In death, he becomes really aggravating. In a farewell gesture to his three scattered offspring, he bequeaths each one of them a tarnished jewel from his declining empire.The slothful and duplicitous Ben receives the thriving auto parts plant that he already oversees. He immediately sets his sights on acquiring all three companies. Reality-challenged Ethan gains ownership of a failing distillery. Their sister, the independent Kick, reluctantly assumes the reins of Great North, a small publishing company and sometime music producer.The trio learn from the will's executor—former NHL-er turned farmer Will Montgomery—that the departing Everett has seen fit to challenge them with a series of codicils. Ben is required to fulfill a major parts contract while Ethan has to get the whisky plant back in the black. And Kick—a chronically impoverished documentary film-maker with a project on the go in Wyoming—is dismayed to learn that she is required to produce a “back tax” album with a fading country music star. The singer, Jonah Peck, proves to be every bit as cantankerous and difficult as Everett Eastman himself. Which means that Kick is out of the frying pan.And into the fire.

    A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors.In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

    He can identify every car in town from the sound of its engine, but his world is changing faster then he can fathom. His wife has become an artist, selling sea-glass sculptures to tourists. His daughter is bound for college, while his son has turned angry and lawless. Lucky's own heart is failing him, too. An operation has kept it ticking, but he can't run the boat alone any more. As the spring lobster season opens, the only deckhand Lucky can find to help load his traps is Ronette, the not-quite-divorced wife of the local lobster wholesaler. When the two make it out to the fishing grounds, someone else's buoys are bobbing in his ancestral waters. Before he knows it, Lucky is in a lobster war and has abandoned all the rules: family, health, finance, even the rules of the sea that have guided him throughout his life. As waves of trouble turn into a flood tide, Lucky's pride propels him into an epic confrontation with his enemies and a rogue whale -- a battle his unreliable heart may not survive. The Wooden Nickel is a classic story of a man raging against a changing world, full of pathos and comedy. It is a remarkable novel by a writer with a powerful, distinct, and original voice.

     Two years. Three magnificent horses. Ten countries. A thousand stories of drug cartels, mass migration, the glorious wilderness, the old cowboy ways, the kindness of strangers and the powerful connection between man and beast. This is a tale of grit and inspiration, of Filipe and Frenchie, Bruiser and Dude chasing a dream, one hoof at a time. Please scroll up to grab your copy today!

    The stories in this volume first appeared in book for in A Book in 1923, a new edition of which was published in 1929 under the title A Night Among Horses."There is no denying that the prose sounds magnificent--the best that art and a meticulous poetic ear can produce." -Times Literary Supplement"An impressive story ('Aller et Retour') with a cruel visual wit and a dialogue curiously precise and suggestive, like the imagery of a Jacobean dramatist." -Graham Greene"'The Passion' is beautiful stuff." -Ford Maddox Ford

    S. Eliot's writing. He reveals the reasons for the remarkable commercial successes of William Shawn's New Yorker and William Paley's CBS. He uncovers the connection between Larry Flynt's Hustler and Jerry Falwell's evangelism, between the atom bomb and the Scholastic Aptitude Test. He locates the importance of Richard Wright, Norman Mailer, Pauline Kael, Christopher Lasch, and Rolling Stone magazine. And he lends an ear to Al Gore in the White House as the Starr Report is finally presented to the public.Like his critically acclaimed bestseller, The Metaphysical Club, American Studies is intellectual and cultural history at its best: game and detached, with a strong curiosity about the political underpinnings of ideas and about the reasons successful ideas insinuate themselves into the culture at large. From one of our leading thinkers and critics, known both for his "sly wit and reportorial high-jinks [and] clarity and rigor" (The Nation), these essays are incisive, surprising, and impossible to put down.

    A classic collection of the acclaimed photographer's limited edition portfolios, now available in a gorgeous trade paperback edition.

