Half-naked, their bodies gleaming in the yellow light, the men tumbled out of their bunks. The narrow passageways were suddenly filled with men and then as suddenly cleared as each man fitted into his assigned position. The USS Seawolf was one of the greatest submarine raiders of all time. Having narrowly avoided the attack on Pearl Harbor the Seawolf set out for the seas of the Pacific to wreak havoc on Japanese shipping. Joseph Melvin Eckberg was on the Seawolf from her maiden voyage and remained with her until January 1943. As chief radioman he was instrumental in assisting Captain Frederick Warder to find and destroy enemy targets. From the claustrophobia of being trapped under water and the overwhelming fear of depth charges to the joys of aiding the war-effort and the camaraderie on the ship, Eckberg’s account, told to the authors Gerold Frank and James Horan, gives remarkable insight into submarine warfare of the Second World War. “It is a narrative straight as a sword, from which emerges the story of how that happy marriage of courage and skill was achieved which made our submarines more than any other group the fleet that won the war.” The Saturday Review, Fletcher Pratt. “The successes of the Seawolf bear testimony to the effectiveness of single-purposeness and teamwork.” Jonas H. Ingram, U. S. Navy Commander-in-Chief. Gerold Frank and James Horan were professional authors who wrote down Eckberg’s story after meeting him on a slow train between New York City and New London, Connecticut, in August 1943. U.S.S. Seawolf: Submarine Raider of the Pacific was first published in 1945. Frank went on to become a prominent ghostwriter and passed away in 1998. Horan, author of more than forty books, died in 1981. Eckberg died four years before him in 1977.

    A Jew and a medical doctor, the prisoner Dr. Miklos Nyiszli was spared death for a grimmer fate: to perform "scientific research" on his fellow inmates under the supervision of the man who became known as the infamous "Angel of Death" - Dr. Josef Mengele. Nyiszli was named Mengele's personal research pathologist. In that capactity he also served as physician to the Sonderkommando, the Jewish prisoners who worked exclusively in the crematoriums and were routinely executed after four months. Miraculously, Nyiszli survived to give this horrifying and sobering account.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

     First published in 1944, Enemy Coast Ahead quickly became regarded as the classic Bomber Command book, following Gibson's RAF career from flying the Hampden and Manchester at the beginning of World War II to the triumphant return home of the Lancasters from the famous 1943 Dambuster raid, which Gibson led and for which he was awarded the Victoria Cross. It is also the inside story of life in Bomber Command throughout the first five years of World War II, culminating in intense drama as the RAF planned, practiced, and strove towards breaching the dams on that famous night in May 1943. "A work of Genius" - Tatler "This is a magnificent story, well and simply told by as great a warrior as these Islands ever bred. It is also History." ---Sir Arthur T. Harris Wing Commander Guy Penrose Gibson VC DSO DFC (12 August 1918 - 19 September 1944), was the first Commanding Officer of the Royal Air Force's 617 Squadron, which he led in the Dam Busters raid (Operation Chastise) in 1943, resulting in the destruction of two large dams in the Ruhr area of Germany. He was awarded the Victoria Cross, but lost his life later in the war. He had completed over 170 operations at the age of 26.

    On April 4, 1942, Maresyev's Polikarpov I-16 was shot down near Staraya Russa, then occupied by Nazi Germany. Maresyev survives the crash but is badly wounded. Despite his injuries, and after a grueling 18-day struggle to return to Soviet-controlled territory, he is rescued and cared for by villagers from a collective farm before being transferred to a hospital. Eventually both his legs are amputated below the knee. Desperate to return to his career as a fighter pilot, Maresyev undergoes nearly a year of therapy and exercise to master the control of his prosthetic devices, and returns to flying in June 1943. During his recovery, he is inspired by the thought of his girlfriend and the support of his fellow patients. By the war's end, Maresyev had completed 86 combat flights and shot down 11 German warplanes. In 1943 he was awarded the Golden Star of the Hero of the Soviet Union, the highest military decoration of the USSR. In 1944, Maresyev joined the Communist Party and two years later retired from the army. Eventually he became a member of Supreme Soviet. On a side note, the book was made into an opera by the Russian composer Sergei Prokofiev and premiered in Leningrad (now Saint Petersburg) on December 3, 1948.

