David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged.Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.

    A comprehensive collection of creation stories ranging across widely varying times and cultures, including Ancient Egyptian, African, and Native American.

    Working from government reports, manuscripts, and the diaries and letters of those persons—both white and Indian—who knew him, Margaret Coel has developed an unusually readable, interesting, and closely documented account of his life and the life of his tribe during the fateful years of the mid-1800s.It was in these years that thousands of gold-seekers on their way to California and Oregon burst across the plains, first to traverse the territory consigned to the Indians and then, with the discovery of gold in 1858 on Little Dry Creek (formerly the site of the Southern Arapaho winter campground  and presently Denver, Colorado), to settle.Chief Left Hand was one of the first of his people to acknowledge the inevitability of the white man’s presence on the plain, and thereafter to espouse a policy of adamant peacefulness —if not, finally, friendship—toward the newcomers.Chief Left Hand is not only a consuming story—popular history at its best—but an important work of original scholarship. In it the author:Clearly establishes the separate identities of the original Left Hand, the subject of her book, and the man by the same name who succeeded Little Raven in 1889 as the principal chief of the Southern Arapahos in Oklahoma—a longtime source of confusion to students of western history;Lays to rest, with a series of previously unpublished letters by George Bent, a century-long dispute among historians as to Left Hand’s fate at Sand Creek;Examines the role of John A. Evans, first governor of Colorado, in the Sand Creek Massacre. Colonel Chivington, commander of the Colorado Volunteers, has always (and justly) been held responsible for the surprise attack. But Governor Evans, who afterwards claimed ignorance and innocence of the colonel’s intentions, was also deeply involved. His letters, on file in the Colorado State Archives, have somehow escaped the scrutiny of historians and remain, for the most part, unpublished. These Coel has used extensively, allowing the governor to tell, in his own words, his real role in the massacre. The author also examines Evans’s motivations for coming to Colorado, his involvement with the building of the transcontinental railroad, and his intention of clearing the Southern Arapahos from the plains —an intention that abetted Chivington’s ambitions and led to their ruthless slaughter at Sand Creek.

    Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor. But the historical record is very thin. The open questions about Edmonia’s life seem ideally suited to verse, a form that is compatible with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.

    Visitors marvel at the impressive ruined pueblos and spectacular cliff dwellings but often have little idea of the cultures that produced these prehistoric wonders. Stephen Plog, who has spent decades working in the region, provides the most readable and up-to-date account of the predecessors of the modern Hopi and Pueblo Indian cultures in this well-received account. Ten thousand years ago, humans first colonized this seemingly inhospitable landscape with its scorching hot deserts and freezing upland areas. The initial hunter-gatherer bands gradually adapted to become sedentary village groups, and the high point of Southwestern civilization was reached with the emergence of cultures known to archaeologists as Anasazi, Hohokam, and Mogollon in the first millennium A.D. Chaco Canyon became the center of a thriving Anasazi cultural tradition. It was the hub of a trading network extending over hundreds of miles, whose arteries were a series of extraordinary roads that are still being discovered and mapped. To the south lay the settlement of Snaketown, focus of the Hohokam, where the inhabitants built courts for a ritual ball game--intriguing echoes of ancient Mexican practices. The Mogollon people of the Mimbres Valley created some of the world's finest ceramics, decorated with human figures and mythical creatures. Interweaving the latest archaeological evidence with early first-person accounts, Professor Plog explains the rise and mysterious fall of Southwestern cultures. As he concludes, despite the depredations and diseases introduced by the Europeans, the Southwest is still home to vibrant Native American communities that carry on many of the old traditions.

    The trail to Ishi's brain leads Starn through the painful history of the extermination of the Indians, the strange and sometimes scandalous history of anthropology, and the changing, mixed-up world of Native California today. This absorbing new portrait of Ishi, wild man of Deer Creek, museum curiosity, and last of his tribe, will appeal to anyone interested in Native America, a story of science and scandal, and the life and legend of California's most famous Indian. 15 illustrations.

