She was asked by many to put these short essays into book form, to create, as one reader said, something to "take to the beach, or bed, or on an airplane." Elizabeth and her friend, the book's designer Phyllis Florin, happily complied, and they hope that their offering will be as welcome as flowers in a mailbox.

    In 1985 Andrew Collins and a psychic colleague uncovered an inscribed spearhead, buried as part of an occult ritual. Claiming to have forged a telepathic link with its maker - a lone figure practising a dangerous form of black magic - the pair were directed to other desecrated holy places, unaware that their adversary was now hunting them, resulting in a confrontation leading to what have been described as disturbing displays of psychic powers. Then, in the early hours of 16th October 1987, as southern England was being hit by its first hurricane for more than two-and-a-half centuries, individuals across the country are said to have reported the same nightmare, revealing the hidden secrets of the hurricane and the power of "the black alchemist".

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    They love reading about their tests and tribulations and they love to ride them - a cricket lover can never bat at Lord's, or a football supporter score at Wembley, but any rider can take on the challenge of an iconic mountain.There have been fine books about the big climbs before but never from the voice of an elite GC winner, taking you inside what these climbs really feel like, where the attacks come, where the pain kicks in.From best-known big-hitters, via pro-peloton favourites, to the secret climbs Geraint has come to love, and featuring Australia, Belgium, France, the Netherlands, Mallorca and Wales, this is the cyclist's secret manual.

    It's an essential ingredient in pop music and high art. Why do we choose accusations of elitism over open-mindedness? What do our anxieties about "pretending" say about us?Co-editor of frieze, Europe's foremost magazine of contemporary art and culture, Dan Fox has authored over two hundred essays, interviews, and reviews and contributed to numerous catalogues and publications produced by major international art galleries and institutions.

    It brings texts together in unexpected and exciting ways: those of Parsons and Dorothy Smith, Merton and Lacan, Wallerstein and Frantz Fanon, James Coleman and Molefi Asante. Extensive introductory essays by the editor situate the writings in their times, identifying the currents of social change that shaped fundamental questions of modern and postmodern life. The second edition includes new readings, a new section covering the postmodern controversies of recent years, and a postscript that addresses the changes and directions in social theory.

    At each stop she uncovers the mythic narratives that elude other observers: Didion tells us about the fantasies the media construct around crime victims and presidential candidates; she gives us new interpretations of the stories of Nancy Reagan and Patty Hearst; she charts America's rollercoaster ride through evanescent booms and hard times that won't go away. A bracing amalgam of skepticism and sympathy, After Henry is further proof of Joan Didion's infallible radar for the true spirit of our age.

    “Why We Left: An Anthology of American Women Expats” is a fun, inspiring and humorous read you'll enjoy from cover to cover, full of useful and encouraging words of wisdom from 27 women who made the move and couldn’t be happier. In inspiring words straight from the heart, the contributors share their plans and preparations, hardships and challenges, joys and satisfactions as their new lives in Mexico unfold.

    His novels are fantastic, brooding and violent.As a journalist, he is solid and well-formed. He has an approachable informality, unawed by massive celebrity His straightforward interviews with Leonardo Di Caprio, Courtney Love, Keanu Reeves, and Bob Mould disarm their subjects to find an urgent, everyday humanity. The feature articles on AIDS, youth culture, and contemporary art take their subjects passionately. But the obituaries for Kurt Cobain, River Phoenix, and William Burroughs are as bracing as a stoic's evaluation of a dead god.All Ears for the first time collects this major 20th-Century novelist's lesser-known work. It will also include several new unpublished piece. All Ears pours necessary critical insight onto the time's leading cultural luminaries.

