notes and full bibliographies, provide an insight into one of humanity's greatest solitary diversions - reading.

    It is also the city of poets, the city of love, longing, sin and splendour. This anthology brings together verse and prose: essays, stories, chronicles and profiles by people who have shared a relationship with Lahore. From the mystical poems of Madho Lal Hussain and Bulleh Shah to Iqbal’s ode and Faiz’s lament, from Maclagan and Aijazuddin’s historical treatises and Kipling’s ‘chronicles’ to Samina Quraeshi’s intricate portraits of the Old City and Irfan Husain’s delightful account of Lahori cuisine, City of Sin and Splendour is a marriage of the sacred and profane.While Pran Nevile paints a vivid sketch of Lahore’s Hira Mandi, Shahnaz Kureshy brings alive the legend of Anarkali and Khalid Hasan pays a tribute to the late ‘melody queen’ Nur Jehan. Mohsin Hamid’s essay on exile, Bina Shah’s account of the Karachi vs Lahore debate and Emma Duncan’s piece on elections are essential to the understanding of modern-day Lahore.But the city is also about Lahore remembered. Ved Mehta and Krishen Khanna write about ‘going back’ as Khushwant Singh writes about his pre-Partition years in Lahore. Sara Suleri’s memories of her hometown, the landscapes of Bapsi Sidhwa’s fiction, Khaled Ahmed’s homage to Intezar Hussain and Urvashi Butalia’s Ranamama are tributes to memory as much as they are tributes to remarkable lives and unforgettable places.Including fiction old and new—from Manto and Chughtai to Ashfaq Ahmed and Zulfikar Ghose; Saad Ashraf and Sorayya Khan to Mohsin Hamid and Rukhsana Ahmad, City of Sin and Splendour is a sumptuous collection that reflects the city it celebrates.

    You've been nothing but an inconvenience. Guised as an instructive manual, A Handbook For My Lover chronicles six years in the life of an unconventional affair between a young woman writer and her older photographer lover.The sensuous epistle documents the woman's demands and desires, her fantasies and eccentricities as she negotiates the minefield that is their relationship.A Handbook For My Lover is a poetic, erotic account of two lovers fated to seek refuge in the transient. It is a celebration of all that is momentary and fleeting rather than that which is permanent.

    From Solzhenitsyn to Laura Zigman, Catherine M. to Captain Underpants, the result is a personal chronicle of insight, wit, and enough infectious enthusiasm to make a passionate reader out of anybody.

    Numerous explorations change her perceptions about cooking and food forever, and she embarks on a journey to explore the stories and the undisclosed ingredients of the much-loved street food of Old Delhi. She discloses the anonymities surrounding several recipes. This journey takes Pamela straight to the heart of the city, where she is not only opened up to new ways of cooking and creating brilliant taste, but is also welcomed into the lives of people who are in this noble business. She rejoices festivals with them, gets acquainted with their families, finds recipes for some of the best Khorma, Kheer and beyond, and makes treasured friends, soon to gather that Old Delhi has become no less than a home.