One of the most important theologians of the twentieth century illuminates the relationship between ourselves and the teachings of Jesus in this classic text on ethics, humanism, and civic duty.What can the call to discipleship, the adherence to the word of Jesus, mean today to the businessman, the soldier, the laborer, or the aristocrat? What did Jesus mean to say to us? What is his will for us today? Drawing on the Sermon on the Mount, Dietrich Bonhoeffer answers these timeless questions by providing a seminal reading of the dichotomy between "cheap grace" and "costly grace." "Cheap grace," Bonhoeffer wrote, "is the grace we bestow on ourselves...grace without discipleship....Costly grace is the gospel which must be sought again and again, the girl which must be asked for, the door at which a man must know....It is costly because it costs a man his life, and it is grace because it gives a man the only true life."The Cost of Discipleship is a compelling statement of the demands of sacrifice and ethical consistency from a man whose life and thought were exemplary articulations of a new type of leadership inspired by the Gospel, and imbued with the spirit of Christian humanism and a creative sense of civic duty.

    A Vietnamese monk and Buddhist teacher explores the common ground of Christianity and Buddhism on such subjects as compassion and holiness, and offers inspiration to believers in both religions.

    In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

    Hall is true both to the reality of suffering and to the affirmation that God creates, sustains, and redeems.Creative is his view that certain aspects of what we call suffering -- loneliness, experience of limits, temptation, anxiety -- are necessary parts of God's good creation. These he distinguishes from suffering after the fall, the tragic dimension of life.Unique is his structure:creation-suffering as becomingthe fall--suffering as a burdenredemption--conquest from within.Professor Hall succeeds in moving the reader beyond the customary way of stating the problem: How can undeserved suffering coexist with a just and almighty God? He also evaluates five popular, leading thinkers on suffering: Harold Kushner, C.S. Lewis, Diogenes Allen, George Buttrick, and Leslie Weatherhead.

    Sharp and concise, it is, without doubt, the most important work on literary criticism that has emerged out of the tradition of Marxist philosophy and social theory since the nineteenth century.

    And as usual, she reveals it to be something we hadn't expected at all. She finds in the idea of the Holy Trinity a striking vision of the nature of reality. What she claims, in a nutshell, is that embedded within this theological formula that Christians recite mostly on autopilot lies a powerful metaphysical principle that could change our understanding of Christianity and give us the tools so long and so sorely needed to reunite our shattered cosmology, rekindle our visionary imagination, and cooperate consciously with the manifestation of Jesus's "Kingdom of Heaven" here on earth. She looks to the history of Christian theology, to her own years of contemplative practice, and to the ideas of G. I. Gurdjieff. Her tone is, as ever, as accessible as it is compelling, and it's a wild ride. "I will do my best to make the ride as smooth as possible," she says, "but in the end, my commitment is to getting there, because I know beyond all personal doubt that there is indeed a ham radio concealed inside this Trinitarian tea cupboard. And in the midst of this long winter of our Christian discontent, when spiritual imagination and boldness are at an all-time low and the church itself hovers at the edge of demise for lack of an animating vision, perhaps now more than ever the time is ripe to remove the packing boards from this tea cupboard and release its contents."

    Now the bestselling author of "unChristian" trains his researcher's eye on these young believers. Where Kinnaman's first book "unChristian" showed the world what outsiders aged 16-29 think of Christianity, "You Lost Me" shows why younger Christians aged 16-29 are leaving the church and rethinking their faith. Based on new research, "You Lost Me" shows pastors, church leaders, and parents how we have failed to equip young people to live "in but not of" the world and how this has serious long-term consequences. More importantly, Kinnaman offers ideas on how to help young people develop and maintain a vibrant faith that they embrace over a lifetime.

    Christ spoke of faith, of perseverance, of praying in His name, of praying in the will of God. But all these conditions were summed up in the one central statement: If ye abide in me and my words abide in you, ye shall ask what ye will, and it shall be done unto you. It becomes clear that the power to pray the effectual prayer of faith depends upon the life.Let Andrew Murray show you what it means to live in Christ, and let his challenge for genuine intercessory prayer change your life – and the lives of those you are praying for.About the AuthorAndrew Murray (1828-1917) was a well-known South African writer, teacher, and pastor. More than 2 million copies of his books have been sold, and his name is mentioned among the other great leaders of the past such as Charles Spurgeon, T. Austin-Sparks, George Muller, D.L. Moody, and more.

