If only he could tell her his name isn't really Damon. If only he could tell her who he really is. But after he witnesses a friend's murder, a scarlet woman glides into his life, offering the solution to all of his problems. His carefully constructed existence soon shatters like crystal teardrops and he must determine which ghosts won't stay buried-and which ones are trying to kill him-if he wants to learn why Mary has disappeared.Ages 18+ThrillerFiction

    If there's a line between the real and the digital, between meat and the game, between past and present, then hold this book close to your mouth and whisper it into the pages. Please. Maybe the kid in there'll hear you. His name is Nolan Dugatti. He's lost, see, running down hall after hall, something both ancient and not-yet born galloping up behind him on a hundred legs, each individual footfall a sound he knows, a way of shuffling that he's always known. His father? Except it can't be. Unless of course this is another novel from Stephen Graham Jones. Not quite horror, not quite science fiction, but like his five or six other books, a story trembling at some pupal stage between meat and the game, where words will sometimes stop their crawl across the page and crane their neck around at the sky, nod about what they see there--you--then unfold their wings, drift up into another world altogether.

    Nick Antosca's THE GIRLFRIEND GAME is a tumble through the looking glass into a vortex of violence and desire. The 12 stories in the newest collection by the Shirley Jackson Award-winning author are brutal, urgent and unforgettable.In "Predator Bait," a decoy in a sex sting news show questions her job and the man who shares her bed. An undependable son watches his mother become a creature he hardly recognizes in "Amphibian." A young man plots the death of his girlfriend's killer in "Winter Was Hard."Antosca crafts surreal doomsday scenarios and otherworldly transformations alongside painfully articulate depictions of sexuality and animal impulse. The stories in THE GIRLFRIEND GAME are mesmerizing, leaving a haunting afterglow long after you close the book.

    This pocket-sized edition features full-color illustrations by Matt Kish, illustrator of the critically acclaimed Moby-Dick in Pictures: One Drawing for Every Page.

    Cassidy, the best-selling author of Spilt Milk: A Collection of Stories, continues the story of some of the characters that first appeared in Spilt Milk. Everyone believes in their own version of reality. Will the past deeds of Caleb, Joy, and George come back to haunt them? Discover realities on the spectrum between normal and fantasy. Earlier experiences shape the present and future. Choices change lives. • Can a murderer decide to stop killing? • Can a woman regain the confidence she had in her twenties? • Can a lonely man find the perfect companion? Welcome to the world of Curious Reality. Are any of your realities curious?

    Hundreds of thousands have lost the ability to sleep. Enter the Slumber Corps, an organization that urges healthy dreamers to donate sleep to an insomniac. Under the wealthy and enigmatic Storch brothers the Corps' reach has grown, with outposts in every major US city. Trish Edgewater, whose sister Dori was one of the first victims of the lethal insomnia, has spent the past seven years recruiting for the Corps. But Trish’s faith in the organization and in her own motives begins to falter when she is confronted by “Baby A,” the first universal sleep donor, and the mysterious "Donor Y."Sleep Donation explores a world facing the end of sleep as we know it, where “Night Worlds” offer black market remedies to the desperate and sleep deprived, and where even the act of making a gift is not as simple as it appears.

    The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw.“The Return to Monsterland” opens 'Where We Go When All We Were Is Gone,' a collection of twelve fabulist and genre-bending stories inspired by Japanese folklore, historical events, and pop culture. In “Rokurokubi”, a man who has the demonic ability to stretch his neck to incredible lengths tries to save a marriage built on secrets. The recently dead find their footing in “The Inn of the Dead’s Orientation for Being a Japanese Ghost”. In “Girl Zero”, a couple navigates the complexities of reviving their deceased daughter via the help of a shapeshifter. And, in the title story, a woman instigates a months-long dancing frenzy in a Tokyo where people don’t die but are simply reborn without their memories.Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we, as individuals and as a society, are at our most vulnerable.

    Would you even believe me if I did or didn't? Could this paper touch your face? I've spent enough years with my face arranged in books. I've read enough to crush my sternum. In each of the books are people talking, saying the same thing, their tongues thin and white and speckled.I don't want to be here. I want to get older. I want to see my skin go folding over.Someday I plan to die.Books that reappear when you destroy them, lampshades made of skin, people named with numbers and who can't recall each other, a Universal Ceiling constructed by an otherwise faceless authority, a stairwell stuffed with birds: the terrain and populace of Sky Saw is packed with stroboscopic memory mirage. In dynamic sentences and image, Blake Butler crafts a post-Lynchian nightmare where space and family have deformed, leaving the human persons left in the strange wake to struggle after the shapes of both what they loved and who they were.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    This is a communal effort by the Pushcart Press staff, contributing editors, and hundreds of small presses. For this edition distinguished poets Julie Sheehan and Tom Sleigh served as poetry editors. The result is an introduction to a literary world that few readers have access to, where much of today's important new writing is published, far from the commercial influence of the conglomerates. In reviewing last year's edition, Donna Seaman of Booklist commented: "A brimming, vibrant anthology-the perfect introduction to new writers and adventurous new work by established writers . . . extraordinary in its range of voices and subjects. Here is literature to have and to hold." The Pushcart Prize has been chosen for the Ivan Sandrof Lifetime Achievement recognition by the National Book Critics Circle and the Writers for Writers award from Poets Writers / Barnes Noble.

    A young woman named Foe has lost her memory and six messengers who attempt to recite her past back to her inevitably - and creatively - fail. Parts Kafka, Lewis Carroll, and Aesop, the imagistic allegory warns that in a culture of texting, email, and Twitter, we can't forsake real conversation - or we could lose its art forever. - Interview Magazine, Dec/Jan 2010.An exquisite memento of wildly imagined scenes, odd characters, and nightmares confused with waking life, a slipstream loop where bureaucracy and hallucination are so intertwined that you’re often confused which is the most absurd. - The Brooklyn Rail, April 2010.

    In this creepy tale, the twist comes with the very last word…

    Collection of short fiction by the author of Résumé with Monsters• The Wedding Photographer in Crisis• Haunted by the Horror King• The Entomologists at Obala• The Return of Count Electric• Graven Images• Pep Talk• Looking Out for Eleanor• Snow• A Child's Christmas in Florida• Best Man• Daughter Doom

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    In her works of fiction, Gilman sought to illustrate her ideas about the way American society squandered the talents and economic contributions of women. Based on the nervous breakdown she suffered during her own disastrous first marriage, The Yellow Wall-Paper is her classic story about a woman who goes mad when the rest-cure treatment she undergoes forbids her any kind of work.Herland, Gilman's most famous novel, is a feminist utopian comedy in which three men stumble upon a society of women that has banished men. Also included in this Penguin Twentieth-Century Classics edition is a selection of Gilman's poetry and other short fiction. Gilman scholar Denise D. Knight has written an enlightening Introduction that explores Gilman's use of the utopian form, satire, and fantasy to provide a critique of women's place in society and to propose creative solutions.