Every year on the anniversary of her incarceration, she taunts him with a phone call, giving him one message; when I get out, I'll kill you.Now, Bracken has transferred back to Edinburgh from Fife and is thrown into the deep end on his first day back on duty.There's a killer who is emulating Ailsa, threatening to surpass her body count.Bracken knows he needs her on board to help him track the killer down, but she's reluctant to get involved.Then the case takes an unexpected twist, and she agrees to help. But this new killer is taking them down a dark, twisted path, where nobody sees the outcome.Until it's too late.

    One is reliving the abandonment of his mother and the death of his little sister. The next has a grandmother suffering from Alzheimer's. The third is the daughter of constantly warring parents. Their worlds collide at the annual fair.

    Life is the other way around...And that, precisely, is the dilemma that preoccupies Adam Appleby as he begins another day of research in the Reading Room of the British Museum. Adam is a graduate student in literature and a practicing Catholic in the days before the Pill. He is also married, has three children, and is not looking forward to the possiblity of a fourth.On this foggy day in London, however, work and life conspire against him. As Adam makes his bumbling way through a series of misadventures that do little to alleviate his anxiety, the reader is treated to a hilarious and heartfelt tour of academia that only David Lodge could have created.

    Her reputation takes a significant blow after a recent public appearance results in a tragic death. To defend herself against wild accusations and sensational media coverage, Celeste books a recording studio in Manhattan where she aims to take control of her own narrative by recording an episode of a new podcast. As the episode progresses, Celeste divulges details from her past and weaves an intricate tale from which she has difficulty untangling herself, even as the stakes of her confession mount. Playwright Aaron Mark was awarded a commission through the Audible Emerging Playwrights Fund, an initiative dedicated to developing innovative original plays driven by language and voice. As an Audible commissioned playwright, he received funding and creative support to develop Vanishing Negative.Portions of this audiobook contain mature language and themes. Listener discretion is advised.Experience this title in immersive 3D audio by setting your download quality to High within the app. Headphones recommended. For more, browse our entire collection of 3D audio listens.

    This novel blends the gritty and the everyday with the evocative and the enchanting, to create an original, inventive and often moving portrayal of family ties, suburban life, love and growing up.

    It was ground-breaking, not only for its blatant denounciation of the incompetence of political leaders during World War I, but also for its unusual theatrical style and development. Created organically through a process of improvisation which was then scripted, Oh What A Lovely War is a colorful and innovative exercise in ensemble theatre and acting.It recalls the horrors of World War I through the humor and frivolity of a seaside pier show, mixing famous British war songs (often with alternative words) with gags and dances, and sets hilarious clowning against shocking factual documentation of the war's casualties. An exhilarating ensemble piece, Joan Littlewood's theatrical creation is a lesson in Brechtian theatre, in its self-conscious theatricality, and uses humor to present human tragedy.It received the acclaim of London audiences and critics. It won the Grand Prix of the Théâtre des Nations festival in Paris that year and has gone on to become a classic of the modern theatre. In 1969 a film version was made which extended the play's popular success. This new version of the play, as edited by Joan Littlewood, returns the script to its original version.Includes a new photo section of the original production, and an Afterword by Victor Spinetti.

    This standard edition of his poems was edited and arranged by his great friend Geoffrey Keynes. It includes a considerable number of early pieces, among them two of his longest poems, "The Pyramids" and "The Bastille".

    . .While their men are at war the women of Great Paxford have fought hard to keep the home fires burning, but a new arrival threatens everything . . .Pat Simms has a secret she needs to keep, but the close scrutiny of her husband is near impossible to escape.Frances Barden has overcome every challenge these troubled times have thrown at her, but a new threat, one very close to home, has arisen.Steph Farrow made a vow, she promised to protect her farm and family while her husband was at war, but she never imagined this . . .Meanwhile, Teresa faces a tragedy she's powerless to stop.Even during the hardest times the women of the WI have prevailed, finding new love, happiness and purpose, but can they survive the enemy at their door?Don't miss any part of the story. Keep the Home Fires Burning - Part One: Spitfire Down! is available now. Search 9781785763588.The story's not over. An all-new novel is coming in 2018! To pre-order your copy now search 9781785764295.Perfect for fans of Call the Midwife, Granchester and Foyles War. If you adore the novels of Nadine Dorries, Diney Costello and Daisy Styles then this is an unmissable series for you.

    Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she sets about building a dream house in the hope that he will one day return to her. From her fairytale castle, The Mai waits by the window for her dark-haired prince to return. Set in the inspiring surrounds of the West of Ireland, on the banks of the legendary Owl Lake, we enter this world on the day of Robert's return after an absence of four years. In the midst of Mai's and Robert's troubled reunion are the idiosyncratic characters that comprise the family. Irreverent and unapologetic, the opium-smoking one-hundred-year-old matriarch, Grandma Fraochlan, presides over all. The "Spanish Beauty," as she is known, with her "ancient and fantastical memory" and mythical presence, reminds us that the past is looming ever present. Her daughters, Agnes and Julie, meddle in the affairs of their three nieces, with comical tenacity. Deeply theatrical and profoundly intense, THE MAI is an epic tale of love and loss, of elusive dreams shattered by vulgar but inescapable reality.

    The theme of improvisation, which I introduce here, reflected my own sense, still, that in writing a novel I was on a high wire and ready to fall off, since I didn't consider myself a traditional novelist, and still don't.The TLS asked me to review an Anthology of Armenian Poetry, edited by Diana der Hovanessian. I fell in love with the poetry, and was moved by the tragic history of Armenia. This was one starting point for this novel; the other was Pushkin's 'It sails. Where shall we sail?...' The last line of his poem 'Autumn'.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    It broke all historic records for plays of any kind, with an original London run of 1,466 performances.The play was first performed at the Theatre Royal, Bury St Edmunds in February 1892.

    Her fifteen year old son, Aiden, is missing. Jan draws together the threads of missing person cases spanning fifty years and finds tragic connections and unsolved questions.Bessy Swain, an elderly woman that Jan finds dead on her search for Aiden, and whose own son, Thomas, was also missing, may have the answers.Jan uses Bessy's information and her own skills and instinct to track down the missing boys. But is it too late for Aiden?Set in the North West of England, with the notorious Saddleworth Moor as a backdrop, Random Acts of Unkindness is a story about motherhood, love and loss and how families of missing people suffer the consequences of major crimes involving their loved ones.Random Acts of Unkindness is the first in the DS Jan Pearce series of novels.

    Unknown to Freya, these women, over centuries, fought with whatever weapons came to hand – deception, endurance, even murder – to preserve their home and family.Freya falls in love with the house, but her inheritance includes an enigmatic letter telling her to ‘restore the balance’ of the Lady’s Well. Besides this, the house seems to be haunted by the scent of flowers.In the past, the Lady’s Well was a place of healing, and Freya soon feels safe and at home, but she has demons of her own to conquer before she can accept the happiness that beckons.

    When she met Ernest Simpson it was as if he was sent to save her from her past. But marriage to him led her to an extraordinary future.