     After covering the war from the British home front to North Africa, Italy, and France, he left the European Theater to go to the Pacific to cover what would be the last few months of conflict with the Japanese forces. Instead of recounting the discussions and activities of generals or the movements of armies, Pyle captured the daily lives of the common soldier and showed the public how their brothers, fathers and sons were experiencing the war. Rather than covering the war from safety, he threw himself into the heat of battle so that he could fully understand and record what the fighting men were going through. Last Chapter is a collection of his last articles that he wrote while witnessing the conflict in the Pacific. During his time in the Far East he spent time in the occupied Marianas, with pilots and aircrew of B-29’s as they flew in missions over the Japanese mainland, with sailors in the hundreds of boats that were swarming the Pacific Ocean, and with marines as they were preparing for the assault of Okinawa. "No man in this war has so well told the story of the American fighting man as American fighting men wanted it told", wrote Harry Truman. "He deserves the gratitude of all his countrymen." “These pages will of course have a commemorative value, mark an end to one of the best known, best loved figures of the war.” Kirkus Reviews Ernie Pyle was the most celebrated war correspondent of World War Two. His work ran in one-hundred and forty-four papers and reached an audience of forty million Americans. His brilliant portrayal of the everyday fighting man in World War Two won him a Pulitzer Prize in 1944. Last Chapter was first published in 1946 after Pyle had been killed at Ie Shima on 18th April, 1945.

     Just over a year later the Japanese attack on Pearl Harbor devastated this force. Out of a total of 231 aircraft of the Hawaiian Air Force, 64 were destroyed and not more than 79 were left usable. Out of the inferno emerged the newly reformed Seventh Air Force. It faced, in the central Pacific, the largest water theater in the world — sixteen million square miles, five times the size of the United States. The Americans patched up their planes as best they could and began to fly the "Atoll Circuit," the low-lying, white sand atolls and the first stepping stones on the long road to Tokyo. In this huge area and against a fearsome opponent, the men of the Seventh were forced to fly the longest missions in any theater of war, entirely over water and, at first, without fighter escort. They fought at Midway, Guadalcanal, Tarawa, Kwajalein, Eniwetok, Truk, Saipan, Palau, the Philippines, Iwo Jima, and finally Tokyo. Clive Howard and Joe Whitley’s history of this remarkable air force covers from the events at Pearl Harbor through to V-J Day, covering every single island that the force landed on in between. They listened to demand of Corporal Earl Nelson’s article “Heroes Don’t Win Wars”, that criticised the press and radio that only recorded the fantastic achievements of men who wore medals; “Why don’t they talk about the guy who is just a soldier?” So with humor and insight Howard and Whitley have provided us with a history of the Seventh Air Force that doesn’t focus on only the glorious achievements of some men, nor does it simply record the accounts of the “brass hats”, but instead gets to the heart of what the men of this extraordinary force did and thought. Clive Howard and Joe Whitley were both sergeants and served as correspondents for the Seventh Air Force. They were there; they saw it happen. Their book One Damned Island After Another was first published in 1946.

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    It was a duty few men could handle—and even fewer would survive.This is the true story of those brave men who served and too often died under the ocean surface, written by a man who was there. Edward L. Beach masterfully weaves his gripping experiences aboard the USS Trigger with those of other boats fighting the war in the Pacific. Part action-packed combat chronicle, part testament to the courageous sacrifices made by those who never came back, this is a compelling eyewitness account of the war as few have seen it.

    Allied troops were sweeping through Nazi Germany and discovering the atrocities of SS concentration camps. The first to be reached intact was Buchenwald, in central Germany. American soldiers struggled to make sense of the shocking scenes they witnessed inside. They asked a small group of former inmates to draft a report on the camp. It was led by Eugen Kogon, a German political prisoner who had been an inmate since 1939. The Theory and Practice of Hell is his classic account of life inside.Unlike many other books by survivors who published immediately after the war, The Theory and Practice of Hell is more than a personal account. It is a horrific examination of life and death inside a Nazi concentration camp, a brutal world of a state within state, and a society without law. But Kogon maintains a dispassionate and critical perspective. He tries to understand how the camp works, to uncover its structure and social organization. He knew that the book would shock some readers and provide others with gruesome fascination. But he firmly believed that he had to show the camp in honest, unflinching detail.The result is a unique historical document—a complete picture of the society, morality, and politics that fueled the systematic torture of six million human beings. For many years, The Theory and Practice of Hell remained the seminal work on the concentration camps, particularly in Germany. Reissued with an introduction by Nikolaus Waschmann, a leading Holocaust scholar and author of Hilter's Prisons, this important work now demands to be re-read.