    M. Adovasio has spent the last thirty years at the center of one of our most fiery scientific debates: Who were the first humans in the Americas, and how and when did they get there? At its heart, The First Americans is the story of the revolution in thinking that Adovasio and his fellow archaeologists have brought about, and the firestorm it has ignited. As he writes, “The work of lifetimes has been put at risk, reputations have been damaged, an astounding amount of silliness and even profound stupidity has been taken as serious thought, and always lurking in the background of all the argumentation and gnashing of tenets has been the question of whether the field of archaeology can ever be pursued as a science.”

    Called “the team that invented football,” Carlisle’s innovative squad challenged the greatest, most elite teams—Harvard, Yale, Army—audaciously vowing to take their place among the nation’s football powers.This is an astonishing underdog sports story—and more. It’s an unflinching look at the U.S. government’s violent persecution of Native Americans and the school that was designed to erase Indian cultures. It’s the story of a group of young men who came together at that school, the overwhelming obstacles they faced both on and off the field, and their absolute refusal to accept defeat.

    Expressive close-ups of presidents reveal moments of joy, reflection, and turmoil over public issues and private challenges. Unexpected angles cast new light on historic events. Through both iconic and little-known images, this book offers a fresh perspective on life and work behind the famous facade of the White House.The President's Photographer is the official companion book to the National Geographic Channel special that aired in November 2010.

    But it is the unique interaction between the two that provides the emotional power behind the profound teachings of the old woman. The wonderfully lyrical descriptions of the vivid seasonal beauty of Colorado serve as a backdrop for this unfolding narrative.

    365 Days of Walking the Red Road captures this priceless ancient knowledge and shows you how you can live your life to the fullest through integrity, compassion, and brotherhood. By reading the daily messages in this compelling work, you will discover yourself inside and out and move positively down your personal road without fear or doubt. This superb collection of Native American philosophy and culture helps you on your path along the Red Road in your quest for truth, light, and love.

    But this story also tells of her people's great strength and continuity. This popular book is also available on audiotape read by Debra Smith. An enrolled member of the Red Lake Band of Chippewa, she has performed her own poetry on a syndicated radio series on Native writers. Ignatia Broker, who died in 1987, was a story-teller and teacher in the Ojibway tradition. In 1984 she received a Wonder Woman Foundation award honoring her as a woman striving for peace and equality.

    Now, in On the Air, Dunning has completely rethought this classic work, reorganizing the material and doubling its coverage, to provide a richer and more informative account of radio's golden age. Here are some 1,500 radio shows presented in alphabetical order. The great programs of the '30s, '40s, and '50s are all here--Amos 'n' Andy, Fibber McGee and Molly, The Lone Ranger, Major Bowes' Original Amateur Hour, and The March of Time, to name only a few. For each, Dunning provides a complete broadcast history, with the timeslot, the network, and the name of the show's advertisers. He also lists major cast members, announcers, producers, directors, writers, and sound effects people--even the show's theme song. There are also umbrella entries, such as News Broadcasts, which features an engaging essay on radio news, with capsule biographies of major broadcasters, such as Lowell Thomas and Edward R. Murrow. Equally important, Dunning provides a fascinating account of each program, taking us behind the scenes to capture the feel of the performance, such as the ghastly sounds of Lights Out (a horror drama where heads rolled and bones crunched), and providing engrossing biographies of the main people involved in the show. A wonderful read for everyone who loves old-time radio, On the Air is a must purchase for all radio hobbyists and anyone interested in 20th-century American history. It is an essential reference work for libraries and radio stations.

    Burton successfuly brings to the page the exuberant vitality and unresolved obsessions that helped make Leonard Bernstein one of the most beloved and celebrated musical figures of our age.

    D&D captured the attention of a small but influential group of players, many of whom also gravitated to the computer networks that were then appearing on college campuses around the globe. With the subsequent emergence of the personal computer, a generation of geeky storytellers arose that translated communal D&D playing experiences into the virtual world of computer games. The result of that 40-year journey is today's massive global community of players who, through games, have forged very real friendships and built thriving lives in virtual worlds. Dungeons & Dreamers follows the designers, developers, and players who built the virtual games and communities that define today's digital entertainment landscape and explores the nature of what it means to live and thrive in virtual communities.