    Eliot to be the most important and influential poet of the 20th century, and Four Quartets to be his finest poem and greatest literary achievement. Dove Descending is a journey into the beauties and depths of Eliot's masterpiece written by Thomas Howard, bestselling author, professor and critic. In this line-by-line commentary, Howard unravels the complexities of the sublime poem with such adept adroitness that even its most difficult passages spring to life. During his many years as a professor of English and Literature, Howard taught this poem often, and developed what he calls "a reading" approach to its concepts that render their meaning more lucid for the reader. Dove Descending reunites the brilliant insights of a master teacher whose understanding and love of Eliot's writings are shared here for the great benefit of the reader.Dove Descending is:The first in-depth exposition of Eliot's masterwork ever publishedThe fruit of Howard's many years of teaching Eliot and his unique understanding of the complexities of the great poemA must-have book for fans of T. S Eliot, and anyone who wants to understand his greatest work.

    This stirring fable captures a new spirit of Christianity--where personal, daily interaction with God is more important than institutional church structures, where faith is more about a way of life than a system of belief, where being authentically good is more important than being doctrinally "right," and where one's direction is more important than one's present location. Brian McLaren's delightful account offers a wise and wondrous approach for revitalizing Christian spiritual life and Christian congregations.If you are interested in joining a discussion group devoted to a A New Kind of Christian please visit groups.yahoo.com/group/NKOC.

    Psychology is the only branch of learning in which I am particularly versed. To the psychologist the religious propensities of man must be at least as interesting as any other of the facts pertaining to his mental constitution. It would seem, therefore, as a psychologist, the natural thing for me would be to invite you to a descriptive survey of those religious propensities." When William James went to the University of Edinburgh in 1901 to deliver a series of lectures on "natural religion," he defined religion as "the feelings, acts, and experiences of individual men in their solitude, so far as they apprehend themselves to stand in relation to whatever they may consider the divine." Considering religion, then, not as it is defined by--or takes place in--the churches, but as it is felt in everyday life, he undertook a project that, upon completion, stands not only as one of the most important texts on psychology ever written, not only as a vitally serious contemplation of spirituality, but for many critics one of the best works of nonfiction written in the 20th century. Reading The Varieties of Religious Experience, it is easy to see why. Applying his analytic clarity to religious accounts from a variety of sources, James elaborates a pluralistic framework in which "the divine can mean no single quality, it must mean a group of qualities, by being champions of which in alternation, different men may all find worthy missions." It's an intellectual call for serious religious tolerance--indeed, respect--the vitality of which has not diminished through the subsequent decades.

    Tolkien is "the most influential author of the century," and The Lord of the Rings is "the book of the century." In support of these claims, the prominent medievalist and scholar of fantasy Professor Tom Shippey now presents us with a fascinating companion to the works of J.R.R. Tolkien, focusing in particular on The Hobbit, The Lord of the Rings, and The Silmarillion. The core of the book examines The Lord of the Rings as a linguistic and cultural map and as a response to the meaning of myth. It presents a unique argument to explain the nature of evil and also gives the reader a compelling insight into the unparalleled level of skill necessary to construct such a rich and complex story. Shippey also examines The Hobbit, explaining the hobbits' anachronistic relationship to the heroic world of Middle-earth, and shows the fundamental importance of The Silmarillion to the canon of Tolkien's work. He offers as well an illuminating look at other, lesser-known works in their connection to Tolkien's life.

    Basic Writings offers a full range of this profound and controversial thinker's writings in one volume, including:The Origin of the Work of ArtThe introduction to Being and TimeWhat Is Metaphysics?Letter on HumanismThe Question Concerning TechnologyThe Way to LanguageThe End of Philosophy

    Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times. Reflections the companion volume to this book, is also available as a Schocken paperback.Unpacking My Library, 1931The Task of the Translator, 1913The Storyteller, 1936Franz Kafka, 1934Some Reflections on Kafka, 1938What Is Epic Theater?, 1939On Some Motifs in Baudelaire, 1939The Image of Proust, 1929The Work of Art in the Age of Mechanical Reproduction, 1936Theses on the Philosophy of History, written 1940, pub. 1950

    In over 30 essays, written over 20 years, one of the world's great story-tellers meditates on story-telling. Warm, funny, generous, entertaining, and above all, deeply considered, they offer thoughts on a wide variety of topic, including the origin and composition of Philip's own stories, the craft of writing and the story-tellers who have meant the most to him. The art of story-telling is everywhere present in the essays themselves, in the instantly engaging tone, the vivid imagery and the striking phrases, the resonant anecdotes, the humour and learnedness. Together, they are greater than the sum of their parts.