    First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.

    Describes the mind of a child torn between her mother, whom she leaves behind in London, and the couple who take her in.

    Though she might well have weathered the oppressive regime, Humbert was stirred to action by the awful atrocities she witnessed. In an act of astonishing bravery, she joined forces with several other colleagues to form an organized resistance—very likely the first such group to fight back against the occupation. (In fact, their newsletter, Résistance, gave the French Resistance its name.) In the throes of their struggle for freedom, the members of Humbert’s group were betrayed to the Gestapo; Humbert herself was imprisoned. In immediate, electrifying detail, Humbert describes her time in prison, her deportation to Germany, where for more than two years she endured a string of brutal labor camps, and the horror of discovering that seven of her friends were executed by a firing squad. But through the direst of conditions, and ill health in the labor camps, Humbert retains hope for herself, for her friends, and for humanity. Originally published in France in 1946, the book was soon forgotten and is now translated into English for the first time. Résistance is more than a firsthand account of wartime France: it is the work of a brave, witty, and forceful woman, a true believer who refused to go quietly.

    Beginning as a collection of short stories, Heggen based his novel on his experiences aboard the USS Virgo in the South Pacific during WWII . Irreverent, hilarious, the book shows readers what a real leader is in the guise of Mr. Roberts!

    In order to slow the Allied advance, the Italians used audacious tactics. One included making ports inoperable, leaving the Allies without the infrastructure necessary to continue the war effort. At Massawa, Eritrea, the fleeing Italians left the largest mass wreck in the world, turning a vital port into a tangle of shattered ships, cranes, and sunken dry docks. In order to continue the war effort and push back the Axis powers in Africa, the Allies enlisted famed naval salvage expert Commander Edward Ellsberg. Ellsberg, a veteran miracle worker in raising sunken ships, was given his toughest assignment yet: He had to get the port open again with no budget, no men, and no tools. The British had claimed the task was impossible—Massawa couldn’t be cleared. Under the Red Sea Sun is Ellsberg’s account of his work in the searing heat of Eritrea. Ellsberg navigates complicated American and British bureaucracies to build a ragtag group of international civilians and accomplish what was called “the Miracle of Massawa.”

    Published to coincide with the 50th anniversary of the Battle of El Alamein in the north African desert, this book is a description of Douglas' experiences on the desert battlefield.

    It takes place during the years between the world wars and explores the life of a Belgian family, the Duchesnes, and their mutual devotion which intensifies under the shadow of impending disaster.Mélanie Duchesne, mother of three, is an active businesswoman, whose courage, energy, and optimism bind the family and its farm together. Paul, her husband, is a philosopher, detached, moody, continually embroiled in the spiritual conflicts of a crumbling Europe.The last years before the second war are tense ones, a time for stock-taking, for a quickening of the pace of life. But it is Mélanie who encourages her family to proceed with their plans, to continue with their way of life. And it is Mélanie who decides their future as the Germans launch their invasion of Belgium.

    

    Werth was a free-spirited and unclassifiable writer. He is the author of eleven novels, art and dance criticism, acerbic political reporting, and memorable personal essays. He was Jewish, and left Paris in June 1940 to hide out in his wife's country house in Saint-Amour, a small village in the Jura Mountains. His short memoir 33 Days recounts his struggle to get there. Deposition tells of daily life in the village, on nearby farms and towns, and finally back in Paris, where he draws the portrait of a Resistance network in his apartment and writes an eyewitness report of the insurrection that freed the city in August, 1944.From Saint-Amour, we see both the Resistance in the countryside, derailing troop trains, punishing notorious collaborators--and growing repression: arrests, torture, deportation, and executions. Above all, we see how Vichy and the Occupation affect the lives of farmers and villagers and how their often contradictory attitudes evolve from 1940-1944. Werth's ear for dialogue and novelist's gift for creating characters animate the diary: in the markets and in town, we meet real French peasants and shopkeepers, railroad men and the patronne of the cafe at the station, schoolteachers and gendarmes. They come off the page alive, and the countryside and villages come alive with them.With biting irony, Werth records, almost daily, what Vichy-German propaganda was saying on the radio and in the press. We follow the progress of the war as people did then, day by day. These entries make interesting, often amusing reading, a stark contrast with his gripping entries on the persecution and deportation of the Jews. Deposition is a varied and complex piece of living history, and a pleasure to read.