    The New York Times described the book as a “hair-raising” non-fiction book that “moves with the speed of a first-rate thriller.” Publishers Weekly gave it a starred review calling it a “shocking exposé.” Follow Levine, called “America’s top undercover agent” by 60 Minutes, into the world of ruthless drug barons, kill-crazy assassins, secret police and corrupt government officials. The trail leads to the breathtakingly beautiful woman whom Pablo Escobar called "The Queen of Cocaine” – Sonia Atala. Levine, posing as Sonia’s lover, barely escapes the operation with his life but not before learning that America’s true enemies in the War on Drugs are not found in the jungles of South America but in the basements and back rooms of CIA headquarters. Operation Hun begins when Sonia Atala, deemed too powerful by the male dominated-cocaine aristocracy, is targeted for death. She strikes a secret deal: in return for protection, she will give DEA its first look into the inner workings of the organizations controlling the gusher of cocaine pouring into the US. Levine, posing as Sonia’s half-Sicilian, half-Puerto Rican Mafioso lover and business partner, is now targeted by her enemies. Supplied with a mansion, a fleet of luxury cars, an undercover Mafia crew, and a planeload of cocaine as props, he lures them to his luxurious home to settle their differences on hidden DEA video. It should have been enough evidence to indict those in control of the flow of cocaine into the US. But nothing was as it seemed. Levine discovers that Sonia has a secret: she is manipulating DEA with the help of covert and powerful forces in the US government to selectively destroy her enemies while leaving the cocaine pipeline intact. Read The Big White Lie and experience the darkest secrets of America’s War on Drugs for yourself—from one who has lived it. RECENT NEWS: During a March 3, 2011 world press conference, the President of Bolivia, Evo Morales, raised a copy The Big White Lie (La Guerra Falsa—the Spanish Translation) in front of news cameras proclaiming the book as one of the reasons he had banned DEA from his country. The photo of President Morales with the book in hand rocketed around the world. When interviewed, Levine said that if President Morales had really understood the book he would have banished CIA from his country and welcomed DEA as heroes. Now that the book is republished as an e-book, readers can decide the truth for themselves.

    As Pluckrose and Lindsay warn, the unchecked proliferation of these anti-Enlightenment beliefs present a threat not only to liberal democracy but also to modernity itself. While acknowledging the need to challenge the complacency of those who think a just society has been fully achieved, Pluckrose and Lindsay break down how this often-radical activist scholarship does far more harm than good, not least to those marginalized communities it claims to champion. They also detail its alarmingly inconsistent and illiberal ethics. Only through a proper understanding of the evolution of these ideas, they conclude, can those who value science, reason, and consistently liberal ethics successfully challenge this harmful and authoritarian orthodoxy—in the academy, in culture, and beyond.

    So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s First Black Superstar”?Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture. Kevin Cook chronicles Flip’s meteoric rise through the Chitlin’ Circuit of segregated nightclubs to his breakthrough on Johnny Carson’s Tonight Show to his hit variety show, on which he created such outrageous and hilarious characters as the sassy Geraldine and flock-fleecing Reverend Leroy. As one of the biggest stars of his time, he performed and partied with Richard Pryor, George Carlin, Michael Jackson, Elvis Presley, and other stars of the 1970s.   Drawing on interviews with family, friends, and celebrities, Cook delivers the inspiring story of a complex man who broke the prime-time color barrier,  blazing a trail for generations of African American performers who followed him.

    All roads lead to CzechiaThe Czechs seem to believe that the Earth is the center of the Universe, Europe is the centre of the Earth, and Czechia is at the centre of Europe. Reality CzechsThe ability to put up with a situation adjusting as needs must has been elevated to an art form. Chuckling CzechsCzech humor is distinguished by mad screams, breast and thigh slapping, and uncontrollable braying. Top of the Czech listThe Czechs would like to be seen as the cauldron in which all that's good from West and East melts; and if not the best, then at least one of the top nations in the world.

    In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity.Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.

    Bachelard takes us on a journey, from cellar to attic, to show how our perceptions of houses and other shelters shape our thoughts, memories, and dreams."A magical book. . . . The Poetics of Space is a prism through which all worlds from literary creation to housework to aesthetics to carpentry take on enhanced-and enchanted-significances. Every reader of it will never see ordinary spaces in ordinary ways. Instead the reader will see with the soul of the eye, the glint of Gaston Bachelard." -from the new foreword by John R. Stilgoe