    W. Schultz (1859–1947) was an author, explorer, and historian known for his historical writings of the Blackfoot Indians in the late 1800s, when he lived among them as a fur trader. In 1907, Schultz published My Life as an Indian, the first of many future writings about the Blackfeet that he would produce over the next thirty years. Schultz lived in Browning, Montana. This Plains veteran's book "In the Great Apache Forest " was published in 1920 and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. Considered one of the best of Schultz' Indian stories, "In the Great Apache Forest," is the true story of 17-year-old George Crosby who being too young to serve his country in France becomes a member of the forest service in Arizona, where he encounters troublesome outlaws and helps to rout them. This book satisfies the reader's love of a struggle for he is fighting not merely the forest fires but real flesh and blood villains. The book introduces incidentally considerable interesting information about the Hopi Indians and a plea for fairer treatment of them. It is while at his lookout station high up on a hilltop that Crosby is visited by a group of Hopi Indians. One of these, trained in an American school, tells of the Indian customs. It is with these Indians' help he is able to protect the forest from a group of left-wing "fire bug" activists seeking to burn it down (members of the Industrial Workers of the World). Other antagonists include a giant grizzly and an Army deserter---both intent on causing havoc. A bit of mystery adds to the interest. The geography on which this adventure unfolds is Apache National Forest which covered most of Greenlee County, Arizona southern Apache County, Arizona, and part of western Catron County, New Mexico. Here is a high country; the altitude of Greer is 8500 feet, and south of it there is a steady rise for eleven miles to the summit of the range, Mount Thomas, 11,460 feet. And here, covering both slopes of the White Mountains, is the largest virgin forest that we have outside of Alaska, the Apache National Forest. It is about a hundred miles wide, and more than that in length, and contains millions of feet of centuries-old Douglas fir, white pine, and spruce. The great forest still harbors an abundance of game animals and birds, and its cold, pure streams are full of trout. Here the sportsman could still find in 1918 grizzly bears, some of them of great size. There were black bears, also, and mule deer and Mexican whitetail deer, and of wild turkeys and blue grouse great numbers. Cougars, wolves, coyotes, and lesser prowlers of the night were quite numerous and in most of the streams the beavers were ever at work upon their dams and lodges. Of Crosby and his home range, Schultz writes: "George Crosby was born and has lived all of his seventeen years, in Greer, a settlement of a halfdozen pioneer families located on the Little Colorado River, in the White Mountains, Arizona, The settlers of Greer are a hardy people. Theirs is one continuous struggle with Nature for the necessities of life. It was then, at the opening of the war, that George Crosby considered what he could do for the good cause. Came the summer of 1918, and the Supervisor of the Apache National Forest found himself woefully short of men, and the dreaded fire season coming on. The most of his rangers, fire lookouts, and patrols had gone to the war, and he could not find enough men of the right sort to take their places. . . . With this introduction, I let George tell his story, a story that I found exciting enough. "

    Then along came the Vietnam War. It seemed he fulfilled his destiny there, becoming someone Radio Hanoi dubbed "the mad dog." This is what is known about his exploits in-country.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    Black Cat 2-1 is the story of one pilot who made it home and the valiant men he served with who risked their lives for the troops on the ground. Bob Ford invites readers into the Huey helicopters he flew on more than 1,000 missions when he and his men dared to protect and rescue. For those whose voices were silenced in that faraway place or who have never told their stories, he creates a tribute that reads like a thriller, captures the humor of men at war, and resounds with respect for those who served with honor.

    and Elizabeth Hall can't sleep. She sits at her apartment window, entertaining murderous fantasies, while on the street below morons smash bottles, flip trash cans, vomit, and dance. Elizabeth struggles heroically to keep her wits, whether fighting with her landlord, the housing agency, or simply trying to survive. Twenty-four hours later the morons are back on the street, but this time Elizabeth is ready to strike a final, defiant-and hilarious-blow. Desperately funny, dark, and altogether entertaining, No Lease on Life perfectly captures a woman and a city on the edge.

    economic system.

    Seven remarkable stories, four of which have appeared in The New Yorker, ranging in setting from an elegant East Side apartment to a YMCA locker room.