    Homesick for his wife, he has no choice but to accept the assignment and a crew of twenty-six landlubbers whose last names all begin with W. Their first load of cargo? Pineapples destined for Hawaii. Life aboard the one-hundred-eighty-foot SV-126 is never dull. When Barton isn’t battling gale-force winds and monstrous waves, he is coping with seasick sailors and budding rivalries that threaten to turn mutinous. Hanging over the ship like a storm cloud is the knowledge that the world is at war and the enemy is never far away. Whether Lieutenant Barton and his crew are fighting torpedoes and typhoons or writing letters to loved ones, Voyage to Somewhere offers a unique and page-turning perspective on what the Second World War was really like.

    

    An entertaining story set in 1939 about the adventures Roger Levington has when he spends a fortnight in Yorkshire with his aunt, uncle, and four younger female cousins.

    First published in 1946 and long out of print, Foreign Mud is a marvelous historical reconstruction of the events surrounding the illegal trade of opium in Canton during the 1830s and the Opium Wars between Britain and China that followed. Based largely on voluminous documents written by British doctors, missionaries, merchants, and government officials, Collis's tale, far from being a dry assemblage of dates and facts, is a fascinating example of twentieth-century Orientalist literature: ...you must picture the broad river puckered with little waves, the green sweep of the rice, on the horizon blue hills; you must conjure the many sorts of passing craft, the Mandarin house-boats, dainty and lacquered, the streamers and lanterns of passenger boats, the high tilted junks with demon-painted sterns; and you must plunge these images into a light more intense than we know in these countries, into a warmer wind and an air, purer and more scented than we can sniff except in dreams. Collis describes, in all its complexities, a moment in time when China is forced, after more than two thousand years of self-contained sufficiency, to open its doors to the culture, commerce, and evangelization of the Westthe casus belli, foreign mud: the opium the British grew and shipped from India. Interspersed with various maps, plans, and illustrations, Foreign Mud is a historical narrative the reader will find more entertaining than any Spielberg film.

    Dedicated to the American Seventh Army, this work originally appeared in Polish in an edition of 10,000 numbered copies, unspecified numbers of which were bound in material cut from concentration camp stripes and from SS uniforms.The inspiration for writing a book which could tell the truth about Auschwitz came from the conditions in immediately-post-war Munich in which the authors found themselves, and was articulated by Janusz Nel Siedlecki in his 1994 memoir, Beyond Lost Dreams: "As the one common enemy disappeared, so vanished all moral rules and restraints. Individuals, as well as large groups, competed for food, recognition, and a better life. The polish people were divided into innumberable factions .... The survivors carried forth their banners of "martyrdom" and sowed the seeds of future legends. They wanted glory -- I wanted to bear witness for the tortured, gassed, burnt; for all the unknown, unnamed, already forgotten dead."The publication history of We Were in Auschwitz reflects both the physical chaos that followed the end of the war in Europe and the political situation in Poland and in the U.S. Having written the book in their requisitioned apartment in Munich, the authors neededAmerican permission to publish it. "There was no printing without an official permit, and no permit for anything unessential, " Siedlecki wrote in Beyond Lost Dreams, "Cigarettes opened the gates of Bruckmann, the famous printers of Munich. My crude camp-German clinched the deal at pre-war prices."According the Siedlecki, the book immediately met with mixed reaction: "Praise from the Polish Western press, but, for debunking the 'heroes, ' vicious threats from many ex-prisoners." Meanwhile, the group of authors started to disperse. Tadeusz Borowski returned to Poland in May 1946; Krystyn Olszewski also returned to Poland, while Siedlecki emigrated to England. Anatol Girs left Munich for the U.S. in 1947, bringing with him the remaining copies of the book with high hopes of selling them to the Polish-American community. However, this immigrant community was hostile to Borowski's association with the communist regime on his return to Poland. Unable to pay the cost of storing the copies he had brought, Girs was forced to destroy most of them, keeping only a few.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    I have often wondered how it would come. Now I know. Any moment a bullet will smack into me, and a khaki bundle that was Overton will go tumbling down the hill on to the beach . . .’ " Autumn 1943. Realizing that his feelings for his sweetheart are not reciprocated, Major John Overton accepts a posting behind enemy lines in Nazi-occupied Albania. Arriving to find the situation in disarray, Overton attempts to overcome geographical challenges and political intrigues to set up a new camp in the mountains overlooking the Adriatic. As he struggles to complete his mission against the chaotic backdrop of battle, Overton is left to ruminate on loyalty, comradeship, and the futility of war.